Domestic - Wire Egg Beaters (2)stawell

Colour drawing of Slovenian Easter Eggs

Silver, emu egg and ebonised wood

Egg Cup with inscription Hotel Bellfield. halls gap

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. Both the lodge and lake (1904) were built during the curatorship of Mr Thake. The logo in the middle of the words ‘POST CARD’ indicates the card was printed by M. Schulz in Prague. Schulz was a long-established company from Prague and printed postcards for customers from worldwide. Schulz printed in photo-chromolithography. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.A colour image of the ornamental lake and part of the Curator’s Lodge. The lodge has a green roof, tall brick chimney, is brown timber with brick where the fireplace would be. The small island with a succulent is in the centre of the image. The image looks across the top of the lake where the rock edging can be seen. Reflections of the plantings and lodge can be seen.Front: ‘Williamstown Gardens’. Reverse: Reverse: Centre top ‘POST CARD’ with a logo [MS] in the middle of the words; left side vertical ‘O. Rippon Series’; left side ‘This space may be used for communication.’; right side ‘For Address only.’; left side bottom ‘Printed in Germany’. In pencil top right corner ‘1907 / $7’ (believed to be inserted by the vendor.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, ornamental lake, succulents, 1907

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This tropical-looking package for rice crackers is woven with strips of bamboo sheath - an interesting variation in the use of this ubiquitous material. It comes from the island of Kyushu, from the vicinity of the volcano Asozan in Kumamoto Prefecture. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

Note by E.B. Littlejohn, "Is the roadway the original Swan Street? Entrance gates to Gardens in the distance. Roadway leading to the Pavilion hidden behind the trees. No elms showing along the roadway," and by T.H. Kneen, "The roadway appears to terminate at the gates outside the Curator's Residence, sweeping past the Pavilion on the right. I have seen a plan which showed an attractive avenue of trees (pine) from the western end of the property (where the Stockman's Cottage was later sited.)" 2 copies sepia photograph. Copy of sepia photograph of the roadway to the Entrance Gates and Curator's Cottage seen in the distance, with the Pavilion on the right, in, "Prize Essays," Alfred E. Bennett, c.1894, after p 116. Pinus radiata avenue on each side of the road.entrance gates, prize essays, alfred e. bennett, curator's residence, pavilion, stockman's cottage, pine tree avenue

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This box of cryptomeria bark contains miso produced at the Todai-ji, the ancient and celebrated temple at Nara, for one of its annual festivals. Simply made and labelled, it somehow suggests that it has a long history behind it. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of baby Swan emerging from egglocal history, photography, photographs, natural history - birds, coloured photograph, birds, john jenner, bryant west

Object made and used by internees in Camp 3 TaturaSmall Wooden egg cup, hand turnedtatura, egg cup, decker, kazenwadel, handcrafts, woodturning, domestic, items, food, drink, consumption

Toy metal egg lifter with four prongs.toys, general

Owned and used by Mrs Daisy ParkinRotary egg beater with a patent ball driveSwift Whip, Propert Productionkitchenware

Two wood fired ceramic 'egg' sculptures.

Dover metal Egg Beater with wooden handle.egg-beaters

China egg cup with Japanese style decorationdomestic items, crockery

From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Postcard with a colour illustration of a small African child emerging from an egg. Blue egg cup. Yellow background with red text. Handwritten message on the back.Front: "I am coming of of my Shell at / Melbourne / Good e'en to you, my hearty! Don't put yourself about, I've come to join your party, And mother knows I'm out"album, photo album, newspaper clippings, postcard, wwi, melbourne, egg, egg cup

Con Kroker Private CollectionBlack & white photo of the Curator's Cottage at the Botanic Gardens. Photo mounted on grey card.Back: In Pencil- APR Competition Open Class Senior, September "The Gardner's Home" 2c Kodak Series iii Panatomic Film Kadok Color Filter C.O. Kroker "Kia-Ora" PB Horsham Vic (No 1)

Black and white photograph new harrower for greyhound track. Corey Hiscock, Track curator.clubs and associations, sport, greyhound racing

BHS Collection.CEPA Commercial Egg Producer's Association (Bendigo Region) correspondence, newsletters, journals and producer's news; December 1977 to January 1982. 8504.32a The Egg Producer monthly newsletter October 1980 8504.32b Egg Farmers of Victoria newsletter Vol 1 no 1 June 1983egg producer's information, correspondence, cepa, commercial egg producers' association

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Salmon-trout sushi from Toyama City is packaged in much the same way as the Osaka product. The lid of the container is held down by pieces of split bamboo firmly lashed with vine. An arrangement of trimmed bamboo leaves cover the contents. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Black Swan's nest and eggs in Rhyll Swamp.local history, photography, photographs, natural history - birds, coloured photograph, birds, black swan, nests, john jenner, bryant west

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of four Plovers eggs in a nest at "Innis Howen"local history, photography, plovers eggs, black & white photograph, wild life, plovers, innis howen, john jenner, bryant west

Displayed at History House.Emu egg uncarved. Deep brown-green colour.

Bakelite crockery became inexpensive and popular c 1930 and was used for a variety of goods because of its almost unbreakable quality. . Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin. Bakelite became affordable and plentiful so it was used in many homes like Gladys Reed in City of Moorabbin c1960 Green bakelite cup, saucer, egg cup c1930bakelite, crockery, clothing, manufactured lace, dressmaking, blouses, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy

Traditional Ukraninian style painting12 hand-painted eggs in a terracotta bowl AR0112

Philip's copy books written by Alexander StewartImproved Australian edition - 14. Duck egg blue cover.books