Black & White studio photograph. Woman seated on brick staircase. Aged approx thirty. Black period pleated bustled dress and hat. Buttoned blouse. Printed on front. Stewart & Co 217-219 Bourke Street East, Melbourne.Stewart & Co 217 & 219 Bourke st East Melbournephotograph, person, female

Hilda Hill Collection. Black & White Photograph Collection Double Sided Card 10 Individual Photographs, Family Life During World War 1. Five Children enjoying day out at Pyramid Mineral Springs in Kyneton 27/09/1918 white gate in background. Female in white coat standing in a garden, Dec 30th 1918 The Ranch. General Pau Bendigo 21/10/1918. Two Gentlemen in a gig at Bendigo's Botanical Gardens Jan 1919. Three ladies in white blouses and black dresses 'The Pines' Jan 1919. Mistress Alma Northcote 1918. Easter Monday 1918 Lieutenant King in uniform at the 'The Ranch'. Small dog standing on white chair in front of a fern. Two men sitting on ground with football goal post in background, one dressed in white clothing with tennis racket at his side and the other man in slightly darker clothing with a hat at his feet. Victorian home, verandah with lacework named the Ranch. The house has lacework below the gutter of the front . Medium light coloured picket fence. Paved footpath with narrow nature strip. Tree on nature strip enclosed by a medium height picket fence.history, australian, world war 1 family life, https://en.wikipedia.org/wiki/paul_pau

2 copies of faded? black & white photographs of a girl. She is wearing a white, frilly knee length dress, black stockings and shoes. She has a necklace with a cross on it. She has long, dark hair. She is standing beside a wooden gate and a flower. Photo is mounted on dark, grey cardboard with an embossed frame 6mm from the edge of the photo.W. Vincent Kelly Mitchell St. Bendigophotograph, portrait, female, foster & wilson collection, photograph, w. vincent kelly

This item was donated as a photograph of Louisa Morrison. Louisa (or Luisa) Rosanna Morrison nee Haag came from an early settler family in the farming community of Wandin. The woman photographed is in her old age. If this is indeed Louisa Morrison, the photograph would date from the early 1940s, since she died in 1946 at the age of 70. However the costume and the style of the photo suggest an earlier date, possibly the early 1900s. This could be Louisa's mother, Emma Martha Haynes, or mother-in-law Margaret (McNeil) Morrison. The woman is shown in a garden, probably because the family were farmers/orchardists. Louisa married Daniel McNeil Morrison, who was nine years her senior , in 1900. They had four children and farmed Morrisons' Orchard in Old Hereford Road, Mt Evelyn. The Morrison home was to become the important community house in Mt Evelyn, Morrison House. Morrison Reserve is part of their land, as was Yarra Hills Secondary College, Mt Evelyn Special Developmental School and the Reserve and Athletics facilities, including a tennis club. In 1981 the land title was changed to the Shire of Lillydale, who purchased the land and established the Morrison House Community House from 1976 (ie before they legally owned the land).This picture is of social significance as it is the only reputed picture of Louisa Morrison nee Haag.Brown round cornered frame with gold colour on inner frame. Painted plaster on frame chipped on top right. Coloured (painted) photograph of seated woman in upholstered chair with large brown cushion behind her. Garden setting. Black floor length dress, high necked, long sleeved. White cap on head. White cloth showing at neck.Bottom right hand corner, signature "F. RAPHAEL". Reverse: four inscriptions, one on each straight side, stamped in ink. Top: "MADE IN / AUSTRALIA". Right side: "THIS MOUNTING IS SPECIALLY DESIGNED AND / SELECTED WORKMANSHIP AND MATERIALS / GUARANTEED". Bottom: Table, 1 row, 2 columns. 1st cell: "STYLE / 1". 2ND CELL: "PRICE / 3 GNS". Left: box with 2 columns, 1 row. Left most column is divided horizontally into two, as is the 2nd column, but at a lower level. This creates four cells. Top left: "STYLE 1". Bottom left "PRICE 2 GNS". Top right: "TO BE SOLD AT PRICE MARKED OPPOSITE ONLY ON CONDITION THAT SAME IS MOUNTED ON ONE OF OUR SAMPLE STUDIES". Bottom left: "EMPIRE ART COMPANY LIMITED".louisa, morrison, haag, morrison house, farming, orchard, mt evelyn, photograph, wandin

A coloured photograph in a black frame are sailors dressed up for Melbourne Cup day. One of the sailors is dressed as a lady. Bottom righ hand corner are the words Voyages to Cietnam Collection. Bottom left hand corner are the words Copyright "Slim" Whitfieldphotograph, hmas stuart, cerberus collection

Long flowery gown -pink flowers with black background. Long bright pink 'sash'. Long sleeves. Kimono style. Long princess line, pink, black and white floral dress with V neckline. A fine cotton material with a bright pink chiffon sash.Tag: "Snazzi" "Follow the Dot with Dash" "Sydney"ball gown, reid family

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Outstanding black silk crepe cocktail dress with extensive use of glittering silver and red metal sequins. The sequins are used on either side of the red ribbon bordered neckline, on the sleeves and on panels of the skirt. The dress incorporates an attached fabric tie at the neck and a separate belt.cocktail dresses, weir collection, fashion - 1920s, edith mary weir (nee betteridge), illapa - 84 princess street - kew (vic.)

Invitation to Official Opening of Golden Twin Cinema (1975). On folded light card. Invitation (to Mr and Mrs G Cattenach - inscribed on dotted line) to a Charity Night and Official Opening of Golden Twin Cinema and the World Premiere performance of Tim Burstall's ''Endplay'' on Saturday 20th December, 1975. Opening by the Honourable F J Granter, MLC. Donation $10 Single. Dress: Black Tie.entertainment, theatre, golden twin cinema, golden twin cinema, george mallaby, belinda giblin, john waters, honourable f. j. granter.

Handkerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five handkerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother.This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as handkerchiefs to their loved ones at home.White linen painted with an image of a lady in red crinoline dress with black lined pattern around bottom of dress. Three blue birds on the left side.and surrounded by semicircles of flowers around bottom half of hankerchief. Bordered with pink printed line and hemmed in green stitching.warrnambool,, world war 1 hankerchief, printed silk hankerchief, redman hankerchief, crinoline lady hankerchief

c 1914 Dusky pink satin long dress with black ribbon threaded through overskirt and collar. Deep round collar with crystal beading and pink bobbles around edge. Mesh at neckline with pink and clear beading. Crystal beads on edge of overskirt. Long sleeves.costume, female

Black and white photo of Christopher Ballerstedt Senior (1786 - 1869) dressed in black suit, with white hair and white beard. Framed in timber with gold trim. Photo set in oval mounting. On back.' Ballerstedt Senior. Christopher Ballerstedt the father of Quartz Mining in Bendigo.' Deframed 2022.ballerstedt, quartz king, fortuna

Hilda hill Collection. Black & White Photos Total 10. Backyard Heathcote Sweep the Kelpie August 15 1918 (dog standing on top of wooden ladder), Sections of white picket fence leaning against wooden paling dividing fence, Roof of house in next block showing. Jack in the snow at Mt Buffalo 1923. Hal in the snow at Mt Buffalo July 1923. Man and wife with their 2 sons. The wife is wearing a sun hat and white dress, the man is wearing a hat and white shirt, each of the boys wear white shirts and dark trousers, one of the boys has a stick leaning against his leg, at the Pines January 1919. Four girls seated on the ground, three of them are wearing white dresses and the fourth is wearing a black dress over a white shirt, the Pines January 1919. One girl and three boys sitting on the sand, the girl is swearing a white shirt and dark dress, two of the boys are wearing white shirts, the other wears a darker shirt, all the boys, are wearing braces to keep up dark trousers, Brighton 1918. Lady standing near shrub along side of house, this lady is wearing what appears to be a net top and long white skirt, background shows a porch attached to the house with two steps, Royston Brighton 1918. Elderly lady dressed in black and seated on an outdoor chair in a rear yard, background shows dividing paling fence and a small part of the house next door, Royston Brighton. Maisie, in black, and Dora, in white, in a sitting position, St Aidens Garden Fete 1922.background appears to be bushland. One Tree Hill Bendigo July 1923 St. Aidans Orphanage Gardens Bendigo Fete 1922.Hidla Hill Family Lifeaustralia, history, hill family life

This photograph is of a group of Orbost children and a Catholic Priest, Fr. Spiteri, taken in association with a ceremony of confirmation at St Josephs Catholic Church, Orbost. The building in the background is the nunnery/priest's residence in Browning Street, Orbost. This building is still in existence (2023) though now privately owned. It is located adjacent to the Catholic Church. Indicated the continuing significance of the Catholic Church in Orbost. A b/w photograph of 12 children and one man. This group of people is posted in front of tree and a two-story building in the background. The man is dressed in black with a white collar and the children have white dresses and white shirts and black trousers. Many of the girls are wearing white veils over their hair.On back of photo: Back row L-R Cheryl Fourter, Tony Fourter, Sharon Barr, Father Spiteri, Fred Jonkers, Catherine Murphy, Tom Robinson. Front row L-R Josephine McMahon, Michael Young, Louise Shanahan, John Sanna, Geoffrey Fourterst josephs catholic church, orbost

Art collection Previously located in History House. Previous Exhibition:"In a picture land over the sea ...Agnes Goodsir 1864-1939." Exhibition developed by Bendigo Art Gallery and toured from May 1998 to June 1999. Item of the Month, exhibited in Portland Foyer April 2005.Portrait of a woman dressed in black. The woman appears to be seated and is facing the viewer. She wears a black overcoat with a blue, red and white scarf. She also wears a black hat with a gold clasp. The plain background is predominately grey. The work is framed in a gilded, moulded frame and has an exposed canvas.Front: Agnes Goodsir Back: A clear plasstic pocket is attached to the backing board and contains: a fragment of an old French label and a small fragment of paper with the signature "R.D...." on it.female artists, female artist, agnes goodsir, women artist, female portrait, portrait painting, portrait, cherry

A small black and white photograph of four Bendigo Teachers' College students at the Rural School Sports in November 1945. The four women are all dressed in pleated skirts or dresses with black shoes or white sports shoes. They are Lola Rowe, Rosina Crimmins, Lois Adams and Elaine Emmerson. See 3320.100bendigo, education, bendigo teachers' college students, la trobe university bendigo collection, collection, bendigo, education, bendigo teachers' college, rural school sports, sports, costume, attire, fashion, clothing, students, tertiary education, teacher training, ms. j.c. burnett, mr. geoff pryor, photo, photos, photograph, photographs, photography, lola rowe, rosina crimmins, lois adams, elaine emmerson

Elizabeth (Bessie) Mercer, a daughter of Henry Boyd Mercer and Deborah Mercer née Sinclair, was born 23/8/1873 at Spring Hill (near present-day Pittong). She attended Spring Vale State School where she achieved her Merit Certificate. She registered as a teacher in 1891 and completed further training to become a teacher of gymnastics in 1896. Bessie married David Brown of Chepstowe, and they farmed at Pittong. They had two children, Vera and Roy. Bessie Brown died in 1940. Bessie and her sister Emma were very involved with the war effort during World War I, and after the war they were presented with certificates of appreciation by the Linton "Diggers". (Copies of certificates in the LDHS collection.)Black and white copy of original photograph of a seated lady wearing dark skirt and blouse with a high neck and ruffles. Standing beside her is a girl wearing a light coloured knee length dress and black shoes and socks. She is also wearing glasses, a cameo necklace and a white bow in her hair."Mrs Bessie Brown + daughter Vera".elizabeth (bessie) brown née elizabeth mercer, vera brown

This striking pool party ensemble from Australian swimwear company Watersun was designed by Carmela DiBernado, nee Savino, for the opening of the Sydney Opera House in 1973. Polish-born designer David Waters first began producing swimwear in 1952. His mother Halina had recently opened a stall at Melbourne Queen Victoria Markets and was looking for swimsuits to sell; unable to find any she liked, she asked David to design something. He began making swimming costumes using his mother's sewing machine, in between his shifts working at a knitting factory. He had soon set up a small business in his parents' home, cutting patterns in one room while a machinist sewed them together in the next. His company, which he named Watersun, would become an iconic Australian swimwear label. During the early 1960s, Watersun developed its "Unquestionable Bra", an inbuilt moulded bra which was marketed as giving wearers a more natural bustline than other labels. The company was also known for its matching swimwear and beachwear, producing dresses, kaftans, tops and skirts in identical colours and prints to those used for many of its swimsuits. By 1967, the company was reportedly one of Australia's two biggest swimwear manufacturers, with over one hundred employees. Watersun was sold to Ada Productions in 1984 and was later acquired by Trackerjack Australasia. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Pool party ensemble consisting of a swimsuit (.1) and robe dress (.2), both black with silver trim. Dress has a crossover front, fastening at side waist, with v-neck at front and plunging back. Swimsuit has a v-neck, with silver trim extending forming an X-shape across the body.Label (identical in both items), blue text on white: “Watersun / SIZE 10 / BUST 32 / Made in Australia”swimwear, watersun, david waters, ada productions, melbourne designers, 1970s, carmela savino, carmela dibernardo, sydney opera house

Photograph: black and white portrait, buff mat, brown wooden frame, glass front. Man is seated, with elbow on book, hand on side of head, has white hair, dressed in black dinner type suit with stand up collar. Written in black ink on bottom of frame : George W. Knight, C.E.J.F.W. Vincent Kelly, Mitchell St., Bendigoperson, individual, george w. knights, george w. knights, w. vincent kelly.

Displayed at History HouseHand-made fabric doll. Cotton body (stocking material?), cotton print fabric (red and white flowers and squares on black background) for dress. Embroidered belt (green and gold), bonnet and cuffs. Felt boots with blue and green stitching. Beading at base of skirt in red, white, green, yellow and clear beads (plastic). Stuff with dried plant material. Red ribbon tied around waist. Curly brown hair (human?). Embroidered face.toy, doll, childhood

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of standing female figure dressed in black and holding a red umbrella. The figure is wearing a red glove and a pink item in her hair. The background is a floral wallpaper print in blues and greens. The clothing appears to be from the Victorian era. Mounted in a textured grey matt with green matt edging in a black and silver frame with glass.Front: 29/ 37 (lower left) a Gee (lower right) (pencil) Back: (no inscriptions)female artists, female artist, angela gee, poster workshop, 150th anniversary, angela gee residency

This photograph shows Melbourne District Nursing Society (MDNS) Trained Nurses (known as 'Nurse' in those days) attending to a family in the early 1900s. It also shows their uniform which had a red Maltese cross in the centre of the pith helmet. The bicycle seen is the first mode of transport purchased by MDNS in 1903. The Nurse's bag is seen strapped to the handles of the bicycle. In February 1885, 50 years after Melbourne was founded, it was recognized that nursing care was needed for the sick poor in inner Melbourne. The Melbourne District Nursing Society (MDNS), the first District Nursing Society in Australia, was founded and the decision was made to only employ fully qualified nurses who had trained in a Hospital. In those days they were known as 'Nurse'. One Trained nurse, was employed in March, and a second employed six months later. They worked in the now CBD, ie from Spencer Street to Spring Street and from Victoria Parade to Flinders Street. From its inception the Society was at the forefront of health care and only attended patients seen by a Doctor. They provided high quality nursing care; educated their patients in the curing and prevention of disease; teaching the importance of cleanliness, ventilation and good nutrition, both by verbal instruction and demonstration, even supplying soup and milk when needed. At that time they walked the streets and lane ways amid the slums of inner Melbourne carrying their nursing bag containing lotion, ointments, powders, liniment, bandages, dressings, a case of spirits, and the Nurse's own clean apron, soap and small towel. They supplied equipment on loan, such as earthenware hot water bottles, splints, urinals, bed pans, bed cradles, feeding mugs, and air-cushions as well as providing blankets and clean bed linen, and nightdresses as necessary. Trained midwives began home births in late 1893 taking midwifery bundles and providing clothes for the babe and mother as needed. This was arduous work, particularly in the heat of summer. Permission to use bicycles was given to the Nurses in 1898 and the Society decided to purchase their own in 1903. A business man offered ‘new free wheel’ bicycles at £13 each which included maintenance for one year. Bells and wooden frames were added, at a cost of £5 per frame, so the Nurses could carry extra equipment. Nurses’ bags were strapped to the handlebars. Soup was made for those in need 2-3 times a week and if patients could not arrange to have it collected the soup was delivered by the Nurses on their bicycles. The use of bicycles caused a change in uniform, with white pith helmets, and veils covering them and tied under their chin, now being used. Over the years the Nurses complained their veils became wet in the rain and asked for a change of uniform but this did not occur until 1921. Bicycles continued to be used in inner areas until 1945. The Nurses provided high quality nursing care to a range of people often in destitute situations, some lying on rags on the floor as they had no bed, others with just a bed and maybe a thin blanket, a chair and nothing else. Their ages ranged from babes, children, adults to the elderly. The Nurses gave medications as ordered by a Doctor, dressed wounds e.g. to the injured, and surgical cases, and to those with leg ulcers; attended to patients with ‘surgical ailments’ such as ‘hip disease’; gave care to those with acute illnesses such as bronchitis, pleurisy, pneumonia, measles, and scarlet fever, as well as those with chronic illnesses such as consumption (tuberculosis), heart disease, arthritis, cancer, debility, neuritis and paralysis. The Nurses liaised with the person's Doctor. They educated their patients, and their Carers, in the curing and prevention of disease; teaching the importance of hygiene, cleanliness, ventilation and good nutrition. They taught them, by verbal instruction and demonstration, how to make poultices, to make and apply bandages, apply medical appliances such as splints; and the Nurses supplied milk, beef tea and cooked soup when needed. As the work increased a third Nurse was employed but this was arduous work, particularly in the heat of summer and many Nurses only remained with the Society for several months. Black and white photograph of two Melbourne District Nursing Society (MDNS) Trained nurses, 'Nurse', wearing their full length grey uniforms, with white collar, cuffs and belt, and white pith helmets with a Maltese cross applied. One Nurse is standing and holding her bicycle, while the other is kneeling and holding a small child. They are in the garden behind a horizontal weatherboard house. A man dressed in dark clothes is also kneeling beside the child. There is a child, dressed in white, in the doorway of the home, and a lady, dressed in a full length black dress and a white apron, is standing in front of the wooden fence in the garden. The bicycle has two large wire spoked wheels at either end of the black V shape bicycle frame; a rubber tyre runs around the outside of each wheel. The metal handlebars are a horizontal configuration and are attached with a central column into a black vertical column at the front of the V shape bicycle frame which has ‘fork shaped’ thin metal pierces running down either side of the wheel attaching the frame to the central hub of the wheel. The rear wheel is attached the same way to a central column at the rear of the frame which runs up to V shape solid seat. At the bottom of the V of the frame a pedal is attached with a rotating arm on either side of the bicycle and on the right side the rotating arm is attached to a sprocket which has a chain running around it back to a smaller sprocket on the hub of the back wheel. The chain has a thin metal guard over it. There are narrow thin metal mud guards running a short distance above the top of each wheel.melbourne district nursing society, mdns, mdns uniforms, mdns transport, rdns, royal district nursing service

black and white photo: seated male and female with three girls ( daughters ? ) in foreground. Seated outside, in background paling fence, longish grass surrounds group. Male dressed in black coat, white shirt, bow tie. Female - long dark dress, hat, holding fern frond in hand. Three girls, dark dresses, large hats.Mac Korumburraperson, family

Sepia photo: large group - 3 rows of women dressed in long white dresses; all women are wearing a ribbon on their chest. Two rows of men dressed in black suits, with stand up collars and bow ties. Woman in centre of 2 row has lace covered long dress and is carrying a pointer. Possibly Bendigo Choral Society 1912?Richard & Co., 23 Sturt Street, Ballaratperson, group, performing group

Refers to the service of Lt. Colonel "Roy Shadforth" 38 Bn NVR.1. Jacket - Ceremonial dress, black woollen. Brass AMF buttons. Northern Victorian Regiment. Brass Badges on collars - Major's Rank Badge. 2. Trousers - black ceremonial with red strip. 3. Whistle, pea. with lanyard, leather. 4. Sam Browne belt, tan leather, brass fittings. 5. Hat, peaked, black with gold braid on brim, green band NVR badge. 6.& 7. Gloves, leather, brown, lined. 8. Scabbard sword. Tan leather, silver top.38 bn, post ww2., roy shadforth, passchendaele barracks trust

3600 Bill Kinsella and Carmel Kinsella at Carmel's Birthday party. -1 Carmel Kinsella cutting her birthday cake. -2 Carmel Kinsella. -3 Three photographs of cloths belonging to the Kinsella family. -4 Three photos of clothing, one of a purple silk undergarment, one of black silk dress the third of a embroidered. -5 Three photos, one of a top hat, another of long boots and the third a Bullock drivers bell. -6 Photograph of Illumination given to Thomas Kinsella from the Magdala mine workers when Thomas left to travel back to Ireland to visit his sick mother. -7 Four photographs of objects, one of a Pianola, second of a clock Carmel Kinsella bought for her birthday (80th in 1993). Third wire strainers, Forth Croquet green numbers and mallet head. -a Wording on Illumination (see description, inscriptions and markings). -8 Photograph of Martin Cahill. Born 1881 died 21.06.1947. Married to Eileen Kinsella 1920. -9 Bill Kinsella at 3LK Radio Starion Lubeck where he worked for 38 years. Bill was also called William Jennings Kinsella after his father. -10 The iron decorative gates at Kinsella's farm also called "Magdala" -11 The original Kinsella house on "Magdala" farm. The back room with a flat roof and 4 windows was moved from "Mayo Park" where the Kinsella's originally lived across Station Creek. -12 Photo of Tom Capell as a young man. The son of Jane Teresa Kinsella & William A. Capell. -13 Sarah Kinsella nee Peardon married William Jennings Kinsella. -14 Photograph of Sarah & Jennings Kinsella children Thomas Wade Kinsella, Clare Best, Carmel Kinsella, Bill Kinsella. Photo taken at Kendal's farm near Lubeck Series of colour and black and white photographs taken at the Kinsella's farm "Magdala" Lubeck July 2006.stawell