This artefact originates from a petroleum company which operated in Victoria from 1933 until 1945. The Alba Petroleum Company of Australia Pty. Ltd. was established by P. J. Adams and A.G. Wales. They had distribution facilities in the industrial estate of Newport in Victoria and also marketed to South Australia and Tasmania. Their advertising during World War 11 emphasised the need to keep petrol profits in Australia. They claimed to have the largest independent bulk storage unit in Australia. They pioneered the use of tar alcohol which was blended with "standard motor spirit to produce a super fuel. They were marketers of ALBA Super, the Aviation Quality Spirit containing Australian produced alcohol, ALBA motor spirit, ALBA power kerosene and ALBALITE lighting kerosene. In 1945 after the war ended, ALBA was incorporated with the Australian Motorists Petrol Company, which in turn, became AMPOL Petroleum Ltd in 1949.This artefact is representative of an Australian innovative company and a product which was widely used on a local, state and national level for industrial and domestic applications.A cylindrical steel/metal can for petrol storage and transfer. It has the brand name of the company ALBA embossed into the lid.On lid: " ALBA"alba petroleum company, ampol, petroleum companies australia

The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for the Australian premiere of Goodnight Vienna! in the Kew Recreation Hall by the Kew Light Opera Company. The 12-page programme includes profiles, a cast list, a musical synopsis, and advertisements. goodnight vienna!, george posford, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, city of kew, theatre memorabilia

Plan of the Black Hill Company & Adjoining Claims. The No 1 Queen claim has been shaded in a buff colour. Scale 300 feet to one inch (1:3600) Shows Dan Brophy's Shaft, Red's Shaft, Two Ton Shaft, Shows the following prospecting company's claims: The Black Hill Company, No. 3 Queen, No. 1 Queen, North Sulieman Pasha, Sulieman, Duchess Co, Parade Co, Pasha Co, Sulieman Pasha Co, Llanberris Co Shows the following streets: Clissold Street, Peel Street, Victoria Street, Humffray Street, Princes Street, Wills Street, King Streetblack hill company, black hill, niven, f.w. niven, sulieman, duchess company, llanberris, cgt

A colour tinted postcard of Marysville House that was produced by the Rose Stereograph Company as a souvenir of Marysville.A colour tinted postcard of Marysville House that was produced by the Rose Stereograph Company as a souvenir of Marysville.THE ROSE SERIES P. 2297/ COPYRIGHT POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria. Dear Mum + Dad,/ I am coming home/ on Wednesday. I/ don't know what/ bus yet. I am coming/ home under sufference./ I know you (illegible)/ miss me an awful/ lot. (illegible) is/ sick she has/ diary. Mum I (illegible)marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, rose stereograph company, rose series, p. 2297, postcard, souvenir

Paper program for Melbourne Theatre Company performing at the Athenaeum Theatre March to September 1977; coloured cover; 24 p. includes articles about the play and the actorsmelbourne theatre company, season 24, march to september 1977, athenaeum theatre, the school for scandal, juno and the paycock, the wild duck, the merchant of venice, the fall guy, the club, ashes, russell st theatre, rodney fisher, ray lawler, mick rodger, john sumner, university of melbourne

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of a performance of A Country Girl by The Kew Light Opera Company in 1957. The performance at which this photo was shot took place in The Alexandra Gardens, Melbourne. Inscribed underneath the photo in the scrapbook by Marion Tilley: "X me. Alexandra Gardens." [The 'me' referred to in the photo is the woman with her back to the camera at left.]performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

A digital copy of a black and white postcard from the Fruit Salad Farm in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.A digital copy of a black and white postcard from the Fruit Salad Farm in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.marysville, victoria, australia, fruit salad farm, accommodation, restaurant, rose series, rose stereograph company, postcard, souvenir, p. 13096

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the Kew Light Opera Company for a performance of 'While the Sun Shines', a comedy in three acts by Terence Rattigan.The programme is undated. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.kew light opera company, while the sun shines (terence rattigan), performing arts, theatre (kew)

Photocopy of a four page document, from the Public Records Office of Victoria, c1995 of the Statutory Declaration verifying the Liquidator's Statement of the winding up of the Ballaarat Tramway Company (Horse Tramway) 27/11/1903. Made under the Victorian Companies Act of 1896. First page - cover page - with Victorian Company Registrar General's stamp. Second page - Statutory declaration Third and Fourth page - statement of accounts over two pages giving details of the realization and disbursements and an analysis of balance. Gives details of dividends to share holders - 10/- share on 21/1/1903 and final dividend of 1/2d per share on 17/7/1903.trams, tramways, ballaarat tramway company, horse tram, winding up, liquidators statement

Series of black and white portrait type photographs of actors/actresses who played roles in local productions by the Clocktower Theatre Company. Some photographs of players during performances.Several photographs have names recorded on print.

Large original plan of an engine of the Lal Lal Iron Company. Note, this item is in fragile condition and can only be viewed exceptional circumstance. Digital image details are available "W. Watson Prectical Mechanical Engineer Draughtsman Windermere St Ballaratw. watson, lal lal, lal lal blast furnace, lal lal iron company, steam engine, lal lal iron company steam engine, plan, engineering drawing

Manuscript - 3 foolscap typed - 1st page a title page, titled "North Melbourne electric Tramway and Lighting Company", written by Peter Duckett. Not dated, possibly late 1940's. Outlines the history of the formation of the company, the routes, track construction, depot, power house, car barn, rolling stock, tramcars, overhead and take over by the MMTB - "what is now one of the worlds finest electric tramway undertakings."trams, tramways, nmetl, essendon, keilor rd, saltwater river, track construction, essendon depot, power station

Paper program for a play performed by the Melbourne Theatre Company at the Athenaeum Theatre commencing 1 November 1977; coloured cover; 16 p. includes articles about the play and the authorathenaeum theatre, program, the university of melbourne, melbourne theatre company, eugene o'neill, ray lawler

A PHOTOGRAPH OF THE YANKEE QUARTZ MINE IN CLUNES.1 SEPIA PHOTOGRAPH OF THE YANKEE QUARTZ MINING COMPANY, REGISTERED, CLUNES. .2 .3 SMALL PHOTO PRINTS OF SEPIA PHOTOGRAPH local history, photography, photographs, mining

Heywood & Wakefield Furniture Co: The Heywood-Wakefield Company is an American furniture manufacturer established in 1897 that went on to become a major presence in the US. Its older products are considered collectibles and have been featured on television antique programs. The Heywood brothers established themselves in 1826, as furniture makers and the Wakefield Company began in 1855 as a separate company. Both firms produced wicker and rattan furniture, and as these products became increasingly popular towards the end of the century, they became serious rivals. In 1897 the companies merged as Heywood Brothers & Wakefield Company (this name was changed to Heywood-Wakefield Company in 1921), purchasing Washburn-Heywood Chair Company in 1916, Oregon Chair Company in 1920, and Lloyd Manufacturing Company in 1921. While its wooden furniture plant in Gardner, Massachusetts closed in 1979, a branch in Menominee, Michigan continued to manufacture metal outdoor seats, auditorium seats, and school furniture. The Heywood-Wakefield Company Complex in Gardner was added to the National Historic Register in 1983. The South Beach Furniture Company acquired the rights to the name in 1994 and reproduces its wooden furniture. Both founding companies produced wicker and rattan furniture in the late 19th century.  The wicker styles drew on the Aesthetic Movement and Japanese influences simpler designs arose in the wake of the Arts and Crafts Movement. The merged entity stayed abreast of wicker furniture trends by hiring designers such as Paul Frankl and Donald Deskey during the 1920s. Its furniture was exhibited at the 1933 Century of Progress exhibition and the 1964 New York World's Fair. During the 1930s and 1940s, Heywood-Wakefield began producing furniture using sleek designs based on French Art Deco.The chair has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the village and Museum was established. The wicker nursing chair is a fine example of late 19th century light weight domestic furniture that today are very collectible items and quite rare and valuable.Nurse wicker chair, wood, cane and rattan with round rushed seat. The one left arm being that to support the infant during feeding. 1870s-1890s. Believed to have been made by Heywood Brothers & Wakefield Company, USA. flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, great ocean road, 19th century furniture, rolled serpentine wicker work, cane armchair, classic wicker furniture, victorian style furniture, domestic furniture late 19th century, heywood-wakefield company, feeding chair, nursing chair, mother's chair, nursery furniture

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the Kew Light Opera Company for a performance of the Australian premiere of 'Goodnight Vienna!' by Marvell and Posford. Performances were held in the Kew Recreation Hall in 1956. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.theatre (kew), performing arts, goodnight vienna! (musical), kew light opera company, kew recreation hall

Laminated poster advertising events associated with the Mt Lyell Mining and Railway Company Limited Centennial Celebrations taking place from Friday 26th March to Monday 29th March 1993.mt lyell, mining, centennial,

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the Kew Light Opera Company for a performance of 'The Cingalee'. Performances were held in the Kew Recreation Hall on 2, 3, 4, 5, 6 June 1953. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.kew light opera company, theatre, performing arts

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the Kew Light Opera Company for a performance of 'A Country Girl'. Performances were held in the Kew Recreation Hall on 5, 6, 7, 8 May 1954. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.kew light opera company, theatre (kew), performing arts, a country girl (musical)

Manuscript - draft - 8 A4 pages, titled "The Northern Tramway Company", by Duncan MacAuslan about the development and operation of a horse tramway company that ran from Moreland and Sydney Road to Bridge St Coburg. Opened March 1889, insolvency, ownership and lease issues with Council, purchase by Council in 1911 and closure in Dec. 1915 to enable the construction of the electric line by the MBCTT. See the August 2020 issue of Trolley Wire for the full completed article and photographs.trams, tramways, horse trams, coburg, northern tramway co., sydney road

A digital copy of a black and white postcard of The Crossways in Marysville produced by the Rose Stereograph Company as a souvenir of Marysville. The Crossways was built in the early 1920s and is the oldest building in Marysville. The Crossways historic inn survived the 2009 Black Saturday bushfires thanks to the efforts of its co-owner Greg Cherry and, in the days after the fires, provided a much-needed refuge to the Marysville community and firefighters.A digital copy of a black and white postcard of The Crossways in Marysville produced by the Rose Stereograph Company as a souvenir of Marysville.marysville, victoria, australia, postcard, rose stereograph company, rose series, p. 2544, souvenir, the crossways, crossways country inn, crossways historic country inn, accommodation

A digital copy of a black and white postcard of The Crossways in Marysville produced by the Rose Stereograph Company as a souvenir of Marysville. The Crossways was built in the early 1920s and is the oldest building in Marysville. The Crossways historic inn survived the 2009 Black Saturday bushfires thanks to the efforts of its co-owner Greg Cherry and, in the days after the fires, provided a much-needed refuge to the Marysville community and firefighters.A digital copy of a black and white postcard of The Crossways in Marysville produced by the Rose Stereograph Company as a souvenir of Marysville.marysville, victoria, australia, postcard, rose stereograph company, rose series, souvenir, the crossways, crossways country inn, crossways historic country inn, accommodation, p. 3292

Typed letter on Mount Morgan Gold-mining Company, Limited Letterhead relating to staffmember W. Gildard who worked in the Electrical Department at Mount Morgan. The letter is signed by Norman F. White..1) I hereby certify the Bearer Mr W. Gildard has been under my supervision this last two years and six months in Electric Light Dept Mount Morgan G.M.Co. Ltd While under me he was quick steady and industrious also possessed good mechanical ideas. He has been switch board and Dynamo attendant worked on outside circuits series are Lighting Mine Lighting under Ground Electric Bells and Telephone work. He has had experience also on our new plant turbo generators Stationary Motors and Electric Locomotives Electric Tramway Work over head wiring and ground return you will also find him most obliging and willing. Leaving of his own accord. Frank McFarlane A.G.E.E. Electric Foreman Mount Morgan G.M. Co. Ltd march 21st 1907ballarat school of mines, mount morgan gold-mining company, mount morgan, norman f. white, electricity, w. gildard, letterhead

Unit members in the photo: Back row: Peter Herd, Mick Stewart, Ian Bunston, Russ Bradley, Bob West, Peter Reid, Norm 'Doc' Willoughby, Brian Hinneburg, Claude Gillard, _______ , Kevin Hatfield, Ian Hicks, Mack Hinds, John Woodruff. 4th row: Geoff Smith, Phil 'Juni0r' Meakins, Phillip Roff, George Wing, 'Bluey' De Clerk, Bob 'Canada' Johnston, Jim Walsh, Mike Hicks, Ern Jeffries, Carl 'Dutchy' Hulsbergen, Leigh Power, __________ , Norm 'Mick' Kennedy, Ray Bunyard, Jack Murray. 3rd row: Jeff Tomlinson, ______ , Vince Nehill, Jim Stephens, Bert Boatwright, Bill Leach, Bob Reid, Peter 'Padre' Bowden, ______ , Frank Read, Peter Higgins, Bill Salmon, John Hutchinson, Gus Kongas, Tony Poole. 2nd row: Roman Stuczynski, Stan Polan, Allan Moore, Don Bergman, Col 'Ali' Barbour, Peter Askew, Ron Smith, OC Major John Hutcheson, Adj Capt John Pritchard, Lt John O'Rourke, Ron Scott, George 'Taffy' Drakopoulos, Ted Malone, Ray Sanders, Kevin Collins, Barry Creighton. 1st row: Tom Massey, Mick Thurlough, Glen Watterson, Joe Frazer, Warren Hutchings, Max Coulson, Graham Gould?, Maurice 'Elvis' Priestly, _______ , 'Bluey' Darlington, 'Bluey' _____ , _____________ , 'Tich' McIntyre, Jim Trainor. Proovided by Jim Trainor.One of a very few photos only of (almost) the complete personnel of 2 Cdo Coy in its early years. B & W group photo unframed, 5 rows tiered, 73 men in winter battledress at the 2 Commando Company depot at Ripponlea, Melbourne in 1958. A separate document names most of the men. Described by Jim Trainor as Ripponlea pay parade July 1958. 2 commando company - 1958 - pay parade - ripponlea depot - unit personnel

Crucibles are used for heating and pouring molten metal. The set of six crucibles was raised from the wreck of the Loch Ard and includes a range of sizes, now in the Flagstaff Hill collection. All were manufactured by the Morgan brothers who founded the Patent Plumbago Crucible Company in 1856, making crucibles in a small factory in Battersea London. A crucible is a container used for purifying and melting metals so that they can be cast in a mould to a predetermined shape and use. They must withstand extremely high temperatures, and abrupt cooling, and shed their contents with minimal adherence. The addition of graphite to the traditional firing clays greatly enhanced the durability of industrial crucibles this technique was pioneered by the Morgan Bros thereby making a significant technological advance in foundry technology and metallurgy. The Morgans first noticed the advantages of graphite crucibles at the Great Exhibition held in London in 1851. Initially, they contracted to be sole selling agents for the American-made products of Joseph Dixon and Co. from New Jersey, but in 1856 they obtained that firm's manufacturing rights and began producing their graphite crucibles from the South London site. The Morgans imported crystalline graphite in 4-5 cwt casks from the British colony of Ceylon (now Sri Lanka) and mixed it with conventional English (Stourbridge) clays to be fired in kilns. Their products were purchased by the Royal Mints in London and India and exported to official mints in France and Germany. They were successful exhibitors of their crucibles and furnaces at the London Exhibition held in 1861 (Class 1, Mining, quarrying, metallurgy and mineral products, Exhibit 265, Patent Plumbago Crucible Co). The range of sizes represented by the six crucibles retrieved from the Loch Ard suggests they may have been part of a sample shipment intended for similar promotion in the Australian colonies or at Melbourne's International Exhibition to be held in 1880. A newspaper account of an 1864 tour of the Morgan brothers' 'Black Potteries' at Battersea indicates: "All the pots were numbered according to their contents, each number standing for one kilogram or a little over two pounds; a No. 2 crucible contains two kilograms; a No. 3, three kilograms, and so on." These numbers are obscured by marine sediment on three of the crucibles in the Flagstaff Hill collection, but those legible on the remaining three are 5, 6, and 8. None of the six is of the same size. A brief history of the Loch Ard (1873-1878): - The sailing ship Loch Ard was one of the famous Loch Line of ships that sailed the long voyage from England to Australia. Barclay, Curdle and Co. built the three-masted iron vessel in Glasgow in 1873. It had sailed three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of recently married, 29-year-old Captain Gibbs. It was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, and a heavier load of railway irons, cement, lead and copper. Other cargo included items intended for display in the Melbourne International Exhibition of 1880. The Loch Ard had been sailing for three months and was close to its destination on June 1, 1878. Captain Gibbs had expected to see land at about 3 am but the Loch Ard ran into a fog that greatly reduced visibility and there was no sign of land or the Cape Otway lighthouse. The fog lifted at 4 am and the sheer cliffs of Victoria's west coast were much closer to them than Captain Gibbs expected. He tried to manage the vessel but failed and the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. The top deck loosened from the hull, and the masts and rigging crashed down, knocking passengers and crew overboard. The lifeboat was launched by Tom Pearce but crashed into the side of Loch Ard and capsized. He clung onto its overturned hull and sheltered under it. He drifted out to sea and the tide brought him back to what is now called Loch Ard Gorge. He swam to shore and found a cave for shelter. A passenger, Eva Carmichael, had raced onto the deck to find out what was happening and was confronted by towering cliffs above the ship. She was soon swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He swam out and dragged her to the shelter of the cave. He revived her with a bottle of brandy from a case that had washed up on the beach. Tom scaled a cliff in search of help and followed some horse hoof prints. He came from two men from Glenample Station, three and a half miles away. He told the men of the tragedy and then returned to the gorge while the two men rode back to the station to get help. They reached Loch Ard Gorge and took the two shipwreck survivors to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome and was presented with a medal and some money. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collection's objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history.This crucible is the smallest of three nested crucibles, or fluxing pots, numbered according to their size. These containers rise slightly from a smaller flat base to a wider open top with a lip for pouring. They were recovered from the wreck of the Loch Ard. The crucibles have a coating of sediment that obscures some of their numerical specifications of size and capacity. Made by the Patent Plumbago Crucible Company at the Battersea Works in London. The number on this crucible is obscured by the sticker.Stamped into side "MORGAN'S PATENT" Stemped into base "MORGAN'S PATENT" "THE PATENT PLUMBAGO CRUCIBLE COMPANY" Sticker "L 96"flagstaff hill, warrnambool, graphite crucible, plumbago crucible, morgan's crucible company, loch ard, morgan potteries, crucible, fluxing pot, nested crucibles, heat proof container, metal worker, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, morgans crucible company, flagstaff hill maritime museum and village, fluxing pots, morgan’s patent, morgan brothers, patent plumbago crucible co, battersea works, london, loch ard gorge, port campbell

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by The Kew Light Opera Company for a revival of 'A Country Girl' by Lionel Monckton. Performances were held in the Kew Recreation Hall in 5, 6, 7, 8 June 1957. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.theatre (kew), theatre groups (kew), performing arts, kew recreation hall, a country girl (musical)

Peninsula & Oriental Steam Navigation Company (P & O) were a shipping company. A printed and hand written certificatepeninsula & oriental steam navigation company, p & o, shipping, steam ship arcadia, hurbert wilkinson

A souvenir envelope that contained a series of photographs of scenic attractions taken in and around Marysville in Victoria that was produced by the Rose Stereograph Company.A souvenir envelope that contained a series of photographs of scenic attractions taken in and around Marysville in Victoria that was produced by the Rose Stereograph Company. The photographs were used for a series of photographs and postcards published by the Rose Stereograph Company in Armadale, Victoria. This envelope was sold by The Log Cabin in Marysville as a souvenir of Marysville. The Log Cabin was built by Thomas Henry Branchflower who had arrived from England late in 1921. It was built for Gwendoline Pitman after the death of her father Clarence Pitman and the disappearance of her sister Olive in July 1926. Gwendoline operated an artist and souvenir shop in the newly built Log Cabin in partnership with Peter Mackey who was a Melbourne optician and artist.THE LOG CABIN - MARYSVILLEthe log cabin, marysville, victoria, souvenir, rose stereograph company, souvenir envelope, photographs, thomas henry branchflower, gerald branchflower, mary chain, gwendoline pitman, clarence pitman, kooringa guesthouse, olive pitman, wilbur anderson, peter mackey

.1 COPY OF A SEPIA PHOTOGRAPH OF THE NATIONAL INSURANCE COMPANY BUILDING, MAN & TWO CHILDREN IN FOREGROUND, FRASER STREET CLUNES. .2 .3 BLACK AND WHITE COPIES OF THE ABOVE PRINTED ON MATTE PHOTOGRAPHIC PAPERTHE NATIONAL INSURANCE COMPY OF AUSTRALIA LIMITED . F.P. HICKOX AGENT. IMPERIAL, NATIONAL ADELAIDEshops, the national insurance co. of australia ltd.[ f.p. hickox agent], hickox