Showing 642 items
matching bodice
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Ringwood and District Historical Society
Clothing - Baby's dress, Baby's dress Ringwood c. 1927
In the Webber CollectionWhite lawn longed sleeved baby's dress. Lace and pin tucks on the bodice. Rows of pin tucks at the hem. Small buttons at the back of neck. -
Churchill Island Heritage Farm
Clothing - Christening Gown, c.1915
Used by 4-5 generations of Amess family. Samuel Amess owned Churchill Island 1872-1929.Long white christening gown with 4 panels of broderie anglaise at front and ribbon ties at back of neck. Slight gathering between bodice and skirt.amess family, christening gown, broderie anglaise -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1914
Nurses Apron White cotton. A bodice fitted to a waist band with ties. A three gored skirt pocket on right. Martha Shalders (nee Chester)stawell clothing material -
Clunes Museum
Clothing - LADIES UNDERWEAR
FINE COTTON UNDERWEAR WITH COTTON LACE INSERTION AND PIN TUCKS - SHORT BODICE WITH PRESS STUDS AT FRONT OPENING - WORN BENEATH DRESS OR BLOUSEfemale underwear, costumes - female underwear -
Yarrawonga and Mulwala Pioneer Museum
Evening gown, 1950's
Crepe fabric, hand made. Red and green Cumberbund around blue bodice, black skirt, side zipper. Very long for a tall lady. None -
Whitehorse Historical Society Inc.
Clothing - Dress, c 1950s
Made by donor for her children during 1950's.Cream viyella dress with smocked bodice and sleeves, with pink and blue rosebuds. Neck has white lace trim and press stud at opening at backcostume, infants' -
Whitehorse Historical Society Inc.
Clothing - Camisole
Cream silk camisole with square neckline. Shoulder straps and bodice made of cream lace. Scalloped hem and pin tucking and triangle shaped lacecostume, female underwear -
Kew Historical Society Inc
Clothing - Sleepwear, Silk Georgette Nightdress
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Sleeveless full-length dusky pink coloured nightdress made of silk georgette. The nightdress is gathered at the waist and has lace applique on the bodice and at the waist.women's clothing, nightwear, nightdresses, sleepwear -
Mont De Lancey
Dress, 1890
A tea gown or tea-gown is a woman's dress for informal entertaining at home. These dresses, which became popular around the mid-19th century, are characterized by unstructured lines and light fabrics. Belonged to Louisa Hoadley, (Mrs. Thomas Carlyle Adamson) - daughter of Abel Hoadley. Black two piece satin ensemble - Tea gown. Long skirt with short fitted style jacket, with black lace trim on skirt and bodice.tea gowns, dresses -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: FULL LENGTH SLEEVELESS DIAMANTE DRESS, 1950s
Full length sleeveless dress of dark blue fabric with light blue all over embossed floral pattern. Front of bodice made from one piece with two darts from the waist. Back same as above. Square neckline formed by pleated section of fabric (upward facing knife pleats) across the front. The pleating continues on the shoulder panels at the front. 13cm wide at shoulders. The shoulder pieces continue to attach at the back bodice but widen to form a rounded collar effect on either side. At centre back where collar joins, a folded piece of fabric is attached to form two tails of a bow falling past the waist (39cm). A decorative metal clasp with three rows of diamantes is attached at the top of the bow, 7cm below the neckline. On the front bodice there are two decorative rows of diamantes below the shoulders where the shoulder piece joins the pleated section across the front. Front and back bodice dip slightly at centre. Side opening on LHS with 36cm metal zipper from armhole. Hook and eye at top. Fabric piping around waistline front and back. Skirt made of four pieces. Centre and side seams. Gathered into waist (bodice) with series of small pleats random (uneven) knife and box flat seams. Large stitches visible on front of bodice where pleated section is visible. 2cm wide strips of elastic hand stitched inside each shoulder section, attaching front and backs of bodice. Check collar attached.costume, female evening, dress -
Brighton Historical Society
Clothing - Dress, Evening dress, c. 1909
This evening dress belonged to Clara Johnstone Miller (nee Bell, 1866-1910). Clara was the only daughter of Mr James Bell, a councillor of the Shire of Leigh (today a part of Golden Plains Shire) and owner of Woolbrook Homestead in Teesdale, near Geelong. In 1888, Clara married prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854-1925). Septimus was the sixth of seven children born to Henry 'Money' Miller and Eliza Miller (nee Mattinson). 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people in his time. In 1889, Clara and Septimus moved into the house 'Cantala' in Dandenong Road, Caulfield. They had one child, Gwendoline Stewart Miller, who died in 1902 at the age of thirteen of diabetes - a largely untreatable condition at the time (insulin would not be discovered until 1921). Clara died in 1910, aged only 44. Septimus subsequently married Helen (nee Henderson), with whom he had a son, Ronald (1915-1990). The Millers were buried in the Brighton General Cemetery in a large Gothic-style vault. Upon Clara's death, Septimus sent much of her clothing and Gwendoline's to her mother Mary Bell. Some of these items were passed down to two of Clara's nieces, Miss Mary Bell and Mrs Lois Lillies, who donated them to BHS around 1973.A yellow and lime green silk and net evening dress from c.1909. The bodice is constructed of a golden silk satin with an over bodice of a very soft gold net with soft gold and lime green embroidery decorated with flower and bow motif's. The neckline is bateau like in shape with the edge following the flowers of the lace design. The bodice is sleeveless with a loose detached cap that hangs down over the top of the arm with a lace covering. The under fabric of the bodice is shaped and lightly boned but the over lace is looser, nipping in at the waist where it joins the skirt. At the back, the bodice neckline scoops lower than the front with the lace overlay creating a v shape at the centre back. The bodice is secured with hooks and eyes and waist tapes. The skirt is flat fronted and floor length consisting of the same golden yellow silk with soft gold and lime green embroidered net over skirt. The lace net over skirt features larger motifs and greater embellishment towards the bottom of the skirt. The lace over lay also has an edge that follows the design of the lace rather than a straight edge. At the back the underskirt is flat and shaped but the over skirt is lightly gathered and loose hanging. The skirt finishes in a full skirt and a rounded, small train.woolbrook, septimus miller, cantala, henry 'money' miller, gwendoline miller, clara miller, 1900s fashion, caulfield, brighton general cemetery -
Kew Historical Society Inc
Clothing - Buttoned, Beige Striped Silk Bodice, 1870s
1870s women's fashion placed an emphasis on the back of the skirt, with long trains and fabric draped up into bustles with an abundance of flounces and ruching. The waist was lower in the 1870s than the 1860s, with an elongated and tight bodice and a flat fronted skirt. Beige coloured silk top with narrow mauve stripes. The top has a piped mandarin collar. The top has satin trimming. women's clothing, fashion - melbourne - 1870s, bodices -
Bendigo Historical Society Inc.
Clothing - HANRO COLLECTION: NIGHTGOWN, 1960s - 1970s
White full-length nylon nightgown. A tiny flower design is painted on to the fabric. Bodice has a V shaped cross-over bodice gathered onto a midriff band, 3.5 cms wide at the front and a V neckline at the back. Front and back tie together at the shoulders. A full-length gathered skirt has a 3 cms wide tie at the back waistline.Label on side-seam of skirt, near hemline reads: Hanro Quality Underwear SW Small Women’scostume, female underwear, nightgown -
Whitehorse Historical Society Inc.
Clothing - Baby's Dress, 1964
Frock was worn by donor's daughter Susan during time the family lived in England1964 white terylene dress, puff sleeves gathered at bodice and trimmed with nylon lace from neck edge to skirt. Five pearl buttons from neckline to skirt. Dress is lined from the bodice to the hem which is trimmed with nylon lace. Neck rear has two button opening. See also NA3591.1.2 Booties, NA3586 Bonnet, NA3592.1.2 BootiesSally Pigtail Regd - Terylenecostume, children's -
Kew Historical Society Inc
Clothing - Striped pink and beige silk bodice, c. 1891-95
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Striped pink and beige silk bodice, joined at the front with twelve mother-of-pearl buttons and featuring extensive use of cream coloured lace, particularly at the cuffs of the wide sleeves. There is an inner sleeve of lace as well as an extended ruffle of lace extending from the cuff. The bodice has a floating panel at the front, which is bordered with lace. The lace extends in a wider panel to the round neck.edith mary weir (nee betteridge), illapa -- 84 princess street -- kew (vic.), women's clothing, weir collection, dresses, bodices, fashion -- 1890s -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CREAM SILK AND TULLE VICTORIAN EMBROIDERED BODICE, Layte 1800's - early 1900
Clothing. Beautiful deep cream silk bodice, fully lined with cream tulle/net. Elbow length sleeves have a semi-circle of embroidered silk, and an embroidered tulle ''flounce'', edged with cream cord - 17 cms long. The bodice has seven pin-tucks, angled from the shoulder to the waistline on each side of the front and back. Between the pin-tucks at centre front panel is an extensive cream silk, floral embroidery. A rounded neckline at front and back, is in-filled with embroidered tulle - small 1 cm diameter flowers, in a 3 cm diameter circle, defined by 12 small (3mm) embroidered circles. The tulle infill extends to a 7 cm high stand-up collar-supported by seven plastic ''bones''. The collar also features the same, circular, floral embroidery, and is also edged at the throat with cream cording. The bodice while in good condition, has been cut at the hemline, and a 10.5 cm strip of fabric has been added but unfinished. 18 metal hooks, and hand-stitched loops fasten the back of the bodice. Sleeves are an extension of the bodice.costume, female, cream silk and tulle bodice -
Hume City Civic Collection
Bust-bodice
Provenance unknownWoman's bust-bodice in white cotton. Fastens at back with ten pairs of hooks and eyes. Has metal hook on elastic hanging from left back.Satin ribbon label printed with blue ink "Venus Maiden Shape" next to fastening. Stamped inside left back in black ink "12548".costume, george evans collection -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1915
Cream Silk Nightgown. Lace trimmed on neck and sleeve. Flowers embroidered on Bodice. Spoke stitch under embroidery and pin tucked below. Owens Family.stawell clothing material -
Whitehorse Historical Society Inc.
Clothing - Bust bodice
White cotton bust bodice with deep edging of crochet lace at neck and on short sleeves. Blue ribbon threaded through eyelets at neck. Buttoned at waist.costume, female underwear -
Whitehorse Historical Society Inc.
Clothing - Blouse, c1900
Yellow silk taffeta evening top. Heavy natural coloured lace trim on neckline and front. Boned bodice. Puff sleeves metal hooks and eyes.costume, female -
Kew Historical Society Inc
Clothing - Black Crepe Evening Dress with Red Grosgrain Braid, Louis Feraud, c.1975
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This evening dress was donated by Kathleen Gervasoni, a long term resident of Kew, and mayoress of the former City of Kew (1978-9). The gown was manufactured under licence in Australia and purchased from Paulette Modes, High Street, Kew.Long black crepe evening dress, highlighted with geometrically arranged red grosgrain braid trim on bodice and sleeves, designed in the 1970s by Louis Féraud, Paris.Label: "Louis Féraud, Paris"women's clothing, evening dresses, kathleen gervasoni, louis féraud, paulette modes, international fashion - 1970s -
Kew Historical Society Inc
Clothing - Black Crepe Bodice, 1940s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Black crepe bodice with front opening featuring numerous buttons, covered with the same fabric as the bodic. It has short sleeves and a square scalloped neck line.australian fashion - 1940s, costumes - bodices, fashion design, fashion -- 1940s -
Kew Historical Society Inc
Clothing - Cream Crepe Beaded Evening Dress, Park Avenue Gowns, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Cream crepe empire line evening dress. The bodice has a halter beck and is heavily beaded. The dress was purchased from Park Avenue Gowns of MelbourneLabel: Park Avenue Gowns, Melbourneevening dresses, fashion - melbourne -1960s, park avenue gowns, desley reid, fashion design, fashion -- 1960s -
Kew Historical Society Inc
Clothing - Black Silk & Guipure Lace Evening Dress, 1980s
Netta Fuller and her husband Alec were long-term residents of Kew. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations.Two piece black silk evening dress, comprising sleeveless bodice and full-length skirt with inset panels on both pieces of guipure lace on tulle.australian fashion - 1950s, evening dresses, evening wear, netta fuller -
Kew Historical Society Inc
Clothing - Black and Pink Crepe Dress, 1930s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Long sleeved three quarter length black dress with pink insertions and a stylised pink emblem on the bodice. The pink lining is pleated to provide extra body.women's clothing, australian fashion - 1930s, dresses, fashion and textiles collection -
National Wool Museum
Textile - Dress, Wendy Waugh, 1996
Wedding dress originally made for Farmvision '96 from wool slivers produced by Geelong Wool Combing Ltd. Designed and made by Ann Wisby and Wendy Waugh of Gordon TAFE with the assistance of their students from Creative Studies Department. This dress has been modelled, professionally photographed and displayed at Farmvision '96 and National Wool Week '96 and '97. The dress was then given back to GWC and then donated to the Wool Museum.Wedding dress, made from wool top slivers. Halter neck, embroidered and appliqued bodice, long skirt. Also includes head dress and bouquet.fashion, geelong wool combing ltd, wool tops, waugh, ms wendy - gordon institute of tafe wisby, ms ann - gordon institute of tafe -
Brighton Historical Society
Evening outfit, Evening dress and bag, 1940s
Black full-length crepe evening dress (.1) with bronze-coloured sequins on bodice; asymmetric neckline and draping. Matching black reticule (.2) with sequins.evening dress, sequins, 1940s -
Kilmore Historical Society
Textile - Childs christening dress, Unknown
Christening dress donated by Kilmore familyWhite cotton, short sleeves with drawstrings, gathered waist, broderie anglaise triangular shaped bodice detail, broderie anglaise trim to skirt. Excellent conditition.child, christening -
Bendigo Historical Society Inc.
Clothing - SILVER SILK AND LACE TRIMMED BODICE, 1860's-70's
Silver silk, with a jacquard woven floral pattern. Long sleeves have pleated tops, forming a leg-o-mutton sleeve, which gathers in at the elbows, to a narrow fitted sleeve to the wrist. A 4cm wide band of cream satin embroidered and corded lace. Cream cording and lace trims the cuffs, the shoulder/arm hole seam, and two bands on each side of the V shaped cross-over bodice. Metal press-studs fasten the cross over bodice at the waistline. Cream satin with embroidered lace overlay forms a 5cm wide stand-up collar and a centre front panel at neckline. Twelve metal hooks and eyes fasteners fasten the grey cotton front lining of the bodice. The cotton lining of the bodice is part machine, and part hand stitched. Relocated to Clothing Box 176 10.2.2022costume, female, silver silk and lace trimmed bodice. -
Whitehorse Historical Society Inc.
Clothing - Wedding Dress
Purchased from Baptist Community Care Shop in Station Street , Mitcham1980s Wedding dress with vee neckline, bodice coming to a point over waistline. Satin bodice with lace motives re-embroidered with pearl and sequins. Tulle yoke and sleeves with embroidered pattern lace motives and sleeve edge also re-embroidered. Satin bow on shoulders with pearl and sequins embroidering. Back of bodice to point over waistline, buttons down back - eleven self covered buttons over zip fasteners. Back waist finished with large bow at waist. Circular skirt gathered at bodice. Three panels inserted in centre front to 67cm high and 60cm wide. Attached underskirt. Train gathered to back waistline, two widths of material with embroidered lace inserts around hemline. Nine arrangements of embroidered lace flowers inserts over the train coming out of satin petal shaped pouches gathered at top to give an impression of a vase.costume, female ceremonial