Built by John Bournane, Rockingham had a number of occupants before the newspaper magnate David Syme purchased it in 1902. The house in the 1860s and ‘70s was comprised of nine rooms, and was surrounded by a veranda on the front and sides. It was approached from the Kew road by the curve in front of the Hon. S.G. Henty’s mansion of ‘Findon’.In 1955, the Syme family sold Rockingham to the Red Cross Society to be used as a convalescent home for returned servicemen. The house was sold, demolished, and the land subdivided in 1966.An early panoramic photograph of an early Kew mansion (now demolished), dating from the 1870s.A rare, panoramic photograph (c.1870) of the garden of ‘Rockingham’, during the occupation of the house by W. Gardiner Esq. Rockingham was located beside and above the Barkers Road cutting. The view of the garden in the photograph is of the terraces leading down to the Yarra River. At the time the photograph was taken, the property covered an area of “…nine acres of beautifully laid-out grounds, interspersed with numerous terraces leading down the sloping bank of the river”.rockingham, david syme, kew

Anlaby’s sheep are born, bred and shorn at their farm located in South Australia. The wool is then scoured at Michels in Adelaide, combed and turned into Tops at Cashmere Connections in Bacchus Marsh, and then Spun and Woven at a historic mill in Scotland named Johnstons of Elgin. Sewing is completed by artisan seamstresses and packaging is from a local Adelaide family business. Established in 1839 just North of the Barossa Valley in South Australia, Anlaby is the oldest continuing merino sheep stud on mainland Australia. Fredrick Dutton employed Alexander Buchannan to bring sheep to the buoyant market in Adelaide from Goulburn NSW. Several others speculated on possible successes, including Buchannan and a flock of 18,000 sheep were walked overland. The trek took nine months. During this time the Adelaide market prices had collapsed. Having found land with a spring of sweet water, Dutton decided to keep his flock of 5,000 stud sheep and purchased a small parcel of land that is now called Anlaby. The property prospered and Buchannan was employed as manager for the next 25 years. At its height Anlaby covered 250sq miles – 160,000 acres and employed 70 men. The first bale of wool from South Australia to be auctioned in London came from Anlaby. The Anlaby stud also provided the foundation ewes for the well-known Bungaree merino stud in 1841. With prosperity came a large house and gardens for Buchannan in 1861. Anlaby was inherited by Henry Dutton from his uncle in 1895. Squire Dutton, as he was known, continued to grow the family’s fortunes and spent his money expanding the grand home and creating a magnificent 10-acre garden. Today the Anlaby merino stud continues and both the house and garden are undergoing significant restorations. Wool continues to be one of the most important elements at Anlaby. It was the source of great wealth in the past and is now directly tied into Anlaby’s future. Anlaby makes beautiful woollen scarves, lady’s wraps, exquisite throws and small range of baby blankets. From the moment a lamb is conceived and through its entire lifecycle Anlaby look after nutrition and quality of life. Twice a year the sheep are shorn and the wool using minimal treatment is washed, combed, spun and woven into the Anlaby product range. This attention to detail results in the buttery softness distinctive of the exclusive woollen range.Throw came with packaging and information card which reads ANLABY in large capital lettering at the top and bottom of either side of card. Throw is white with green edging of 15cm on two edges. Within this edging is the sewing of a tree in white.Wording: ANLABY Pure Anlaby Merino Wool Oldest merino stud on mainland Australia Made in Australia Card. Wording: ANLABY Certificate of Authentication THIS CERTIFICATE AUTHENTICATES THE PRODUCT TO BE 100% AUSTRALIAN AND MADE FROM PURE MERINO WOOL PRODUCED EXCLUSIVELY AT THE ANLABY MERINO STUD IN SOUTH AUSTRALIA THE ANLABY FLOCK (REGISTERED NUMBER 102) IS THE OLDEST CONTINUOSLY OPERATING MERINO STUD IN MAINLAND AUSTRALIA. THE MERINO FLOCK AT ANLABY MAINTAINS A GENETIC LINE STARTED IN 1839 THIS PRODUCT IS PART OF THE LIMMITED EDITION RANGE PRODUCED AT ANLABY. IN 2014 WE CELEBRATED ANLABY’S 175TH ANNIVERSAY ANLABY Reverse. Wording: ANLABY PURE NATURAL WOOL THE SHEEP GRAZE AMONGST THE GUM TREES ON THE ROLLING HILLS OF ANLABY. ANLABY SHEEP ARE CHARACTERISTICALLY BIG BODDIED AND BRED TO FLOURISH IN THE WARM AUSTRALIAN CLIMATE. OUR WOOL IS MINIMALLY TREATED AND THE PRODUCTS ARE MADE IN SMALL RUNS UNDER THE PERSONAL SUPERVISION OF THE OWNERS. WE BELIEVE IN SUSTAINABLE AND RESPONSIBLE FARMING AND MILLING PRACTICES. THE ATTENTION TO DETAIL RESULTS IN THE BUTTERY SOFTNESS DISTINCTIVE OF THIS EXCLUSIVE WOOLLEN PRODUCT. WITH CARE THIS IS A TREASURED ITEM FOR THE NEXT GENERATION. ANLABY www.anlaby.com.auwool, merino sheep, south australia, wool processing, wool processing textile finishing

This artwork was found among items associated with the Ballarat School of Mines. Although its purpose remains unknown, it was possibly painted by a staff member or student for use on Wattle Day. Wattle Day originated in October 1889 by the Wattle Blossom League, and was associated with the Australian Natives Association during the lead up to the Federation of Australian States. The first 'national' Wattle Day was celebrated on 1 September 1910. Early Wattle Days involved planting wattle trees in school grounds, street decorations of wattle blossom, and wearing sprigs of wattle. As public support for Wattle Day peaked, World War I broke out. Wattle took on a new significance during the war years, symbolising home for military personnel serving overseas. Beautifully designed Wattle Day badges, as well as wattle sprigs, were sold as a means of raising money for organisations such as the Red Cross. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.The Australian coat of arms with wattle, painted onto canvas.art, artwork, emu, kangaroo, crest, advance australia, wattle day, wattle, coat of arms, patriotic, australian coar of arms, national symbol

Decoration in the home of Mr W. HarrisA beautiful illustration of the s.s.Casino an iconic ship on the Western Seaboard for almost 50 years.Watercolour painting of "S.S.Casino" with inscription underneathG.F.G.?82 "The Belfast and Koroit Steam Navigation Co's S.S."Casino" 425 tonslocal history, illustrations, watercolours, belfast and koroit steam navigation company

A rare photograph showing 3 beautiful buildings owned by 3 prominent people in Port Fairy The central building (Cooinda) no longer exists as it was the wish of the last owner that it be demolished after she passed away.Rare photograph of all three prominent houses the central building having been demolished.Black and white photograph of 3 buildings on hill South west of Port FairyCOOINDA capital letters on front of photograph mount PORT FAIRYbuilding, home, house, cooinda

John Goold double Premiership PlayerA scrap Book dedicated to twice Premiership Player 1968 - 1970 John Goold Career : 1963 - 1970 Debut : Round 7, 1963 vs Footscray, aged 21 years, 338 days Carlton Player No. 754 Games : 108 Goals : 3 Last Game : Grand Final, 1970 vs Collingwood, aged 29 years, 90 days Guernsey No. 11 Height : 184 cm (6 ft ½ in.) Weight : 76 kg (12 stone, 0 lbs.) DOB : June 27, 1941 Premiership Player 1968, 1970 Carlton Hall of Fame All Australian 1966 A brilliant, flamboyant, two-time Premiership player for Carlton during the Barassi years in the ‘swingin’ sixties,’ John William Crosbie Goold became almost as famous for his dapper appearance off the field, as for his exploits on it. At the height of his football career, he was also a prominent ladies fashion designer – which led to him being dubbed ‘Mr Elegance’ by leading football commentator Lou Richards. Supporters and team-mates however, called him ‘Rags’ or ‘Ragsy,’ because of his involvement in the clothing, or ‘rag’ trade. Goold first came under notice as an outstanding junior athlete at Melbourne Grammar School. A true all-round sportsman, he shone at tennis, athletics, football and cricket. He was also a keen horseman who loved the game of polo and the rough and tumble of fox hunting. While at school he was a fervent Melbourne supporter, but strangely, never had much confidence in his football ability. “If I thought I was good enough, I would certainly have gone to Melbourne,” he said many years later. “But I honestly didn’t think I would ever amount to anything in this game. Cricket and tennis were the games that really interested me.’ However, after graduating from MGS, Goold went home to Healesville to star in the Bloods’ 1962 Yarra Valley Football Association Premiership team – an achievement that brought tempting offers from more than one VFL club. “Incentives were offered elsewhere,” he recalled, “but I gravitated to Carlton – partly because the deep blue of their guernsey attracted me, but mostly because of the good advice I got from people who even then were longsighted enough to predict that big things were ahead for this club.” The Blues were confident enough in Goold’s potential to offer him the guernsey number 11 previously worn with distinction by the likes of Jack Hale, Jim Knight, Ron Hines and Laurie Kerr, and his first senior game came in round 7, 1963 against Footscray at the Western Oval. He played on a half-forward flank alongside Brownlow Medallists Gordon Collis and John James on that Saturday afternoon, and kicked his first career goal in an 8-point win. Little did he know though, that it would be another six seasons before he would again experience the thrill of sending a football spinning between the big posts, because his future lay in defence. By his own admission, Goold struggled to find his feet in VFL football during his first two seasons, until the shock appointment of Ron Barassi as captain-coach of Carlton in 1965 began steering his career back on track. “I think you could say that 1965 was my first year of League football,” he said, “That’s the way I felt - that’s the way I reacted to Barassi.” Under Barassi, Goold rapidly developed into a superb running half-back flanker. Tenacious, and an often freakish high mark, he was unmistakable on the field thanks to his mane of dark hair, his loping running style and somewhat awkward kicking action. Furthermore, he had boundless courage. There is no doubt that he would have played many more games had he not been regularly pole-axed under the high ball – a fact he later freely admitted. “I was always getting knocked out,” he said, “and spent half my bloody time in hospital.” In the second half of 1965, an injury to centre half-back Gordon Collis forced Barassi to use Goold in the key defensive post. While it curtailed his rebounding instincts somewhat, ‘Ragsy’ rose to the challenge and rarely lowered his colours. Testament to his improvement, he finished third behind John Nicholls and Sergio Silvagni in Carlton’s 1965 Best and Fairest award, and followed up by being selected in the Victorian team for the 1966 Hobart Carnival. There, he had a superb series in which he was runner-up to West Australian Barry Cable in voting for the Tassie Medal, and capped it off by being named on a half-back flank in the All Australian team. Barassi’s influence at Carlton bore fruit in his third year, when the Blues returned to finals football at last. Richmond, Carlton, Geelong and Collingwood fought out the 1967 Premiership, and Ragsy Goold won the hearts of the Carlton faithful with two lion-hearted performances. Although Carlton was knocked out of contention by successive losses to Richmond and Geelong, Goold was tireless throughout both games, and it was obvious that he thrived on the added pressure of finals football. Precisely twelve months later, the bitter taste of those defeats was washed away when Barassi’s Blues edged out Essendon by 3 points in the 1968 Grand Final, and ended 21 years of despair at Princes Park. To win Carlton’s ninth VFL flag, the Blues had had to defeat the minor premier Bombers twice during the finals – and did so, thanks to a watertight defence led by Goold, and a dominant ruck division headed by John Nicholls. In round 5, 1969, Carlton hosted South Melbourne at Princes Park in a match significant for a number of reasons. As he regularly did, Ron Barassi swung his team around prior to the opening bounce, and Goold found himself in the unaccustomed role of ruck-rover. While the Blues set about establishing a good break on the scoreboard, Ragsy relished the freedom to kick two first half goals - his first majors for 78 games. Just before half-time however, he was flattened in a pack, concussed again, and replaced during the long break by Barry Gill. Alex Jesaulenko was substituted at the same time – by a shy, ambitious youngster named Bruce Doull, making his senior debut for Carlton in guernsey number 4. In September, 1969 the Navy Blues began their third straight finals campaign with an impressive 6-goal Semi Final win over Collingwood in front of more than 108,000 fans at the MCG. A fortnight later, Richmond stunned the flag favourites with a withering last quarter in the Grand Final, and knocked Carlton out of the Premiership race again at the last hurdle. Half-way through the year, Carlton's club doctor discovered that Goold had been playing with shin splints in both of his lower legs. The pain they caused was considerable, but Ragsy soldiered on and held down centre half-back throughout the season. John Goold’s VFL career at Carlton culminated in the fabled 1970 Grand Final triumph over Collingwood. What is not so well known is that Ragsy was only cleared to play in that game on the morning of the match. After narrowly losing to Collingwood in the second Semi Final, the Navy Blues destroyed St Kilda by 62 points in the Preliminary Final, and earned another shot at the Magpies in the decider. But one of Carlton’s problems was that Goold had been kicked on a shin against St Kilda, causing a burst blood vessel and serious swelling. Despite the best efforts of the club medical staff, Ragsy had only a slim chance of playing in the Grand Final right up until game day, when his worried coach reluctantly allowed him to take his place in the side. Later, Barassi justified his decision by saying that in his opinion, a less than fully fit Goold was still worth his place in the team. By half time in the Grand Final however, he was probably questioning that judgement - because Carlton had been totally outplayed, and trailed an impressive, cohesive Collingwood by 44 points. Therefore, Carlton’s magnificent comeback – orchestrated by Barassi, and sparked by the fairytale exploits of 19th man Ted Hopkins – is one of the greatest of all football stories. Against enormous odds, the Navy Blues fought their way back into the contest, and eventually, rolled over the top of the frantic Magpies to snatch victory by 10 points in the last few minutes of the match. Hopkins ended up with four goals, Barassi was hailed a genius, and Ragsy Goold was carted off to hospital immediately after the game to have further urgent treatment. While there, he decided that there was no better time to end his VFL career – especially because his burgeoning business interests were demanding more and more of his time. In the years after his football career ended, John Goold created a remarkably successful business empire. In 1971 he sold his fashion label and took up farming at Mortlake in western Victoria, where he coached the local football team for three seasons. Later, he formed a diversified pastoral company, and purchased a magnificent complex called Ballangeich Run at nearby Ellerslie. While his passion for farming and livestock grew, he began breeding top quality polo ponies, and represented Australia in international competition. During the 1997 and 1998 seasons, John's son Ed Goold played reserve grade football for Carlton. MEMORIES.... Ragsy Goold; the name stirs memories form my long ago childhood. Ragsy, with his unique kicking style, where he'd hold the ball (always a drop punt - in a time when the drop kick and the torpedo punt still reigned supreme) at the point of the ball, elbows bent and he'd lavishly drop the ball, his right arm then flinging back and up dramatically. That was the thing about Ragsy (so named because he worked in the clothing, or 'rag' trade), he was always dramatic. He always ensured his ankle guards and wrist guard were glowing white to match the great white CFC monogram he wore proudly on his chest, and with his long flowing locks, cut a dynamic figure through a young boy's mind. Ragsy was my idol. I loved his dashes from half back, his long accurate drop punts, most of all I loved his flair for the game. Ragsy played the game as an entertainer as well as a sportsman - he leapt high to punch or mark, and always seemed to have a bit of the thoroughbred about him - which is probably why after he retired, he took up fox chasing, polo, and riding his beloved thoroughbreds across the paddocks and over the fences of his property, I think he may have even represented Australia at the sport – really, that’s sort of how he played as a footballer. All sinewy muscle, long legs and famous leaps for the saving punch. Ragsy was part of the great backline that helped revive Carlton's fortunes. Legendary players Wes Lofts, Ian Collins, Kevin 'Racehorse' Hall, Vinnie Waite among them. All great teams have a great defence and the defence that Ragsy was an integral part of was no different. Where others provided the biffo, the muscle or the defensive pressure, Ragsy provided the dash, the flair, the sense of adventure that all great backlines must have. AND MORE.... I have had many favourite players while following the Blues, but there will always be a special spot for Ragsy Goold - running the lines, all long hair and flashing white guards. As a young man I moved to Carlton and began acting in a place called one-c-one. One night after a play, I was walking home. It was winter, and I was wearing my favouritte overcoat, a genuine ankle length tweed affair I had picked up in an Op Shop in Oakleigh for three dollars. As I strutted across Lygon Street, a deep male voice behind me called, 'hey laddie, how much for the overcoat?' I turned, and there was my childhood idol, Ragsy Goold, two beautiful women in tow, smiling and waiting for my answer. I loved that coat too much to part with it, even to Ragsy, so I shook my head - and he smiled, then walked off. I stood for a moment in the middle of the street shaking my head in disbelief. Ragsy bloody Goold had just offered to buy my overcoat! I knew at that point, as a young man of about twenty three, that life was going to be full of surprises and very entertaining - a bit like John ‘Ragsy’ Goold. ONE MORE.... A cold, wet day in the mid 1960's at the MCG and Victoria were playing South Australia (?) The ball that day was like a piece of soap, with players finding it impossible to mark. Just before half time a long kick sailed toward the mud heap that was the centre of the ground, and the pack rose to meet it. From this group of players an arm shot straight up, and the ball instantly came to a dead stop. The footy stuck in the player's palm as if the hand was coated in Tarzan's Grip. After all these years, it's the only recollection I have of that match, and that player was 'Mr. Elegance' John Goold. HUMOROUS HUNGRY.... Former opponent Richmond's Kevin Bartlett on Radio SEN in 2012 received a phone call from John. After the call Kevin told his listeners how "Mr Elegance" would always be dressed in a nice suit, shirt-tie and highly polished shoes. He then cracked a joke saying something like; "You know, John was so 'posh' that he used to play football wearing a cravat!" Milestones 50 Games: Round 15, 1967 vs Melbourne 100 Games: Round 13, 1970 vs Geelong Career Highlights 1965 - Percy Bentley Trophy - 3rd Best & Fairest 1966 - 5th Best & Fairest 1967 - Maurie Sankey Memorial Trophy - 4th Best & Fairest (on count back) 1968 - Premiership Player 1970 - 7th Best & Fairest 1970 - Premiership PlayerFoolscap Scrap Book

Black and white photocopies of articles and information about the first Blamey House owned by Legacy between 1947 and 1956. It includes articles about the opening in November 1949 with Sir Thomas Blamey in attendance. It shows the property was described as "a home, a huge rambling weatherboard house with a swimming pool, flood-lit tennis court, and four acres of beautifully kept lawns and gardens." The title deed was handed over to Legacy by Sir Robert Knox, the chairman of trustees of Blamey House, Melbourne (the servicemen hostel that had been operating during the war). Other pages show the property had been built in 1930 as a holiday home for Toorak business man Mr Arthur Jack and his wife Ms Langlands-Jack. It was sold to James Picken by 1941 and it was known as 'Mossgiel'. The Pickens remained owners until 1947 when it was purchased on behalf of Legacy with money donated by the Blamey House Trustees (the servicemen hostel that operated during the war) to be used as a toddlers and childrens' home. When Legacy no longer required the property it was sold to the Beaumaris RSL (or it's precursor RSSALIA) as its clubrooms. There was controversy in 2015 when it was sold to developers for housing. The pages were copied from items held by Sandringham and District Historical Society in February 2022.Records different facts about the property that was Blamey House Beaumaris that could be useful even though there are discrepancies with other known facts about Blamey House (the Hostel) trustees donation to Legacy.Black and white A4 photocopy x 20 pages of collected information about the property in Beaumaris before and after it was held by Legacy.blamey house, beaumaris, properties

These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections

Finalist Robert Klein-Boonschate in the ANL Maritime Art Prize 2003 Biography: (https://www.artpartners.com.au/robert-kleinboonschate/) Born in The Netherlands, Robert migrated to Tallangatta, Australia with his family in 1971. Robert completed a degree in Graphic Art at Swinburne College and settled into Melbourne for the next seven years as a professional artist and art facilitator. Robert moved to Mparntwe (Alice Springs) in the 1980’s where he worked closely with Arrernte Peoples for the next 12 years. Robert’s beautiful landscapes reflect the influence of Arrernte artist Albert Namatjira and his love of the Australian landscape reflects his experiences with the Arrernte Peoples and their connection to ‘Country’. Robert opened the art studio located at his home in Alice Springs to Arrernte, Luritja, Warlpiri & Pintupi artists and worked alongside such artists as Johnny Warrangkula Tjupurrula. Robert helped to facilitate Johnny’s later body of work by constructing special brushes which could be used by Johnny after breaking his wrist. Robert has returned to NSW and now lives in Walla Walla surrounded by the rugged natural landscapes of Australia.Large scale Oil on Belgian Linen depicting dockside and ships.docks, waterside, maritime art, robert klein-boonschate, artwork-paintings, maritime art prize, anl

Published in 1940Booklet, green cover 'Fairy Waxflower' by Tui Ryland. Booklet is enclosed in a brown envelope, addressed to Mrs Chancellor, Panton Street, Golden Square. Written on outside of envelope ' Fairy Waxflower by Tui Ryland, 3 B.O. Member from New Zealand' Dedication on first page reads ' this little booklet is dedicated to my many friends in Bendigo, especially to the Members of the 3 B.O Home Forum for their kindness to me during my long illness. I trust this little story of your beautiful Waxflower will give you some pleasure. Sincerely thanking you all. Tui Ryland Card enclosed in booklet reads' with the compliments of Tui Ryland, 273 McCrae Street, Bendigo.'

In 1872 membes of the Jesuits purchased land in Walpole Street. Three years later, on 14 Februrary 1875, Archbishop Gould laid a foundation stone for a school. By 1899 the land for the current church was purchased after mining speculator and Mt Lyell 'Copper King' James Crotty donated 3,000.00 pounds. The foundation stone was laid on 15 December 1918 by Archbishop Mannix. The cost of constructing the domed church was 15,000.00 pounds. A Fincham and Sons organ was installed in 1927, and refurbished in 1977. NEW PRESBYTERY AT KEW. Plans have been prepared by Mr. R. Harper, architect and builder, for the erection of a new presbytery for the Rev. P. Rafferty, adjoining the Sacred Heart Church, Cotham-road, Kew. The new building, which will be in brick and of two stories, will be behind the present priests' residence, which will continue to be used until the new presbytery is completed. The cost will be £6000, and the work will be begun almost immediately. The old presbytery was purchased many years ago by the late Rev. Fr. P. O'Donohue from the late Mr. Smart for £3000, and the full amount of the purchase money was donated by the late Mr. James Crotty. At different times additions were made to the building, but the small rooms made it altogether unsuitable as a residence for three priests, and made remodelling impracticable. The new presbytery will be in keeping with the Church of the Sacred Heart and the surroundings on the elevated site. At one time the old Sacred Heart Church was in Walpole-street, Kew. (The Advocate, 09 December 1937) The whole of the estate of the late Jas. Crotty has now been realised ex cepting 4000 shares in the Mount Lyell Company and a small parcel of general mining shares. All the debts and legacies, including £10,000 to St. Patrick's and £3300 to the testator's parish church at Kew, and also probate duty, have been paid. On present values the Mount Lyell shares. are worth a total of £37,000, and at the present rate of dividends the return represents an income of about £2000 per annum. Over and above this there is a sum of between £20,000 and £30,000 available for investment, and this, together with the dividends brings the income of the estate up to about £3000 per annum. A sum of £1100 per annum will be absorbed in annuities under the terms of the will. Whatever amount is realised beyond the sum necessary to pay the annuities goes to Archbishop Carr for the church and charitable purposes until the death of the last annuitant, when the resi duary estate will be divided between the Little Sisters of the Poor (North cote) and St. Joseph's Home (Surrey Hills). (Launceston Examiner, 18 July 1899) Sunday last being the anniversary of tire opening of the Sacred Heart Church, Kew, the pastor, Rev. Fr. Manly, made a special appeal at the various Masses. The beautiful design for marble altar for the Lady Chapel, which is on view in the vestibule, continues to attract attention. The Children of Mary Sodality have kindly undertaken to provide it, and the president, Miss Frances O'Sulliv!an, 43 Rideway-avenue, Kew, will be pleased to receive and acknow r ledge subscriptions from clients of Our Lady. They may also be placed in box near Lady Altar. (The Advocate, 06 December 1923)Colour photograph of a brick church in Kew called Sacred Heart.kew, sacred heart, catholic church

In 1872 membes of the Jesuits purchased land in Walpole Street. Three years later, on 14 Februrary 1875, Archbishop Gould laid a foundation stone for a school. By 1899 the land for the current church was purchased after mining speculator and Mt Lyell 'Copper King' James Crotty donated 3,000.00 pounds. The foundation stone was laid on 15 December 1918 by Archbishop Mannix. The cost of constructing the domed church was 15,000.00 pounds. A Fincham and Sons organ was installed in 1927, and refurbished in 1977. NEW PRESBYTERY AT KEW. Plans have been prepared by Mr. R. Harper, architect and builder, for the erection of a new presbytery for the Rev. P. Rafferty, adjoining the Sacred Heart Church, Cotham-road, Kew. The new building, which will be in brick and of two stories, will be behind the present priests' residence, which will continue to be used until the new presbytery is completed. The cost will be £6000, and the work will be begun almost immediately. The old presbytery was purchased many years ago by the late Rev. Fr. P. O'Donohue from the late Mr. Smart for £3000, and the full amount of the purchase money was donated by the late Mr. James Crotty. At different times additions were made to the building, but the small rooms made it altogether unsuitable as a residence for three priests, and made remodelling impracticable. The new presbytery will be in keeping with the Church of the Sacred Heart and the surroundings on the elevated site. At one time the old Sacred Heart Church was in Walpole-street, Kew. (The Advocate, 09 December 1937) The whole of the estate of the late Jas. Crotty has now been realised ex cepting 4000 shares in the Mount Lyell Company and a small parcel of general mining shares. All the debts and legacies, including £10,000 to St. Patrick's and £3300 to the testator's parish church at Kew, and also probate duty, have been paid. On present values the Mount Lyell shares. are worth a total of £37,000, and at the present rate of dividends the return represents an income of about £2000 per annum. Over and above this there is a sum of between £20,000 and £30,000 available for investment, and this, together with the dividends brings the income of the estate up to about £3000 per annum. A sum of £1100 per annum will be absorbed in annuities under the terms of the will. Whatever amount is realised beyond the sum necessary to pay the annuities goes to Archbishop Carr for the church and charitable purposes until the death of the last annuitant, when the resi duary estate will be divided between the Little Sisters of the Poor (North cote) and St. Joseph's Home (Surrey Hills). (Launceston Examiner, 18 July 1899) Sunday last being the anniversary of tire opening of the Sacred Heart Church, Kew, the pastor, Rev. Fr. Manly, made a special appeal at the various Masses. The beautiful design for marble altar for the Lady Chapel, which is on view in the vestibule, continues to attract attention. The Children of Mary Sodality have kindly undertaken to provide it, and the president, Miss Frances O'Sulliv!an, 43 Rideway-avenue, Kew, will be pleased to receive and acknow r ledge subscriptions from clients of Our Lady. They may also be placed in box near Lady Altar. (The Advocate, 06 December 1923)Panorama of the interior of Sacred Heart Catholic Church Kew. sacred heart, kew, catholic church

In 1872 membes of the Jesuits purchased land in Walpole Street. Three years later, on 14 Februrary 1875, Archbishop Gould laid a foundation stone for a school. By 1899 the land for the current church was purchased after mining speculator and Mt Lyell 'Copper King' James Crotty donated 3,000.00 pounds. The foundation stone was laid on 15 December 1918 by Archbishop Mannix. The cost of constructing the domed church was 15,000.00 pounds. A Fincham and Sons organ was installed in 1927, and refurbished in 1977. NEW PRESBYTERY AT KEW. Plans have been prepared by Mr. R. Harper, architect and builder, for the erection of a new presbytery for the Rev. P. Rafferty, adjoining the Sacred Heart Church, Cotham-road, Kew. The new building, which will be in brick and of two stories, will be behind the present priests' residence, which will continue to be used until the new presbytery is completed. The cost will be £6000, and the work will be begun almost immediately. The old presbytery was purchased many years ago by the late Rev. Fr. P. O'Donohue from the late Mr. Smart for £3000, and the full amount of the purchase money was donated by the late Mr. James Crotty. At different times additions were made to the building, but the small rooms made it altogether unsuitable as a residence for three priests, and made remodelling impracticable. The new presbytery will be in keeping with the Church of the Sacred Heart and the surroundings on the elevated site. At one time the old Sacred Heart Church was in Walpole-street, Kew. (The Advocate, 09 December 1937) The whole of the estate of the late Jas. Crotty has now been realised ex cepting 4000 shares in the Mount Lyell Company and a small parcel of general mining shares. All the debts and legacies, including £10,000 to St. Patrick's and £3300 to the testator's parish church at Kew, and also probate duty, have been paid. On present values the Mount Lyell shares. are worth a total of £37,000, and at the present rate of dividends the return represents an income of about £2000 per annum. Over and above this there is a sum of between £20,000 and £30,000 available for investment, and this, together with the dividends brings the income of the estate up to about £3000 per annum. A sum of £1100 per annum will be absorbed in annuities under the terms of the will. Whatever amount is realised beyond the sum necessary to pay the annuities goes to Archbishop Carr for the church and charitable purposes until the death of the last annuitant, when the resi duary estate will be divided between the Little Sisters of the Poor (North cote) and St. Joseph's Home (Surrey Hills). (Launceston Examiner, 18 July 1899) Sunday last being the anniversary of tire opening of the Sacred Heart Church, Kew, the pastor, Rev. Fr. Manly, made a special appeal at the various Masses. The beautiful design for marble altar for the Lady Chapel, which is on view in the vestibule, continues to attract attention. The Children of Mary Sodality have kindly undertaken to provide it, and the president, Miss Frances O'Sulliv!an, 43 Rideway-avenue, Kew, will be pleased to receive and acknow r ledge subscriptions from clients of Our Lady. They may also be placed in box near Lady Altar. (The Advocate, 06 December 1923)Colour photographs of the interior and exterior of Sacred Heart Catholic Church, Kew. sacred heart kew, church, kew

In 1872 members of the Jesuits purchased land in Walpole Street. Three years later, on 14 Februrary 1875, Archbishop Gould laid a foundation stone for a school. By 1899 the land for the current church was purchased after mining speculator and Mt Lyell 'Copper King' James Crotty donated 3,000.00 pounds. The foundation stone was laid on 15 December 1918 by Archbishop Daniel Mannix. The cost of constructing the domed church was 15,000.00 pounds. A Fincham and Sons organ was installed in 1927, and refurbished in 1977. NEW PRESBYTERY AT KEW. Plans have been prepared by Mr. R. Harper, architect and builder, for the erection of a new presbytery for the Rev. P. Rafferty, adjoining the Sacred Heart Church, Cotham-road, Kew. The new building, which will be in brick and of two stories, will be behind the present priests' residence, which will continue to be used until the new presbytery is completed. The cost will be £6000, and the work will be begun almost immediately. The old presbytery was purchased many years ago by the late Rev. Fr. P. O'Donohue from the late Mr. Smart for £3000, and the full amount of the purchase money was donated by the late Mr. James Crotty. At different times additions were made to the building, but the small rooms made it altogether unsuitable as a residence for three priests, and made remodelling impracticable. The new presbytery will be in keeping with the Church of the Sacred Heart and the surroundings on the elevated site. At one time the old Sacred Heart Church was in Walpole-street, Kew. (The Advocate, 09 December 1937) The whole of the estate of the late Jas. Crotty has now been realised ex cepting 4000 shares in the Mount Lyell Company and a small parcel of general mining shares. All the debts and legacies, including £10,000 to St. Patrick's and £3300 to the testator's parish church at Kew, and also probate duty, have been paid. On present values the Mount Lyell shares. are worth a total of £37,000, and at the present rate of dividends the return represents an income of about £2000 per annum. Over and above this there is a sum of between £20,000 and £30,000 available for investment, and this, together with the dividends brings the income of the estate up to about £3000 per annum. A sum of £1100 per annum will be absorbed in annuities under the terms of the will. Whatever amount is realised beyond the sum necessary to pay the annuities goes to Archbishop Carr for the church and charitable purposes until the death of the last annuitant, when the resi duary estate will be divided between the Little Sisters of the Poor (North cote) and St. Joseph's Home (Surrey Hills). (Launceston Examiner, 18 July 1899) Sunday last being the anniversary of tire opening of the Sacred Heart Church, Kew, the pastor, Rev. Fr. Manly, made a special appeal at the various Masses. The beautiful design for marble altar for the Lady Chapel, which is on view in the vestibule, continues to attract attention. The Children of Mary Sodality have kindly undertaken to provide it, and the president, Miss Frances O'Sulliv!an, 43 Rideway-avenue, Kew, will be pleased to receive and acknow r ledge subscriptions from clients of Our Lady. They may also be placed in box near Lady Altar. (The Advocate, 06 December 1923)Stone church with buttresses and portio.sacred heart kew, church