Yields information about the horse tram being displayed at the CHHA fair.Photo of Ballarat Horse Tram No. 1 on a low loader outside the Ballarat Army Drill hall on 9-10-1994, as part of the Central Highlands History Fair on that day. For further details see the November 1994 issue of Fares Please! Photo appeared in Feb. 1995 issue of Trolley Wire. Printed on Kodak Paper. 462.1 - as above but with two people looking at the tram.On rear 'WAD photo 9/10/94' and 'photo page 38, top same size' and cropping markings.ballarat, horse trams, tram 1

Frank Thomas DUNPHY. Refer Cat No 1093 for his service details.Post card photo, B & W showing a soldier with hat in one hand and crop in the other. Uniform shows he is wearing two x Empire wounded stripes.On the rear in pencil: “Pte F T (Tom) Dunphy Reg No 4485 6th Battalion (enlisted 12.7.1915)photograph, post card

Photos relate to James Worland MILLS No 3441 59th Battalion. James in all photos is the soldier sitting. Refer Cat No 169P for his service details..1) & .2) Post card photos, sepia, showing 2 soldiers - 1 sitting & 1 standing, both holding crops. .3) Photo, copy of .1) & .2)..1) On rear in blue pen: “Very Sincerely Yours, James Mills 59th Battalion AIF, 6th Dec 1917” .2) Yours very Sincerely, “James W Mills 59th - remainder unreadable”photos, 59th

Cuthbert "Bert" Lodington enlisted under the Alias George Williams No 1608, 3/6th Batt AIF. KIA 8.5.15. Refer 2072 medals for full service details. Photo in sepia tone re "Bert" Lodington. Central photo on cardboard backing. Soldier standing in uniform holding a riding crop. Backing is light brown with ornamental surrounds."The Marlborough studios 123 Swanston St Melbourne"photogtaphy, military

Kalorama Gap viewed from the South West in 1908. Ellis Jeeves' 'Mountjoy' is in the centre with the stables to the left. The raspberry patch belongs to Harry Walker and the building centre right to Edward Joseph Price. John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas.Black and white photograph showing an extensive raspberry crop in the foreground with a house and outbuilding in the centre and another dwelling centre right. Handwritten description on reverse by John Lundy-Clarke. 1908 view of Kalorama Gap taken from corner of Village Settlement LOTS 2 and 3 on Ridge (then Main Road) which crosses centre of picture with Walker’s driveway dropping left. Walker’s raspberry patch in foreground. “Mountjoy” in centre of picture with coaching stables on left. Price’s house and shop on right showing large cross room used by the Village Settlers for dancing. Mrs Hand’s “Beulah Tearooms” later Mt Dandenong North Post Office is above Price’s roof.kalorama gap, kalorama, harry walker, walker, edward joseph price, raspberry, mountjoy

The photograph is from the album of Ivy Child. It gives an insight into the size and make up of the settler selections in Kalorama between 1927 and 1932. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph looking from a flat, grassed area up a hillside. There has been significany clearing of trees with a patchwork of crops planted. A fence is visible in the foreground.ivy child, kalorama, selections

Leather bound crop handelImported and retailed by Holden and FrostLeather bound cane rod with knob on end as a grip. Sewn up the back of the rodcane, leather, crop handle

3 photographs from a group of 5 in a newspaper. Caption: Girl Farm Students at Burnley Horticultural Gardens are busy harvesting this week. They undergo two years' practical and theoretical training in many branches of farming work. (3) A happy group on the way to reap a crop of oats. (4) A reaping mower going round the crop. (5) Miss Thelma Johnson (1934) who drives old Don and the mower." Also see B99.1078.students, female students, burnley horticultural college, students working outside, harvesting, oats, reaping mower, thelma johnson, don, draughthorse

These photographs were taken from Warren's property at Newmerella. They were taken looking to the north-west.These photographs form an interesting panoramic landscape of the Snowy River flats in Orbost. The method of photographing two scenes and placing them side-by-side was used if a specialist panoramic camera was unavailable.Two black / white photographs which are designed to fir together to make a panorama. They are of river flats with maize crops and houses in the background. The photographs have been taken from a high point.on back - "From Warrens to N.W."newmerella snowy-river-flats maize-crops photography

Photograph. Rural Countryside. Down from top indicates a crop with protective cover. Centre Water catchment. Foreground duel track train line. Post with wiring for light and/or phone lines.

Soft cover book slightly larger than A5 size, Fawn and brown cover with photos of apples, meat, lab equipment, grain, honeycomb frame and canola crop 239 pages

Leather ladies riding crop with leather handle embellished with embossed silver trim. A small silver ring at the base of the handle allows for the attachment of a wrist strap. The whip end is of plaited leather..7AIR Mareks (indiscernible)riding, horse

Contracts of Sale, liens on crops & wool and stock mortgages.Green cloth-bound hardcover book, faded, worn at extremities. Foxing to front and rear pages. Evidence of previous hinge repair. 394 pp. Fair condition.Nilbills of sale, kilmore court house library

Port of Portland Authority archivesFront: (no inscriptions) Back: equ007 (pencil, upper left) 18 (pencil, centre) [Pencil instructions for crop marks also on back.]port of portland archives, construction, quarry, earth moving

Set of two colour photographs of the 1998 Model Railway Exhibition, BTM stand, June 1998, sent to the Editor of Trolley Wire - used in the August 1998 issue of Trolley Wire. All photos by Darren Hutchesson. All photos on AGFA Prestige paper. 1142.1 - Photo of nine of the model trams in front of the depot - BTM Model Tramway - June 1998 Queens Birthday weekend - used on page 45 of Trolley Wire. 1142.2 - General photo of the model railway and stands. Alastair Reither at the controls! - used on 46 of Trolley Wire magazine. See August 1998 issue of Trolley Wire and July 1998 issue of Fares Please!Both have stickers on the rear with photo number "55 or 56" and "Photo same size" and pencil cropping marks for printing purposes.trolley wire, model tramways, model railways, models

Yields information about the appearance of one Geelong's single truck trams and the intersection of Ryrie and Moorabool Streets.Black and white photograph of Geelong No. 3 turning from Moorabool St into Ryrie St, with the destination of Chilwell. Note the tram has a conductor. Shows the overhead structure at this intersection. Has the Bank of New South Wales in the background. Photographed April 1954, by Douglas A Colquhoun and used on page 45 of Destination Eaglehawk. See also btm7106i1 for a digital image. On rear in ink 9263# and along bottom edge "Geelong April 1954" with pencil cropping marks and stamped "Photographed by Douglas A. Colquhoun"tramways, trams, geelong, ryrie st, moorabool st, tram 3

Major-General John K Forsyth CMG raised 1st Light Horse Brigade. The men of the 4th Light Horse Regiment regarded him as their first CO, although technically he was not, and always referred to him as 'Dad". He did not officially assume command of the 4th until it reached Egypt, effective from 13 December 1914.Framed portrait of Maj Gen John Keatly Forsyth CMG, Commanding Officer 4th Light Horse Regiment. Hanging in glass case with display including his riding crop and fly whisk.Brass plate inscribed: Major General J K Forsyth CMG DSO 1st CO 4th LH REGT 1st AIF Artist's signature not legible: E L P????world war 1, 4th light horse, general forsyth, portraits

Made by a German Prisoner of War in Camp 13 (Murchison) and given to a member of the garrison, R. E. O'Hara. Internees / POW's made many items from largely scrap material during their time in the camps. This item holds historical and cultural significance as an example of the ingenuity of internees & how many occupied their time in camps, shaping the cultural and creative life of those in the camps. Also a possible indicator of relationship between garrison and internees. Dark brown wooden crop or swagger stick with a wooden knob on one end and a horse hair plume attached with cord to the other end. Fine cord attached to knob end with a loop for hanging. murchison, camp 13, tatura, garrison, prisoner of war, internee camps, ww2

Head and shoulders, sepia, woman of middle age, short hair cropped close to head, wearing dress with shoulder overlay lace. Photo stuck on brown backing card with photographic studio's name."Mrs Breseford" scrawled on back, although the spelling of the name is not clear.breseford, eden society studios

Pugh was one of many artists who brought an Australian experience to attention. This work reveals the colour, textures, harshness and inhabitants of the natural bush, with the angular forms found on the ‘black birds’ dominating the composition with dramatic effect. Shanahan, Albert Tucker, Frank Werther and Fred Williams have at one time settled and or work there. Untitled (Black Birds) from the Bodford Terrace Suite 1978, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come lithographic print on French Arches paper. Dynamic and expressive depiction of black birds in flight on far left of composition, cropped elements of Australian landscape in blue and red in the background (trees, shrubs, rocks). Inscribed lower right 'Clifton'; 1:1; 179/300clifton pugh, bodford suite, dunmoochin

Hardcover book, 416 pages. Book has a red cover. Colour image of four men and a woman harvesting a crop on front cover. Title and author's name written in black ink on spine.fictionRomance novel.stella gibbons, romance, fiction

View of Harry Walker's home taken from waht is now known as Ridge Road, Kalorama. Raspberry crops are in the foreground. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.1908 view of H Walker’s home on Village Settle Lot 2 Section 1. Looking from what is now Ridge Road through the trees on Vil. Set Lot 18 to Barber’s house now known as “Forest Edge” on Vil Set Lot 25 down close to the Olinda Creek on Barbers Road. The Estate Agent’s modern office is on the edge of the patch of raspberries at the lower left as the C.R.B. Mt Dandenong Rd passes just behind Walker’s house crossing the picture behind the raspberries.walker, raspberry crop, forest edge, barber

Black booklet with a black and white collage of working students cropped into the shape of the word 'tech'. In green and yellow boxes above is further text reading WANGARATTA TECHNICAL SCHOOL ANNUAL SPEECH NIGHT 1970

25.3.1980 Newspaper article 'Yesterday is today ' by Dorothy Dempsey 'Yesterday is today ' - the title of an exhibition of her pen and wash drawings. Shown are pictures of 'Harvesting the Crop at Myers Creek ' and The Remains of a garden at Flagstaff Hill in the Whipstick 'newspaper, bendigo advertiser