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Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, Gary Lee-Gaston OAM, Professor Michael J. Cousins, 2003
This is a portrait of Professor Michael Cousins in his role as Dean of the Faculty of Pain Medicine at ANZCA (1999 - 2002). The portrait was unveiled at a College ceremony/meeting on 30 July 2003. The portrait was commissioned by FPM to mark the Deanship of Prof Cousins. Gary Lee Gaston is an Australian visual artist who was born in 1938. He is a painter, teacher and sculptor. He has exhibited in Adelaide and is a fellow of the Royal South Australian Art Society.Professor Michael Cousins was instrumental in the establishment of the faculty of pain medicine and was its first Dean from 1999 - 2002.Oil on canvas painting of the Faculty of Pain Medicine Dean, Professor Michael Cousins set in a plain gold wooden frame.hand written on the reverse in black ink - 762 x 632 / VM24 OIL liNen •stamped on reverse in black ink: CENTRAL ARTISTS SUPPLIES / 45 Osmond Terrace / Norwood SA 5067 / Phone/Fax: 8364 2088 •hand written on reverse in black ink: GARY LEE-GASTON / O.A.M F.R.S.A.S.A. •hand written on reverse in balck ink: PROFESSOR COUSINS 2003 / A.M. MB BS MD (SYD.) FFPMANZCA. FANZCA. FRCA. •engraved onto brass plaque on front of frame: Professor Michael J. Cousins / Inaugural Dean / 1999 - 2002 •inscribed on lower right hand side of painting: artist's signatureprofessor michael cousins, faculty of pain medicine, gary lee gaston, royal south australian art society., commissioned portrait -
Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, Graham Inson, 1993
The sitter, Associate Professor Peter D Livingstone, was the Inaugural President of the newly established ANZCA, February 1992. The portrait was later unveiled at the Council Meeting [17-18 Feb 1994] followed by the official opening of Ulimaroa on 19 February 1994. Further information about Professor Livingstone is found on Lives of the Fellows; http://anzca.online-exhibition.net/fellows/fellows-1992/peter-david-livingstone/ The artist Graham Inson is represented in many major public and private art collections. A finalist in the 1990 and 1992 Doug Moran Portrait Prize, he has painted numerous official portraits of politicians, academics and for many of Australia's largest Companies. Oil painting on canvas of Associate Professor Peter Livingstone, seated at an angle facing left, wearing the College gown and tie with a dark plain background. Mounted on a fabric backing in a gold leaf frame with a small brass plaque affixed to the lower center of the frame.[brass plaque] ASSOCIATE PROFESSOR / PETER D LIVINGSTONE / INAUGURAL PRESIDENT / 1992 / PRESENTED BY THE / AUSTRALIAN SOCIETY OF ANAESTHETISTSpainting, livingstone, peter, anzca president, inson, graham -
Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, Audrey Wilson, 1995
Dr Michael Hodgson was apppointed ANZCA President in 1992 until 1993. The painting, undertaken in 1995, was later unveiled in 1996 with Dr. Hodgson present. Further information about Dr. Hodgson can be found on The Lives of the Fellows, http://anzca.online-exhibition.net/fellows/fellows-1992/michael-john-hind-hodgson/ Oil painting on canvas of Dr Michael J H Hodgson seated in front of blue-grey drapery and a window showing Ulimaroa in the distance. The subject is wearing the Presidential gown but not the Presidential badge. Framed in a plain grey and gold frame with a brass plaque affixed on bottom center front of frame. [plaque] Dr Michael J H Hodgson / President 1992 - 1993 [Artist's signature lower right corner] Audrey Wilson / 1995hodgson, michael, anzca president, ulimaroa -
Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, 1996
The subject of the painting, Dr Michael J Davis, was appointed ANZCA President in 1993 until 1995. The portrait was commissioned in 1996. Further information about Dr. M Davies can be found on Lives of the Fellows; http://anzca.online-exhibition.net/fellows/fellows-1992/michael-joseph-davies/Oil painting on canvas of the ANZCA President Dr Michael J Davies seated in front of a plain grey background wearing both the Presidential gown and medal. Set within a gold leaf frame with a brass plaque affixed to bottom centre of frame.[plaque] Dr Michael J Davies / President / 1993 - 1995 [Artist's signature lower left corner] Paul Fitzgerald / -1996-painting, anzca president, davies, michael, fitzgerald, paul -
Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, ben joel, 1997
Associate Professor Neville J Davis, was appointed President of ANZCA in 1995 until 1996. Professor Davis was a member of both the last Board of the Faculty and the first Council of the newly formed Australian and New Zealand College of Anaesthetists. Further information about Professor Davis can be found on Lives of the Fellows,http://anzca.online-exhibition.net/fellows/fellows-1992/neville-james-davis/ The artist Ben Joel is a Western Australian artist, well known for his commissioned portraits and contemporary pieces in most media. Joel's artworks are represented in private and public art collections. Oil painting on canvas of Associate Professor Neville J Davis, seated at an angle, wearing the Presidential gown and badge. The backdrop is plain with a mock outline of a window. Mounted in a plain gold frame with a brass plaque affixed to center of frame[plaque] ASSOCIATE PROFESSOR / NEVILLE J DAVIS / PRESIDENT 1995-1996painting, anzca president, davis, neville, joel, ben -
Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, Jiawei Shen
This is a portrait of former ANZCA President, Associate Professor Richard Walsh. In 1996, he was elected Vice President and, in 1998 was elected President, serving a full two year term. This painting was formally presented to the College in 2006. Further information about Associate Professor Richard Walsh can be obtained on the Lives of the Fellows, http://anzca.online-exhibition.net/fellows/fellows-1992/richard-george-walsh/ The artist, Jiawei Shen is a Chinese Australian artist considered to be one of Australia's leading portrait artists. He is most famous for his 2006 winning entry of the prestigious Sir John Sulman Prize in which he painted a portrait of Pope Francis which was presented to His Holiness in 2014. Oil painting on canvas of Associate Professor Richard Walsh sitting to the side facing left on a blue chair, wearing the College gown and President's medal against a plain background. Mounted in a mottled brown coloured frame.Lower left hand corner [artist signature \ '05]painting, walsh, richard, anzca president, shen, jiawei -
Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, ben joel, 2004
Professor Teik Oh was appointed ANZCA president in 2000 until 2002. The portrait was commissioned by ANZCA to commemorate the presidential term of Professor Teik Oh and was presented at the Anaesthesia Western Australia Annual Winter Scientific Meeting on the 7th August, 2004. The artist Ben Joel is a Western Australian artist, well known for his commissioned portraits and contemporary pieces in most media. Joel's artworks are represented in national private and public art collections. Oil painting on canvas of Professor Teik Oh seated on a chair at an angle facing left, wearing the Presidential badge without the Presidential gown. Mounted in a plain gold frame.painting, anzca president, oh, teik, joel, ben -
Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, Vytas Serelis, 2006
This is a portrait of Dr. Richard Willis, formally ANZCA President [2002-2004]. ANZCA commissioned the portrait which was unveiled to Dr. Willis on 23 February 2007. Oil painting on canvas of former ANZCA President Dr. Richard Willis seated face on with hands crossed on his lap. He is wearing surgical scrubs with the College gown on a plain hanger behind him and the President's medal hanging off the back of the chair. Plain light blue background mounted in a plain brown frame.[Lower Left Hand Side] V SERELIS SEPT 2006painting, president, willis, richard, serelis, vytas -
Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, ben joel, 2008
This portrait is of Dr Walter Thompson, former President of ANZCA from 2006 - 2008 was commissioned by ANZCA to commemorate Dr Thompson's presidential term. The painting was unveiled on 17 April 2009. The artist Ben Joel is a Western Australian artist, well known for his commissioned portraits and contemporary artworks in most media. Joel's artworks are represented in national private and public art collections Oil on canvas portrait of Dr Walter Thompson wearing the Presidential gown and medal. The sitter's hands are clasped in front of him and he is casually seated in front of a plain background coloured in black and red imitating a second frame/window. The painting is set in a plain gold and maroon frame.[ lower right hand side] BEN JOEL '08painting, anzca president, thompson, walter, joel, ben -
Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, Jude Rae, 2013
Dr Leona Willson was the first female to be elected president of ANZCA (2008 - 2010) and the first New Zealander to hold the position. In 2011, Dr Wilson was awarded the New Zealand Order of Merit in which she is proudly wearing this medal in the portrait. The portrait was commissioned by ANZCA to mark the presidential term of Dr Leona Wilson which was unveiled at the ANZCA Council meeting June 2013. The artist, Jude Rae, is a Sydney based artist primarily known for her still life paintings, portraits and architectural interiors. Her artwork is held in major public and private collections in Australia, New Zealand, UK and USA. Dr Leona Wilson was the first female ANZCA President and first President from New Zealand to hold the position.Oil on canvas portrait of Dr Leona Wilson wearing the Presidential medal without the Presidential gown. She is wearing the New Zealand Order of Merit medal on her left lapel. She has her hands clasped in front of her and is seated on an angle in a chair in front of a plain grey background. The painting is mounted in a thin black frame and sits in a box frame coloured brown and gold.painting, wilson, leona, rae, jude, new zealand order of merit -
Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, Robert Hannaford, 2013
Professor Kate Leslie was ANZCA President from 2010 - 2012. The portrait was commissioned by ANZCA to mark the presidential term of Professor Kate Leslie and was unveiled at the ANZCA staff Christmas event on the 15 November 2013. The artist, Robert Hannaford, is from South Australia and was a political catoonist. He has a long history of painting portraits of politicians and distinguished professionals in the field. Oil on canvas portrait of Professor Kate Leslie wearing the Presidential medal without the Presidential gown. She has her arms casually crossed in front with legs crossed, and is seated in front of a plain brown background. The painting is set in a wide timber frame.[lower RHS] HANNAFORD '13painting, leslie, kate, anzca president, hannaford, robert -
Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, Robert Hannaford, 2013
The painting was commissioned by ANZCA to mark the presidential term of Dr Lindy Roberts from 2012 until 2014. The artist Robert Hannaford has a long history of painting portraits of politicians and distinguished professionals in the field. Oil on canvas portrait of Dr Lindy Roberts seated in front of a plain brown background. She is facing front on with legs crossed, one hand over the other resting on her knee. She is wearing the Presidential medal which is slightly covered by her multi-coloured jacket of pink, grey and white. The painting is set in a wide timber frame.[artist signature and date, lower RHS] HANNAFORD ' 13painting, anzca president, roberts, lindy, hannaford, robert -
Geoffrey Kaye Museum of Anaesthetic History
Painting, Bruce Fletcher, Dust Off, 1980
The painting was donated to ANZCA in 1995 by Dr Bernard Dunn. Bruce Fletcher, from Melbourne Victoria, studied under William Dargie, who had been an official war artist during the second world war. Fletcher followed the same pathway as his mentor and was the first of two official war artists appointed during the Vietnam War. His artwork are held in the art collection of the Australin War Memorial, Canberra. The title of the painting, 'Dust Off' is a term adopted in Vietnam which refers to the medical evacuation of sick or wounded soldiers, from the field, by a helicopter. It was originally a radio call sign selected from a US Navy Signal Operations book in 1963. [ref. 'Medicine at War. 1950-1972'].In June 2012, a Royal Children's Hospital Anaesthetic Registrar attended a College Tour conducted by Dr Rod Westhorpe when he saw the painting and informed us that the term 'Dust off' emanates from the Korean War and is in fact the acronym for Decisive, Unwavering, Support to our Fighting Forces'. The painting was based on a black and white photograph taken in Vietnam in 1971. An image of the photograph is located in the electronic supplementary file. Oil painting on board of a scene in which a military helicopter is about to land with a group of soldiers in the foreground, one wounded and one soldier standing. A cargo military helicopter is in the distance flying away from the scene. The painting is set in a gold frame.[plaque affixed to centre front of frame] DUST OFF \ BY BRUCE FLETCHER \ DEPICTING THE MEDICAL EVACUATION \ OF WOUNDED SOLDIERS FROM THE FIELD \ IN VIETNAM \ PRESENTED BY \ DR BERNARD L. DUNNpainting, dunn, bernard, fletcher, bruce, vietnam war, dust off -
Geoffrey Kaye Museum of Anaesthetic History
Painting, Ib Odfeldt, S.S. Ulimaroa
Dr Bernie Dunn spotted a model of the merchant ship 'Ulimaroa' at Pollywoodside Museum after which he commissioned Ib Odfeldt, a Danish prize winning marine artist, to depict the vessel at sea.The painting was later gifted to ANZCA in 2006. John Traill, co-owner of Huddart Parker Ltd, named the ship in 1907 after his family home 'Ulimaroa' the building which was later purchased by the newly established ANZCA. The S S Ulimaroa was one of the popular ships in the Huddart Parker fleet that was in regular service between Australia and New Zealand from 1908 to 1934. This service was interrupted by WWI when it was commissioned by the NZ Government to carry troops. During the depression it was de-commissioned where it lay in Sydney Harbor until 1934 when it sailed under its own steam to Japan to be converted into scrap metal. Oil on board painting of the merchant ship S S Ulimaroa on the Derwent River, Hobart, with landscape in distance and small steam boat on of main ship. Set in a plain gold and black wooden frame.[on frame in white ink] HUDDART PARKER LTD. / 1908 1934 / S/S ULIMAROA [on reverse in black ink] THIS PAINTING WAS COMMISSIONED / BY DR BERNARD L. DUNN & WIFE JEAN. / FOR THE ANZ COLLEGE OF ANESTHETIST 2006 ("ULIMAROA" ST KILDA RD MELBOURNE ) / TITLE: ULIMAROA ON THE DERWENT RIVER, (TASMANIA) / ARTIST IB ODFELDT / MEDIUM: OIL ON BOARD 2006 / THE SMALL STEAMER IN THE BACKGROUND S/S WARRENTINA / 808 CYGNET COAST RD / PETCHEY'S BAY 7109 TAS. / RED STAMP dunn, bernard, ulimaroa, odfeldt, ib, parker, huddart, traill, john -
Geoffrey Kaye Museum of Anaesthetic History
Painting, Trevor McNamara, Return to Forever, 2002
The Australian and New Zealand College of Anaesthetists (ANZCA) began as a faculty at the Royal Australasian College of Surgeons (RACS). Separation was achieved in 1992, when the faculty became a college in its own right. The relationship between ANZCA and RACS has been strong ever since, and on opening the new building at the rear of the property in 2002, RACS gifted this painting to ANZCA.Mixed media abstract on square canvas. The painting is an orange, grey, green and white background, with an abstracted landscape in black to the centre.Handwritten in blue permanent marker on reverse: -RETURN TO FOREVER- / T MCNAMARAHandwritten on white sticker adhered to frame: TREVOR MCNAMARA / "RETURN TO FOREVER" / 160 X 160 / MIXED MEDIA / W: 3862 BTY ZAW -
Eltham District Historical Society Inc
Photograph, Peter Pidgeon, Memorial to Peter Glass and Cecile Glass, Eltham Cemetery, Victoria, 5 April 2021
In 1938, Arthur William Glass (known as Peter Glass) was studying painting under Max Meldrum. Much of their inspiration came from the Eltham bush and the nearby Yarra River. With his friends jazz musicians Graeme and Roger Bell, Peter bought land at the top of John Street: enchanted by Montsalvat, he had the objective of building a mud-brick house. War intervened, but then in 1948 he began working for Alistair Knox as a carpenter and mud-brick builder. By then, Peter had married, necessitating a larger house, which he built with help from Alistair Knox. As a trained architectural draftsman, Peter later progressed to working for Alistair in that role, eventually running the drafting office during the 1960s. He was deeply involved in the foundation of the Australian Institute of Landscape Architects, and went on to design many gardens, some in partnership with Alistair Knox and Gordon Ford. He died in 1997 and is buried in Eltham Cemetery with his wife Cecile. Peter Glass (Arthur William) Artist A.I.L.A. 28.8.1917 - 28.12.1997 and his loving wife Cecile Madeleine 23.2.1927 - 6.2.2006 Rest In PeaceBorn Digitaleltham cemetery, gravestones, heritage excursion, cecile madeleine glass, peter glass -
Eltham District Historical Society Inc
Painting, C. Lillie Brown, Briar Hill Cottage by C. Lillie Brown
Painting by C. Lillie Brown (Caroline) of house at 25 Beaconsfield Road, Briar Hill, formnerly owned by Miss Humphries who ran a lolly shop in the left hand sode of the building. Frequented by children from the Briar Hill school which was opposite. House now demolished.29.2 x 39.1 cm Oil on (Fredrix USA) linen mounted paper board 12" x 16 " (30.5 x 40.6 cm) in standard frame Signed in brown paint lower left C Lillie Brown25 beaconsfield road, briar hill, miss humphries, lolly shop, briar hill school -
Eltham District Historical Society Inc
Negative - Photograph, Old house (now demolished), Eltham North Reserve, Wattletree Road, Eltham North, 1998c
The house was the subject of a painting by John Wakefield entitled "Vale, Eltham North" in the collection of Nillumbik Shire Council. Roll of 35mm colour negative film, 8 strips and associated 10 x 15 cm colour printKodak Gold 100-5john wakefield, eltham north reserve, wattletree road -
Clunes Museum
Artwork, other - ETCHING, PEN, INK, ARTIST, MRS. JANET McDONALD (NEE DRIFE)
THIS LLUSTRATION WAS GIVEN TO MRS. HOLLAND ON THE THIS DRAWING WAS GIVEN TO MRS. HOLLAND ON THE OCCASION OF HER WEDDING, BY THE ARTIST MRS. JANET McDONALD WHO MARRIED IN WESTERN AUSTRALIA AND LIVED THERE FOR 50 YEARS BEFORE RETURNING TO CLUNES TO LIVE IN SERVICE STREET, NEXT DOOR TO RIDLEY'S.WOODEN FRAME, GLASS COVERED. PEN AND INK DRAWING OF LADY WITH BASKET. TWO SWANS ON WATER. SMALL HOUSE AND MANY TREES IN BACKGROUND. SHRUBS IN FOREGROUND. WOODEN BRIDGE.local history, illustration, etching, paintings, drawings -
Clunes Museum
Painting
Wooden framed watercolour of a scene of a house with a blue roof, a line of telegraph poles a mullock heap with a fence in the foreground, sheep in paddock.Nilwatercolour, artwork, landscape -
Darebin Art Collection
Painting - William Dargie, William Dargie, Rural House, 1978
... Darebin Art Collection melbourne William Dargie Painting ...landscape -
Melbourne Legacy
Document - Report, The 73rd Report from the President - 1996, 1996
In 1996 Legacy featured Beatrice Gay, a World War One widow on the cover toasting at the annual WW1 Widows lunch. The president was Ray Ward. The report also recaps events through the year such as the school students' Anzac commemoration service, legacy week and the public speaking contest. One article showcases Welfare and Housing with one widow, Mabel, having her house painted after receiving paint donated by the Gas and Fuel Corporation and the painting done by Legatees. Another article is about the Alma Doepel and the experience of Junior Legatee Kim Anderson. There is an article showing Daryl Somers opening Legacy week at with Hazel McKean, Lynne Scott, Elaine Ward and Junior Legatee Kim Anderson in attendance. Up to the 1980s the annual report would usually contain pages containing the Presidents report and photos of significant events of the year. Between 1987 and 1990 these were published in a separate document called 'Highlights from the Annual Report'. This could be used in promoting Legacy in different ways, without all the financial information normally held in an annual report. In following years it became called 'Report from the President' then 'Highlights from the President', before becoming 'Melbourne Legacy Highlights' which was published twice a year from 2007. It was eventually renamed, 'The Torch, Melbourne Legacy Highlights' in 2012. 'The Torch' is still published twice a year.A record of the annual reports of Legacy Melbourne, including activities and telling stories of Legacy's impact.Colour printed president’s report from 1996 x 8 pages, with black and white photos.annual summary, activities -
Melbourne Legacy
Photograph, Widows activities, 1987
Two photos of Legacy Widows Club gathering at Legacy House for craft group in 1987. It shows one of many activities that the widows were involved in. For many years there were workshops for craft and others for painting. The timetable for activities was published in The Answer (prior to Sept 1992 it was called the Melbourne Legacy Widows' Newsletter) each month. These regular meetings and workshops provided important opportunities for widows to meet, socialise and be active.A record of the type of activities Legacy provided as a social outlet for the widows.Colour photo a widows during craft meeting at Legacy House.widows, craft, activities -
Melbourne Legacy
Photograph, Widows activities, 1996
Two photos of Legatee Saltmarsh with widows in Legacy House. L/ Saltmarsh was the Widow Committee Chairman and was involved in organising events for widows and in publishing the newsletter. The photo shows him with two widows, Marion Scammell was working on a her tapestry under the guidance of Nancy Crooks, the instructor. One was published in the newsletter in April 1996 to show widows the types of activities that Legacy provided. For many years there were workshops for craft and others for painting. The timetable for activities was published in The Answer (prior to Sept 1992 it was called the Melbourne Legacy Widows' Newsletter) each month. These regular meetings and workshops provided important opportunities for widows to meet, socialise and be active.A record of the type of activities Legacy provided as a social outlet for the widows.Colour photos of widows and Legatee Saltmarsh during craft meeting at Legacy House.widows, craft, activities -
Melbourne Legacy
Photograph, Widows activities, 1996
A photo of widows in the Clubrooms at Legacy House. It was published in the newsletter in April 1996 to show widows the types of activities that Legacy provided. For many years there were workshops for craft and painting and refreshments were provided during business hours. The timetable for activities was published in The Answer (prior to Sept 1992 it was called the Melbourne Legacy Widows' Newsletter) each month. These regular meetings and workshops provided important opportunities for widows to meet, socialise and be active.A record of the type of activities Legacy provided as a social outlet for the widows.Colour photo of widows at Legacy House.widows, activities -
Melbourne Legacy
Photograph, Refreshments, 1996
Photos of Legacy Widows, volunteers and staff, preparing food for visitors to Legacy House. Legacy House was open Monday to Friday with many events scheduled for Widows to participate in such as Tuesday craft sessions, painting lessons, stamp sorting and a cup of tea was always available. From a Widows' Newsletter the lady on the far left is Sue Sargent a volunteer helper. The paid kitchen lady is Audrey, seen on far right in striped skirt. Some of the photos were featured in the April 1996 edition of The Answer newsletter, which mentions 'Audrey and her band of volunteer helpers serve refreshments at minimal cost to all Legacy ladies calling into the Clubrooms, Monday to Friday 10 - 3:30pm.' "Legacy house at two nine three A good place for a chat and a cup of tea Monday to Friday, week in and out Something for everyone, there is no doubt So don't be lonely, don't be shy Come to the city and give us a try!!"A record of the type of activities Legacy provided as a social outlet for widows. Colour photo of widows preparing food at Legacy HousePrinted on the back " -
Melbourne Legacy
Photograph, Widow at Legacy House, 2001
Photo a Legacy widow reading The Answer newsletter. It held a lot of information about events that the widows could be involved in. Legacy House was open Monday to Friday with many events scheduled for Widows to participate in such as craft sessions, painting lessons, and a cup of tea was always available. Possibly more photos to be found and can be added here. Date is assumed from the date on the cover of the newsletter - 2001.A record of the type of activities Legacy provided as a social outlet for widows. Colour photo of a widow reading The Answer at Legacy HousePrinted on the back " -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, Carolyn Dean, March to May 2000
... - Painting of rear of house - partially done for extensions .6... - Painting of rear of house - partially done for extensions .6 ...Set of 20 photographs taken by Carolyn Dean of the construction of the new storage sheds at Bungaree and painting of the house during the period 27/3/2000 and 6/5/2000. All on Kodak Paper. .1 - John Phillips concreting at rear of house - 27/3/00 .2 - ditto .3 - Sheds framing - 8/4/00 .4 - ditto .5 - Painting of rear of house - partially done for extensions .6 - ditto .7 - putting the second sheet of cladding on. .8 - ditto, with tower truck in background. .9 - ditto .10 - ditto .11 - Jim Parker painting windows .12 - ditto, painting eaves .13 - ditto .14 - finishing off the wall cladding on the first shed - 9/4/00 .15 - ditto .16 - guttering .17 - ditto .18 - placing roof sheeting on the first shed. .19 - Cladding the second shed - 6/5/00 .20 - wall cladding finished on both sheds.All with dates and "Photo by Carolyn Dean" on rear in blue ink.bungaree, sheds, btm -
Melbourne Legacy
Photograph - Photo, Widows function, Widows activities, 1996
A group of widows gathered at Legacy House doing needlework and craft. It is Marion Scammell (see also article in the Answer 1996 at 00889). This photo was published in The Answer in January 1997. Shows one of many activities that the widows were involved in. There were weekly workshops for craft and others for painting. The tapestry instructor was Nancy Crooks. The timetable for activities was published in The Answer each month. These regular meetings and workshops provided important opportunities for widows to meet and be active.A record of the type of activities Legacy provided as a social outlet for widows. Colour photo of widows working on craft projects at Legacy House.Printing on the back " -
Whittlesea Historical Society Inc.
Painting - Watercolour, Betty and Lanny Greer's home at Wollert, unknown
Watercolour by Hellen Coluccio of house next to tennis court at Wollert63 x 53 cm Watercolour on paper with white mat surround in black frame with glass Signed in bottom left corner H Colucciowollert, farmhouse