A black and white photograph of John shay cutting Bob Chisholm's Hairphotograph, charles (john) shay

Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930InterwarGift of J. Brackenreg, Artarmon Galleries, 1979Drawing of head with short hair, neck and shoulders. Black timber frame.Recto: Signed, titled and dated "G.W.Lambert / J.W.L. McHugh – April 28th / 1925" in grey pencil across lower centre of composition.drawing, portrait, face, man

Ladies Decorative Hair Clip. Two decorative ovals Gold Colouredstawell

CLOTHES BRUSH WITH CREAM HORSE HAIR WITH SILVER BACK EMBOSSED WITH DRAGONlocal history, domestic items, cleaning, clothes brush

Meta Hair Clippers in as new condition. Metal two handles and blade

Metal hair curling tongs- Double handle with etching and 2 prongspersonal effects-toilet requisites, hairdressing

Metal tongs with two prongs and two handles. Used for curling hair.Marcel 9costume accessories, hair accessories

Cliff Booth second generation winemaker and owner of Booth's Taminick Cellars.This property has been owned by the Booth family since 1904Black and white photograph of a silver haired man standing in the doorway of a winery.On back of photo: "S/S [upper case D in small circle] Booth Bros."wineries, north east victoria, wine industry, booth brothers, cliff booth, taminick, glenrowan

Black and white professional photograph of a dark-haired woman in service uniformtill dress and clothing uniforms

Seated female nude with blonde hair in landscape with male nude and owl. Signed (L.r) 'Clifton '85'clifton pugh, painting, female nude, dunmoochin, owl, male nude

Portrait of a female head with dark hair and large eyes on particle board. Signed and dated (U.r.c) 'Rankin 84'. david rankin, painting, portrait, female head

Portrait of a heavily pregnant female nude with dark hair with a vase of flowers.Signed and dated lower right 'Clifton 19 May '82'. Inscribed on reverse in chalk 'No. S1'.cliftong pugh, painting, female nude, flowers

Deborah KLEIN (1951- ) Born Melbourne, Victorian Deborah Klein grew up in the inner southern suburb of St. Kilda and lived and worked in London from 1973 - 1980. The experience of living in both of these places was to have a significant and enduring influence on her work. She gained degree and post degree qualifications from Chisholm Institute of Technology, Melbourne and Gippsland College of Advanced Education, and a Research MA from Monash University, Gippsland. Since 1988 Deborah Klein has held regular solo exhibitions and participated in group exhibitions in Australia and internationally. Her work is represented in public and university museum collections throughout Australia. This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed, handcoloured linocut depicting a butterly with a female head with braided hair.Edition 2/36artist, artwork, deborah klein, klein, butterfly, insect, animal, printmaking, linocut, parallel prints, alumni

William Ching and his wife Mary migrated from Cornwall to Victoria in 1853. They lived at Buninyong and Geelong before buying farm land at Linton/Happy Valley. The Ching farm was known as 'Ophir Farm'. William Ching died 1917 at Linton age 89. His wife Mary Ching died 1894 age 64 at Linton. William, Mary, and their children Francis William Ching, Mary Ann Ching, and Godiva Marion Ching are all buried at Linton cemetery. Photograph is part of Old Lintonian collection ; No. 23 Sepia photograph of and old white haired bearded man wearing suit.mr william ching snr., old lintonian collection, mary ching

The Keith Wingrove Trust conducts a competition among Australian artists, graphic designers and students for the production of Ex Libris Bookplates. The competition is called The Australian Bookplate Design Award. The purpose of the competition is to increase interest in and to attract publicity to the artistic value of bookplates. Although the competition is referred to as 'Australian' there is a category of award open to International artists. This bookplate was part of the 2013 Australian Bookplate Award. Gift of the Keith Wingrove Memorial Trust, 2015 Framed ex libris bookplate featuring a woman with long flowing hair. 1/3artist, artwork, bookplate, framed bookplate, poschetto, emmah poschetto, keith wingrove memorial trust

Black and white copy of original portrait of a man wearing a white shirt with black bow tied at the neck and a lighter coloured jacket. His hair is slicked back, and he has light facial hair.robert allen linton

Three hair nets in their original packets. Two are in green packets with orange printing and a black silhouette of a womans head on the left hand side. One is Shade 2 Dark Brown; Black one is Shade 3 - Grey and White Hair; the third net is in a cream envelope with photo of woman's head and hair. The 'Ideal' cap net - mid brown.personal effects-toilet requisites, hairdressing

The vanity set was owned by a local woman who lived in the Harbour Master's house at Warrnambool after it was decommissioned. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House, a business in Timor St (and later Liebig St) from 1876. The vanity set is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Timor and later Liebig St Warrnambool, where it most likely came from. A pewter (or possibly silver-plated) three-piece vanity set that includes a hand mirror, hair brush and comb. All pieces feature a beautiful ornate moulded rose/flower design on the back, handles and edge of the comb. The hair brush no longer has bristles and is purely ornamental. The comb teeth and hair brush insert are most likely made of celluloid.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, hand mirror, brush, comb, pewter, celluloid, silver plate, toilet set, harbours master's house, staffordshire house, hair brush, hairbrush

Before plastic became commonplace in the 1950's dolls were typically made of this material which comprised a "combination" of sawdust and wood dust and glue which was then moulded in the required shape then painted and varnished. The head, arms and legs are made of this material. The body is stuffing covered in a cotton fabric.This doll has eyes that open and close and her teeth are visible and has a crying mechanism in the back. Her hair is possibly mohair and shoes are a synthetic material with metal buckles. The main enemy of composite material is water.It was a common practice for a girl to be given a doll and numerous outfits would be home made by mothers and grandmothers. This doll came to us with the name "Shirley" so possibly a Shirley Temple doll which were popular at the time.Dolls were a common child's toy and as such has strong social significance. This is a composition doll from the 1940's. It has composite arms and legs and face. Facial features are painted on and the teeth are moulded and white. Eyes are blue and open and close on moving the doll. The hair is light brown with curls and she wears pink Mary Jane style shoes. A crying mechanism is inserted in the body of the doll. The face has multiple crazed markings. composition doll, shirley doll, warrnambool, 1940's doll

Black and white photograph taken at night of four little girls sitting on the ground dressed up. Identified are June Fish with bow in hair and Dorothy Jemmeson with dark hair holding a doll. Lakes Entrance Victoria genealogy, fashion

seated Japanese doll in traditional costume holding fan with red bow in hair"PMA 0120"

Pin for hair, plastic decorative with inlaid glass diamonds. Has hinge clip.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Photo of Nic Cua who was, after the formation of the Tatura Historical Society, the first former internee to return from the U.K. to visit the Camp 2 site. Now deceased.Head and shoulders sepia photo of man with collar and tie, neatly combed hair.On back of photo- Nicola Cua; 6 Shirley Heights; Shirley Road; Wallington. SMG 9QD Surrey. 01 647 2719.camp 2, italian internee, "dunera", "arandora star", photography, photograph, slides, film

Huttley MartinB/W: Portrait of young Woman with curly hair in flower patterned dress.with all my love Madge ( Madge Huttley)huttley, martin

Ten Junior footballers on back of truck. Noddy Patton is one with Blonde Hairmaldon junior football club, maldon easter fair

Black and white photograph of a man cutting Alwyn Till's hair. Bicycle in background.till, alwyn

Mr Edmund Holt From 1913 he and his wife made their home at 9 Beatrice Avenue. Both were involved with the Methodist Church and its activities. Mr Holt was a railways officer and retired while in charge of the Stores Branch at the Newport Workshops where the workload was vastly increased because of wartime demands for increased production as well as necessary maintenance. He died 1945. A black and white photograph of a man, dressed in a waistcoat, shirt and tie, and not much hair.(mr) edmund holt, methodist church, surrey hills, railways officer, beatrice avenue, choir member, liedertafel choir