Showing 10982 items
matching geelong
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Stawell Historical Society Inc
Coin - Realia, R. PARKER IRONMONGER GEELONG MOORABOOL STREET
HEATON & SONS, BIRMINGHAM WERE EMPLOYED TO STRIKE THE EXTENSIVE TOKEN ISSUES. THE IRONMONGERY STORE IN MOORABOOL STREET, GEELONG WAS ESTABLISHED IN 1844 BY RICHARD PARKER. PARKER WENT ON TO ESTABLISH STORE IN CLUNES, BACK CREEK (TALBOT), FIREY CREEK AND ARARAT. HE ISSUED AT LEAST TEN VARIETIES OF TOKENS, ALL WITH THE SAME INSCRIPTION AND FIGURE ON THE FACES, BUT WITH SLIGHT VARIATIONSCOPPER PENNY TOKEN 34MM OR 35 MM DIAMETER OBVERSE: INSCRIBED WITH R PARKER IRONMONGER MOORABOOL STREET GEELONG REVERSE: HAS A FEMALE FIGURE REPRESENTING JUSTICE, HOLDING A BALANCED SET OF SCALES IN HER RIGHT HAND. THE WORD AUSTRALIA IS AROUND THE TOP OF THE TOKEN. ,token coin -
Ballarat Tramway Museum
Postcard, Valentine & Sons Publishing Co, "Ryrie Street Geelong", c1950
Postcard produced by the Valentine publishing company of Ryrie St Geelong. A tram is westbound. In the view are the Town Hall, the T&G building, M J Hede & Sons store, and Cox Bros. The rear of the card notes it is a genuine photograph. Photo c1950.Yields information about the view of Ryrie St c1950.Black and white Postcard undivided back, unused. Card No. V22.On rear in ink "A couple more for your collection" and an unreadable name.tramways, trams, geelong, ryrie st -
National Wool Museum
Textile - Blanket, 1950s
Note from collector: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double-sized, pink and mint diamond blanket"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, godfrey hirst, diamond blanket, geelong -
National Wool Museum
Textile - Blanket, Godfrey Hirst, 1950s
Collector says: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Godfrey Hirst diamond blanket in pink, grey and lemon"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong -
National Wool Museum
Textile - Blanket, Godfrey Hirst, 1950s
Collector says: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Godfrey Hirst Diamond blanket in pink and grey"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong -
National Wool Museum
Textile - Blanket, Godfrey Hirst, 1950s
Collector says: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Godfrey Hirst diamond blanket in pink and cream"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong -
Ballarat Tramway Museum
Ephemera - Ticket/s, State Electricity Commission of Victoria (SECV), SEC 6d tickets used in Geelong, c1955
Has a strong association with the Geelong tramway system as being identified as being used on the system and for which trip on a specific date.Set of two SEC 6d teal colour tickets, Nos. H806802 and H806992 and a hand written note advising that they were used on tram No. 7 in Geelong from Little Ryrie St to Belmont and back on Sunday 1 January 1956 and that Alan and Ian travelled. Both tickets have been printed with a teal cross hatching on the rear.trams, tramways, tickets, secv, geelong, belmont -
Ballarat Tramway Museum
Photograph - Digital image, George Wilson boarding a Geelong tram on his first day of school, c1920's
Digital Image of Ken Wilson's (a BTM Volunteer worker) father, George Wilson boarding a Geelong tram on his first day of school late 1920's. The family lived in Corio St, near the North Terminus. Three school children and possibly a Conductor boarding a tram with the driver in rear cab. Tram has destination of Belmont. trams, tramways, geelong, schools, belmont, north -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Memorabilia - Silver trophy, Maori Miss, 1966 Geelong Trotters Cup
Maori Miss (Grand Monarch NZ P 2.9.2 - Yendarra Hall NZ - (Loreto)). Brown Mare. Foaled 1960 (2nd Foal). Breeder/Owner: R McD Healy. Trainer G Gath. Maori Miss raced from 1963 (2yo) through to 1967 (6yo). Career: 20 wins 12 seconds 10 thirds 63 starts. 2.10.6 Winning Drivers: G Gath (13) Neville Gath (6) B Gath (1). Won on 8 Tracks: Melbourne Showgrounds (6) Harold Park NSW (2) Ballarat (4) Warragul (3) Geelong (2) Bendigo (1) Stawell (1) Cranbourne (1)Maori Miss won the 1966 Geelong Trotters Cup (also known as G McNamara Memorial Trotters Cup) at a rate of 2-12 1/5, equalling the Track Record, starting off 24 yds over 14 furlongs at Geelong on 13 January 1966 defeating Tamboritha 2nd and Corop McElwin 3rdTwo Handled Cup Shaped Trophy with a LidGeelong Trotters Cup / 1966 / Won by / Maori Miss / Rate 2-12 1/5trophy, harness horse, maori miss, geelong trotting club, geelong trotters cup, 1966, r healy, ric healy, g gath, george gath, neville gath, ng gath, r mcd healy -
National Wool Museum
Textile - Blanket, 1950s
Note from collector: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. It was hard to let go of this one!Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized diamond blanket , lemon & grey "An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, godfrey hirst, diamond blanket, geelong -
Warrnambool and District Historical Society Inc.
Ashtray, Geelong Crest, 1920s
This ash tray is a souvenir of the City of Geelong and has been inscribed and used in 1927 as a presentation piece by the Southern Union Insurance Company of Australia. It has been presented to an employee of the company, N. Robilliard. He is possibly the son of James and Ellen Robilliard, De Jersey Norman Robilliard, who died in Warrnambool in 1973. This ash tray is of interest as an example of the type of gift given to employees in the 1920s. It is believed that the recipient was a resident of Warrnambool. This is a circular clear glass ash tray with a silver-coloured metal rim around the top edge. There are four metal scoops and a metal badge affixed to the top rim. There is also an inscription engraved on the metal rim. The silver rim is tarnished. Badge: ‘Souvenir City of Geelong’ Inscription: ‘Presented by the Southern Union Ins Co Ltd to N. Robilliard in recognition of his service as agent 7.2.27’ norman robilliard, southern union insurance company of australia -
Ballarat Tramway Museum
Postcard, Kodak, "Opening of Tramway System Geelong", 14-3-1912
Postcard produced by Kodak of the opening of the Geelong Tramway System on 14 March 1912. Shows the highly decorated trams in the background and a large crowd. See also item 9056 for another view, 4407 and 5900.Yields information about the opening of the Geelong tramway system.Black and white Postcard divided back, unused.tramways, trams, geelong, opening, new tramways -
National Wool Museum
Poster, Geelong and wool
One of three posters reproducing sections of a mural painting by Robert Ingpen located in the National Wool Museum, Geelongwool - history textile industry - history, ingpen, mr robert, geelong, victoria, wool - history, textile industry - history -
National Wool Museum
Booklet, 50 Years Selling Wool in Geleong 1857-1907, 1907
Presumably created in 1907 to highlight achievements in the previous 50 years of selling wool in Geelong. Booklet features images of wool sales, wool stores, wool shipping and train transport within Geelong CBD, as well as meat sales and shipping.Booklet with red paper cover set to a landscape orientation. Gold text on the front cover with a swirling design surrounding the heading and encircling a sketch of the Geelong waterfront. Small box on bottom left corner describes authors of the book. Booklet is 36 pages, all white pages, several with images and text, but many with just images or just text. Booklet is stapled together on spine on left side.national wool museum,, geelong, wool sales, transport, wool store -
Flagstaff Hill Maritime Museum and Village
Postcard - Ships, Willets Photo, Victorian Training Ships, 1915
The photographic postcard was made in 1915-1916 by Willets Photography in Geelong. It is one of a series called 'Victorian Training Ships and it featured the sailing ships John Murry and the Dart'. The John Murry was commissioned by the Victorian Government for the training of juvenile offenders from 1910-1918 and anchored just off Williamstown, Victoria. The ship was previously named Loch Ryan. The Dart was named such in 1882, and in 1904 the New South Wales Government purchased her for use as a training ship. ln 1912 the Victorian Government bought her for use as a tender, to support the John Murry training ship until she was again sold in 1919 to the owner of a shipping and trading agency. The postcard is significant for its association with sailing ships and with training ships. It is also significant for its representation of two training ships used for rehabilitation. This form of treatment became controversial so the project didn't last for many years. None-the-less, it is part of our Victorian history.Black and white postcard picturing two sailing ships plus printed and handwritten text. The ships are the John Murry and the Dart. The postcard is in the series 'Victorian Training Ships'. Made by Willets of Geelong. Printed on front "Victorian Training Ships", "Greetings 1915-1916" and "Willets PHOTO / GEELONG" Written in ink below ships "John Murry" & "Dart". flagstaff hill, warrnambool, willets photo geelong, greeting card, 1915-1916, postcard, victorian training ships, sailing ships, john murry, dart, maritime museum, maritime village, maritine photograph, training ships, juvenile reformation, loch ryan, willis photography, geelong photographer, williamstown -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Geelong 5 Ryrie & Moorabool Sts, c1950
Photo of a Geelong 5 with the destination of Chilwell at the intersection of Ryrie and Moorabool Streets. Another is alongside. The tram is at a safety zone stop. No details on rear of photograph. Possibly late 1940sYields information about Geelong trams in the late 1940's and the appearance of one of the first series of trams.Photograph - black and white trams, tramways, geelong, ryrie st, moorabool st, tram 5 -
National Wool Museum
Functional object - Brown Leather Satchel Bag, Strachan, Murray and Shannon Ltd, c. 1920s
The company developed from the merchant activities of John Ford Strachan who commenced business in the Port Phillip settlement during 1836. A series of amalgamations from 1876 to 1896 extended the interests of the firm which registered on 23 Dec 1897 as Strachan, Murray & Shannon Pty Ltd. The company floated as a public company on 12 Sep 1919 and changed its name to Strachan & Co Ltd on 1 Jul 1931. The business was taken over by Dennys Lascelles Ltd and deregistered on 2 Aug 1978. The Stachan Woolstore complex on the corner of Moorabool Street and Brougham Street, Geelong was first built in 1840 and has been systematically redesigned over the years. Currently only the facade remains.Brown leather satchel bag with a handle and straps which fasten with metal belt clips. Gold printed lettering is featured on the front. Front [printed]: S. M. & S. LTD. / GEELONG / H. H. H.bag, working life, geelong, leather satchel -
Ballarat Tramway Museum
Book, William. F. Scott, "Last Tram at Eleven - Tramways of Ballarat, Bendigo Geelong", 2008
Extensive history on the foundation of the three Victorian Provincial tramways, operations, tramcar lists and relationship to their private operation and power stations.. Foreword by Professor Weston Bate Yields detailed information about the history of the three SEC Provincial systems, in particular the construction history and their tramcars.Book - 212 pages on art paper with a gloss finish applied to photographs, sewn with glued end papers, folded dust jacket or cover titled "Last Tram at Eleven - Tramways of Ballarat, Bendigo Geelong". Written by William F Scott, published by Full Parallel Productions 2008. Has a cloth book mark. Has a Table of Contents, Index, many photographs, maps, liststramway history, ballarat, bendigo, geelong, tramcars, trams -
Ballarat Tramway Museum
Postcard - Folder set, Valentine & Sons Publishing Co, "Geelong Photographic Souvenir", early 1920's
Shows views of the Geelong CBD and beach area in the 1930's including one tram photo and two other photos of trams in the street and the centre poles which were later removed. Demonstrates production of souvenirs of the era - folded postcards. The photos could also be used for individual postcards.Set of 15 black and white views of Geelong printed on a folded strip, glued within a manila colour cardboard folder, titled "Geelong Photographic Souvenir". Booklet printed with an address area with title and kookaburras and on the rear, an area where the sender could write their name. Produced by The Valentine Publishing Co. Pty Ltd Melbourne. The rear has a slit on the rear cover that allowed the folder to be secured. Pictures are: 1. Panorama of Eastern Beach Geelong 2. Eastern Beach Gardens 3. Eastern Beach 4. Ryrie St with centre poles and a tram in the distance. 5. Botanic Gardens 6. Johnstone Park 7. Gordon Technical College 8. Moorabool St. - with poles in street, single line track and tram in far distance. 9. Eastern Beach and Wharves 10 T and G Building 11 The Fountain, Eastern Beach 12 Town Hall and Post Office 13 Baron bridge - just prior to opening - roadway construction appears to be underway. 14 Malop St with tram (10?) in foreground 15 View of Johnstone Park. Made during 1930's given motor cars in the photo. trams, tramways, geelong, postcards, malop st, town hall, post office, gardens -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, Geelong Advertiser, Greenkeepers Graduate, 1971
Article in "Geelong Advertiser dated January 14, 1971. Announcement of awards to greenkeepers who had successfully completed the course at Burnley College.geelong advertiser, greenkeepers, burnley horticultural college, golf courses, careers, students -
Ballarat Tramway Museum
Postcard, Murray Views, "Murray Views No. 27 Ryrie Street Geelong Vic", early 1950s
Postcard produced by Murray View of Gympie, of Ryrie St looking east from the west side of Yarra Street. A tram can be seen turning at Moorabool St. In the view are the Geelong Theatre, Cox, the T&G building, Preston Hotel and H F Richardson live stock sale and a taxis sign. Also shows the wood centre of the road poles.Yields information about the view of Moorabool St at Ryrie St early 1950s.Black and white Postcard divided back, unused. Card No. 27tramways, trams, geelong, ryrie st -
National Wool Museum
Poster, Geelong and wool 11
One of three posters reproducing sections of a mural painting by Robert Ingpen located in the National Wool Museum, Geelongwool - history textile industry - history wool sales, ingpen, mr robert, geelong, victoria, wool - history, textile industry - history, wool sales -
National Wool Museum
Poster, Geelong and wool 111
One of three posters reproducing sections of a mural painting by Robert Ingpen located in the National Wool Museum, Geelongwool - history textile industry - history, spinning, ingpen, mr robert, geelong, victoria, wool - history, textile industry - history -
Ballarat Tramway Museum
Postcard, Murray Views, "Murray Views No. 3 Moorabool Street Geelong Vic", early 1950s
Postcard produced by Murray View of Gympie, of the corner of Malop and Moorabool Streets Geelong, looking south along Moorabool St. In the distance can be seen two trams. In the view at Solomans, the T&G building, Hookers, Coles, and a set of neon bar traffic lights.Yields information about the view of Moorabool St at Malop St early 1950s.Black and white Postcard divided back, unused. Card No. 3tramways, trams, geelong, moorabool st, malop st -
Ballarat Tramway Museum
Document - Table Cards (Sheets), State Electricity Commission of Victoria (SECV), Geelong Trams Run 129, 1950's
Typed table card or run card, for Geelong Trams Run 129 glued and varnished onto a sheet of three ply timber - plywood. Gives details for the Motorman and Conductor, starting at 125, working Eastern Park and Newtown. Gives meal times, relief and taken by details. Not known when made - 1950's? See also Reg Item 6270 and 8134 for other examples and 8135 for a Bendigo example.trams, tramways, secv, forms, timetables, geelong -
Ballarat Tramway Museum
Document, Launch of restored Geelong tram 2 - 6-2-2022, 1/2/2022
Prepared for the launch of Geelong Tram No. 2 giving details of the program and the tram itself. Has a list of speakers and timing. Launched on 6/2/2022 at Depot Junction.Yields information about the program to launch Geelong No. 2 and the tram itself.Printed A3 sheet, double sided, giving details of the Launch programme 6/2/2022trams, tramways, geelong, tram 2, btm, programmes, program -
Ballarat Tramway Museum
Photograph - Digital Image, Keith Kings, Geelong 28 on depot fan, 21/08/1955
Digital image of a Photograph of SEC Geelong, No 28 on the depot fan, 21/8/1955. Tram showing the destination of "City". Has depot buildings and power station walls in the background. See item 1930 for a black and white version and 426 for another colour image at the same time.Yields information about Geelong 28Digital image of a colour slide - Keith Kings K(a)(57)jtrams, tramways, geelong, depot, tram 28 -
Ballarat Tramway Museum
Map - Public Transport Map - Bus, Ministry of Transport, Ballarat, Bendigo & Geelong, 1977
Set of three maps, c1977 show the bus routes for each of Ballarat, Bendigo and Geelong along with railways. Provides information on each route, summary timetables, who operated the route and places of interest. Published by the Ministry of Transport in conjunction with the Transport Regulation Board, Bus Proprietors Association and VicRail. By comparison with the posters issued at the time of tram closure, can see the changes made to the routes in each city. See item 6813 for Ballarat, 6812 for Geelong, and 6814 for Bendigo.Demonstrates a public transport map published by the Ministry of Transport.Set of three 10 fold maps printed in colour to pocket size.On each map "7/77" in ink.buses, maps, ballarat, bendigo, geelong, timetables, railways -
National Wool Museum
Booklet, With the Compliments of the Directorate of the Geelong Returned Soldiers' Woollen Mills
Commemorative, souvenir booklet of the visit to the RSS Mills by HRH Prince Henry, Duke of Gloucester on Saturday, 3rd November 1934. HRH stayed at 'Ercildoune' at Burrumbeet, Victoria, home of H. Alan Currie, MLC, and a merino stud containing descendents of the historic King George III flock. HRH sheared a sheep during his stay, and the fleece was taken to the RSS Mill where HRH later visited to see it being made into a Royal and Hunting Stewart tartan travelling rug.WITH THE COMPLIMENTS / OF THE DIRECTORATE OF / THE GEELONG RETURNED / SOLDIERS' WOOLLEN MILLS / GEELONG / VICTORIA, AUS., / NOVEMBER, 1934royal visits, textile mills history, merino sheep history, textile mills, returned soldiers and sailors mill, 1918: australians in france - exhibition (19/02/2000 - 30/04/2000), fairnie, mr edward john - returned soldiers and sailors mill schofield, mr albert m.b.e. - returned soldiers and sailors mill currie, hon. h. alan m.l.c., ercildoune stud, burrumbeet, textile mills - history, merino sheep - history -
Ballarat Tramway Museum
Drawing, State Electricity Commission of Victoria (SECV), "Geelong – 7 1/2o left hand frog", 1943
Used in tramway power supply overhead.Yields information about the details of a the point frog used in the overhead in Geelong. Similar equipment used in Ballarat and Bendigo.Blueprint of SEC drawing No. GE-T6-7380 "Geelong – 7 1/2o left-hand frog", dated 31/1/1943. Details of a the point frog used in the overhead in Geelong. Similar equipment used in Ballarat and Bendigo.Has “107” in biro in top right hand corner. Has "Recorded in Drawing" office stamp on rear.overhead, trolley wire, equipment