Showing 4702 items
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Glenelg Shire Council Cultural CollectionPhotograph - Photograph - Roll-on-roll-off ship 'Lalandia' loading, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives -
Glenelg Shire Council Cultural Collection
Print - Print - Impression of Ultimate Development of Port of Portland, Victoria, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: 'Impression of Ultimate Development of Port of Portland, Victoria.' 'Bruce Ormandy' 1977-port of portland archives, portland harbour -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Aged Care Facility Casterton, c. 1963
Sourced from Casterton Town HallBack: 'Old Folks Home Casterton' - handwritten, green biro -
Glenelg Shire Council Cultural CollectionPrint, Kingsley, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of freehand drawing of a two storey building. The building is predominantly made up of numerous black lines and cross-hatching. Sections of the building have blocks of green or brown colour. The background is blue and white and features the text "Portland's 150th" in black at the top of the work.Front: Kingsley (upper centre) Stephen Rietman (lower centre) (pencil) Back: 33 -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Casterton Post Office, c. 1963
Sourced from Casterton Town Hall (Former Shire of Glenelg)Back: Black stamp, '003826' -
Glenelg Shire Council Cultural Collection
Document - Invitation - Maretimo Cocktail Party, n.d
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Glenelg Shire Council Cultural CollectionPrint, Cape Nelson at Sunset, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of four seagulls on a blue, orange and yellow diamond-shaped grid. The seagulls are created through black outline and shading. Seagulls are in various poses, all with wings extended. The grid alternates from blue diamond shapes to those which fade from orange at the top to yellow at the bottom. The grid is surrounded by a blue and white cloud-like border.Front: 12/20 Cape Nelson at Sunset. Catherine Taylor Back: 43 -
Glenelg Shire Council Cultural CollectionPrint, Kingsley, Gordon and Catherine, 1983
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of Bentinck Street from foreshore with a female face and top of vehicle in the foreground. The female has red hair and lips, yellow face and blue clothing. The vehicle is red and blue. An extensive patch of grass separates the woman and vehicle from Bentinck Street. The buildings have patches of green, yellow, white and red added. Behind the buildings is a clear light blue sky.Front: 10/14 Kingsley, Gordon & Catherine signature '83 Back: 44 -
Glenelg Shire Council Cultural Collection
Booklet - Booklet - Alcoa of Australia operations, Apr-79
Bowerbird Museum -
Glenelg Shire Council Cultural CollectionPrint, Edward Henty, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of three framed images on a striped background. The top left image is a black and white sketch of Burswood. The top right image is a black and white portrait of Edward Henty. Below these images is a coloured image of two bluestone buildings. The background is striped pattern of red, blue and gold.Front: Edward Henty (lower centre) Back: 46 -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Ocean Pier Portland Harbour, Victoria, n.d
Front: 'Deepwater Pier' & Baths, Portland Vic' - black script, bottom left Back: Handwritten message -
Glenelg Shire Council Cultural Collection
Document - Copy of Title and Deeds - Sinclair West, n.d
Bowerbird Museum -
Glenelg Shire Council Cultural Collection
Administrative record - Survey - Industrial and Commercial Potential of Portland, Victoria, Apr-71
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Glenelg Shire Council Cultural Collection
Print, Aboriginal Woman, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of an Aboriginal woman with a white and orange background. The Aboriginal woman appears to be seated and is wearing a full-length dress. She is positioned on the lower left side of the work and portrayed in orange and black. Behind her the background has been left blank. The top and right side of the work has an orange background with white wavy lines.Front: (no inscriptions) Back: 47 -
Glenelg Shire Council Cultural CollectionPrint, The Wedding, c. 1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 18/37 (lower left) The Wedding, 1924 (lower centre) A. Gee (lower right) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Artwork, other - Tapestry, The Portland Fibre Group & Valerie Kirk et al, From the Land to the Sea, 1996-2004
Woven by The Portland Fibre Group, proposed for installation in the foyer of the Glenelg Shire Council Offices, opposite the entry to the Council Chambers.Tapestry woven in wool on twine warp. Cream coloured background with pale blue flecks of colour, central motif of coat of arms features two birds standing on grey platforms, either side of shield. Central to the shield is a masted sailing vessel sitting atop blue and white horizontal lines representing the ocean. Around the sails of the vessel are radiating yellow rays and a blue surrounds representing sunburst against blue sky. The top third of the shield shows a pair of sheep heads against a red background. Above the shield is depicted a helmet, crowned with a whale. Blue plumage is shown coming from the helmet and framing the whale. -
Glenelg Shire Council Cultural CollectionPrint - Prints, Reproductive - Set, (Untitled - Historic Portland Buildings), 1974
On Display at History HouseWall hanging set of 5 black and white prints of Historic Portland Buildings. Each print in a black and gold frame, print covered with glass. The five prints connected with green braided cord. Steampacket Inn Foresters Hall Old Town Hall Court House H.M. Customs -
Glenelg Shire Council Cultural Collection
Album - Renewal Receipt - Fire Insurance, Portland Free Library, 22/04/1942
Back: 'Mr. Hoggan's money in tin in safe account in folder' - handwritten in pencilglenelg shire council archives, portland free library, administration, insurance -
![Painting - Painting - [Moonlight Trees], Pro Hart, untitled [Moonlight Trees], 1967](/media/collectors/4f729f5597f83e03086015b1/items/655a82f77f3f3810362edc65/item-media/655a83e87f3f3810362ef82d/item-fit-380x285.jpg)
Glenelg Shire Council Cultural CollectionPainting - Painting - [Moonlight Trees], Pro Hart, untitled [Moonlight Trees], 1967
Included in the 1999 "Salvage" Exhibition at CEMA Arts CentreThe painting depicts numerous leaf-less trees in the moonlight. The trees are painted in shades of brown, black and cream with the main focus on those in the centre foreground. The surrounding trees are completed in darker shades and are hazy and out of focus. The glow of the moon is depicted in white which dissipates into the dark blue/green sky. In contrast to this, a burnt orange is used as the background for the trees. The work has a gold and black frame with no mount or glass.Front: 67 PRO HART (black and gold paint, lower corners) Back: PRO HART "UN-NAMED" (1967) Donated by the Artist (typed label) White Sticker: 2 (in a circle) -
Glenelg Shire Council Cultural Collection
Artwork, other - Linocut Print - Seventh in a suite of 16 in the Admella Rescue Series, Admella Rescue Series, 2009
See 5377Linocut print. Seventh in a suite of 16 in the Admella Rescue Series. Depicts two people holding on to one another. Reaching out to another person whose left hand and forearm only are visible. All surrounded by waves. Printed in black on white archival paper. -
Glenelg Shire Council Cultural Collection
Administrative record - Renewal Receipt - Fire Insurance, Portland Free Library, 24/05/1917
Front: '1456' - red ink top rightportland free library, insurance -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 4, Bob Stone, Some valuable horse stock was on board .... the horses were thrown overboard.... SA Advertiser 7th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Fourth in a suit of 16 in the 'Admella Rescue Series'. Depicts the head of one horse, and the head and one forelegg of the second horse, among large waves. Printed in black on white archival paper.Front: Front - Linocut Bob Stone 'Some valuable horse stock was on board .... the horses were thrown overboard.... SA Advertiser 7th August 1859' - hand written, black penadmella, portland lifeboat, shipwreck -
Glenelg Shire Council Cultural Collection
Artwork, other - Engraving - Portland Bay and township from observatory hill, AH. Fullwood, Portland, n.d
Hand coloured engraving taken from the publication 'Australasia Illustrated' 1884, the image shows Portland Bay and township from observatory hill. Narrow gold and black speckled Matt board around image, then wider cream matt board. Image backed with white matt board - certificate of Authenticity attached top left. (Reproduction)Front: Artists signatue, bottom left, 'Portland' printed centre border beneath engraving. -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 3, Bob Stone, '..... they were four hours amongst the rocks and breakers before they got ashore' - SA Advertiser 20th August 1859', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut Print. Third print in suite of 16 in the Admella Rescue Series. Shows two men on rocky shore, rough sea in background. One man on hands and knees, the other, still in water, holding a long box. Printed in black on white archival paper.Front: Front - Linocut Bob Stone 2009 '..... they were four hours amongst the rocks and breakers before they got ashore' - SA Advertiser 20th August 1859' - handwritten, black penadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 6, Bob Stone, A public meeting was held to raise a fund for the relief of the survivors. Portland Guardian 26th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Sixteenth in a suite of 16 in the Admella Rescue series. Printed in black on white archival paper. Depicts a group of 6 people, one of whom is addressing a crowd of people.Front: 'Linocut Bob Stone 2009' A public meeting was held to raise a fund for the relief of the survivors. Portland Guardian 26th August 1859 - hand written, black penadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 16, Bob Stone, 'Four heavy seas struck ... washing one man overhead, who was, however, picked up. Portland Guardian 18th August 1859', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Tenth in a suite of 16, in the Admella Rescue series. Depicts Portland lifeboat. 3 crew members leaning leaning over sid eof life boat towards someone in water. Printed in black on white archival paper.Front: Linocut, Bob Stone. ...'Four heavy seas struck ... washing one man overhead, who was, however, picked up. Portland Guardian 18th August 1859' - Handwritten, black penadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 12, Bob Stone, The boat at times appeared to stand up perpendicular on a wave that rose up like a wall, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Twelth in a suit of 16 in the Admella Rescue Series. Printed in black on white archival paper. Depicts Portland lifeboat being rowed through heavey seas.Front: Linocut Bob Stone 2009 The boat at times appeared to stand up perpendicular on a wave that rose up like a wall. 'SA Advertiser 20th August 1859' - Black pen, hand writtenadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Functional object - Envelope - Portland Free Library, n.d
Front: 'The Secretary Free Library Hall' - purple type Tender for hire of hall' - pencilglenelg shire council archives, portland free library -
Glenelg Shire Council Cultural Collection
Print - Linocut Admella Rescue Series No. 15, There was much celebration when the survivors were taken off the 'Lady Bird', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Fifteenth in a suit of 16 in the Admella Rescue Series. Printed in black on white archival paper. Depicts band playing in street, by standers each side.Front: 'Linocut Bob Stone 2009 There was much celebration when the survivors were taken off the 'Lady Bird' - Hand written, black pen.admella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 14, Bob Stone, on arrival at Lady Bird some 3 or 4 were in the last stage of existence 'Portland Guardian 15th August 1859', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Fourteenth in a suite of 16 in Admella Rescue Series. Printed in black on white archival paper Depicts a man with a rope around his chest and under his arm pits, being hauled up the side of the 'Lady Bird'. Two members of the Portland life boat also visible, watching procedure from lifeboat.Front: 'Linocut Bob Stone 2009 ... on arrival at Lady Bird some 3 or 4 were in the last stage of existance. Portland Guardian 15th August 1859' - hand written in black ink.admella, portland lifeboat, shipwreck
