This photograph has been set as Christmas postcard. It could be the front page of a greeting card.Postcards and greeting form a vital part of social and historical records for researchers. They are very interesting records of places gone, architecture gone and people gone, showing social history such as dress, or early automobiles. This one record an earlier means of transport in east Gippsland.A small black / white oval shaped photograph set in a cream card with green writing at the bottom. The photo is of two horse teams and buggies crossing a large sandy beach.on front just below photograph - CROSSING LAKE TYERS SANDS Beneath that in cursive script is " This little view is sent from here To wish you joy and Christmas cheer And say you are remembered still with kindly thoughts and right goodwill"lake-tyers-east-gippsland greeting-card

This is the second Delley''s Bridge. A new and more substantial bridge was built in 1911, only to be badly damaged in a 1917 flood. The collapsed western end was rebuilt, this time supported by concrete pillars.The photo shows a dirt road crossing a creek via a wooden bridge. A woman is driving a horse and buggy onto the far end of the bridge. There are ferns in the foreground and trees in the background.access routes, roads, structures, bridges

Jones Family Collection - NP2565 to NP2606. See also ND3831.Black and white photograph of Arthur with daughter Muriel Jones in a horse and buggy, drawn by their pet horse 'Jack',on Jones' Flower Farm in Mt Pleasant Road, Nunawading, in 1936.jones, bette, walter, rolf, geoffrey, arthur, keith, lionel, muriel, jones flower farm, mount pleasant road nunawading

Building historyB/W photo of original photo of Corduroy Bridge Hotel, High St. Clarendon, circa 1906, at date of auction, showing Midland Highway, people, buggies and carts.Identification on reverse.corduroy bridge hotel, clarendon, high street

Black and white photo of John McGlone's Funeral on 3 September 1892.. Horse drawn hearse with pallbearers (listed in SUBJECTS) and mourners proceeding the hearse. Buggies with mourners following.mcglone, john, mclelland, hasslit, patrick, kenny, t, o'brien, p, mackie, keogh, walker, edgar edwardes

Rev W.S. Cunningham and his wife in their buggy outside The Manse, taken between 1903 and 1906.Good laser copy of an original photograph.transport, house style. dress. garden layout.

Digital copy of Louis Barelli and dog sitting on a buggy used to do local bread deliveries.Digital photograph showing Louis Barelli sitting on a cart that was used for bread deliverys.barelli louis, bakeries

This photograph was taken at the junction of the Snowy and Brodribb Rivers. The Snowy River starts in New South Wales on the slopes of Mt Kosciuszko, Australia’s highest mountain, in New South Wales. It flows into Bass Strait at Marlo in Victoria. The Brodribb River is a tributary of the Snowy which enters the estuary at Marlo. This is a pictorial record of a road in Marlo near Orbost in the late 19th-early 20th centuries. It also depicts the transport used at that time.A black / white photograph of four men in suits seated in a horse - drawn buggy on a dirt road alongside a creek or river. There appears to be another horse - drawn vehicle behind them.on back - "at the Brodribb - Snowy junction. this road was corduroy (packed logs of tea trees?)brodribb-river snowy-river marlo transport-horse-drawn

The series of photographs were taken shortly after the opening of the newly established Goona Warra Golf Club in the early 1980s. The golf club was part of the Goonawarra Housing Estate which was developed on the area previously known as Goonawarra Farm. The new golf club replaced 'The Pines' which was part of the Caloola complex.A coloured photograph of two golfers. One is preparing to hit off while the other is standing in the background with the golf buggy. They are standing overlooking the Goonawarra and Craiglea vineyards and the Jacksons Creek valley.goona warra golf club, george evans collection

.1 SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD OF THE NATIONAL HOTEL FRASER STREET IS STILL IN USE AS A HOTEL AS AT 2019 .2 BLACK AND WHITE COPY, LAMINATED OF THE ABOVE PHOTOGRAPH.1 ORIGINAL PHOTOGRAPH OF BURN'S LIVERY STABLES .2 COPY OF PHOTOGRAPH OF BURN'S LIVERY STABLES. HORSE DRAWN BUGGY - SOME SPECTATORS - NATIONAL HOTEL, IN FRASER STREET, CLUNESHANDWRITTEN ON FRONT NATIONAL HOTEL CLUNES ABOUT 1900local history, photography, photographs, hotels, national

Bush picnic scene with three families, Phillips (left), Borella (centre) and Rathgeber (right). In front is a picnic setting with horses and buggies in background. Photo mounted on card. 1900's

The two men in the curricle were in Brook Street outside Sunbury Railway Station.Before the advent of motor transport and buses, passengers from the train were taken by horse drawn vehicles to their destinations. An area was set aside at the station where the horses and vehicles waited for trains to arrive.A sepia photograph of two men seated in a stationary horse -drawn curricle beside a plantation area. There are two signs advertising horses and buggies for hire and some buildings are visible in the distance.curricles, brook street, sunbury, sunbury railway station

Great Western Street Scene 1890s. Weatherboard W.A. Stark General store with verandah. Two men standing in front and horse and cart. Weatherboard building at right corner street.Black and white photograph of a weather board store with veranda. Two men are standing at the side with horse and buggy in the street. On adjoining street corner is another building with veranda and tree behind.General Store W.A. Starkstawell

Colour photograph of man and lady in period costumes riding in four-wheel horse drawn buggy, with man seated in front driving horse, glimpse of man riding horse behind."Jim Mason (driving) Faye and Trevor Mason Len McDonald (on horse)".ldhs activities, ldhs exhibition linton park 1983, jim mason, faye mason, trevor mason, len mcdonald

Black and white photograph of a man wearing dark coat and light trousers shiny leather boots seated in buggy drawn by a white horse outside the Buffalo View Hotel Victoriahotels, transport

Deep Lead Bunyip Bank Rail Crossing being up-graded 1933- Buggy in front of bridge.stawell transport railways

Stawell Coffee Palace formerly Castlemaine Hotel Lower Main Street with buggies in front. Established 1889.stawell

Black and white photograph (2 images- P0138b, P0138c)Image P0138b shows Charlie Beaumont speaking at his farewell and presentation dinner. Image P0138c shows Graham Holloway presenting a golf bag and buggy to Charlie Beaumont.

MESCo offices in the process of construction. Sewerage contractor's buggy passing by. SW corner of Yarra and Corio Sts., Geelong.Yields information on MESCo Geelong building under construction. Black and white print on paperPlate 2-6 written in ink on the back of the photographmesco geelong, building construction, sewerage buggy

Found in Rutherglento tighten nuts on a gigmaintenance and repair, gig, buggy, farming

Found in Rutherglento tighten nuts on a gigmaintenance and repair, gig, buggy, farming

Stawell railway Station with horse and buggy in front. Large trees to left of photo. Engraved "Railway Station Stawell 12.B/W/ Photgraph of the Stawell Railway Station. form the front, A large tree to the left of the station, also a Horse and Trap, also a Gaslight.stawell railways transport, mark dadswell

A large square green paperback book about Buggies & Horse-Drawn Vehicles used for transport in Australia. The cover has a green border with a picture of a man and boy sitting in an open one horse-drawn buggy outside a house. There are many diagrams, photos and illustrations throughout. It discusses in-depth, the history, types and various aspects of these vehicles used On the front ight end paperin the early days from the 1800's-1900's. Pp.208.non-fictionThis book evokes the fascinating golden era of horse-drawn vehicles in Australia in the 1800 and 1900's. The author's practical expertise and first-hand research and a wealth of contemporary illustrations, make it an indispensable guide for both the collector and restorer. It traces the development of horse-drawn road transport from the boom period of coach building to its decline in the early decades of the 20th century.australian history, social history, horse-drawn vehicles, early road transport, coaches, buggies

CLUNES POST OFFICE BUILDING NO LONGER IN USE AS POST OFFICE. TOWN HALL BUILDING NOW OWNED BY HEPBURN SHIRE, SINCE AMALGAMATION OF COUNCILS..1 PHOTOGRAPH (REPRINT) OF CLUNES POST OFFICE AND TOWN HALL, BAILEY STREET, CLUNES. BUGGY AND PEOPLE IN FRONT OF POST OFFICE. INCLUDING ST THOMAS AQUINAS CHURCH .2 NEGATIVE OF IMAGEBAILEY ST CLUNESlocal history, photography, photographs, town hall, post office

BHS CollectionBendigo Advertiser ''The way we were'' from 2002. Dynamic duo' Edward Wright and sister Alice Wright sit in their prize-winning 'buggy and pair' at the Rochester show in the 1920s. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Black and white image of a man dressed in a white coat with a traditional butcher's apron seated on a horse drawn buggy. Beside him is a young boy on a horse, also wearing a traditional butcher's apron.commerce, horses, employment, moorabbin

Part of a collection donated by Miss Edith Elms via Chrisy Northcott. Lady probably early 1900's going on a visit by buggy.Woman in large hat and long dress covered by check rug sitting in a pony trap, on a grassy paddock with tree to left.local history, photography, photographs, transport, horse & buggy, sepia photograph, san remo

A simply design four-wheeled vehicle with one seat on a high side box tray. The transverse elliptical springs, front and rear, are set above the floor level which allows a lower centre of gravity, and easy entry. Colour Black body and reddish-brown undercarriage with black lining on the wheels. History Dating from the 1850s the piano box buggy became the most popular style of buggy in the USA and a common sight in Australia. The examples in this collection probably date from the early 1900s

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Charatome / Corning Buggy / Braise & Drag / believed to (illegible) built by Crawford and (illegible) / COBB & CO / WAGONETTE / B'WORTH MUSEUM Reverse: BEECHWORTH NOSTALGIA / BW-07(a) / B 8 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program