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Surrey Hills Historical Society Collection
Work on paper - Program, Our Holy Redeemer Mothers' Club, Our Holy Redeemer Mothers' Club concert program, c 14 December 1967
Sisters from St Joseph's Convent at 1 Kent Road, Surrey Hills taught at Our Holy Redeemer School in Mont Albert Road from 1902-1967. Formally known as Sisters of St Joseph of the Sacred Heart, they were often called the Josephites or 'Brown Joeys' on account of their brown habits. The order was founded by Saint Mary MacKillop (1842–1909). The order originally transferred to Surrey Hills from South Melbourne where they ran a Home for Destitute Children. The last 3 sisters from Surrey Hills transferred to the Gisborne parish in December 1967. A yellowed and grubby paper printed in black detailing 7 songs / dance items performed by students from Prep to Grade 6.1967 handwritten in grey pencil to the right of the printed time and date.our holy redeemer school, st joseph's convent, sisters of st joseph of the sacred heart, josephites, brown joeys, gisborne, sister teresa, sister albert, sister edmund, brendan hutchinson, helen fremantle, kelly ryan, marietta urh, school children, uniforms, nuns -
Damascus College
Photograph, Opening of the Mount Xavier Golf Club
From 1949 golf became a regular part of a SHC student's week. With the junior SHC students educated at the Mount Xavier site since 1906, the land adjacent to 'Villa' as it was known, caught the eye of both keen golfer S. J. Weir and Mother Bonaventure Healy. Under their joint direction the golf course took shape, the first to be built and owned by a convent, and on any given Monday of the year could be found teeming with enthusiastic students from Sacred Heart College. Pictured centre left is Australian Minister for Immigration Arthur Calwell, whose daughter Mary attended SHC at that time.Digital Photograph -
Ballarat Tramway Museum
Document - Photocopies, Gold Museum, Winter Timetable of the Ballaarat Tramway Company, 1999
Photocopy of the Winter Timetable of the Ballaarat Tramway Company, horse trams, dated c1890, detailing the services on the various lines. Comprises three separate A4 pages. Each sheet has the letterhead of the Ballaarat Tramway Company Limited, of 7 Camp St. Details services on the Gardens line via Boatsheds, via Convent, Post Office and Pleasant St., Drummond St, Lydiard and Macarthur St, and Skipton St. Noted that Saturday and Sundays were as at present. Alan Bradley - notes prior to 1893, no tramway services to Sebastopol. Sourced by Alan Bradley from the Gold Museum archives.trams, tramways, timetables, ballaarat tramway company, horse trams -
Bendigo Historical Society Inc.
Book - HEROES OF THE UNITED SERVICE, 1901
A red hard covered book with gold and black title and illustration. 'Heroes of the United Service' by L Valentine with numerous illustrations. Fredericke Warne & Co, London & New York. C 1901. This volume covers articles of the exploits of a wide variety of British soldiers and sailors of all ranks. The aim of the author was to inspire the reader to be patriotic. Pages 256. Markings & Inscriptions: 'Presented by the Sisters of Mercy to Doris Kelly for general good conduct and proficiency as Dux of 5th class. The Convent of Our Lady of Mercy, Sandhurst Xmas 1901.'Page 38 contains a leaf -possibly used as a bookmarkL. Valentinehistory, naval, illustrated british history book -
Bendigo Historical Society Inc.
Newspaper - HILDA HILL COLLECTION: KYNETON GUARDIAN NEWSPAPER KYNETON CONVENT OF MERCY GOLDEN JUBILEE, 28th September, 1939
Hilda Hill Collection. The Kyneton Guardian Incorporating The Kyneton Observer Newspaper No. 10/317 Thursday, 28th September, 1939. Single Copy 2d. Front Page Kyneton Convent of Mercy celebrated it's Golden Jubilee (1889 - 1939), AMP Society Offering Families Super Plan for income at 60 with minimum investment of £3 or £4 per week, Also 3BO Bendigo Advertising The Radio Comedy Yes! What? On Monday, Tuesday & Wednesday Evenings from 8:30 pm - 8:45 pm, Paramount Theatre free screening car construction inside a modern factory.Kyneton Guardian, The Kyneton Observerhistory, kyneton, kyneton guardian 28/09/1939 -
Kew Historical Society Inc
Photograph - Yarra River, Studley Park, 1924
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 7 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This photograph was taken during a flood year, perhaps 1923, when the Yarra encroached on the grounds of the Abbotsford Convent. In the distance, the Johnston Street Bridge separates the viewer from the industrialised landscape of Fairfield. In developing the photo, Henry Christian employed a circular frame to artistically focus the view. He empkloyed this technique for what he may have viewed as his best photographs. "Studley Park / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, fairfield, kew, johnston street bridge, studley park -
Ballarat Tramway Museum
Photograph - Digital image, Rose Stereograph Co, c1895?
Yields information about the appearance of the intersection of Grenville and Bridge St following the introduction of the horse trams and the terminal arrangements.Digital image from the State Library of Victoria website image No. H92.291/24, a Rose series stereo photograph showing a horse tram just after off loading at the Grenville St terminus. Shows the view along Bridge St with the Nicholl and Allan store, Bucks Head hotel, Reed Chemist and C. Morris Hatter sign. C1895? Has a number of people in the view. The horses are being "run around the tram". Tram has the destination of "Convent", could be No. 6 or 5. See image btm7019i2.pdf for the SLV link - correct as of 31-12-17. See image i3 for a more detailed photograph.trams, tramways, bridge st, grenville st, sturt st, horse trams, stereo photograph, tram 5 of 6? -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, c1905
Black and white photograph of the Ballaarat Tramway Co. horse tram fleet massed for a group photograph within the Gardens, at one of the loops. May have been taken on the same day as item 800. About the same number of horse trams. Close up of some the trams. The first has "CONVENT" destination and "Havelock Tobacco" advertisements. By the first tram is person dressed in an overcoat and hat. Conductor and driver on either side. Print made from a photograph held by the Ballarat Historical Society - original photo had drawing pin holes on bottom edge. 2nd copy added 9/11/2005.trams, tramways, horse trams, wendouree parade, gardens, electrification -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, Jason Waterhouse, 'Cottage' - Jason Waterhouse. 2015, 2014 - 15
The iconic bush surrounds of Lake Daylesford are now home to a new permanent artwork titled Cottage, by artist Jason Waterhouse. The artwork has been months in the making, thousands of S-shaped pieces have been hand crafted from three kilometres of wrought iron, then joined together to form a scaled-down miners cottage. ‘Cottage’ is a highly decorative wrought iron sculpture inspired by the gates at the Convent in Daylesford, “ said Waterhouse. “This work references the rich opulence of the Victorian gold rush and pre-war spa resort era in its patterning. In its form ‘cottage’ pays homage to the miners, workers and farmers on whose backs the riches of Daylesford were built.” Cottage is the first in a series of significant public artworks to be commissioned by Hepburn Shire Council. Cottage will enhance one of Victoria’s premier tourist destinations, Lake Daylesford. Large scale wrought iron public sculpture referencing the worker's cottage of the Goldrush period in Daylesford. 203cm (height) x 382cm (width) x 353cm (depth) verandah 159.5cm (height) wrought iron 32mm x 2.5mmpublic art, sculpture, jason waterhouse, stockroom, daylesford, hepburn shire, daylesford lake, cottage, site-specific art, art, wrought iron, hepburn, hepburn shire public art collection -
Kew Historical Society Inc
Work on paper - Sepia Wash & Ink, G B Richardson, Creek and Old Watering Stage, on the Yarra, East Collingwood, 1854, 1854
Blind Creek was located between the Abbotsford Convent and what is now the Collins Bridge in Studley Park. In an 1858 map of East Collingwood by Clement Hodgkinson, in the State Library of Victoria, one can see how the creek was originally a significant landmark in Collingwood; remaining vacant land until a barrel drain enclosed it. The area was later filled in, surveyed and developed. The position where Blind Creek entered the Yarra was in the immediate vicinity of Hodgson’s Punt, which had linked Kew to the other side of the Yarra from 1839. The Punt was purchased by the Colonial Government in 1852 and was in use until the opening of the Studley Park Road (Johnston Street) Bridge in 1858 made its continued use redundantThe point of view selected by the artist for the watercolour is from the banks of Blind Creek in East Collingwood, looking across the Yarra to the Kew side of the river.Inscribed verso 'Creek and Old Watering stage, on the Yarra East Collingwood 1854 / Trees, stage, &c have long since disappeared / [Artist Signature] / FT 110 / Creek itself now being filled in 1903.gb richardson, blind creek - abbotsford, yarra river - abbotsford (vic) - kew (vic), colonial artists, australian art - 19th century, george bouchier richardson -
Warrnambool and District Historical Society Inc.
Booklet, Emmanuel College Warrnambool: celebrating 25 years 1991-2016, 2016
Emmanuel College is the result of the amalgamation of St Ann's girls' college and Christian Brothers' College boys' school in 1991. Mother Philomene Maguire arrived in Warrnambool and commenced a Convent of Mercy and school with the consent of the then Bishop of Victoria, Bishop Goold. The school opened in Wyton House in Botanic Road. Brother Egan arrived in 1902 and set up a Brothers' group and school and 104 boys enrolled. Since its inception in 1991 Emmanuel College provides a broad education for students to Year 12 level. A number of students have achieved a high profile in the community, including footballer Jonathan Brown, television personality Dave Hughes, educatior Professor Colin Ferguson, musician Shane Howard, Olympic cyclist Michelle Ferris.This booklet briefly documents the history of Emmanuel College and its predecessors St Ann's and CBC and includes a list of their more prominent and well-known 'inspiring alumni'. It provides research information and window on a period of socialA4 size full colour booklet with a photograph of a white building with light brown trim and red iron roof and arched windows; four senior students (two boys and two girls) wearing school uniform are standing in the foreground. Their blazers feature the school logo. Title is white print in a red box and a sub-title at the bottom right hand side is in red print. 15 pages25 YEARS/Emmanuel College/1991-2016 Emmanuel College/Warrnambool/Celebrating 25 years/1991-2016 Built on tradition, Educating for the future.emmanuel college, convent of mercy, bishop goold, catholic schools, wyton house, brother egan, st ann's college, christian brothers college warrnambool, education, education in the warrnambool area, boyce, rosalie, ferris, michelle, gorman, lisa, howard, shane, keilar, brendan, o'dwyer, dr barry, ryan, kathryn, brown, jonathan, atkinson, david oam, coghlan, gorgi, earls, judith, o'shea, br frank, ryan, dr kevin, houlihan, sr natalie, hughes, dave, ferguson, prof colin, howard, sr adele, ryan, shaun, smith, karan, lanigan, sgt sean, melican, felicity, turner, michael, green, danielle mp, holland, nicki, o'keefe, marcia oam, o'toole, melanie, harrington, clayton, gallagher, br don, gleeson, dr laurence, gleeson, trevor, houlihan, patrick, mugavin, fr patrick -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Digital Image, Wal Jack, 27/06/1957 12:00:00 AM
Yields information about Ballarat Trams and streetscapes early 1960's and the details of the Victoria St terminus, Yields information about Ballarat Trams and streetscapes early 1960's and the details of the Victoria St terminusBlack and white print of Ballarat 17, in Victoria Street, at Otway St photographed by Wal Jack, 27/6/1957. Two copies. A lady is standing at the back of the tram, possibly talking to the conductor. Tram has the destination of Gardens via Sturt St West. Has the Convent building in background. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection. 4412.1 - Digital image from the Wal Jack Ballarat Album of the same photograph. See i3 for details of the rear of the photograph.On rear of copy 1 "SEC Ballarat / 17 / Victoria / 27/6/57 / Wal Jack" Copy 2 "DAC" in ink, bottom right hand corner. 4412.1 - on rear of photo in ink, "SEC Ballarat, No. 17 Victoria St at Otway St, Ballarat East 25 June '57" and "W. Jack photo Neg. to D. Colquhoun"trams, tramways, victoria st, tram 17 -
Bendigo Historical Society Inc.
Programme - THEATRES COLLECTION: LYRIC THEATRE PROGRAMMES
Eight programmes for the Lyric Theatre: 1) ''Cloistered'' A living document of faith relating the exquisite simplicity of convent life. Opening Saturday, 13th August, 1938. 2) ''The Road Back'' with John King, Richard Cromwell, Barbara Read, Slim Summerville. 3) ''Anne of Windy Poplars'' with Anne Shirley and James Ellison. 4) ''Victoria the Great'' with Anna Neagle, Anton Walbrook. 5) '' Tin Pan Alley'' with Alice Faye, Betty Grable, JACK Oakie, John Payne. 6) ''The Robe'' the first cinemascope film to be screened in Northern Victoria opens at the Lyric Friday, 3rd September. 7) ''The Three Musketeers''. 8) Municipal band supported by Miss Pauline Bindley at the Lyric Theatre.entertainment, theatre, lyric -
Warrnambool and District Historical Society Inc.
Book, The book of sacred song, 1864
This book has been given to John Ardlie by Lewis Gilles in 1866. John Martin Ardlie came to Warrnambool in 1852 as the Clerk of Courts and remained in this position until 1868. He died in 1872. He was a leading figure in community affairs for twenty years and Ardlie Street in Warrnambool is named after him. His family home was Wyton, site of the old convent at Emmanuel College today. Lewis Gilles, important in the early history of Tasmania as a bank owner and breeder of cattle, came to Warrnambool in 1854 as the first resident Police Magistrate. He remained until 1866 when he went to England (the occasion of his presentation of this book to John Ardlie). He died in 1884 in South Australia. Gilles Street in Warrnambool is named after him.This book is of high significance because of its connection to two very important early residents of Warrnambool – John Ardlie and Lewis Gilles. This is a hard cover book of 336 pages. The cover is brown with gold ornamentation and lettering on the front cover and spine. The pages are gilt-edged. The first letter of each hymn is ornamented and there is an illustration covered with tissue paper on the first page. One page shows silverfish damage and the cover is partly detached from the binding. The cover is frayed in places and a little stained. The inscription is handwritten in black ink. ‘Presented to J. M. Ardlie by his friend and comrade L.W. Gilles 1864 Worthing Sussex on departing from Warrnambool 4 May 1866’. john ardlie, lewis gilles, history of warrambool -
Ballarat Tramway Museum
Photograph, Wal Jack, ESCo cross bench tram No. 20 and ESCo 2, c1910
Photo of ESCo cross bench tram No. 20 and ESCo 2 at the intersection of Sturt and Lydiard Streets, with the post office in the background, Summerscales offices, Robbie Burns statue, Vita Studio, and George Payne Jewellers in the background. The conductor on the rear of No. 2 is holding the trolley rope, while the driver of No. 20 is watching the road closely. The conductor of the tram is reboarding or about to alight. No. 20 has the destination of Gardens via Convent. Other trams are in the background. Wal has dated the photograph about 1909. Note the point frog or pan in the overhead above No. 20. See image i2 for the rear of the photograph and image i3 for a hi-res scan of the photograph. See image i4 for a hi-res scan of the copy negative, with a drawing pin mark in the top left-hand corner,Yields information about the use of ESCo trams c1910 and the overhead.Digital image from the Wal Jack Ballarat Album.On rear of photograph in ink: "T161, Ballarat Tramways No. 20 Summer Car & No. 2 old Type, Sturt St. Ballarat 1909 / W. Jack Collection."trams, tramways, esco, cross bench tram, sturt st, post office, lydiard st, tram 20, tram 2 -
Kew Historical Society Inc
Album, Eva Grant, Historic Buildings in Victoria & New South Wales, 1919-c.1962
One of three scrapbooks created by Eva Grant, a past member of the Kew Historical Society which were donated by her niece, Julie Thomson, in 2013. The scrapbook includes photographs and descriptions of the following sites. (Many of these are now demolished and so the photographs and descriptions may be rare records of a site.) Sites include: Abbotsford (Vic) - Abbotsford Convent, Mayfield (c.1962), prefabricated house - Church street Armadale (Vic) - church (c.1959) - Thomson & Wattletree Roads Arthur’s Seat (Vic) - McCrae homestead Ballarat (Vic) - Memorial plaque on site of Bentley’s Hotel, Memorial on site of Eureka Stockade, Early municipal buildings - East Ballarat, Adam Lindsay Gordon’s cottage - Botanical Gardens, View from Sovereign Hill, Shell house Broken Hill (NSW) - panorama (1963), Flying Doctor’s base (?1963) Eltham (Vic) - Hassell’s outdoor art gallery Essendon (Vic) - Niddrie Homestead and stables (1963) Geelong (Vic) - first Bishopscourt Hawthorn (Vic) - Convent (1930), The Hawthorns, Keilor plains (Vic) - pioneer homes, pioneer cemetery Kew (Vic) - Roseneath (1951), Tarring - Ruyton, Turinville, house - Foley street (c.1960). Malvern (Vic) - church Mount Ridley (Vic) - Summerhill Melbourne (Vic) - Old Brewery - Custom’s House Lane (1960), Customs House, Scott’s Hotel (1962), Western market (c.1960) Phillip Island (Vic) - Grave Toorak (Vic) - Mandeville Hall, Merna (sic) - Arthur Streeton’s house, Toorak House Wentworth (NSW) - Harvey’s Hotel, Sturt Memorial, Sturt’s Tree, Wentworth Gaol Williamstown (Vic) - Williamstown Dairy Yan Yean (Vic) - Bear’s Castle (c.1947) Beveridge/Big Hill (Vic) - Kelly’s cottageImportant photograph record (and notes) about historic buildings in Victoria.38-page scrapbook with additional text created by Eva Grant, a past member of the Kew Historical Society. In addition to the 68 photographs, there are two postcards and a number of publications/handouts.collected by Eva on her trips to heritage sites in Victoria and New South Wales. The pages of the album can be viewed in the image carousel above. Most of the photographs of heritage buildings were taken in the early 1960s.See imagesheritage sites - victoria - australia, eva grant, scrapbooks - 20th century -
Ballarat Heritage Services
Ceramic, Springmount Pottery, Dip and Chip Platter by Springmount Pottery
Springmount Pottery is located in Creswick, Victoria, and produces and sells works designed by its owner, Tina Banitska, who also owns the Convent Gallery in Daylesford. Banitska came to Australia with her family from Greece in 1956. She trained at RMIT and Franklin State College, before taking over Doug Alexander's Springmount Pottery when he moved to Tharwa in 1976. Retaining the pottery name, she developed it as a workshop, employing throwers and decorators to make works to her design, and initially selling these through the Springmount Pottery Gallery on Main Street, Ballarat. The pottery now operates with its own gallery onsite. Banitska's initial interest in ash glazes is continued in the Pottery's ashware line and there has also been a wide range of other Springmount designs. Works are signed with a painted 'Springmount' often split over two lines.A hand thrown, glazed and decorated plate with attached bowl for dip.ceramics, springmount pottery, tina banitska, australian studio ceramics -
Surrey Hills Historical Society Collection
Book, Signatures of children attending schools: August 1934, 1934
The book of signatures was retrieved from a time capsule behind the Box Hill Town Hall's foundation stone by the Mayor of Box Hill, Cr. R. G. Friday during a 'Back to Box Hill' held on April 13th and 14th, 1985. Celebrations were held to commemorate the 50th anniversary of the official opening of the Box Hill Town Hall on April 15th, 1935. Pupils at the following schools in 1934 signed up: Box Hill Girl's Technical School, Box Hill Primary School, Salvation Army Boys' Home, Box Hill Grammar School, Ormiston, Horton Girls' Grammar School, Convent Notre Dame de Sion, St Francis Xavier, Mont Albert Central School, Box Hill South Primary 4138, Burwood Primary School 461 and Box Hill High School.This book contains a list of signatures of school children attending schools in the Box Hill district in 1934.school children, school rolls, box hill, 1934, school registers, time capsule, box hill town hall, back to box hill, (cr) (mr) r g friday, box hill district schools, box hill girl's technical school, box hill primary school, salvation army boys' home, box hill grammar school, ormiston, horton girls' grammar school, convent notre dame de sion, st francis xavier, mont albert central school, box hill south primary 4138, burwood primary 461, box hill high school -
Ballarat Heritage Services
Ceramic, Springmount Pottery, Vase by Springmount Pottery
Springmount Pottery is located in Creswick, Victoria, and produces and sells works designed by its owner, Tina Banitska, who also owns the Convent Gallery in Daylesford. Banitska came to Australia with her family from Greece in 1956. She trained at RMIT and Franklin State College, before taking over Doug Alexander's Springmount Pottery when he moved to Tharwa in 1976. Retaining the pottery name, she developed it as a workshop, employing throwers and decorators to make works to her design, and initially selling these through the Springmount Pottery Gallery on Main Street, Ballarat. The pottery now operates with its own gallery onsite. Banitska's initial interest in ash glazes is continued in the Pottery's ashware line and there has also been a wide range of other Springmount designs. Works are signed with a painted 'Springmount' often split over two lines.A hand thrown, glazed and decorated vase.ceramics, springmount pottery, tina banitska, australian studio ceramics, australian studio pottery -
Kew Historical Society Inc
Book, Outcasts, Mists & Shadows: a short history of institutional care around Yarra Bend, Melbourne / by Colin Briton, 2017, 2017
Self-published book on institutional care around Yarra Bend, Melbourne, including sections on: Merri Creek Protectorate Station and Aboriginal School (1841-51), Yarra Bend Lunatic Asylum (1848-1925), Fairfield Infectious Diseases Hospital (1904-96), Fairhaven (1927-51), Fairlea Women's Prison (1956-96), Thomas Embling Hospital (2000- ), Abbotsford Convent (1863-1975), Kew Lunatic Asylum / Willsmere Hospital (1872-1988), Kew Cottages (1887-2008), Caritas Christi Hospice (1938- ), Villa Alba / Henry Pride hospital services (1954-98), Royal Talbot Rehabilitation Centre (at Kew since 1961), National Guide Dog Training Centre / Guide Dogs Victoria (1962- ). ISBN: 978-0-6480223-0-5"Donated by the author March 2017"merri creek protectorate station and aboriginal school (1841-51), yarra bend lunatic asylum (1848-1925), fairfield infectious diseases hospital (1904-96), fairhaven (1927-51), fairlea women's prison (1956-96), thomas embling hospital (2000- ), abbotsford convent (1863-1975), kew lunatic asylum / willsmere hospital (1872-1988), kew cottages (1887-2008), caritas christi hospice (1938- ), villa alba / henry pride hospital services (1954-98), royal talbot rehabilitation centre (at kew since 1961), national guide dog training centre / guide dogs victoria (1962- ) -
Warrnambool and District Historical Society Inc.
Domestic object - China bowl, Gibsons and Paterson Limited, St Ann's College, Mid 20th Century
St. Anns College had its beginnings in the arrival in May 1872 of a group of nuns from Ireland. They were the third group of Sisters of Mercy to come to Victoria. The Warrnambool nuns worked hard to establish a school and orphanage for the socially disadvantaged children of the district. They purchased Wyton from Captain Ardlie that year and also Amhurst later on. The Nazareth sisters of Ballarat took over the orphanage in the late 1880's and moved the children to Ballarat but the school continued to develop an expanding curriculum. A chapel was built in 1887 and a school wing in 1906. They survived on tuition fees and the generosity of benefactors though the early and middle part of the 20th century including a large bequest by Mrs Vera Kenna in the 1960's. Boarders were a regular part of convent life until the 1970's which is probably the source of this plate. St Ann's College was combined with St Joseph's CBC college as Emmanuel College and operates today as the largest Catholic college in the district.This has significance as it is associated with one of the longest running schools in the district and hence would have a connection to many Warrnambool people as well as district people who boarded at the college.White bowl, with green and yellow stripe around edge and emblem. Surface is quite scratched on front and bottom of bowl.Inscription on emblem. " St. Anns Warrnambool around edge of logo with Omnia Vincit Labor on banner through the middle with four stars in the background. Printed in green. Inscription on base Grindley Hotel Ware England . Vitrified . Gibson and Paterson Limited New Zealand. CIR stamped into china on base.secondary school, catholic, warrnambool, st ann's college, sisters of mercy, education, emmanuel college -
Federation University Art Collection
Painting - Artwork - Painting, 'Strive & Grow, Thrive & Flow' by leni
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.A triptych commissioned for the Federation University Mt Helen A-Building Staircase.aboriginal, abstract -
Federation University Art Collection
Painting - Artwork - Painting, 'The heart's path' by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriignal education centre collection -
Federation University Art Collection
Painting - Artwork - Painting, ''future days" by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection -
Federation University Art Collection
Painting - Artwork, ''calm and clear" by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection -
Ballarat Tramway Museum
Document - Photocopy, Keith Stodden, 1929 Guide to Ballarat, Dec. 2006
Eleven sheets - photocopy and covering letter - from a 1929 Guide to Ballarat, detailing timetable for trams and buses on various routes. Tram timetables - gives Gardens via Convent, Gardens via Ripon, Drummond St North, Lydiard St North, Rubicon St, Sebastopol, Orphanage, Mount Pleasant and associated return timetables. Gives details of first cars, frequency and times past each hour basis and changes in service frequency. Details colours of the discs that the trams carry to identify them to passengers, day and night. Gives Bus timetables and operator names for: Daylesford (J. Littlehales), Monastery Bus Service (W. Wilson), Ballarat Nth and New Cemetery via Doveton St (H. W. Smith), Victoria Park via Doveton and Eyre St (Robinson), South St bus service to Western oval and racecourse (A. Sproule) and Ballarat to Elmhurst (Sandlants).trams, tramways, timetables, buses, ballarat, esco -
Warrnambool and District Historical Society Inc.
Book, Scrap Book, Circa 1930
This album contains photographs of many local and beach scenes such as view over Warrnambool, Botanic Gardens, Hopkins River and Bridge, Warrnambool railway station, Proudfoots, Thunder Point, Christ Church and the War Memorial. There are a couple of photographs of groups of people picnicking on the main beach. The newspaper cutting showing firemen dousing the last of the flames of the fire has onlookers including four children in the foreground. The Ozone Coffee Palace was built in 1890-1891 and burnt down February23, 1929. It was one of the largest fires in Warrnambool It was designed by Mr J McLeod. It was grand in design and decoration. The term Coffee Palace was used to describe temperance hotels which were built during the 1880’s -1890’s. They typically were multi-purpose and had a large number of rooms for ballrooms and leisure activities. Coffee palaces were aimed at families in coastal areas and inner city locations. Examples of some are The Windsor Hotel Melbourne, Ozone, Queenscliff and Kilbreda Convent in Mentone. This album has social and historical significance as it shows a collection of local scenes which is a record of familiar scenes such as the gardens, Hopkins River and beach scenes. The groups of people are unknown but the images provide a snapshot of customs and costumes of the early 1920’s.Khaki coloured soft card tied with a dark green cord which has broken and has been replaced with yellow string. There is an embossing of a lion/dragon on front cover with ribbons. 20 pages with photographs glued to most. A cutting relating to the fire at the Ozone mansions is inside the front cover.warrnambool history, early warrnambool photographs, ozone coffee palace -
Warrnambool and District Historical Society Inc.
Poster - Warrnambool Ozone Hotel Poster, Circa 1895
The Ozone Coffee Palace was built in 1890-1891. It was designed by Mr J McLeod. It was grand in design and decoration. The term Coffee Palace was used to describe temperance hotels which were built during the 1880’s -1890’s. They typically were multi-purpose and had a large number of rooms for ballrooms and leisure activities. Coffee palaces were aimed at families in coastal areas and inner city locations. Examples of some are The Windsor Hotel Melbourne, Ozone, Queenscliff and Kilbreda Convent in Mentone. The bottom part of the advertisement is a testimonial written by Brassey and Sybil De V Brassey, Lord Brassey being Governor of Victoria around 1895. Their visit to Warrnambool and their stay at the Ozone sparked a much needed interest in the Ozone. In 1896 the price to stay at the Ozone was two pounds two shillings and it remain in business for several years but in 1910 it closed after losing money for many years. It remained closed until it was bought by Mr Howard Lawson in 1920. It continued to struggle financially. It was burnt down in February 1929. When the Ozone was built in1891 it was the largest building in Warrnambool. It occupied a prominent position on the corner of Koroit and Kepler Streets. The grand architectural style in which it was built, was used for a number of similar buildings throughout the state. The fire which destroyed the building was one of the largest in the town.Large photograph glued to the top of the card with text in various styles underneath. Photo is sepia and card is cream. The bottom part of the piece has broken away. Jordan in bottom LH corner of photograph. “L.N. Moore 2 Landcox St Nth Brighton” written in pencil on back. warrnambool, ozone coffee palace warrnambool, mansions hotel, hotel warrnambool, ozone fire 1929 -
Surrey Hills Historical Society Collection
Photograph, Surrey Hills Bowling Club opening in 1912, 1912
James Albon, far right, built a bowling green at his home on the corner of Mont Albert Road and Wilson Street (later occupied by the convent). This green was so popular with his friends that he organised the formation of a bowling club at the corner of Montrose and Wilson Streets. Mr John Kendrick Blogg, wearing the white hat, is standing in the doorway. Earliest club records date from 1916. This was the original club-house; it was rebuilt in 1922/23 using interlocking blocks as recommended by Walter Burley-Griffin. This was quite an innovative design at the time. In turn cream brick buildings replaced this building in the 1950s. The Surrey Hills Bowls Club disbanded in 1995. Our original is framed copy donated by the Surrey Hills Bowls Club (with a spare copy and negative). Someone from the club has the original. Thre is also a frames portrait of James Albon the 1st president in the collection. (NB/ Duplicate = 1813; No.1943 is from the Bowling Club). Some information from Mrs Merle Phillips (deceased) a member when the club closed.A black and white photograph of a group of men and women dressed in their finery. The ladies and men are wearing hats and most men in 3 piece suits. One lady is in position to roll a bowl. The women's dresses are all ankle length."SHBC 1912"mont albert road, wilson street, surrey hills, montrose street, surrey hills bowling club, 1912, clothing and dress, mr james albon, mr john kendrick blogg -
Ballarat Tramway Museum
Slide - 27 mm sq slide/s - set of 11, Lilian Butler, Wendouree Parade and Sturt St West, Sep. 1971
Yields information about the streetscapes of Ballarat depot to Pleasant St route and in particular buildings and people that crewed the trams.Set of eleven Colour 27 x 27 mm slide in a Kodachrome cardboard mount. .1 - Wendouree Parade looking west towards St Aidans Drive - the gate pillars can be seen. .2 - ditto looking west - Fairyland .3 - ditto looking towards Gardens Loop .4 - No. 41 at Gardens Loop, with destination of Gardens via Drummond North .5 - ditto showing Mt Pleasant .6 - ditto, just past the now BTM Depot Junction. .7 - Carlton St - showing the gates .8 - Looking towards Hamilton Ave from within Carlton St loop with the signal showing red. .9 - Turning from Hamilton Ave into Sturt St West. .10 - Sturt St west looking east with the Loreto convent walls on the left hand side. .11 - Sturt St - Pleasant St intersection - showing road surface, a tram coming towards the intersection and buildings on either side. Slide mount date September 1971. Photo from the collection of Lilian Butler.ballarat, tramways, trams, wendouree parade, st aidans drive, gardens loop, depot junction, carlton st, carlton st loop, signals, sturt st west, pleasant st, tram 41