Pugh was one of many artists who brought an Australian experience to attention. This work reveals the colour, textures, harshness and inhabitants of the natural bush, with the angular forms found on the ‘black birds’ dominating the composition with dramatic effect. Shanahan, Albert Tucker, Frank Werther and Fred Williams have at one time settled and or work there. Untitled (Black Birds) from the Bodford Terrace Suite 1978, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come lithographic print on French Arches paper. Dynamic and expressive depiction of black birds in flight on far left of composition, cropped elements of Australian landscape in blue and red in the background (trees, shrubs, rocks). Inscribed lower right 'Clifton'; 1:1; 179/300clifton pugh, bodford suite, dunmoochin

Hardcover book, 416 pages. Book has a red cover. Colour image of four men and a woman harvesting a crop on front cover. Title and author's name written in black ink on spine.fictionRomance novel.stella gibbons, romance, fiction

Riders crop used by Equestrians to encourage their mounts forwardManufactured by Holden and Frost Ca 1900Tapered shaft leather wrapped, 380 mm long, with leather loop on tip. Steel tip on other end. equestrian, crop, whip

Contracts of Sale, liens on crops & wool and stock mortgages.Green cloth-bound hardcover book, faded, worn at extremities. Foxing to front and rear pages. Evidence of previous hinge repair. 394 pp. Fair condition.Nilbills of sale, kilmore court house library

Port of Portland Authority archivesFront: (no inscriptions) Back: equ007 (pencil, upper left) 18 (pencil, centre) [Pencil instructions for crop marks also on back.]port of portland archives, construction, quarry, earth moving

Set of two colour photographs of the 1998 Model Railway Exhibition, BTM stand, June 1998, sent to the Editor of Trolley Wire - used in the August 1998 issue of Trolley Wire. All photos by Darren Hutchesson. All photos on AGFA Prestige paper. 1142.1 - Photo of nine of the model trams in front of the depot - BTM Model Tramway - June 1998 Queens Birthday weekend - used on page 45 of Trolley Wire. 1142.2 - General photo of the model railway and stands. Alastair Reither at the controls! - used on 46 of Trolley Wire magazine. See August 1998 issue of Trolley Wire and July 1998 issue of Fares Please!Both have stickers on the rear with photo number "55 or 56" and "Photo same size" and pencil cropping marks for printing purposes.trolley wire, model tramways, model railways, models

Yields information about the appearance of one Geelong's single truck trams and the intersection of Ryrie and Moorabool Streets.Black and white photograph of Geelong No. 3 turning from Moorabool St into Ryrie St, with the destination of Chilwell. Note the tram has a conductor. Shows the overhead structure at this intersection. Has the Bank of New South Wales in the background. Photographed April 1954, by Douglas A Colquhoun and used on page 45 of Destination Eaglehawk. See also btm7106i1 for a digital image. On rear in ink 9263# and along bottom edge "Geelong April 1954" with pencil cropping marks and stamped "Photographed by Douglas A. Colquhoun"tramways, trams, geelong, ryrie st, moorabool st, tram 3

View of Harry Walker's home taken from waht is now known as Ridge Road, Kalorama. Raspberry crops are in the foreground. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.1908 view of H Walker’s home on Village Settle Lot 2 Section 1. Looking from what is now Ridge Road through the trees on Vil. Set Lot 18 to Barber’s house now known as “Forest Edge” on Vil Set Lot 25 down close to the Olinda Creek on Barbers Road. The Estate Agent’s modern office is on the edge of the patch of raspberries at the lower left as the C.R.B. Mt Dandenong Rd passes just behind Walker’s house crossing the picture behind the raspberries.walker, raspberry crop, forest edge, barber

Black booklet with a black and white collage of working students cropped into the shape of the word 'tech'. In green and yellow boxes above is further text reading WANGARATTA TECHNICAL SCHOOL ANNUAL SPEECH NIGHT 1970

25.3.1980 Newspaper article 'Yesterday is today ' by Dorothy Dempsey 'Yesterday is today ' - the title of an exhibition of her pen and wash drawings. Shown are pictures of 'Harvesting the Crop at Myers Creek ' and The Remains of a garden at Flagstaff Hill in the Whipstick 'newspaper, bendigo advertiser

White yearbook with red, blue, green and yellow dots along the top and bottom, '2014' made out of cropped photos from swimming sports day and WANGARATTA HIGH SCHOOL made out of Scrabble tiles.YEARBOOK 2014 WANGARATTA HIGH SCHOOL

John Cook and his companion pose for a photograph. Secondary copy is a slightly cropped and enlarged version.B/W photograph of John Cook and unidentified femalevision australia foundation, john cook

This biscuit is called a 'Dog Biscuit' and was produced during WWI. It was part of a rashion kit to accompany another biscuit and a tin of Bully beef. The original owner (Jack) was a serviceman and he created a souvenir for a loved one, using the biscuit as a frame for the photograph of presumably himself. This object is a rare and precious piece. It is rare for items composed of edible goods to remain almost perfectly intact after a century after creation. The use of the biscuit as a souvenir, with the addition of a photgraph and inscriptions, is presumably unique and imparts great social significance to the item.Dry biscuit with inlaid square black and white photograph of a man in military outfit. The photograph is cropped to include only half of the man from waist up and fragments of three other people at the edges. There are inscriptions on the front and back of the biscuits.Inscriptions on the front read: "With best wishes from Jack" Inscriptions on the back read: "With best wishes frm your loving son Jack"biscuit, dog biscuit, military rations, ww1, world war 1, world war one, the first world war, the great war

Black and white photograph of W H Warren, copied from one of the individual photos on the group photo of Rutherglen Pioneers which is catalogued on record no. 2325. After the name at the bottom of the photo is the date 186[last digit cropped]warren, rutherglen pioneers

This stencil was used to mark bags of dried bean seed, in this case Brown Beauty bean seeds, produced by farmers in the Orbost district and clean and bagged by Fisher Bros., seed bean merchants of Orbost. This stencil is significant because it was specially made for the seed bean industry which was a major industry in the Orbost district for the first half of the 20th century. A galvanised iron sheet from which words have been cut out to form a stencil. BROWN BEAUTY BEANS 1948 CROP PRODUCE OF AUSTRALIA SOUND, CLEAN, FRESH ORBOST, VICTORIA, AUSTRALIA PACKED FOR LAMBERT OVERSEAS PTY LTDseed-beans bag-stencil farming

After WWII there was a decline in the market gardens in the City of Moorabbin, as the value of the land was more profitable than the crops.Example of the progress of the Municipality of MoorabbinPhotocopy of advertising flyer for auction of real estate sales - plan of building blocks for saleMarriott's Estate, Parkdale - Auction 19 April 1958 - 39 home sites - 9 shop sitesmarriott street, chandler st, ivy st, robert st, parkdale, real estate, auction

After WWII there was a decline in the market gardens in the City of Moorabbin, as the value of the land was more profitable than the crops.Example of the progress of the Municipality of MoorabbinPhotocopy of advertising flyer for auction of real estate sales - plan of building blocks for saleStrathmore Park Estate, Jasper Road Bentleigh Subdivided into 98 Ideal Allotmentsstrathmore street, wavell street, lindsay street, jasper road, mckinnon, bentleigh, real estate, auction

After WWII there was a decline in the market gardens in the City of Moorabbin, as the value of the land was more profitable than the crops.Example of the progress of the Municipality of MoorabbinPhotocopy of advertising flyer for sale of real estate sales - plan of building blocks for saleTuck's Estate Cheltenham - plan of subdivisionedward street, point nepean road, eden street, tuck street, hoffman street, elman road, page street, cheltenham, real estates, auction, tuck

After WWII there was a decline in the market gardens in the City of Moorabbin, as the value of the land was more profitable than the crops.Example of the progress of the Municipality of MoorabbinAdvertising flyer for auction of real estate sales - plan of building blocks for saleWickham Road Estate, Highett 58 Home siteshillcrest ave, wickham road, spring road, grandview road, maroona road, highett, land sales, real estate

This is the author's account of life in Northern Queensland. Edwin James Brady was an Australian poet. He was born at Carcoar, New South Wales, and was educated both in the United States and Sydney. He worked as a wharf clerk, a farmer, and journalist, and edited both rural and city newspapers. Brady established a writers' and artists' colony at Mallacoota, in 1909, and he continued to live there until his death in 1952. E. J. Brady was a leading figure of Australian literature. He has an association with Mallacoota, a small town in the East Gippsland region of Victoria, Australia. A 303 pp book with a hard back cloth covered bright orange cover. It is titled in black print " The Land of the Sun" and has black print illustrations of crops and the sun. It contains black/white plates and a fold-out map of Queensland.brady-edwin-james book--the-land-of-the-sun queensland-northern

c 1901-1910 Two piece Edwardian costume -c 1901-1910 Two piece Edwardian costume - white heavily embroidered material. Short cropped jacket with large scalloped edging. Sleeves have wide border with pleated edging. Long skirt with wide embroidered edging at hemline.costume, female

John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas. Taken c1913, this photograph gives a clear indication of where significant buildings were located in relation to one another. Barbers Road is running through the picture with the guest house 'Kia-Ora' , built by George Barber in the centre. High on the skyline on the left is the 'Mountjoy' guesthouse, indicating the location of The Gap, or FiveWays. The small 'boxy' house above 'Kia-Ora' is 'Iona' built by the Paynter family who also built 'Mountjoy'. The Jeeves property 'Kalorama' is to the right of 'Iona' and this is the area you now look to from the FiveWays Lookout. The man in the photo is wearing a trilby hat so is probably a Rose Series employee - a feature in many Rose Series postcards.Black and white photograph that is a copy of Rose Series Postcard # 156. A man can be seen walking down an unmade road with haystacks to his right. Buildings and crops can be seen on the hillsides. Handwritten inscription on reverse by John Lundy-ClarkeView from corner of Doughty’s and Barbers Road 1913. “Kia Ora” in centre Paynter’s “Iona” near center skyline above “Kia Ora” with “Kalorama” on its right and Peter’s hut of the time below it among orchard trees. “Mountjoy” is on left skyline. W. Haye’s home is centre left. Hay paddock is Barbers Lot 25 Village Settlement.kia-ora, iona, kalorama, mountjoy, guesthouse, guest house, barbers road, doughty's road, paynter, jeeves, george barber

Polish-born designer David Waters first began producing swimwear in 1952. His mother Halina had recently opened a stall at Melbourne Queen Victoria Markets and was looking for swimsuits to sell; unable to find any she liked, she asked David to design something. He began making swimming costumes using his mother's sewing machine, in between his shifts working at a knitting factory. He had soon set up a small business in his parents' home, cutting patterns in one room while a machinist sewed them together in the next. His company, which he named Watersun, would become an iconic Australian swimwear label. During the early 1960s, Watersun developed its "Unquestionable Bra", an inbuilt moulded bra which was marketed as giving wearers a more natural bustline than other labels. The company was also known for its matching swimwear and beachwear, producing dresses, kaftans, tops and skirts in identical colours and prints to those used for many of its swimsuits. By 1967, the company was reportedly one of Australia's two biggest swimwear manufacturers, with over one hundred employees. Watersun was sold to Ada Productions in 1984 and was later acquired by Trackerjack Australasia. This piece is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Ensemble consisting of sleeveless crop top (.1) and full length pants (.2). Bold floral print features blue and white flowers on a navy blue background. Top has a white Peter Pan collar. Swing tag attached.Swing tag: "SIZE 34 / STYLE 186/11 / PRICE $13.00".swimwear, watersun, david waters, ada productions, melbourne designers

With the growth of Melbourne the market gardens were subdivided into building blocks as the land was worth more than the value of the crops.Example of the progress of the Municipality of MoorabbinPhotocopy of advertisement of private sale of housing lots in Highett.Highett Road Estate, Highett - 85 Magnificent Allotmentshighett road, wilson st, dalmont street, highett, real estate

Port of Portland Authority archivesFront: (no inscriptions) Back: 52 cms wide x 22 cms deep (pencil, lower left) Drawn crop marks around border (pencil)port of portland

Photo of BTM trams 33, 38 and 661 at Gardens Loop on the afternoon of the 11.3.1996, while running the Begonia Festival service. Show road closure barriers etc. Clayton Giles turning pole. Was used in the May 1996 issue of Trolley Wire on page 26. Larger version of print shifted to A4 box AS Box 51.On rear, stamped on 'William F. Scott, 5.3.1996, 18', 'photo page 26, same size, with cropping markings and a green dot with '4' in top corner.ballarat, begonia festival, tram 33, tram 38, tram 661

View of Hurstbridge township overlooking fruit trees in flower in the foregaround and ploughed paddocks ready for crop planting in the middle of the photo.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, hurstbridge, orchard, fruit trees