This Honour Board was made by the Ballarat Technical Art School, a division of the Ballarat School of Mines. Lieut. Col. Alexander H. White was the Commanding officer of the 8th Light Horse Regiment. He fell at The Nek Gallipoli on 07 August 1915.Timber honour boards with names on repoussed copper. ballarat old colonists' club, old colonists' association, honour board, world war one, world war i, a.h. white, w.s.t. morgan, g.f. morgan, e.s. holgate, j.s. lazarus, m. mcgregor, j.g. tyler, j.d. tassell, dr j.k. richards, a.w. bennett, t.e. peart, f. beaton, j.r. cameron, f.f. brind, l malin, h.g. morrow, r.s. anderson, t.c. naples, n.h. jones, f.h. ronaldson, t.j. entwistle, ballarat technical art school, alexander white, war memorial

Written on back of photograph, "1957 - Combined Ringwood schools art show".

Plan of a new entrance for the Ballarat School of Mines Technical Art School Building. ballarat technical art school, ballarat school of mines, g.d. and n.e. hewitt, architectural plan

Four colour photographs showing pipes at the back of the Ballarat Technical Art School.ballarat technical art school, ballarat school of mines, pipes, water pipes

4-page typewritten list of art works, artists, and sale prices (in guineas).

Newspaper clipping, from a glossy colour printed magazine or publication, titled "Melbourne's Tram art gets the brush-off" about the last Transporting Art tram by Stewart Merritt. Has a photo of Stewart leaving from the tram and of the side of the tram showing the themed art of "Victoria State of the Arts". Notes that it was launched last month by the Minister for the Arts, Race Mathews.trams, tramways, transporting art, ministry for arts, w2 class, tram 439

Photograph of Princes bridge Melbourne with one cable tram set crossing. In the background is the then new Flinders Street station building. Note the clock on the right hand side of the photograph that was later transferred to Spencer Street station. Yields information about Princes Bridge in 1910.postcard - decorative border with a photo of Princes Bridge within an oval - embossed. On the rear is a letter dated 21/12/1910. Card by Marlborough Art Series.See note on rear.tramways, trams, yarra river, princes bridge, cable trams, flinders street station, clocks

Tatting is a form of knotted lace making using thread and a small shuttle. Twisted threads are tied around or through small, pointed shuttles that can be made of bone, mother of pearl, tortoise shell, steel or plastic. This produces a stable, strong lace using simple knots of two half hitches to make rings and chains embellished with picots. The origins of tatting are not clear but early versions of decorative knotting were used by the Egyptians on their ceremonial dress. Tatting also has elements of fishermen's net making techniques and the decorative knotting that was practiced by aristocratic women from the 15th century. Tatting, as we know it today, emerged in the first half of the 19th century. The new availability of mercerised thread from 1835 encouraged a burgeoning of lace crafts of all sorts. It was known in Italy as "occhi" and in France as "la frivolite". It looks fragile but is both strong and durable. An article in a column named "Wives and Daughters" published in the Star newspaper in May 1910 describes the durability of tatting lace - "there is edging and insertion still in existence that have outworn two sets of pillow slips." In the 19th century and well into the 20th century, tatting was used like crochet and knitted lace for decorative edgings, collars, doylies, tray cloths etc. At first, different tatting patterns were passed along by word of mouth from person to person, however in time, patterns regularly appeared in newspapers and magazines well into the 1950's. Paragon knitting, crochet and tatting books have been distributed throughout Australia since the 1930's, originally by "Paragon Art Needlework Pty Ltd" of Sydney, N.S.W. From 1946 these books were designed and printed in Australia from patterns provided by British and Australian thread companies. Consequently these patterns may also appear in similar British and American publications. Paragon Book No. 104 is an instruction book designed for the "beginner" whilst Paragon book No. 105 is designed for the more experienced tatter. The layout of these books was typical of the 1940s period when paper was in short supply. Most of the pattern books were approximately 18 cms wide by 24 cms high and some were smaller at about 13cm by 21 cms. The type used was small (about four lines of text per centimetre) which was difficult to read.This item is an excellent example of a needle work pattern book available to women in the 1940's in Australia.A soft covered 16 page instruction book with black and white photographs and detailed instructions explaining how to tat and eight tatting projects including how to make a collar and handkerchief edgings, published by Paragon Art Needlecraft of Sydney.Front cover - "PARAGON BOOK NO. 104" "PRICE 1/3" "Learn to/ TAT' Back Cover - "36/D5 E/A DO2" - handwritten in pencil flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, tatting, tatting pattern book, tatting instructions, handicraft, needlework, shuttle, tatting shuttle, paragon needlecraft, paragon craft book

Black and white photograph of Gippsland Centre for Art and Design Students Drawing from Lifegippsland centre for art and design, gippsland institute of advanced education, visual arts, alumni, drawing, lifedrawing

Colour photographs showing the interior and the Stained Glass Windows at the Ballarat Technical Art School.ballarat technical art school, stained glass window, gribble building

Three catalogues for the Dick Ovenden Memorial Art Competition 18th June 1974, 14th June 1977 and 4th June 1984. All held at Eastland Shopping Centre. Presented by Eastern Suburbs Lions Clubs. Proceeds to charity. The 1974 catalogue states, "We are grateful to the late Dick Ovenden for his inspiration to hold an annual Art Competition with emphasis on the local environment. Entries this year have exceeded our expectations to an extent that late entries could not be accepted. The late Dick Ovenden suggested a competition for the best painting of Local Environment. We have donated $200 as the prize and the picture becomes the property of the Zone, and several Honourable Mentions to be selected by Sir William Dargie. The Artists select their Competition entries. Zone Lions clubs of Bennettswood, Box Hill, Forest Hill, Nunawading, Ringwood and Vermont are appreciative of support from the artists and thank the public for its continued interest."

This art work is an example of an Art Deco print created through lithoprint / lithograph techniques. As a print it would have been more affordable than an original artwork and hence could be purchased by a wider cliental. Little is known about the artist, but Jean Lasalle is listed as producing another print used by Tuck & Sons in their Oilette postcard series.This item is significant socially as an example of artwork that may have been displayed in homes around the 1910s- 1930s. The Oilette logo carries significance, linking the print to a business that was influential in the early production of postcards.Unframed print on board with some framing tacks still attached to the back of the board. Print area is in fair condition. The print has been stuck to a ‘paper frame' which has been attached to the backing board. The subject of the print is a lake view, with steep mountains in the background and two female figures on a bench in the foreground in the Art Deco style. Colours are muted. The print has the artist's signature 'Jean Lasalle' (looking at the print bottom left) and the words 'Oilette' (looking at the print bottom right) with a small logo composed of an oval and square underneath.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lithoprint, lithograph, oilette, golden dawn, art deco, jean lasalle, print, day dream

Howards Art of Reckoning by C F Howard Publisher Cassel & Company Limited Date 1896 flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, howards art of reckoning, book

The Political Economy of Art Author: John Ruskin Publisher: Smith, Elder and Co Date: 1857 Label on spine with typed text RH 704 RUS warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, john ruskin, the political economy of art

Poster - printed on heavy cartridge paper, advertising the sale of the first series of Transport Art Trams at the Held at Hyatt on Collins. To be held 7/12/1986. Gives contact details, time and has the Transporting Art logo. See Reg item 405 as well.trams, tramways, transporting art, auctions, decorated trams

Colour photographs of the Stained Glass Window at the Ballarat Technical Art School, A division of the Ballarat School of Mines.stained glass, ballarat technical art school., miner's lamp

Black and white photograph of students engaged in classroom activity. On board at the end of the room is written 'Mannual Art'.

Ringwood Jaycees presents The Thirds Annual 1970 Maroondah Art Show at Eastland, Maroondah Highway, RingwoodTuesday 31st March to Saturday 11th April. Raising money for the Maroondah Hospital Appeal.