Woodlands Dairy Co manager testimonial, handwritten letter on pale blue paper. On top Rh corner ' The Rise, Tennyson Avenue, Scarborough' letter signed by A. Winson, supporting Mr. F. Pattison ( Patterson ) application for a supported passage to Western Australia.fred pattison, assisted passage, western australia, migration

Thomas Buzza (1833-1904) was a Cornish born miner who came to Bendigo in 1853. He bought the BAckCreek sawmill (1861-1865). He had several other sawmilling enterprises and later operated a hay and corn produce store. He also built and operated paddle-steamers in the Murray Darling system. He left Myers Flat in 1893 and died in Goolwa, SA in 1904. He had married Emily Rainsdon (1852-1926) in 1867.Printed family history spiral bound with perspex cover. Contents page - no index. Contains family trees, summary of Thomas Buzza and his migration from Cornwall, details of descendants of Thomas Buzza, photographs, maps and images of birth, death and marriage certificates.Darren McFarlanegenealogy, family, cornish, buzza, bendigo, eaglehawk

These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists

In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex.

Men of Faith and Vision. Archdeacon Archibald Crawford, Dean John Christian MacCullagh. Publisher Keith Cole Publication. Printed by D G Walker Pty Ltd, Railway Place, Bendigo Victoria 3550. 52 pages. Photographs and illustrations. Signed by Keith Cole. With Indexchurch, history, anglican church, archdeacon archibald crawford, 1815-1890, ministry in ireland, migration to australia, castlemaine, john maccullagh

History of the PribislawThe two timbers on display are salvaged from the wreck of the ship 'Pribislaw' which transported the Ziebell family and the other Westgarthtown settlers from Germany to Australia. The model of the 'Pribislaw' was handmade by Geoffrey Borrack, a Ziebell family descendantFree-standing display board containing diorama in centre of shipwrecked Pribislaw. Information given of the ship itself. Attached to the bottom are 2 wooden sections of the Pribislaw ship with brass nails. Wooden sections have been fitted to a wood stand for display purposes.As per photomaritime technology, ship relics, information, board, drawings, documents, pribislaw, 1849, 1850, german migration, ship

The Testimonial to Uriah Whidycombe is one of a number of versions; others are in the collections of the State Library of Victoria and the Royal Historical Society of Victoria. This version is officially the oldest object in Kew Historical Society's collection. It was presented to the Society by two of its members in 1959.A photographic copy of a testimonial presented to Uriah Whidycombe, boatswain of the "John Bunyan" (Capt. George Coyle), by the passengers as evidence of appreciation of his courtesy and efficiency during the ship's first voyage from London, August 14th - November 24th, 1852.To Uriah Whidycombe Boatswain We the undersigned passengers on board the ship John Bunyan, desiring to express our sense of your civility and the uniform kindness of disposition you evinced towards us during the voyage, wish to offer you the accompanying testimonial, which though small will shew to you the good feeling and respect you gained from all classes of passengers in this ship. - We wish further to express our admiration of the very able and seaman-like manner, in which, during very trying weather, you have performed the arduous duties committed to you - [followed by signatures and amounts donated]uriah whidycombe, testimonials, ship - john bunyan, migration, migration to australia

Professor Arthur Barrington (Barry) Baker was the first Australian anaesthetist to gain a DPhil in anaesthesia. He completed his DPhil at Oxford University at the Nuffield Department of Anesthesia in 1971, titled, Physiological Responses to Artificial Ventilation. The Waveform Ventilator is the machine developed to illustrate his DPhil. The waveform ventilator was used in several scientific studies on 'the effects of varying inspiratory flow waveforms and time in intermittent positive pressure ventilation (IPPV)', published in the 'British Journal of Anaesthesia'. Professor Arthur Barrington Baker had an extensive career in research and clinical practice including holding the position as the Nuffield Professor of Anaesthetics at Sydney university (1992 - 2005) and also as the Dean of the Australian and New Zealand College of Anaesthetists (ANZCA) (1987-1990).The variable waveform ventilator is of national significance, due to its association with Professor Arthur Barrington Baker (Prof. Baker) the first Australian academic anaesthetist, and the representation of historical social themes and research and design, in anaesthesia. Historic significance – It is a rare type of ventilator in good condition and well provenanced. It is a tangible record of the beginning of the long established and distinguished career of Prof. Baker, the first anaesthetist in Australia to gain a DPhil. Prof Baker has a strong involvement in the Australian and New Zealand College of Anaesthetists (ANZCA) organisation. The object is a product of Prof Baker’s Doctorate of Philosophy (DPhil) on respiratory physiology and is associated with the prestigious Oxford University and the well-known Nuffield Department of Anaesthetics. It also represents the social theme of migration to England from Australia in the 1960s and 1970s to access and experience academic and artistic opportunities limited in Australia at the time. Scientific Value – The object is of scientific value as it offers major potential for education and interpretation in anaesthesia. Although ventilators are common equipment, this specific design and construct prototype is one of a kind, designed and used specifically for research purposes. A rectangular shaped object on a trolley with four wheels. The top half of the object consists of two panels, one of cream coloured painted wood, the other black plastic, both containing several dials of different shapes and sizes. The wood surface also contains several gauges and a safety pressure clear plastic box. The plastic surface also contains a pin board. The bottom half of the object consists of two shelves. The whole object's perimeter is lined with perforated metals. The top wooden surface has several metal pieces of equipment and a long tube. The rear of the object contains numerous types of tubing and wire, a gas cylinder and two leather straps with buckles. The bottom half of one side of the objects has 3 electrical power outlets.Waveform Generator, Drs Colliss N Cowie, Dr Baker Dr Murray Willson, Dr Babbington, Safety Pressure, Error POS F/B, Position, Feedback, Set Balance, Reset, Full Stroke, Velocity, Converter Current, line Pressure, Low Pressure, Bias Pressure, Start, Stop, Stop, Reset Press, Max Press, W/G Output, A/CRO B/2.baker, arthur barrington, baker, barry, professor, academic anaesthetist, oxford university, nuffield department of anaesthesia

Demonsthenes (Bavias) and the young Dimitris Florias were examples of the numerous families from Ithaca Greece that migrated to South Africa in the latter years of the nineteenth century and early twentieth century. Many settled in Johannesburg. Like their compatriots who migrated to Australia many became successful business people in their adopted country. UnknownA sepia photograph on a cream board of an elderly well-dressed man wearing a suit and seated on a wooden seat with a young boy wearing a knickerbocker suit standing next to him. They are both wearing floral buttonholes in their lapels. The elderly man has a groomed moustache and goatee beard and is holding a pen in his right hand.Embossed on the cream board: J.A.SIMPSON/THE ARCADE. J'BURG. The Ithacan Historical Society stamp is on the back of the board. The names of the two people are on a typed label which has been pasted under the photograph. Written on the back: ER 7.ithacan diaspora

The 1953 catastrophic earthquakes on Ithaca and nearby Cephalonia caused extensive damage destroying many houses and buildings. The tremors reached 7.2 on the Richter Scale and the devastation was exacerbated by the quake occurring at midday when many people were cooking so fires spread rapidly across the island. The Holy Church of Taxiarchion, located in northern Ithaca on the hill overlooking the village of Platrithia and Afales Bay, was extensively damaged. A committee was formed to rebuild the church and its reconstruction following the earthquake is testament to the determination and resilience of the island's people to overcome hardship and disasters. A black and white photograph of scaffolding supporting a building destroyed in earthquake. A trench along the side of the structure is being prepared for further reinforcement with steel rods before the concrete is poured.The photo a has stamp on the back from the local committee overseeing the rebuilding of the church. It is written in Greek and states the following: REBUILDING COMMITTEE/ HOLY CHURCH OF TAXIARCHES/PLATRITHIA ITHACA.

The photograph is of members of the Governing Council of Greek Women in Melbourne in 1917. A number of the women were from Ithaca. The organisation was created to offer social interaction for Greek women who had settled in Australia in the early years of the twentieth century and was part of the Greek Orthodox Community of Melbourne and Victoria. Back row L-R: Mrs. A Raftopoulou, Miss Sigala, Mrs. E. Peppa. Middle row L-R: Miss E. Nomikou, Mrs. K. Kyriazopoulou, (President), Mrs. K Mavrokefalou (Vice-president), Mrs. N. Mari. Front: Mrs. B. Zografou. A black and white portrait style photograph of eight young women. The translated caption is printed below the photograph in Greek: THE GOVERNING COUNCIL OF GREEK WOMEN, MELBOURNE 1917 gocv, committee, auxilliary

Pictured is Efthimios Raftopoulos and his nephew Stathis Raftopoulos. The Raftopoulos (Levendi) family commenced migration in the late 1890s. Members of the family initially settled in Mildura and Merbein where they operated various business enterprises. Some family members later came to Melbourne. The photograph was taken shortly after Stathi's arrival in Australia in 1934. His Uncle Efthimio arrived in Australia in the early 1900s. A sepia studio photograph of man seated and a young boy standing next to him. Both are wearing suits. A larger scanned copy of this photograph is in the duplicate folder. efthimios raftopoulos, stathis raftopoulos, levendi

Hariklia Raftopoulos (nee Moraitis) pictured with her sons, Stathi to the left, and Nakis (Nick) to the right. Her husband Spiros Raftopoulos was in Australia at the time the photo was taken. He returned to Ithaca and by 1934 the family eventually all migrated to Australia and settled in Melbourne.A scanned black and white photograph of a mother with her two sons. The mother is sitting on a chair and the boys are standing on either side of her.immigration

Following World War 2, Greece descended into civil war which lasted from 1946 - 1949. Young men from Ithaca fought in this war, including Nikos Vlassopoulos (Kopela) pictured centre back row. Following the war Niko together with his mother, Eugenia, migrated to Australia in 1950 where he joined his father Demetri who had been in Australia since 1922 and brothers, Stathi, Pano and Costa who had left Ithaca for Australia in the 1930s. In the early years of Ithacan migration, many husbands left their families and migrated to various countries that offered opportunities. Demetri and Eugenia had been separated for almost 30 years before they reunited in 1950. Prior to leaving for Australia Demetri had also spent time in America. Women were left to bring up children on their own during times of hardship and periods of war. A black and white photograph with crimped edges of eight young men sitting amongst low growing shrubbery having a meal break. Two men are standing each end of the group holding guns.kopella

An advertising poster for the 1955 All Nations Festival which was presented by the Australia Red Cross Society, Victorian Branch. Nina and Olga Black participated in the festival and were featured on the poster (seated at front first and second from left) wearing Greek traditional costumes. Other recognisable national costumes are Scottish Piper and Dutch.The event held in 1955 by the Australian Red Cross promoted multicultural Australia and members of the Ithacan Philanthropic Club participated. It was the period of post WW2 mass migration which saw many nationalities making Australia their home.Photocopy of a poster for the 1955 All Nations Festival. Consisting of a group 3 men and 6 women dressed in different national traditional dress. There is a Red Cross symbol either side of the group.THE AUSTRALIAN RED CROSS SOCIETY / VICTORIAN DIVISION/PRESENTS THE / 1955 ALL NATIONS FESTIVAL / ST. KILDA CRICKET GROUND - SUNDAY, 27TH FEBRUARY 1955folk dancing, national costimes

Nina Black , standing at the back in the middle of the group, taught Greek dancing to many young Australian-born Ithacans. She also taught Greek language and English to adult migrants. Nina worked tirelessly with migrant community in the post mass migration period. Learning traditional Greek dancing has been one way that Ithacans who settled here were able to maintain their culture. Traditional Greek dancing is always popular at Ithacan social events. A black and white photograph of six ladies and four men dressed in Greek national costume.

The photograph features Anastasios Vlassopoulos (Kioukiouris) with his three daughters-in-law, Ekaterini, Korina and Elena, and three little grandsons. They are from L-R: Ekaterina (nee Paxinos), Korina (nee Raftopoulos), John, Anastasios, baby Aleko held by his grandfather Anastasios, Elena (nee Raftopoulos) and Peter. The photograph was taken in the village of Lahos shortly before Ekaterina and son Peter emigrated to Australia to be reunited with her husband, John. Elena remained in Ithaca, as did Korina whose son Aleko Vlassopoulos migrated to Australia following World War 2. Ithacan migration to Australia before World War 2 was unassisted. Generally it followed a pattern of chain migration with family members following one another. The men arrived first with the intention of either returning or saving enough money to bring their wives and families out when they had become financially established. Most men did not return. Some families were reunited while some wives and children never saw their husbands and fathers again.A black and white photograph of a family group of seven people - an elderly man, three young women, two little boys and and a baby.chain. migration

Severe earthquakes struck across the Ionian Islands in Greece in 1953, causing widespread devastation. Some villages were totally destroyed resulting in many people forced to relocate and a further wave of emigration to other countries, including Australia.Following the post WW2 migration from Ithaca, the earthquakes brought about yet another wave of migration from the island. It was the last most significant period of migration from the island.A black and white photograph of ruins caused by the earthquake which occurred in the Ionian Islands in 1953.

Prior to the advent of the ferry service Ithacans who wished to travel to the mainland sailed by ship. The 'Angelika', photographed in Ithaca's port harbour of Vathi, transported most of the post WWII Ithacan migrants to the main Greek port of Piraeus to embark for their journey to Australia. Migration from Ithaca to Australia ceased during the second world war years. A second wave commenced in the post war years, particular following the 1953 earthquakes which caused catastrophic damage to the island. Today travel between Ithaca and the mainland is by ferry boats. Ships and ferry boats no longer enter the harbour at Vathi, but rather dock at Piso Aetos. A black and white photograph with a thin white border of a ship steaming out of a harbour with smaller craft in the water. People are standing on the wharf watching the boat depart; behind them are buildings and mountains across the skyline.

Ithaca along with other Ionian Islands experienced catastrophic earthquakes in 1953 resulting in widespread devastation across the island. After the damage was assessed many of the island's residents emigrated to join family in Australia, which brought about another wave of Ithacan migration.The damage on Ithaca as a result of the earthquake caused the largest ever wave of immigration from the island which resulted in the most significant decline in the island's population.A black and white photograph showing the damage caused by the earthquake which occurred across the Ionian Islands in 1953. The interior of an entire building along with an exterior wall has collapsed. There is a tent partly visible on the LHS of the photograph and three chairs are scattered around in front of the wrecked building.

The photograph was taken after the massive earthquakes of 1953 which caused widespread destruction across Ithaca and other Ionian Islands. Many of the buildings destroyed in the earthquake could not be rebuilt and some parts of the villages became uninhabitable. This event brought about the largest mass migration from the island and a further wave of Ithacan migration to countries, such as Australia and South Africa, where relatives had already settled. The Ithacan Philanthropic Society established an Earthquake Appeal to assist their compatriots.A black and white photograph showing widespread damage done in the aftermath of an earthquake. Many houses are in ruins and there are two heaps of rubble comprising timber and metal and concrete in the foreground. Two men are walking along a track looking at the destruction in the village.

Panoyiannis (Peter) Raftopoulos arrived in Australia in 1937 on the RMS STRAITHAIRD. Travel to Australia between the He married Evgenia Raftopulos and they had two children, Loula and Spearos. Peter was the brother of Kalypso Sofianos nee Raftopoulos. Peter was secretary of the Ithacan Philanthropic Society 1938-1949 and 1953 and an Honorary Life Member.Between the world wars migrants made the long journey to Australia on steamships such as the STRAITHAIRD. Then came the ocean liners which remained the main form of transportation for immigrants to Australia until well into the 1960s. By the 1970s, the wave of post-war migration by ocean liner to Australia was largely over. With fewer migrants coming to Australia, travel was mainly by air.A scanned photograph of the P&O liner, RMS STRAITHAIRD on a voyage. P&O. RMS "STRAITHAIRD' 22 500 TONS/INDIA AND AUSTRALIA MAIL AND PASSENGER SERTVICE.

The photograph was taken in Ithaca, possibly in the village of Kioni where those in the photo are all from, hence the term Kiniotes (ie people from Kioni). Pictured from L-R: Diamando (Mando) Raftopoulos , Yianni Raftopoulos (Tsagaris) and Kalypso Sofianos (nee Raftopoulos). The identity of the little girl is uncertain. She could be Tasia Diamond (nee Paizis) the daughter of Nick and Dora Paizis. All in the photo eventually emigrated to Australia and settled in Melbourne. The population of Kioni, and the rest of the villages on Ithaca, began to decline from the beginning of the 20th century. By the 1950s, following the mass migration of the post war and post 1953 earthquakes, the population declined dramatically, leaving only a few hundred permanent residents.A black and white photograph of two ladies, a man and a little girl; standing in front of a hedge with some rocks behind them.

A young Dimitri Sofianos is photographed in Ithaca with his older brother and his two sisters, Eugenia and Katerini. His brother migrated to South Africa after which they never saw each other again. His two sisters remained in Greece. Dimitri never returned to Greece after he arrived in Australia and as such also never saw his sisters again.Dimitri Sofianos' story of a family separated by migration was a common theme amongst those who ventured beyond their country of birth in the early years of migration when overseas travel was difficult and communications slower. It also took years of work and hardship to establish themselves in their adopted country and as a result it was often not possible to take the time for overseas travel.A scanned black and white photograph on A4 paper of four young children - two boys and two girls - in front of a curtain. Thew oldest boy is standing behind the other three who are seated.

A copy of Dimitri (known as James) Sofianos' Commonwealth of Australia Naturalisation Certificate issued from Sydney on 22 June 1928. Australian citizenship offered significant rights and was therefore taken up by many Ithacan migrants once they became established and when they fulfilled the requirements which at the time of Dimitri's naturalization were more onerous for those who were not 'natural born' British subjects. Prior to 1949, Australian naturalisation meant citizens became British subjects. It was not until 26 January 1949 the status of Australian citizen was created when the Nationality and Citizenship Act 1948 came into force. And it was not until the 1973 under the Whitlam Labor government that the distinction between migrants from Commonwealth and other countries in terms of ability to become Australian citizens was abolished. The previous residence requirements of 1 year (Commonwealth migrants) and 5 years (non-Commonwealth migrants) to become Australian citizens was replaced by a common residence period of 3 years, but with a six-month transition period.A scanned copy on A4 paper of a certificate of Naturalization.migration