Four colour photographs showing construction of the Coles store in Arthur streeteltham, coles store, arthur street, construction, buildings

Four colour photographs; two showing site works at the corner of Brougham Street and Main Road, one showing Michael Wilson Jeweller at 725 Main Road and one showing Victorian Artists Supplies at 715 Main Road, Elthameltham, brougham street, main road, michael wislon jeweler, victorian artists supplies

Four colour photographs; two showing site works at the corner of Brougham Street and Main Road, one showing Michael Wilson Jeweller at 725 Main Road and one showing Victorian Artists Supplies at 715 Main Road, Elthameltham, brougham street, main road, michael wislon jeweler, victorian artists supplies

Four colour photographs; two showing site works at the corner of Brougham Street and Main Road, one showing Michael Wilson Jeweller at 725 Main Road and one showing Victorian Artists Supplies at 715 Main Road, Elthameltham, brougham street, main road, michael wislon jeweler, victorian artists supplies

Four colour photographs showing road works for widening of the Main Road bridge over Diamond Creek; two showing Main Road south of Mt Pleasant Road and one from the corner of Antoinette Blvd, Eltham, Vic.eltham, main road, diamond creek, main road bridge, bridges, construction

Black and white photograph featuring a Cobb and Co coach drawn by four horses with a full complement of passengers in period clothing. Taken near the old bakehouse at the corner of Main Road and York Street. Part of a procession/parade.cobb and co, bakery, main road, york street, parade, procession, ersilac parade, horse drawn carriage

Near the corner of Main Road and Bridge StreetBlack and white photograph featuring a Cobb and Co coach drawn by four horses with a full complement of passengers in period clothing. Taken near the corner of Main Road and Bridge Street. Part of a procession/parade.cobb and co, bridge street, ersilac parade, horse drawn carriage, main road

Geological Surveys of N.E. Goldfields Victoria included mines and tunnels. A resurvey of goldfields was necessary to re-assess economic possibilities using modern techniques and structural interpretation. It included an examination of a considerable surface area with maps and underground workings. Results were correlated and integrated and published by the Mines Department.The mines are in the Bogong Alpine Area.Foolscap printed Victorian Bulletins. Each stapled in the top left corner and each with varying number of pages. Covering 1941-1958 a) Glen Wills and Sunnyside b) Sunnyside Tunnel c) Red Robin d) Maud and Yellow Girl Government Printer, Mines Department, Melbourne, Victoriageology in the north-east, gold fields, goldmines, glen wills

Photo shows four images from the Shire of Eltham Pioneers Photograph Collection: SEPP_0501: West's Research Hotel, Main Road, Research, c.1907 SEPP_0612: Eltham, Main Road. Looking north from corner of Dudley Street, c.1904 SEPP_0616: Forming the footpath, Eltham, c.1906 SEPP_1000: Main Road, Hurstbridge, c.1905 Black and white/sepia photograph of four individual photographsbakery, eltham, eltham village reserve, footpath, gahan house, general store, haley's paddock, hurstbridge, luther haley, luther haley general store, main road, old mac (horse), picnic, pioneers and painters, punch (horse), railway store, research (vic.), research hotel, reynolds prior collection, richard reynolds, road construction, sepp, shire of eltham pioneers photograph collection, summer drinks, tilley lamp, york street

Four colour photographs showing construction of the Coles store in Arthur streeteltham, coles store, arthur street, construction, buildings

Four colour photographs; two showing site works at the corner of Brougham Street and Main Road, one showing Michael Wilson Jeweller at 725 Main Road and one showing Victorian Artists Supplies at 715 Main Road, Elthameltham, brougham street, main road, michael wislon jeweler, victorian artists supplies

Four black and white photographs showing pedestrian crossing Arthur Street, Eltham, 1992.arthur street, eltham, shops, traffic

These are two programmes of the Civic and Memorial Official Service held in the Warrnambool Town Hall on 26th May 1918. The service was held for two purposes. One was to celebrate the gazetting of Warrnambool as a city, two days earlier, on 24th May 1918. The other was to offer prayers and remember those on active service in World War One and those who had died in the war and to pray for the war to end. (World War One came to an end in the November of 1918). The service on 26th May in Warrnambool was conducted by the ministers of churches in Warrnambool and attended by the Mayor and Councillors and Council workers. A collection was taken up at the service for the British Red Cross Society. The Mayor at the time was William Swinton.This program is of considerable interest as it brings to our attention two events of importance in our history – Warrnambool becoming a city in 1918 and the city’s involvement in World War One and the long-term effects of this war on all settlements in Australia. It also highlights the importance at the time of the Christian religions in Australia.These are two copies of the programme of the 1918 Warrnambool Civic and Memorial Service. The programme is one sheet of buff-coloured paper folded in two to make four pages. There is blue printed material on three of the pages. The front page has the crest of the City of Warrnambool with blue edging and some ornamental scrolls. One programme is tattered at the edges. The two programmes have been glued together at the bottom left corner and have been partly mounted on a piece of white card. warrnambool city council, program civic memorial service 1918

Altona North is a suburb of Melbourne, Victoria, Australia, 10 km south-west of Melbourne's Central Business District, located within the City of Hobsons Bay local government area. Altona North Police Station opened on 7 October 1979 as a new twenty-four police station and was the District Headquarters of Altona District. It comprised a C.I.B. and a Community Policing Squad. It is located at 72 Cooper Avenue, on the corner of McArthurs Road. A new police station is being planned for Galvin Street, opening in 2020.2 colour photospolice stations; altona north police station

The following is an extract from Warrnambool and District Historical Society Website which explains briefly the Great Exhibition of 1896-97 The Great Industrial and Art Exhibition in Warrnambool in 1896-97 was an exciting affair for the town and the surrounding area. People came from far and wide to be enlightened, educated and entertained, with 70,000 visitors passing through the doors during the three months of the exhibition. Not bad for a town with a population of only 6,500 and a further 9,200 living in the surrounding shire! Planning began at a public meeting attended by 60 people in May 1896 and the exhibition opened in December the same year on the site of the current Light House Theatre. The architects submitted plans for four annexes, complete with turrets, a fernery and a giant flagpole. The site covered 1 acre and included a Marine court, industrial exhibits, an education court, defense and agriculture court, stalls, coach builders, dairy show, an art court and provision for a smorgasbord of various entertainment. (The Story of the Warrnambool Industrial & Art Exhibition 1896-97- E O’Callaghan) This certificate was one of many awards for competency and /or excellence in a wide range of activities and skills. Warrnambool Industrial & Art Exhibition 1896-1897 Competitions-Piano forte solo Gertrude Lewin- prizewinner W J Hickford- Mayor E Lyle Rossiter As a link to one of the biggest events ever held in Warrnambool this item has significant value to the history of Warrnambool. It has social significance also linking a number of names related to the event. Rectangular cardboard. pale cream and aqua background, multi linear gold and deeper aqua border with rounded and right angled corners. An interior border has a swag, linear vertical ribbons with four emblems related to science, labour, arts and industry. Four local black and white photographs, the town council crest and town officials, patron and councillors. An inscription of the prizewinner, event and signatures is written in a cream square in the middle of the certificate.Warrnambool/Industrial & Art Exhibition Opened Dec 21st 1896/ By the Chief Justice of Victoria/ Sir John Madden, K.C.M.G. upper L corner. Closed March 19th 1897/ By the Mayoress of Warrnambool/ Mrs WJ Hickford 'First Order of Merit/ Awarded to Gertrude Lewin/ of Parkville/ for Piano forte Solo (under 15) Signatures of WJ Hickford, President and E Lyle Rossiter, Secretary gertrude lewin, wj hickford, e lyle rossiter, the great warrnambool exhibitiion, warrnambool, pianoforte

The book, awarded to Ethel Henderson in 1903, from Christ Church, Warrnambool is an example of a Sunday School prize given to children attending Sunday School at the time. Christ Church Anglican Church was one of the early churches in Warrnambool.The Puzzle Picture Book is a rare 'movable' children's book from 1900. It contains 6 chromolithic dissolving scenes (also called slats/transformations). It is unusual due to its educational content. It was published by Ernest Nister in London, E F Dutton & Co in USA and is also thought to have been published in German under the title 'Ueberraschungen Aller Art'. [source: The Little Book Store]Child's picture book with full colour cover depicting a mother dressed in long white spotted dress, white apron, white bonnett and black button-up shoes, sitting on a wooden armchair while dressing a young girl's hair with pink flowers. The girl is dressed in a pink frock with puffed sleeves and frill around the hem, and cream apron. She is looking in a brown wooden-backed hand mirror. A woven straw basket with pink roses sits on the floor. A framed silhouette picture is on the wall. The title is in a display typeface mimicking rose stems; a swag of pink roses decorates the top right hand corner. The publishers' names are printed on the bottom left and right hand corners at the bottom, and the printer in the centre. The inside cover has a book plate. The title page shows two boys arguing over the book. The verses are by Clifton Bingham, the pen and ink illustrations by Hilda K. Robinson. The story has a monochrome page with rhymes opposite a colour page with cut-out boxes showing four small pictures, each with a question. By pulling the tab at the bottom of the page the answer to the questions is revealed. There are six chromolithic 'dissolving scenes'.Book plate: Christ Church. Sunday School, Warrnambool. 1st Prize Girls Class II. Awarded to Ethel Henderson. S M George Vicar. Warrnambool, May 1903children's picture books, ethel henderson, children's picture books, puzzle books, christ church anglican church, sunday school prizes, ernest nister london, warrnambool, ethel henderson, e f dutton & co new york

Green paperback with white band with black text fictionNovel written by El Ja Dy (nom de plume for Lillian Jane Duncan) warrnambool, l duncan author, lillian duncan, royal chambers warrnambool, el jady

This was the first house on Pryor Street which was located at the corner of what is now Commercial Place on the eastern side. Originally there was another house adjacent but it had been moved by the time of the 1951 aerial survey. The house was also the first home of Russell Yeoman who had been newly appointed to the Shire of Eltham and this house belonging to the council was vacant and made available to him for four weeks before it was relocated to Susan Street just south of the bowls club and was used a child care centre associated with the Living and Learning Centre (Russell believes). Russell then moved into another council owned house at the corner of Susan and Bridge Streets.Digital file only; created from original colour positive slide transparencyeltham, streets, houses, pryor street, susan street, fe holden sedan, russell yeoman collection

This was the first house on Pryor Street which was located at the corner of what is now Commercial Place on the eastern side. Originally there was another house adjacent but it had been moved by the time of the 1951 aerial survey. The house was also the first home of Russell Yeoman who had been newly appointed to the Shire of Eltham and this house belonging to the council was vacant and made available to him for four weeks before it was relocated to Susan Street just south of the bowls club and was used a child care centre associated with the Living and Learning Centre (Russell believes). Russell then moved into another council owned house at the corner of Susan and Bridge Streets.Digital file only; created from original colour positive slide transparencyeltham, streets, houses, pryor street, susan street, russell yeoman collection, fc holden sedan

Sketch of the four pottery kilns at East Ringwood, corner of Velma Grove and Mount Dandenong Road (Oxford Road). The kilns shut down in 1926. Judging by the handwriting, the artist and author appears to be John Rodaughan, East Ringwood historian, whose other works include history on Burnt Bridge Hotel and other parts of East Ringwood. The back of the sketch includes a rough hand-drawn map, that appears to be of the insulator works area, between Mt Dandenong Road and Evon Avenue. The timeline includes generic milestones in blue ink and those associated with Ringwood in red writing.Kilns; D.M.

These photographs are of students of the Orbost Higher Elementary School. Information with photographs includes the names of those in the photos. 3143.1 - Alice Boucher; Bill Kerr; Mollie Hammil; Margie Trewin; ? Pen; Marion Nixon. 3143.2 - Back : Mollie Lock; Margaret Irvine; Lizzie Foard; Esme Reynolds; Marge Foard Front: Pen Gilbert; Mary Gilbert; Zenie Irvine; Hilda Bird. This was the first team to beat Bairnsdale High. 3143.3 - Marion with ball; ? Boucher; Myra Malcolm; L. Farquhar; ? Boucher; Mary Gilbert; Marion Trewin 3143.4 - Back - Alice Hammil; Marion Nixon; Bill Kerr; Annie Malcolm, E. Gall\Front - Marion Gilbert; Pen Gilbert; Elsie Pardew; Jean Trewin During 1910-11 the first approaches were made to the Department for the establishment of a HES in Orbost and this became a reality in 1912. Orbost HES supplied post-primary education in the district until a high school was built in 1948. Orbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. This item is representative of its historyFour black / white photographs of Orbost High School netball teams. 3143.1 is of seven girls in sports uniforms. Four are standing and three kneeling in front of them The girl in middle front is holding a ball. The photograph has been taken outside on a sports field with a low fence in the background. 3143.2 is of nine girls in sports uniforms. Five are standing and the front brow of four are seated on chairs. . The photograph has been taken outside. the two girls middle front are holding a ball on which is written "1920". 3143.3 is of nine girls in uniform in front of a brick wall. Four are standing, five seated on a bench. The girl middle front is holding a ball which has "Orbost H.E.S. 1926" written on it. 3143.4 is a photograph / postcard. It is of nine girls in two rows. Five at the back are standing and the front row is seated on a bench. On the ball held by girl 2nd left is written "1923". The photograph has been taken outside and there is a gazebo in the background. There is a trophy on the ground in front of them.3143.2 - "O.H.E.S. 1920" 3143.4 - Bottom right corner -"L.N."education-orbost orbost-higher-elementary-school school-sport netball

GRANT, Thomas (From Short Notes on Ringwood - RDHS) Born 1854, died 1933, aged 79 years. Thomas Grant, born in Burwood, Victoria, came to Ringwood in 1876. On land purchased from Mr. D. Gostick in Whitehorse Road, in the vicinity of the present Drive In Arcade, he built a blacksmith's and coach building shop. In 1880, he married Mary Ann French, of Mulgrave. There were four children, Andrew, Mary, (died in infancy) Thomas, and Margaret. Miss Margaret Grant is a well known resident of Mullum Road. With the opening of the station in 1882, activities in the growing district tended to congregate in its vicinity, and, in 1883, Mr. Grant moved his “smith" to the corner of Adelaide Street. At the same time, he planted out an orchard on his land which ran from Ringwood Street, to Warrandyte Road, and north as far as Mullum Greek. Eventually, about 1910, he sold his business to the Reed Brothers, and retired to the comparatively lighter life of orchardist and market gardener. In 1909, he sold 8 acres of his land to the Lilydale Council. This land, situated in Ringwood Street, behind the Town Hall, is known as the Ringwood Reserve. Mr. & Mrs. Grant were foundation members of the Methodist Church. He was appointed a Trustee in 1879, and served until his death 54 years later. He was an enthusiastic member of many societies, and he held public office in civic affairs. His interests included the Progress Association, Cricket Club, and the Agricultural Society, at whose annual show, he was a regular exhibitor. He served as a Councillor in the Lilydale Shire, repres¬enting Ringwood, from 1889 to 1894, and was a Justice of the Peace. 26278a Ledger belonging to First Blacksmith in Ringwood 1880s. Dark green cover with leather spine and corners. Dark coloured edges on pages. 542 pages, 320 used. 26278b Day book belonging to Thomas Grant, Blacksmith, Ringwood used 1929. Brown covered book with leather spine. First 95 pages torn out. Only two pages of remaining 76 used. 26278c Ledger with alphabetical index - Thomas Grant, Blacksmith, Ringwood - 1888. Green covered book with red spine and corners. Dark coloured edges on pages. 275 pages. Some unused. 26278d T. Grant Blacksmith Day Book. Green covered day book of T. Grant, Blacksmith and General Smithy, Ringwood 1883 . Red square on spine with Day book written on it. Day Book in ink hand written on front spine. 26278e Day book belonging to Thomas Grant, Blacksmith, Ringwood - 1879-1881. Green cover with brown spine and edges. Gold lettering on spine saying Day Book Pages all used. 26278f Collection of receipts, some blotting paper, some pages from the Journal of Architecture, a short story, and drawing with description of an Albert Sociable carriage.

Old radios recall a time when society was very different. The 1950s were the heyday of radios in Australia. Families often had more than one in the home. When transistor radios arrived instead of listening on the valve mantel, people were able to grab a tiny radio, taking music and news anywhere they wanted. This item reflects the time before portable radio communication. A 240V valve radio in a wooden cabinet. It is a mantel radio with four knobs at the front - two on each side - for volume, tuning, tone/on/off and band. There is a lead with a plug attached and earth at the back. Under each corner is a small wooden foot. "S.T.C. Made in Aust."radio communication entertainment

This medical bureau / cabinet shows several signs of being used for a different purpose before being a medical bureau. It once had the words "GENUINE PURE QUALITY" lettered across the top of the front, as can been still seen from the impression left behind in the stained timber. On each drawer above the handle is a faint impression of something long and rectangular, as though there had been a label attached. The front panel of the drawers is made of the same wood as the rest of the outer cabinet, most probably blackwood. The handles on the drawers are not the original handles either. There are 3 filled-in holes that would form the corners of a triangle, apex at the top, around the perimeter of the current handles. The sides of the drawers are made from plywood and the base made from alternating lengthwise strips of oak and beech wood pressed together, rounded corners at the back and joined to the front panel with metal brackets. The backs of the base of the drawers have four round impressions in them. Along the back edge of the base, in the centre, is a rectangular hole. Between the front pair of round holes is a faint black rounded marking, like the impression made by rubber. The cabinet may have once been a filing cabinet, with the drawers used as document drawers, each with a spring-loaded clamp attached to the back of them to secure documents within. The original handles could have been the half-cup type used for filing cabinets. The construction and use of plywood could place this cabinet in about 1950's.Chest of drawers (or Medical Bureau, or Apothecary Chest, or Filing Cabinet) wooden, dark stained, with 30 small drawers (10 rows, 3 columns). The outer wood of cabinet is possibly blackwood and the edges of top and sides have carved wood decoration. Drawer fronts have bevelled edges and round silver-coloured metal knobs. Drawers have plywood sides, and oak and beech wood bases/, Each drawer has four round depressions (in a square-shaped arrangement) at the back plus a small rectangular hole cut in the centre back of base. A faint impression from previous lettering is evident in the wood stain across top front of cabinet.Impression of previous lettering across top front of cabinet "GENUINE PURE QUALITY". flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, drawers, bureau, cabinet, chest of drawers, furniture, bedroom furniture, household storage, medical bureau, apothecary cabinet, document drawers, filing cabinet

This design of the bottle is sometimes called a ‘cottage’ or ‘boat’ shape. The Caldwell’s handmade glass ink bottle was mouth-blown into a three-piece mould, a method often used in the late 19th and early 20th centuries, with the maker's name engraved into the mould section for the base. The glass blower would cut the bottle off the end of his blowpipe with a tool and join a mouth onto the top, rolling the lip. The bottle was then filled with ink and sealed with a cork. This method of manufacture was more time-consuming and costly to produce than those made in a simple two-piece mould and 'cracked' off the blowpipe. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. This particular bottle is unusual as it has four sloping indents at the corners of the shoulder, most likely for resting a pen with its nib upwards and the handle resting on a flat surface. Most of the bottles made during this era had horizontal pen rests that were indented into both of the long sides of the shoulder. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. This only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This hand-blown bottle is significant for being the only bottle in our collection with the unusual sloping pen rests on its shoulder. It is also significant for being made in a less common three-piece mould. The method of manufacture is representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottle is of state significance for being produced by an early Melbourne industry and exported overseas. This ink bottle is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Ink bottle; rectangular base, hand-blown clear glass bottle with its own cork. The bottle has side seams from the base to the mouth, an indented base and an applied lip. The corners of the shoulder sides have unusual diagonal grooves that slope down and outwards that may have been used as pen rests. Inside the bottle are remnants of dried blue-black ink. The glass has imperfections and some ripples on the surface. The bottle has an attached oval black label label with gold-brown printed text and border. The base has an embossed inscription. The bottles once contained Caldwell’s blend of blue black ink.Printed on label; “CALDWELL's BLUE BLACK INK” Embossed on the base "CALDWELLS"flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture, three part mould, cauldwells, cauldwell's

Leather bound Holy Bible c. 1854 owned by a member of the Sutton Family. Brass corners with missing clasp non-fictionc. 1854 Holy Bible owned by a member of Henry Sutton's familyholy bible, bible, henry sutton, king james bible, mrs h. sutton, ron sutton, jack sutton

This wheel nut was found in a long abandoned car yard (Gino's) located in Maffra, Gippsland, and it belonged to a car from the Belsize Motorcar Company (England). A then local man, Frank Straw who found the wheel nut (in 1968) is the grandson of John Hughes. The latter did an apprenticeship as a coachbuilder with the Belsize Company of Manchester, England. He then emigrated (with his wife) to Australia in 1910 and settling in Maffra opened a coachbuilder's shop . He told his grandson that seven Belsize cars came to Australia and that one made its' way to Maffra where John Hughes worked on it at his shop. John Hughes). Old gold coloured Belsize Wheel Nut (metal) and mounted on a rectangular block of wood.Wheel nut is inscribed as follows: BELSIZE in middle of nut surrounded by four (one in each corner) decoration emblems (as seen in photo) surrounded by a gold circle. Around the outside of the circle are the words Belsize Motors Limited -an asterisk at the beginning and end of the company name. Outside the circle at the bottom is the word MANCHESTER. Around the edge of the top of the wheel nut are two gold line circles.

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Vol 1 of 4 "Caulfield's Heritage" p34 states that this mansion was demolished in 1972.Page 114 of Photograph Album with four colour photographs (landscape) of different views of Royston in its garden.Handwritten: "Royston" Kooyong Road / 240 KOOYONG ROAD / 1939 - SLATTER - MISS MAY EDITH ALICE. [top right] / 114 [bottom right]trevor hart, caulfield north, kooyong road, 1860's, villa residence, victorian, mansion, ornamented corner stones, royston, renwick, curved windows, timber verandahs, return verandahs, bay windows, may edith alice slatter, may slatter, balconies, polychrome bricks, abandoned buildings

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Glen Eira Heritage Management Plan 1996 by Andrew Ward https://www.gleneira.vic.gov.au/media/4777/heritage_mment_plan_vol_3b.pdf (as of 27/01/2021) - p90 An imposing single storeyed Italianate bi-chromatic brick villa with three staged tower surmounting the entry and facetted corner bay with conical roof. White tuckpointed black body bricks are relieved with reds and stucco work. Gable ends are fretted and there is a concave cast iron verandah to the principal elevations.Victorian Heritage Database (as of 27/10/2020) - HO49 225 North Road Caulfield South https://vhd.heritagecouncil.vic.gov.au/places/42426 "Maniar" (?) is a substantial late Victorian Italianate villa with tower and extensive grounds built for Frederick Curwan, an inspector of the National Bank, in 1890. It is aesthetically and historically important. An imposing single storeyed ltalianate bi-chromatic brick villa with three staged tower surmounting the entry and facetted comer bay with conical roof. White tuckpointed black body bricks are relieved with reds and stucco work. Gable ends are fretted and there is a concave cast iron verandah to the principal elevations. It is aesthetically important as an imposing and substantially intact villa residence demonstrating the changing architectural fashions of the 1890's, evidenced by the use of face brickwork and fretted gables in the Queen Anne manner. It is historically important for the manner in which it demonstrates the lifestyle to which a businessman could aspire during the boom period.Page 150 of Photograph Album with four landscape photographs of Fairfield Hall on North Road.Handwritten: "Fairfield Hall" 225 North Rd cnr Younger Ave [top right] / 150 [bottom right]trevor hart, jenny o'donnell, verandah, porch, tower house, tower, mansion, three storey tower, bichromatic brickwork, fairfield hall, 1890's, george jobbins, conical roofed projecting corner bay, conical roofed bay, timber ceilings, north road, younger avenue, frederick wallis curwan, curwan, italianate, queen anne, australian homestead, arched windows, curved windows, columned parapet, return verandah, fairfield estate, fairfield street, slate roofed, red brick, polychrome bricks, victorian style, cast iron work, caulfield south, maniar, house names

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Victorian Heritage Database https://vhd.heritagecouncil.vic.gov.au/places/35576 No. 70 Orrong Road is important as an exceptionally ornate Boom style villa residence in the terraced form and in this respect is rare in Caulfield. Its architectural value is enhanced by its intact state and by the manner in which its bold architectural expression is carried through into the hallway and staircase. Victorian Heritage Database - National Trust local significance 284 Orrong Road Caulfield https://vhd.heritagecouncil.vic.gov.au/places/65700 A house designed by Harold Desbrowe Annear in 1917 and believed to have been the first "all electric" house in Melbourne. It has been extensively altered.Page 164 - four photographs of 2 different houses on Orrong Road. The top left photo is in colour while the others are in black and white.Handwritten: Orrong Road [top right] / Lisborn House [ (ed. correct name is LISBON HOUSE), under top left photo] / Lisborn House [under top right photo] / [under bottom right photo] / CORNER ORRONG ROAD AND PEARSON AVENUE / HOUSE BY DESBROWE ANNEAR [under bottom left photo] / 164 [bottom right]trevor hart, orrong road, lisbon house, lisborn house, elsternwick, pearson grove, st kilda east, caulfield north, terrace houses, cast iron work, verandahs, balconies, parapets, arches, cars, streetscapes, attic houses, desbrowe annear