An exhibition, mounted by the Kew Historical Society, featuring a number of photographs and objects exploring the historical roles of the asylum in our culture, focusing on the Yarra Bend Asylum, the Kew Lunatic Asylum (later Willsmere Hospital) and the Kew Children’s Cottages. Photographs of the opening night of the exhibition on asylums by the Yarra, organised as part of the Kew Festival 2017. Institutions featured were: Yarra Bend Asylum, Kew Lunatic Asylum, and the Children's Cottages Kew. The exhibition was opened by Astrid Judge. The co-curators were Robert Baker and Judith Scurfield.kew historical society - exhibitions, childrens cottages kew, yarra bend asylum, kew lunatic asylum

Exhibition panel of the Slovenian Exhibition at the Melbourne Immigration MuseumA New Beginning V novo bodocnost (in Slovenian)

A booklet put together for an exhibition of Emil Wittenberg's work. A short biography and picture of Emil is inside.A single piece of white paper with print on both sides and folded to form booklet. Front cover has a black and white sketch of man in corner of a barbed wire fence. "An exhibition of work from the Dunera Voyage and internment in Hay and Tatura." "A biographical note". on front in black ink. Back page has a piece of paper stuck on it advertising the exhibition times and dates.emil wittenberg, tatura museum exhibition

This publication explains an approach to manage the collection and develop a strategic plan for its exposure to the public through community participation and access, interpretations and exhibitions.This publication explains an approach to manage the collection and develop a strategic plan for its exposure to the public through community participation and access, interpretations and exhibitions.boroondara council - art collections, art ad state, cultural policy, boroondara history

Separate to the combined Visual Arts exhibition held at the Mt Helen Campus, the third year graphic design exhibition ran from 15 to 24 October 1996 at the ANZ Gothic Bank, Corner Collins and Queen Street, Melbourne. Exhibition opened by invitation on Tuesday 15 October 1996 at 6.00pm.Square format invitation to Graphic Design third year (graduating) exhibition in Melbourne on Tuesday 15 October 1996 at 6.00pm. Printed single colour offset print on a translucent 'vellum' style stock.university of ballarat, federation university, graphic design, mt helen campus

Seven colour printed A4 sheets used on the "Law & Order" Exhibition at the depot and the CHHA fair. No. 1 to 5 Printed onto graduated colour paper (Geo Paper - Geo Blue) and printed with a HP6P printer. 777.1 - Title poster - "Law & Order on the Trams" 777.2 - "Relations with the Police" (mounted onto a cardboard sheet) 777.3 - "The Last or Cash Tram" 777.4 - "Tramway Closure - out with a Bang!" 777.5 - "Acknowledgments" 777.6 - "Policing Employees" 777.7 - "The Horse Tram Era" See also items 778, and 713 for further objects for this exhibition. Items printed using a HP6P printer and PowerPoint.trams, tramways, law and order, exhibitions, employees, police

Harry Smith aged 7 years had an item exhibited in the Victorian State Schools Exhibition 1906. He was a pupil at East Bentleigh (East Brighton) State School No 2083. In 1912 Harry was awarded him first prize for his workmanship in making a small chip-carved table.J.L. Smith was an early settler in Bentleigh ( East Brighton) who established a Grain and Chaff cutting Store in Bentleigh Harry was a his son who attended the local school, East Bentleigh State School No 2083.Paper Certificate for Harry Smith, aged 7 years, an exhibitor in the Victorian State Schools Exhibition 1906printed certificateeast bentleigh state school 1906. smith harry, smith j l, grain and chaff stores, bentleigh, stanley helen, early settlers, city of moorabbin, county of bourke, moorabbin roads board, parish of moorabbin, shire of moorabbin, henry dendy's special survey 1841, were j.b., bent thomas, o'shannassy john, king richard, charman s, highett william, ormond francis, maynard dennis

This exhibition featured 17 paintings by Arthur Boyd, all in the bride series. Robin and Patricia Boyd were in London at the time of the opening, as indicated by the inscription and Clippings. Boyd also indicates the nine paintings which were sold and the two under offer.Exhibition catalogue for Zwemmer Gallery, London 19 July-20 August 1960. 63 works by Arthur Boyd.Pencil writing of Robin Boyd, and inclusion of five London newspaper Clippings with reviews in July 1960. Robin Boyd writes on list of paintings" We saw this only 4 days after the opening'. arthur boyd, australian painting, walsh st library

Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June-July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip.For over 150 years the Mission to Seafarers in Victoria has continued to meet the welfare needs of seafarers who arrive on Australian shores from around the world. This exhibition presents a selection of stained glass windows and historical photographs from the Mission, to capture a glimpse of some of the people and scenes integrale to this relationship.Cream colour, medium size poster on foamboard with title of the exhibition, a quote by Walt Whitman, an illustration, a quote by Kverndal, statement, ackowledgement and sponsorsreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, justine m. philip, mission to seafarers, flinders street, creative victoria, prov, stained glass windows, arthouse, catherine mclay

Launch of Legacy Week in 1990 included an exhibition of Aviation Art at Legacy House. Paintings were by Frank Harding of Renmark, South Australia. A newspaper article published on 23 August 1990, mentions that Frank Harding had painted over 50 paintings of aircraft flown by Australians and published a book of the images. It was called 'They flew for the King'. Each painting had been extensively researched to capture a specific moment in the World War 2 combat career of various pilots, flight officers or bomb-aimers. His aim was to honour the fine efforts of these great individuals. Unfortunately the artist died a few weeks after the exhibition and launch of his book. Guests included Bud Tingwell, who flew for the RAAF in World War 2 and other RAAF personnel. It appears to have included a heritage display from the Royal Australian Air Force Museum at the same time. The article is at 01522 also see media release at 01521, more photos of the paintings and guests are in 01524. In 1990 the slogan was "Lest YOU forget" with an image of the statue of Simpson and his donkey rather than a personality. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Was in a scrapbook of photos spanning 1987 to 1991.An example of an art exhibition being held at Legacy House to promote Legacy during Legacy week in 1990.Colour photo x 6 of an art exhibition for Legacy Week in 1990.legacy week, paintings, planes, warplanes, promotion

Launch of Legacy Week in 1990 included an exhibition of Aviation Art at Legacy House. Paintings were by Frank Harding of Renmark, South Australia. A newspaper article published on 23 August 1990, mentions that Frank Harding had painted over 50 paintings of aircraft flown by Australians and published a book of the images. It was called 'They flew for the King'. Each painting had been extensively researched to capture a specific moment in the World War 2 combat career of various pilots, flight officers or bomb-aimers. His aim was to honour the fine efforts of these great individuals. Guests included Bud Tingwell, who flew for the RAAF in World War 2 and other RAAF personnel. It appears to have included a heritage display from the Royal Australian Air Force Museum at the same time. Unfortunately the artist died a few weeks after the exhibition and launch of his book. The article is at 01522 also see media release at 01521, more photos of the paintings and guests are in 01523. In 1990 the slogan was "Lest YOU forget" with an image of the statue of Simpson and his donkey rather than a personality. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Was in a scrapbook of photos spanning 1987 to 1991.An example of an art exhibition being held at Legacy House to promote Legacy during Legacy week in 1990.Colour photo x 9 of an art exhibition for Legacy Week in 1990.legacy week, painting, promotion, planes, warplanes

While the end of World War II heralded a new era, postwar restrictions on resources affected what could be built, how people worked, and the everyday lives of men and women. The decade beginning in 1950 included monumental shifts in the social and cultural fabric of life in Australia more widely, and also in Kew. This exhibition explores how life changed by exploring the memories of people who lived in Kew during these years, the development of notable private and public modern architecture, and the ways that innovation transformed the lives of Kew’s residents. Set of five photos of artefacts and photographs of the main exhibition room of the Kew Historical Society at the Kew Court House. The secondary room includes images of 1950s and 1960s architecture. Also included in this file is the exhibition flyer.kew -- history -- postwar, kew historical society -- exhibitions

In 1880 Melbourne hosted its first major international exhibition the "Melbourne International Exhibition". In 1888 Melbourne hosted its second major international exhibition the "Melbourne International Centennial Exhibition".Two-piece evening dress comprising separate bodice and skirt made of gold-coloured silk damask woven with large curvilinear design in cream. Cream tulle trim around neck embellished with beads and artificial pearls. Similar trim down centre front and around lower edge of bodice. Short puffed sleeves Neckline trimed with wide gold satin riboon and bows. Bodice is boned and fastens centre back with hooks and eyes. Gored skirt pleated into waist. .1 - bodice . 2 - skirtLabel, woven blue on cream, centre back bodice: QUOD FACIMUS VALDE FACIMUS, George & George Ltd / Federal Emporium / Melbourne, International Exhibition Melbourne, Costumes and Mantlesgeorge and george, evening dress, georges of collins street, 1888

Part of a uniform worn by staff and volunteers at the Visitor Centre at the Old Bendigo Post Office for the duration of the exhibition Making a Nation which closed in 2011.Navy blue vest with embroidered Making a National patch on upper right and Bendigo Tourism on upper left front. Five buttons on front.r; Making A Nation / Federation Exhibition / 1901 / Sir John Quick / BENDIGO l; Bendigo Tourismbendigo tourism, bendigo post office

This exhibition was held in October 1907 and ran for 5 weeks. There were over 15000 contributors in the fields of needlework, cookery, Horticulture, fine and applied arts. There was a wide variety of activities, lectures and social events. There were approximately 250,000 people who attended.An important source of work and information relating to a major event in the State of Victoria and in the work of women.Eight sheets of microfilm enclosed in plastic sheet with title page, white with black text.State Library of Victoria Exhibition os Australian Women’s work 1907 6 microfiche. warrnambool, exhibition australian women’s work, 1907 women’s work exhibition

The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show.melbourne international flower and garden show, carlton gardens, melbourne exhibition building

The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show.melbourne international flower and garden show, carlton gardens, melbourne exhibition building

Launch of Legacy Week in 1990 included an exhibition of Aviation Art at Legacy House. Paintings were by Frank Harding of Renmark, South Australia. The article published on 23 August 1990, mentions that Frank Harding had painted over 50 paintings of aircraft flown by Australians and published a book of the images. It was called 'They flew for the King'. Each painting had been extensively researched to capture a specific moment in the World War 2 combat career of various pilots, flight officers or bomb-aimers. His aim was to honour the fine efforts of these great individuals. Unfortunately the artist died a few weeks after the exhibition and launch of his book. Photos are at 01523 also see media release at 01521. In 1990 the slogan was "Lest YOU forget" with an image of the statue of Simpson and his donkey rather than a personality, see items at 01250, 01520. The main time of year for fundraising is September when Legacy holds 'Badge Week'. An example of promotional material from the 1990s, including the speech and media release. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers. Newspaper article for an aviation art exhibition for Legacy Week in 1990 and an article about the death of the artist.legacy week, paintings, promotion, frank harding, planes, warplanes

Jones and Sons were watchmakers, engravers, jewellers and opticians. The made the medals for the New Zealand International Exhibition, 1906-7. Foolscap letter on Jones and Sons letterhead relating to 2 gold medals awarded to the Ballarat School of Mines at the New Zealand International Exhibition, 1906-7.new zealand international exhibition, jones and sons, medals, letterhead

This book includes establishing a museum and its administration, buildings and storage design, conservation, exhibition design and preparation, museum promotion and education. Bibliog, index.This book includes establishing a museum and its administration, buildings and storage design, conservation, exhibition design and preparation, museum promotion and education. Bibliog, index.Sue Barnettmuseums - handbooks, (mr) richard robins, queensland museum

pioneer craft models made by Bob Hodgson to demonstrate early building techniques to go to Melbourne Showground Exhibition Farm Lakes Entrance VictoriaBlack and white photograph of Bob Hodgson of Lakes Entrance Victoria to demonstrate early building techniques to go to Melbourne Showground 'Exhibition Farm Sunday' arts, people, arts and crafts

The Kew Croquet Club rooms were designed by Roland Chipperfield. The Club was founded in 1934 and is located in Victoria Park, Kew. This photo was used as the key photo in an exhibition at the Kew Court House on Sport in Kew.Born digital image of members of the Kew Croquet Club, photographed for an exhibition on Sport in Kew, held at the Kew Court House in 2014.kew croquet club - kew (vic)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Cropped photo shot of Alma Figuerola at an art exhibition. The photo was in her personal photo album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

Separate to the combined Visual Arts exhibition held at the Mt Helen Campus, the third year graphic design exhibition ran from 15 to 24 October 1996 at the ANZ Gothic Bank, Corner Collins and Queen Street, Melbourne. Exhibition opened by invitation on Tuesday 15 October 1996 at 6.00pm. The brochure features "mug shot" style photos of each student along with their name and (presumably) birth year. See item 29161.3 (CD Rom) for further information and screen captures.University of Ballarat, Bachelor of Art (Graphic Design) Graduate Exhibition and promotional material, 1996. 20pp concertina fold brochure, four colour process offset print plus varnish.university of ballarat, federation university, graphic design, mark molloy, hilario vila pouca, gavin nash, robert connelly, paul lynch, ross morgan, w hewitt, j patella, j jones, r braybrook, t roth, c dorrington, b tiley, k mibus, j rowland, k gration, b marshall