Yields information about the planning options that were used for formulate garden routes timetables at various service levels.Single rolled graph sheet which has two sets of runs drawn on it, showing the Gardens via Convent and Ripon St routes from Grenville showing how the tram service would operate and where the trams crossed each other. One graph set shows a 6 car, 7.5 min service and the other a four 10 minute service. Gives the miles and minutes. Would have been used to prepare rosters and timetables. Possible 1910's given Reg Item 4738, which can in the same set of donations. trams, tramways, ballarat, rosters, shifts, timetables

Kathleen Meagan was placed in the Ballarat Convent of Mercy as an infant. She remained there throughout her life until she died at age 34. Her friendly, cheerful personality in the face of ill health meant that she was cherished by all who knew her. Her talents on the violin, harp, piano and cello were outstanding, and she was beloved by the Sisters of Mercy and the students of Sacred Heart College. This memorial window depicting Saint Cecilia at the organ was commissioned upon her passing in 1925, and was installed in the SHC chapel and blessed by the Bishop in 1926.Stained glass window constructed in 1926 To the memory of Kathleen Blanche Meagan RIPsisters of mercy, ballarat musicians, herr goll

Black and white photograph of two men behind a horse and plough. A lady is holding the horse and is accompanied by a little girl. (2 copies)Written on rear of backing sheet: "Rear 8 Bedford Rd. 'Hunt's Orchard' - this now part of Catholic School grounds. Walter hunt (with plough) at rear residence 8 Bedford Rd. Mrs. Hunt holding horse with daughter Laureen (later Mrs. Bob Lynch, Thomas St.). Also Charlie Williams at left. House next door is present (1970) Catholic Convent".

From 1949 golf became a regular part of a SHC student's week. With the junior SHC students educated at the Mount Xavier site since 1906, the land adjacent to 'Villa' as it was known, caught the eye of both keen golfer S. J. Weir and Mother Bonaventure Healy. Under their joint direction the golf course took shape, the first to be built and owned by a convent, and on any given Monday of the year could be found teeming with enthusiastic students from Sacred Heart College. Pictured centre left is Australian Minister for Immigration Arthur Calwell, whose daughter Mary attended SHC at that time.Digital Photograph

Photocopy of the Winter Timetable of the Ballaarat Tramway Company, horse trams, dated c1890, detailing the services on the various lines. Comprises three separate A4 pages. Each sheet has the letterhead of the Ballaarat Tramway Company Limited, of 7 Camp St. Details services on the Gardens line via Boatsheds, via Convent, Post Office and Pleasant St., Drummond St, Lydiard and Macarthur St, and Skipton St. Noted that Saturday and Sundays were as at present. Alan Bradley - notes prior to 1893, no tramway services to Sebastopol. Sourced by Alan Bradley from the Gold Museum archives.trams, tramways, timetables, ballaarat tramway company, horse trams

A red hard covered book with gold and black title and illustration. 'Heroes of the United Service' by L Valentine with numerous illustrations. Fredericke Warne & Co, London & New York. C 1901. This volume covers articles of the exploits of a wide variety of British soldiers and sailors of all ranks. The aim of the author was to inspire the reader to be patriotic. Pages 256. Markings & Inscriptions: 'Presented by the Sisters of Mercy to Doris Kelly for general good conduct and proficiency as Dux of 5th class. The Convent of Our Lady of Mercy, Sandhurst Xmas 1901.'Page 38 contains a leaf -possibly used as a bookmarkL. Valentinehistory, naval, illustrated british history book

Hilda Hill Collection. The Kyneton Guardian Incorporating The Kyneton Observer Newspaper No. 10/317 Thursday, 28th September, 1939. Single Copy 2d. Front Page Kyneton Convent of Mercy celebrated it's Golden Jubilee (1889 - 1939), AMP Society Offering Families Super Plan for income at 60 with minimum investment of £3 or £4 per week, Also 3BO Bendigo Advertising The Radio Comedy Yes! What? On Monday, Tuesday & Wednesday Evenings from 8:30 pm - 8:45 pm, Paramount Theatre free screening car construction inside a modern factory.Kyneton Guardian, The Kyneton Observerhistory, kyneton, kyneton guardian 28/09/1939

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 7 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This photograph was taken during a flood year, perhaps 1923, when the Yarra encroached on the grounds of the Abbotsford Convent. In the distance, the Johnston Street Bridge separates the viewer from the industrialised landscape of Fairfield. In developing the photo, Henry Christian employed a circular frame to artistically focus the view. He empkloyed this technique for what he may have viewed as his best photographs. "Studley Park / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, fairfield, kew, johnston street bridge, studley park

Yields information about the appearance of the intersection of Grenville and Bridge St following the introduction of the horse trams and the terminal arrangements.Digital image from the State Library of Victoria website image No. H92.291/24, a Rose series stereo photograph showing a horse tram just after off loading at the Grenville St terminus. Shows the view along Bridge St with the Nicholl and Allan store, Bucks Head hotel, Reed Chemist and C. Morris Hatter sign. C1895? Has a number of people in the view. The horses are being "run around the tram". Tram has the destination of "Convent", could be No. 6 or 5. See image btm7019i2.pdf for the SLV link - correct as of 31-12-17. See image i3 for a more detailed photograph.trams, tramways, bridge st, grenville st, sturt st, horse trams, stereo photograph, tram 5 of 6?

The iconic bush surrounds of Lake Daylesford are now home to a new permanent artwork titled Cottage, by artist Jason Waterhouse. The artwork has been months in the making, thousands of S-shaped pieces have been hand crafted from three kilometres of wrought iron, then joined together to form a scaled-down miners cottage. ‘Cottage’ is a highly decorative wrought iron sculpture inspired by the gates at the Convent in Daylesford, “ said Waterhouse. “This work references the rich opulence of the Victorian gold rush and pre-war spa resort era in its patterning. In its form ‘cottage’ pays homage to the miners, workers and farmers on whose backs the riches of Daylesford were built.” Cottage is the first in a series of significant public artworks to be commissioned by Hepburn Shire Council. Cottage will enhance one of Victoria’s premier tourist destinations, Lake Daylesford. Large scale wrought iron public sculpture referencing the worker's cottage of the Goldrush period in Daylesford. 203cm (height) x 382cm (width) x 353cm (depth) verandah 159.5cm (height) wrought iron 32mm x 2.5mmpublic art, sculpture, jason waterhouse, stockroom, daylesford, hepburn shire, daylesford lake, cottage, site-specific art, art, wrought iron, hepburn, hepburn shire public art collection

This book of prayers was given by the Warrnambool Sisters of Mercy to Dorothy Ardlie on the occasion of her 12th birthday. The Sisters of Mercy came to Warrnambool in 1872 and established St. Mary’s Convent School, Wyton in North Warrnambool (re-named St. Ann’s in 1888). This school merged with the Christian Brothers College in 1990 to form the present-day Emmanuel College. The Sisters of Mercy ceased active involvement with the school in the 1990s. Dorothy Ardlie (1910-1993) and her sister Agnes Ardlie (1915-1993) were the daughters of Arthur and Ethel Ardlie of Warrnambool, the granddaughters of the prominent Warrnambool lawyer William Ardlie and his wife Mary and the great granddaughters of John and Mary Ardlie, pioneer settlers in Warrnambool. This book and the loose cards are interesting mementoes of Dorothy Ardlie, a member of a prominent Warrnambool family in the 20th century and of the Sisters of Mercy, an order of nuns that has been important in Warrnambool’s educational history. This is a book of 138 pages with a brown leather cover and gilt edging along the sides of the pages. The front and back cover and spine are embossed with two decorative patterns. The front cover has an embossed heart with flames and a cross and the spine has gold lettering. Some of the pages are loose and some have been re-attached to the binding using adhesive tape. Some of the pages are stained. The book contains black printing and there is one black and white illustration. In the pages of the book were 29 small cards, scraps of paper etc. These are now kept with the book but in a separate folder. Most of these are of a devotional nature – prayers, images of saints etc. Wishing dear Dorothy a very happy birthday with much love from the Sisters of Mercy 26th April 1922ardlie family, sisters of mercy, history of warrnambool

Blind Creek was located between the Abbotsford Convent and what is now the Collins Bridge in Studley Park. In an 1858 map of East Collingwood by Clement Hodgkinson, in the State Library of Victoria, one can see how the creek was originally a significant landmark in Collingwood; remaining vacant land until a barrel drain enclosed it. The area was later filled in, surveyed and developed. The position where Blind Creek entered the Yarra was in the immediate vicinity of Hodgson’s Punt, which had linked Kew to the other side of the Yarra from 1839. The Punt was purchased by the Colonial Government in 1852 and was in use until the opening of the Studley Park Road (Johnston Street) Bridge in 1858 made its continued use redundantThe point of view selected by the artist for the watercolour is from the banks of Blind Creek in East Collingwood, looking across the Yarra to the Kew side of the river.Inscribed verso 'Creek and Old Watering stage, on the Yarra East Collingwood 1854 / Trees, stage, &c have long since disappeared / [Artist Signature] / FT 110 / Creek itself now being filled in 1903.gb richardson, blind creek - abbotsford, yarra river - abbotsford (vic) - kew (vic), colonial artists, australian art - 19th century, george bouchier richardson

Emmanuel College is the result of the amalgamation of St Ann's girls' college and Christian Brothers' College boys' school in 1991. Mother Philomene Maguire arrived in Warrnambool and commenced a Convent of Mercy and school with the consent of the then Bishop of Victoria, Bishop Goold. The school opened in Wyton House in Botanic Road. Brother Egan arrived in 1902 and set up a Brothers' group and school and 104 boys enrolled. Since its inception in 1991 Emmanuel College provides a broad education for students to Year 12 level. A number of students have achieved a high profile in the community, including footballer Jonathan Brown, television personality Dave Hughes, educatior Professor Colin Ferguson, musician Shane Howard, Olympic cyclist Michelle Ferris.This booklet briefly documents the history of Emmanuel College and its predecessors St Ann's and CBC and includes a list of their more prominent and well-known 'inspiring alumni'. It provides research information and window on a period of socialA4 size full colour booklet with a photograph of a white building with light brown trim and red iron roof and arched windows; four senior students (two boys and two girls) wearing school uniform are standing in the foreground. Their blazers feature the school logo. Title is white print in a red box and a sub-title at the bottom right hand side is in red print. 15 pages25 YEARS/Emmanuel College/1991-2016 Emmanuel College/Warrnambool/Celebrating 25 years/1991-2016 Built on tradition, Educating for the future.emmanuel college, convent of mercy, bishop goold, catholic schools, wyton house, brother egan, st ann's college, christian brothers college warrnambool, education, education in the warrnambool area, boyce, rosalie, ferris, michelle, gorman, lisa, howard, shane, keilar, brendan, o'dwyer, dr barry, ryan, kathryn, brown, jonathan, atkinson, david oam, coghlan, gorgi, earls, judith, o'shea, br frank, ryan, dr kevin, houlihan, sr natalie, hughes, dave, ferguson, prof colin, howard, sr adele, ryan, shaun, smith, karan, lanigan, sgt sean, melican, felicity, turner, michael, green, danielle mp, holland, nicki, o'keefe, marcia oam, o'toole, melanie, harrington, clayton, gallagher, br don, gleeson, dr laurence, gleeson, trevor, houlihan, patrick, mugavin, fr patrick

Yields information about Ballarat Trams and streetscapes early 1960's and the details of the Victoria St terminus, Yields information about Ballarat Trams and streetscapes early 1960's and the details of the Victoria St terminusBlack and white print of Ballarat 17, in Victoria Street, at Otway St photographed by Wal Jack, 27/6/1957. Two copies. A lady is standing at the back of the tram, possibly talking to the conductor. Tram has the destination of Gardens via Sturt St West. Has the Convent building in background. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection. 4412.1 - Digital image from the Wal Jack Ballarat Album of the same photograph. See i3 for details of the rear of the photograph.On rear of copy 1 "SEC Ballarat / 17 / Victoria / 27/6/57 / Wal Jack" Copy 2 "DAC" in ink, bottom right hand corner. 4412.1 - on rear of photo in ink, "SEC Ballarat, No. 17 Victoria St at Otway St, Ballarat East 25 June '57" and "W. Jack photo Neg. to D. Colquhoun"trams, tramways, victoria st, tram 17

Eight programmes for the Lyric Theatre: 1) ''Cloistered'' A living document of faith relating the exquisite simplicity of convent life. Opening Saturday, 13th August, 1938. 2) ''The Road Back'' with John King, Richard Cromwell, Barbara Read, Slim Summerville. 3) ''Anne of Windy Poplars'' with Anne Shirley and James Ellison. 4) ''Victoria the Great'' with Anna Neagle, Anton Walbrook. 5) '' Tin Pan Alley'' with Alice Faye, Betty Grable, JACK Oakie, John Payne. 6) ''The Robe'' the first cinemascope film to be screened in Northern Victoria opens at the Lyric Friday, 3rd September. 7) ''The Three Musketeers''. 8) Municipal band supported by Miss Pauline Bindley at the Lyric Theatre.entertainment, theatre, lyric

Five sepia postcards of Bendigo - St. Paul's Church, Bendigo; Queen's Reserve, Bendigo; St. Andrew's Presbyterian Church and School, Bendigo; The Orphanage, Bendigo; and Conservatory Gardens, Bendigo. 'C & L Series' and 'Semco Series', Bendigo. Early 1900's. Unused, and no writing on the reverse of the postcards. May have been connected with the Waterworth family. St. Paul's Church: St Paul's Cathedral, Bendigo was built in stages. The nave was built in 1868, the tower in 1872-73 and the transepts and sanctuary in 1926-27. Robert Love was the architect, although the final stage was supervised by architects Gawler and Drummond. Cathedral status was transferred from the original cathedral All Saints to St Paul's in 1981. The Gothic style cathedral is constructed of red brick with stone dressings. It has a simple cruciform plan comprising a six bay nave, transepts and sanctuary. A tall tower centrally located at the west end dominates the exterior. The peal of eight bells was cast by Meares and Co of London and installed in 1873. The interior features elaborately cusped roof principals; an organ by Alfred Fuller built in 1883 with a console and pipes added later from St Andrew's Cathedral, Sydney; and notable stained glass by Ferguson, Urie and Lyon. St Paul's Rectory was built in 1885 to a design by the architect W C Vahland. The Parish Office and Hall was built as a Sunday School in 1898 to a design by F W Lehmann. Queen's Reserve: Now known as part of the Bendigo Botanic Gardens, Rosalind Park, Pall Mall. In 1851, the gold rush transformed the area and eventually the mullock heaps became the most prominent public park in Bendigo. Rosalind Park was added to the Victorian Heritage Register in 2000 for its historic, archaeological, aesthetic, scientific (botanical) and architectural significance to the state of Victoria. The statue of Queen Victoria dates to 1903. St. Andrew's Presbyterian Church: Opened in 1859 as part of the Presbyterian Church, St. Andrew's. Union of the Presbyterian, Methodist and Congregational Churches in 1977 saw this church join the Uniting Church. Located in Myers Street, Bendigo. The Orphanage: The Convent of the Good Shepherd, Bendigo was established in 1905. It was established at the request of the Bishop to cater for children in the diocese of Bendigo (although it housed children from other areas as well). It was also known as St Aidan’s Orphanage, and was the only Good Shepherd Convent in Australia to care for boys. The section named St Aidan’s accommodated girls aged up to around 16 years, as well as boys aged up to around 11. Maryfields housed girls and women aged from around 15 years. The Convent ceased to operate as a residential facility for children in 1981. A number of women with disabilities remained at the Convent until it closed in 1984. Conservatory Gardens: Now known as part of the Bendigo Botanic Gardens, Rosalind Park, Pall Mall. In 1851, the gold rush transformed the area and eventually the mullock heaps became the most prominent public park in Bendigo. Rosalind Park was added to the Victorian Heritage Register in 2000 for its historic, archaeological, aesthetic, scientific (botanical) and architectural significance to the state of Victoria. The Conservatory Gardens feature an ornate 19th century Conservatory building, erected in 1897 - this was the last building of its type in a public park in Victoria. bendigo, gardens, buildings, chinese, church

This book has been given to John Ardlie by Lewis Gilles in 1866. John Martin Ardlie came to Warrnambool in 1852 as the Clerk of Courts and remained in this position until 1868. He died in 1872. He was a leading figure in community affairs for twenty years and Ardlie Street in Warrnambool is named after him. His family home was Wyton, site of the old convent at Emmanuel College today. Lewis Gilles, important in the early history of Tasmania as a bank owner and breeder of cattle, came to Warrnambool in 1854 as the first resident Police Magistrate. He remained until 1866 when he went to England (the occasion of his presentation of this book to John Ardlie). He died in 1884 in South Australia. Gilles Street in Warrnambool is named after him.This book is of high significance because of its connection to two very important early residents of Warrnambool – John Ardlie and Lewis Gilles. This is a hard cover book of 336 pages. The cover is brown with gold ornamentation and lettering on the front cover and spine. The pages are gilt-edged. The first letter of each hymn is ornamented and there is an illustration covered with tissue paper on the first page. One page shows silverfish damage and the cover is partly detached from the binding. The cover is frayed in places and a little stained. The inscription is handwritten in black ink. ‘Presented to J. M. Ardlie by his friend and comrade L.W. Gilles 1864 Worthing Sussex on departing from Warrnambool 4 May 1866’. john ardlie, lewis gilles, history of warrambool

Photo of ESCo cross bench tram No. 20 and ESCo 2 at the intersection of Sturt and Lydiard Streets, with the post office in the background, Summerscales offices, Robbie Burns statue, Vita Studio, and George Payne Jewellers in the background. The conductor on the rear of No. 2 is holding the trolley rope, while the driver of No. 20 is watching the road closely. The conductor of the tram is reboarding or about to alight. No. 20 has the destination of Gardens via Convent. Other trams are in the background. Wal has dated the photograph about 1909. Note the point frog or pan in the overhead above No. 20. See image i2 for the rear of the photograph and image i3 for a hi-res scan of the photograph. See image i4 for a hi-res scan of the copy negative, with a drawing pin mark in the top left-hand corner,Yields information about the use of ESCo trams c1910 and the overhead.Digital image from the Wal Jack Ballarat Album.On rear of photograph in ink: "T161, Ballarat Tramways No. 20 Summer Car & No. 2 old Type, Sturt St. Ballarat 1909 / W. Jack Collection."trams, tramways, esco, cross bench tram, sturt st, post office, lydiard st, tram 20, tram 2

Black and white photograph of the Ballaarat Tramway Co. horse tram fleet massed for a group photograph within the Gardens, at one of the loops. May have been taken on the same day as item 800. About the same number of horse trams. Close up of some the trams. The first has "CONVENT" destination and "Havelock Tobacco" advertisements. By the first tram is person dressed in an overcoat and hat. Conductor and driver on either side. Print made from a photograph held by the Ballarat Historical Society - original photo had drawing pin holes on bottom edge. See Reg Item 1121 for another reproduction of the photograph and item 9656 for a hand coloured good quality version. 2nd copy added 9/11/2005.trams, tramways, horse trams, wendouree parade, gardens, electrification

One of three scrapbooks created by Eva Grant, a past member of the Kew Historical Society which were donated by her niece, Julie Thomson, in 2013. The scrapbook includes photographs and descriptions of the following sites. (Many of these are now demolished and so the photographs and descriptions may be rare records of a site.) Sites include: Abbotsford (Vic) - Abbotsford Convent, Mayfield (c.1962), prefabricated house - Church street Armadale (Vic) - church (c.1959) - Thomson & Wattletree Roads Arthur’s Seat (Vic) - McCrae homestead Ballarat (Vic) - Memorial plaque on site of Bentley’s Hotel, Memorial on site of Eureka Stockade, Early municipal buildings - East Ballarat, Adam Lindsay Gordon’s cottage - Botanical Gardens, View from Sovereign Hill, Shell house Broken Hill (NSW) - panorama (1963), Flying Doctor’s base (?1963) Eltham (Vic) - Hassell’s outdoor art gallery Essendon (Vic) - Niddrie Homestead and stables (1963) Geelong (Vic) - first Bishopscourt Hawthorn (Vic) - Convent (1930), The Hawthorns, Keilor plains (Vic) - pioneer homes, pioneer cemetery Kew (Vic) - Roseneath (1951), Tarring - Ruyton, Turinville, house - Foley street (c.1960). Malvern (Vic) - church Mount Ridley (Vic) - Summerhill Melbourne (Vic) - Old Brewery - Custom’s House Lane (1960), Customs House, Scott’s Hotel (1962), Western market (c.1960) Phillip Island (Vic) - Grave Toorak (Vic) - Mandeville Hall, Merna (sic) - Arthur Streeton’s house, Toorak House Wentworth (NSW) - Harvey’s Hotel, Sturt Memorial, Sturt’s Tree, Wentworth Gaol Williamstown (Vic) - Williamstown Dairy Yan Yean (Vic) - Bear’s Castle (c.1947) Beveridge/Big Hill (Vic) - Kelly’s cottageImportant photograph record (and notes) about historic buildings in Victoria.38-page scrapbook with additional text created by Eva Grant, a past member of the Kew Historical Society. In addition to the 68 photographs, there are two postcards and a number of publications/handouts.collected by Eva on her trips to heritage sites in Victoria and New South Wales. The pages of the album can be viewed in the image carousel above. Most of the photographs of heritage buildings were taken in the early 1960s.See imagesheritage sites - victoria - australia, eva grant, scrapbooks - 20th century

Springmount Pottery is located in Creswick, Victoria, and produces and sells works designed by its owner, Tina Banitska, who also owns the Convent Gallery in Daylesford. Banitska came to Australia with her family from Greece in 1956. She trained at RMIT and Franklin State College, before taking over Doug Alexander's Springmount Pottery when he moved to Tharwa in 1976. Retaining the pottery name, she developed it as a workshop, employing throwers and decorators to make works to her design, and initially selling these through the Springmount Pottery Gallery on Main Street, Ballarat. The pottery now operates with its own gallery onsite. Banitska's initial interest in ash glazes is continued in the Pottery's ashware line and there has also been a wide range of other Springmount designs. Works are signed with a painted 'Springmount' often split over two lines.A hand thrown, glazed and decorated plate with attached bowl for dip.ceramics, springmount pottery, tina banitska, australian studio ceramics

The book of signatures was retrieved from a time capsule behind the Box Hill Town Hall's foundation stone by the Mayor of Box Hill, Cr. R. G. Friday during a 'Back to Box Hill' held on April 13th and 14th, 1985. Celebrations were held to commemorate the 50th anniversary of the official opening of the Box Hill Town Hall on April 15th, 1935. Pupils at the following schools in 1934 signed up: Box Hill Girl's Technical School, Box Hill Primary School, Salvation Army Boys' Home, Box Hill Grammar School, Ormiston, Horton Girls' Grammar School, Convent Notre Dame de Sion, St Francis Xavier, Mont Albert Central School, Box Hill South Primary 4138, Burwood Primary School 461 and Box Hill High School.This book contains a list of signatures of school children attending schools in the Box Hill district in 1934.school children, school rolls, box hill, 1934, school registers, time capsule, box hill town hall, back to box hill, (cr) (mr) r g friday, box hill district schools, box hill girl's technical school, box hill primary school, salvation army boys' home, box hill grammar school, ormiston, horton girls' grammar school, convent notre dame de sion, st francis xavier, mont albert central school, box hill south primary 4138, burwood primary 461, box hill high school

Springmount Pottery is located in Creswick, Victoria, and produces and sells works designed by its owner, Tina Banitska, who also owns the Convent Gallery in Daylesford. Banitska came to Australia with her family from Greece in 1956. She trained at RMIT and Franklin State College, before taking over Doug Alexander's Springmount Pottery when he moved to Tharwa in 1976. Retaining the pottery name, she developed it as a workshop, employing throwers and decorators to make works to her design, and initially selling these through the Springmount Pottery Gallery on Main Street, Ballarat. The pottery now operates with its own gallery onsite. Banitska's initial interest in ash glazes is continued in the Pottery's ashware line and there has also been a wide range of other Springmount designs. Works are signed with a painted 'Springmount' often split over two lines.A hand thrown, glazed and decorated vase.ceramics, springmount pottery, tina banitska, australian studio ceramics, australian studio pottery

Self-published book on institutional care around Yarra Bend, Melbourne, including sections on: Merri Creek Protectorate Station and Aboriginal School (1841-51), Yarra Bend Lunatic Asylum (1848-1925), Fairfield Infectious Diseases Hospital (1904-96), Fairhaven (1927-51), Fairlea Women's Prison (1956-96), Thomas Embling Hospital (2000- ), Abbotsford Convent (1863-1975), Kew Lunatic Asylum / Willsmere Hospital (1872-1988), Kew Cottages (1887-2008), Caritas Christi Hospice (1938- ), Villa Alba / Henry Pride hospital services (1954-98), Royal Talbot Rehabilitation Centre (at Kew since 1961), National Guide Dog Training Centre / Guide Dogs Victoria (1962- ). ISBN: 978-0-6480223-0-5"Donated by the author March 2017"merri creek protectorate station and aboriginal school (1841-51), yarra bend lunatic asylum (1848-1925), fairfield infectious diseases hospital (1904-96), fairhaven (1927-51), fairlea women's prison (1956-96), thomas embling hospital (2000- ), abbotsford convent (1863-1975), kew lunatic asylum / willsmere hospital (1872-1988), kew cottages (1887-2008), caritas christi hospice (1938- ), villa alba / henry pride hospital services (1954-98), royal talbot rehabilitation centre (at kew since 1961), national guide dog training centre / guide dogs victoria (1962- )

St. Anns College had its beginnings in the arrival in May 1872 of a group of nuns from Ireland. They were the third group of Sisters of Mercy to come to Victoria. The Warrnambool nuns worked hard to establish a school and orphanage for the socially disadvantaged children of the district. They purchased Wyton from Captain Ardlie that year and also Amhurst later on. The Nazareth sisters of Ballarat took over the orphanage in the late 1880's and moved the children to Ballarat but the school continued to develop an expanding curriculum. A chapel was built in 1887 and a school wing in 1906. They survived on tuition fees and the generosity of benefactors though the early and middle part of the 20th century including a large bequest by Mrs Vera Kenna in the 1960's. Boarders were a regular part of convent life until the 1970's which is probably the source of this plate. St Ann's College was combined with St Joseph's CBC college as Emmanuel College and operates today as the largest Catholic college in the district.This has significance as it is associated with one of the longest running schools in the district and hence would have a connection to many Warrnambool people as well as district people who boarded at the college.White bowl, with green and yellow stripe around edge and emblem. Surface is quite scratched on front and bottom of bowl.Inscription on emblem. " St. Anns Warrnambool around edge of logo with Omnia Vincit Labor on banner through the middle with four stars in the background. Printed in green. Inscription on base Grindley Hotel Ware England . Vitrified . Gibson and Paterson Limited New Zealand. CIR stamped into china on base.secondary school, catholic, warrnambool, st ann's college, sisters of mercy, education, emmanuel college

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.A triptych commissioned for the Federation University Mt Helen A-Building Staircase.aboriginal, abstract

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriignal education centre collection

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection