Soft cover book. Soft cover - cardboard, white brown and dark green print on front, spine and back. Front cover background illustration montage of 2 colour photographs. Top portrait of soldier in uniform, bottom street scene in Afghanistan. Back cover - colour photograph of "Eleven Bats" 366 pages, cut, plain off white paper. Illustrated colour photographs. Hand signed on Title page.non-fictionBook - soldiers story of Combat, Survival and Backyard Cricket.books, autobiography, east timor, iraq, afghanistan,

Henry Stanley established Stanley Rule and Level Co. in 1857. In the following decade steel hand planes began to replace wooden planes. This decorative plane is an 1886 model, with several options to adjust the plane to suit the work. The antique plane displays quality workmanship of the 1880s. It was designed for hard work, replacing lighter wooden planes that were unsuitable for the big jobs. It was made by Stanley Rule and Level, a firm renowned for its good quality tools and now operating as Stanley Black and Decker.Plane; Beading type maker Stanley Rule & Level Co, patented in 1886. The plane has an adjustable fence and depth stop and shows off fancy Japanned decoration. Cast steel with a wooden handle and brass fittings. 1/4 inch iron.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, plane, beading plane, cast steel plane, 1880s plane, stanley rule & level co., hand plane, woodworking tool, woodworking plane, steel plane, carpentry tool, builder's tool

There are earlier photos of this building both in this collection and one on the SLV website. James Sneddon's real estate business was an earlier occupant. Doubleday's occupied the site for nearly 3 decades. Later uses were as a kitchen showroom and a cafe.Colour photo taken on a wet winter's day showing Doubleday Real Estate Agents on the north eastern corner of the intersection. The opposite corner of Windsor Crescent is not visible. Rear in blue biro: "Union Road - Windsor Crescent". Handwriting not recognised.

Briar Hill Timber was situated on Sherbourne Road Briar Hill and operated as a timber yard for many decades from he 1950s. These photographs were taken by Frank Solomon and depict the business just prior to its closure in 2014.Digital copy of colour photographbriar hill timber

Briar Hill Timber was situated on Sherbourne Road Briar Hill and operated as a timber yard for many decades from he 1950s. These photographs were taken by Frank Solomon and depict the business just prior to its closure in 2014.Digital copy of colour photographbriar hill timber

Briar Hill Timber was situated on Sherbourne Road Briar Hill and operated as a timber yard for many decades from he 1950s. These photographs were taken by Frank Solomon and depict the business just prior to its closure in 2014.Digital copy of colour photographbriar hill timber

Briar Hill Timber was situated on Sherbourne Road Briar Hill and operated as a timber yard for many decades from he 1950s. These photographs were taken by Frank Solomon and depict the business just prior to its closure in 2014.Digital copy of colour photographbriar hill timber

The 1960s followed a period through the 1950s when Geelong gave the Empire Games and Olympic Games representatives. 1961 sees D Wilson - an Olympian - appear this decade. The 1970s will again supply Olympic and Commonwealth Games representatives to Australia.Geelong Cycling Club supplies representatives to Australia in the Olympic and Commonwealth Games .Triangular blue felt pennant flag bordered in white felt. It has the VACU insignia stamped in white and inscriptions of the details of the race and race winners stamped in white on it."VACU/Country Junior Teams 15 Miles Road/Premiership/1961/Runners-up/Geelong/B Murrell/L PArish/D Wilson/G Hanson/F Williams/Time:38:20.6"vacu; country junior teams; 15 miles road race; premiership; 1961; runners-up; geelong cycling club; b murrell; l parish; d wilson; g hanson; f williams;

The Municipality of Kew was proclaimed in 1860. This eastern section of Kew was settled from the 1850s with all land sold in the vicinity by 1851. The original large estates were further subdivided in the second half of the 19th and in the first decades of the 20th centuries.Early aerial photograph of KewFramed aerial photograph of that part of Kew in which is located Genazzano FCJ, the Kew Reservoir, and the retail nurseries of Bennett’s and Rimington's.genazzano fcj, kew reservoir, rimington's nurseries, bennett's nursery, cotham road, mont victor road (kew)

IT is a photograph of the Sunbury Football team possibly taken in the 1940-1950s decades when the matches were played on land bounded by Shields, Evans, Harker and O'Shanassy Streets. A football team was formed in the early 1890s and in 1892 was known as 'The Swifts'.A non- digital black and white photograph of a football team.football, australian rules football, sunbury football club

Foreword Intro: Life story of Australian croquet champion Elsie Isabel Baner (1900-1983) who, in her early thirties in late 1933, began to play crouet on a newly-formed lawn adjoining the Ringwood Bowling Club. Within three years, she won the hightly prestigious English Silver Medal (B Class Division) and was immediately upgraded to A Grade. Elsie remained a champion player for the next three decades and was acknowledged by her colleagues as "a legend in her own lifetime. Author, Dr Sue Summers, is the maternal granddaughter of Elsie Isabel Baner and Frederick Thomas Baner. Awarded to the Croquet Australia Hall of Fame on 1st December 2023, for demonstrated leadership and influence in croquet in Australia as a player, coach and mentor.

Laurence SCOTT PENDLEBURY (1914 - 1986) Born Melbourne Laurence Scott Pendlebury studied at the National Gallery of Victoria School between 1932 and 1938 and then at Swinburne Technical College. He served during World War Two with the AIF between 1941 and 1945. Teaching at Swinburne Technical College between 1946 and 1963 Laurence Scott Pendlebury was head of the art school from 1963 until his retirement in 1974. He was president of the Victorian Artists’ Society from 1961 to 1963. Awards include: Dunlop Prize in 1950, 1951, 1953 and 1954; Gibson Prize, Victorian Artists’ Society in 1956; Wynne Prize in 1956, 1957, 1960 (shared with John Perceval) and 1968; Caltex Prize in 1957; Victorian Artists’ Society Artist of the Year (shared) in 1975. Portrait of Nornie Gude, the artist's wife, holding a violin. Nornie Gude was a student of the Ballarat Technical Art School, a division of the Ballarat School of Mines. Nornie Gude was the daughter of Walter Gude, a leding musician, and highly regarded teacher. She grew up in Ballarat and was educated at Loreto College. From 1931 to 1936 Nornie Gude attended the Ballarat Technical Art School, a division of the Ballarat School of Mines. She was accepted into the School at the age of 15 because she was so advanced in painting. Nornie Gude studied at Ballarat for five years before progressing to Melbourne’s National Gallery of Victoria School. As a violinist Nornie Gude played for more than a decade with the Zelman Orchestra. This work was a finalist in the 1978 Archibald Prize.artists, artwork, laurence scott pendlebury, pendlebury, nornie gude, gude, available, alumni

Popular wooden sculptures inspired by wartime characters were set on fire and farewelled in a special ceremony over the weekend. The sculptures, created by chainsaw artist Leigh Conkie had stood at War Memorial Park for over a decade. They will be replaced by the Homefront Project.News article 1 page, black text, colour image.greensborough war memorial park, wooden sculptures, banyule city council, leigh conkie, homefront project

Stoney creek has been 'bridged' a number of times in School Rd, since the creek was re-routed in the early 1900's. A dray bridge was built c1910 by local residents which stood them in good stead for more than a decade.Photo of 'school bridge' over Stoney Creek. Gravel road in foreground leading to a wooden bridge surrounded by tall gum trees.structures, bridges

This is the Eighth Reader in the series of school readers introduced in 1928 for the Education Department of Victoria and used extensively in Victorian schools in the early to mid 20th century decades. This copy was in use as a Form Two (Year 8) class set at St. Ann’s College, Warrnambool in the 1970s .This book is of general interest, being the final book in the series of school readers that were in widespread use in Victorian schools from the late 1920s to the 1950s. The book is also of interest because it was used at St. Ann’s College, Warrnambool in the 1970s and has the signatures of nine pupils who used the book at that time. St. Ann’s College, the Catholic secondary school for girls in Warrnambool in the 1970s, is now incorporated into the co-educational Catholic secondary school in Warrnambool – Emmanuel College. This is a hard cover book of 260 pages. It has a Contents page, an Acknowledgments page, reading material of prose and verse, including extracts from books of well-known authors and Notes and Explanations at the back of the book. The cover is brown with the emblem of the Education Department of Victoria on the front and the book is missing its spine covering. The book has many black and white photographs and sketches. The inscription and signatures on the first page are handwritten in black, blue and red ink.‘Form Two St. Ann’s College’ victorian school readers, history of warrnambool

A collection of documents and reports related to the NMIT library strategic plan 2006-2009. This plan recognises changes to library service and sets down the plan for NMIT libraries in the first decade of the 21st century. Includes 2 copies of Library Operational Plan August 2007The role of libraries and librarians changed in response to changing client expectations, and new and emerging technologies. This document is NMIT's strategic plan to deliver services relevant to the needs of its clientele.A collection of documents and reports, text printed on white paper. Each document stapled in top left corner, collection held together with large clip.Some passages highlighted with pencilled stars.libraries, student focus in libraries, library operational plan, library staff, nmit,

A self-portrait, hand-coloured, of 9886 Private Les Chandler in France in 1916. For many Australians the arrival of snow was initially a great novelty. The appeal quickly wore off. The European winter of 1916. The coldest in decades caused further misery for front line troops. hand coloured photoles chandler, 1916, winter, hand-coloured, ww1, aif, a.i.f, world war 1

Mrs Lemega wore these slips for years, first bought when she arrived in Australia and lived at Benalla Migrant Camp in the 1960s. After no longer wearing them underneath her dresses and skirts, she collected and kept her clothing like in a museum, for decades.Two petticoats, one yellow full and one light-blue half sliplemega, slips, underwear, undergarment, nylon

Photographs show the installation process and official unveiling of Cable Tram set No.1, the first cable tram set to operate in Melbourne from 1885. It marked the 90th anniversary since its appearance on the cable network. This set was preserved by Alf Twentyman for many decades.Yields information about the provenance of Melbourne's first cable tram Black and white prints with notes on the rear.On rear in ink or pencil: "Melbourne. Official unveiling of Cable Tram set No. 1 at the Science Museum 1/5/75, Thurs, 3.30pm, Russell St, Cnr Lt Lonsdale St, City" "Melbourne. Undergear being fitted to Cable Trailer No.1 at the Science Museum, before it joins Grip Car No.1 in the glass display case. Russell St, at Cnr Lt Lonsdale St, Melbourne. Not the temporary track. Sunday 20/4/75. (Stamp): K S Kings 140-10. Copyright reserved" "Melbourne. Cable Tram Grip Car No.1 is unloaded after overhaul at Preston W/S at the Science Museum, Russell St, at Cnr Lt Lonsdale St, City. Sunday 20/4/75. (Stamp): K S Kings 140-8. Copyright reserved" "Cable Car No.1 being moved into display case, Russell St, Melbourne, 9am Sunday 20 April 1975. (Stamp): Graeme S Breydon, 204 Carlisle St, Balaclava. 3183 B48-22" tramways, trams, cable trams, cable tram set no.1, science museum, russell st, alf twentyman

This 1984 photo shows Grades 2 and 3 at Jacana Primary School, once located in Melbourne’s northern suburbs. The school, now closed and demolished, served the local community for decades. This image offers a nostalgic glimpse into a bygone era of local education and childhood in Jacana.This 1984 photograph of Grades 2 and 3 at Jacana Primary School captures a moment in the educational and social history of Melbourne’s northern suburbs. As the school no longer exists, the image holds historical value, preserving the memory of a once-vital community institution and its students.Colour photograph on matte paper.White Label: PH-4471 Blue Label: PH-5189 Brown Label: See attached Sheet 1jacana primary school, education, class photograph, 1984, d. stanton, s. phillips, h. nagten, a. gough, c. hennessy, r. perceval, t. gray, l. ziervogel, s. gibbon, l. bailey, t. narman, b. wehbe, l. manson, d. scarffe, m. tiernan, m. miller, a. andre-janz, t. blythe, t. ponicwaz, i. szuhai, h. alderman, k. muscat, j. cilia, n. urlich, s. paniewaz, grade 2 & 3

The saddler and harness business of E.D. Evans and Co. in Liebig Street was prominent in Warrnambool from the 1870s to the early decades of the 20th century. Edward Evans came to Warrnambool in the 1850s, was a Warrnambool Councillor from 1875 to 1878 and from 1884 to 1888 and was prominent in racing circles in the town,These labels are of interest as E.D. Evans was a well known saddle and harness maker in Warrnambool's history..1 Light brown cardboard label, primarily rectangular with mitred corners at one end, a hole with a red reinforce sticker surrounding it. The label has black printed text and several parallel lines. Also there is a pencilled code. .2 Identical to .1 but smaller.1 FROM E. D. EVANS & CO. SADDLE & HARNESS MAKERS, WARRNAMBBO, PORT FAIRY, AND TERANG. C 1900 ( In pencil) .2 Identical to .1 edward evans, saddler, warrnambool councillor, warrnambool racing

We Will Remember Them, AIF Epitaphs of World War I. From back cover: No consolidated list of epitaphs exists but John and Hazelle Laffin have been collecting them from the graves themselves for decades. These inscriptions, in their great variety, present a picture of Australians of the period.Soft cardboard cover. Black, white & gold print on front, spine & back. On front cover background is a sepia photo of a soldier in uniform with his wife & 2 children. Smaller colour photo in foreground of a headstone. On back cover is a small colour photo of John & Hazelle Laffin. 158 pages, cut, plain, white. Illustrated black & white photos & hand drawn maps. Hand written notes in grey lead pencil on numerous pages.books-military-history, epitaphs ww1

A typical book of general education considered suitable for use in schools in the last two decades of the 19th century. It contains a variety of subjects e.g. Victorian Constitution, Australian Zoology, Life in Saxon England, and poetical pieces, with notes and questions on the text in each section for guidance of the teachers.It is doubtful that this book was used in any schools in the Kiewa Valley but is valuable as a resource to explore how and what topics were being taught in this era .Book, hard cover, dark blue in colour with embossing on the front cover. Spine cover has separated from most of book. There are pages missing from the back of the book.There is a red stamp on the first page and apart from 'Education Department' the remaining four lines are almost illegible. Above the stamp is handwritten in blue ink S.S. 2733. The front cover is embossed and is titled Royal School Series, and underneath this is Royal Readers VI. education, schools, 19th century

Hans Schiebold, lives in Seaford and is a former ship’s captain who migrated to Australia more than three decades ago, Schiebold is fully immersed in his life as an artist. In 2012, he was a finalist of the ANL Maritime Art Prize. This artwork was an entry for the Maritime Art Prize 2014.RealistPainting on Unframed stretched canvas depicting courtyard and Bell tower of MTSV chapelInscribed on stretcher: HANS SCHIEBOLD HOME FROM HOME mission to seafarers victoria, spanish-courtyard, bell tower, artwork, hans schiebold, mission to seafarers, seamen's mission, flinders street, courtyard, bell, tables, arches, artwork-paintings, 2014, maritime art prize

Dorethy Rabinov’s Melbourne-based brand Ricki Reed "became an international success story. Her brand catered to “the petite and young, people who like smart simple dress” and popular with the women lib groups due to her comfortable smart pantsuits. The Ricki Reed’s brand often favored synthetic fabrics designed to keep up with the life of an active, busy woman. Through out the decades, Miss Rabinov dabbled in prairie gowns, tailored pant suits, bold colours and floral prints. Spanning over three decades Miss Rabinov kept Ricki Reed at the front of fashion, keeping ahead of trends and on the bodies of fashionistas." (Source: 'House of Darlington' website). This dress was owned, worn and donated by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Sleeveless embossed white cotton high waisted cocktail dress designed by Ricki Reed of Melbourne.Nilricki reed, women's clothing, evening wear, australian fashion - 1960s, mcintyre collection