Document. Greeting Cards. Single, pale green card with flower pattern in each corner and a line drawn border in green/grey. To the right is a bunch of purple and white/mauve/yellow pansies and some other flowers. Below the flowers to the left is a grey flying insect. On the back is a hand written Birthday Greeting. 24/4/84 written on the back.person, greeting cards, malone collection, malone collection, greeting cards

Early settler women were skilled craft workers and crocheted doilies and other napery for their household. This Doiley is a cover for a jug or cup, with the glass beads providing the weight to secure it, to protect the contents from flies, insects and dust while on the kitchen table.Early settler women were skilled in dressmaking, crochet, knitting as they made clothes, furnishings, drapery and tableware for their families c1900A cotton, crocheted doily with a teapot pattern and green beads at edges to keep it in place when protecting contents of a jug or cupkitchen equipment, crochetwork, napery, doilies, milk jugs, early settlers, market gardeners, cooking utensils, kitchenware, castiron cooking pots, blacksmiths, slow cooking, moorabbin shire, bentleigh, mckinnon, highett, cheltenham,

Handmade cocoon sculpture made from wool. The sculpture appeared in Kathy Holowko's exhibition "Spidergoat and the Insect Electro" on show at the National Wool Museum from 4th May to 29th July 2018. the sculpture is representative of the other pieces that appeared in the exhibition.The cocoon is constructed with armature wire and pure wool from the National Wool Museum. The wool was looped over the armature wire and hand sewn at each intersecting wire ring.kathy holowko, 2018

non-fictionAnnemieke Mein creates sculptured textiles of insects and flowers and her work is displayed in Sale.mein annemieke, textle art

Clothing. Waistcoat, part of man's three piece brown tweed suit. Pure wool - brown with black and red fine stripe, forming a plaid type pattern. Pure wool front, taffeta type fabric lining and back. 6 button front. Peaked at waistline. 2 bound slit pockets. Some insect damage on front panels. Side vents at waist.Inside front: Small tag 36Rcostume, male suit, tweed waistcoat

Inspected by Joanna Freslov, archaeologist 2.6.22008. Grinding stones are slabs of stone that Aboriginal people used to grind and crush different materials. Bulbs, berries, seeds, insects and many other things were ground between a large lower stone and a smaller upper stone. This is the lower stone.Large grinding stones such as this one were designed to be left at a camp site for use the next time the group moved there. Smaller grinding stones were carried between sites. Grinding stones were not abandoned when they became worn and smooth through use. The stone would simply be roughened again so it was once again suitable for its function. This is an example of a food preparation utensil used by the Early Indigenous people of Eastern Australia.A large flat rock with grind hole in top. Rock has split. gridstone aboriginal stone-artefact

Thomas S. Hart was a member of the Ballarat Field Naturalists.Daylesford Nov 25th 91 Dear Mr Martell I have been out at the Stony ck Basin this afternoon and have obtained several good specimens well worth coming for. Leaves at least 5 species. Eucalyptus - another [Dicohptreter?) apparently a monocotyledon perhaps [illegible] than one species + 2 or 3 [illegible] (small) insects. At least 4 species of beetles [illegible} very good specimen insects other more doubtful [illegible] of insects - Also some plant stems layer that I had noticed before. I intend going out again tomorrow morning and getting more specimens. There is nothing of my subjects on till Saturday. I will be at the school first thing on Saturday. Thompson has, I think enough to keep him busy. I intend to exhibit the [illegible] at one one of the societies so as to have them recorded even if I cannot get a short [illegible] written for the meeting. Yours sincerely Thomas S. Hartfield naturalist, thomas hart, t.s. hart, daylesford

Mankind has been bothered by flies ever since time began. This has led to the invention of a number of different fly traps or fly catchers.Glass fly traps were popular during the 19th and early 20th centuries. The flies, being attracted by some sweet liquid or other bait in the bottom, were unable to find their way out. This trap has small glass legs enabling it to be used standing on a flat surface such as a table. Most were suspended by wire handles. This is an example of a common domestic item no longer commonly used today.Moulded clear glass fly catcher on small glass legs. Glass stopper. A piece of bait is suspended in the centre and the top opening is covered up with a piece of cloth and a fluid such as kerosene or similar is put in the gutter below the outer part of the dome. The flying insect is drawn inside by entering the underside opening and then, when trying to leave, flies against the glass and then drops into the catching fluid below.fly-catcher pest-control glassware

Clothing. Trousers, part of Man's Three Piece Brown Tweed Suit, Pure wool - brown with fine black and red stripe forming a plaid type pattern. Side pockets, rear bound pocket, coin pocket at front waistband. Some insect damage on front and left rear. Plaid front (No pleat ). 7 belt loops on waistband. Hook fastening at centre front.costume, male suit, tweed suit trousers

Boys adventure book of short stories.Soft board with cloth spine showing image of a sailing ship which has been glued on to paper covering, very worn. Front & back covers have detached from body. Book is water damaged throughout with mildew on edges of first two pages. Loose pages. Evidence of previous insect damage. No page numbers - about 50 pp. Very poor condition.'Robert Glanville/Kilmore/Victoria', inside front coverglanville collection, childrens literature

Quarterly British Magazine for Gentlemen. "Entirely new series". December - May 1869. Hardcover book with marbelled cover, leather corners and spine. Cover worn with loss of colour. Leather corners worn, leather spine torn. Green ownership label on front cover. Front cover partially detached from body. Binding loose. Evidence of previous insect damage to front flyleaf & inside back cover (non-active).Foxing throughout. 748 pp. Fair condition.Flyleaf, '050/R69'/'159' handwritten & underlined/Kilmore Mechanics Institute stamp.british gentleman's magazine, kilmore mechanics institute library.

Deborah KLEIN (1951- ) Born Melbourne, Victorian Deborah Klein grew up in the inner southern suburb of St. Kilda and lived and worked in London from 1973 - 1980. The experience of living in both of these places was to have a significant and enduring influence on her work. She gained degree and post degree qualifications from Chisholm Institute of Technology, Melbourne and Gippsland College of Advanced Education, and a Research MA from Monash University, Gippsland. Since 1988 Deborah Klein has held regular solo exhibitions and participated in group exhibitions in Australia and internationally. Her work is represented in public and university museum collections throughout Australia. This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed, handcoloured linocut depicting a butterly with a female head with braided hair.Edition 2/36artist, artwork, deborah klein, klein, butterfly, insect, animal, printmaking, linocut, parallel prints, alumni

Neck tie issued to "397827".1. Shirt - light khaki colour polyester/cotton fabric. Collar, shoulder epaulettes, short sleeves, patch pockets with button down flap. Beige plastic buttons. White colour cotton fabric manufaturers label - inside below collar. 2. Necktie - khaki colour cotton knit fabric with unfinished ends, Insect damage noted. White colour cotton tape handsewn to necktie.Manufacturers information on label - black ink print. 1. "ADI/ VIC 1991/^/ SIZE 40/ 8405-66.133.5955/ SERVICE NO./ NAME/ 65% POLYESTER/ 35% COTTON/ DO NOT BOIL OR WRING/ MACHINE WASHABLE/ DRIP DRY, IRON LIGHTLY/ WITH WARM IRON. 2. Cotton tape - HANDWRITTEN IN BLUE INK PEN "397827"uniform, army, shirt, necktie

These sulphur fumigator cubes were used in the past to fumigate areas in such places as hospitals, plant nurseries, farms and homes. The cube was placed in a tin containing soil and the top wick was set alight and the cube would burn overnight and kill off insects, mites and germs. One cube was sufficient for a room six feet square. This is a square cardboard box with no lid. The box is brown with orange, red and black printing. The box contains three cubes of sulphur fumigators. There should be four but one cube is missing. The cubes are square-shaped with beige-coloured sides and yellow tops. The tops have raised sections which serve as wicks. ‘Light This’ ‘Johnson’s Sulphur Fumigator prepared by Johnson & Johnson, Manufacturing Chemists’ household items, history of warrnambool

This is a common small 'meat safe' used in most homes prior to the arrival of Refrigerators. Food, such as milk, butter, cooked meat would be stored for a short time in this safe. It would be suspended from the ceiling / roof in a cool place - Dairy - and the mesh sides allowed air circulation while providing protection from insects and vermin.A green, tin meat safe with mesh sides and a hinged door with a latch lock. early settlers, pioneers, food preservation, meat safe, kalgoolie safe, moorabbin, bentleigh, cheltenham, ormond, dairy products, diseases, vermin

Green clothbound hardcover, watermark patterned cloth, faded with some wear to extremities. Title on spine, gilt lettering. Plates XVIII - LXXI plus seven supplementary plates, descriptor pages opposite. Cover detached at front and rear hinges, all pages detached apart from the rear seven. Foxing throughout, some plates water stained. Some previous minor insect damage. Illustrated. Poor condition. non-fictionFrederick von Mueller's book of lithographs; plants indigenous to Victoria. botany, victoria

Part of the small collection of uniforms in DAHC's possession. Like most of these uniform this one stems from the 1950-ies. The shoulder insigne indicate a "Genie" division (Engineering Corps).Many of the 1950's period uniforms came from people that had been discharched after having served in the Dutch East Indies (now Indonesia) during the Indonesian War of Independence.Dutch military field uniform made from heavy greenish material: (1) short jacket and (2) pantsShort jacket (brass, insect eye - like button on each collar, St Joris (St George) patch on shoulder straps, "Prins Alexander" on sleeves, Dutch army emblem with "Je Maintiendrai", the Dutch national motto, on left sleeve), marks inside jacket W MvO 1954, Motecht door MITN.uniform army

Awabakal is the language of the Aboriginal people from the Newcastle, Lake Macquarie and Lower Hunter region of New South Wales in Australia. As Lenny takes his walk and collects insects, we learn some words that relate to the bush, to the landscape and the little creatures that would be found there. This book has been printed with sound, which can be heard through an Audio Reader. If you have an Audio Reader, run it over the pages to hear the sound.word lists, colour illustrationsawabakal, newcastle, lake macquarie, hunter region, juvenile literature

ACRONYMS: The name of the organisation is Australian Trust for Conservation of Nature (ATCV) from 1981 to 1999 and Conservation Volunteers Australia (CVA) from 2000 onwards.............................................Last used in 1999 the Echidna logo was used for 17 years. It was designed by John Zulic, then a young graphic designer at Sovereign Hill Outdoor Museum in Ballarat, and by 2010 the longest serving employee. John was briefed by Peter Hiscock, then director of Sovereign Hill and also President of ATCV, in 1982 to design ATCV’s first logo. Through the image of the echidna John Zulic tried to capture a unique Australian identity (a combination of uniqueness, strength, resilience, role in a balanced habitat and a national feel) for a fledgling local group with big plans. John presented concept to Tim Cox and Peter Hiscock – both were enthusiastic: the rest is history. For many years newly arriving volunteers were photographed with the mascot.The echidna was synonymous with ATCV for many years. The logo appeared on team vehicles and buses and on all publications until 2000. For many years new volunteers had their photograph taken with "Eddy". Even today overseas visitors to CVA's head office clamour to be photographed with it.This item is a taxidermal (preserved and stuffed) echidna. The echidna is an Australian marsupial animal resembling the porcupine or hedgehog found in other continents. It is a nocturnal, burrowing, egg-laying mammal of the genera Tachyglossus and Zaglossus of Australia, Tasmania, and New Guinea, having a spiny coat, slender snout, and an extensible sticky tongue used for catching insects. NOTE: The provenance of this item is not yet established but it has been the unofficial "mascot" of ATCV/CVA from soon after foundation till the present.australian, echidna, mascot, logo, wildlife

Gloria PETYARRE (c.1942 - 2021) Born: Mosquito Bore, Utopia, Northern Territory Language Group: Anmatyerre Community: Utopia, Northern Territory Gloria Petyarre's depiction of the Kurrajong bush medicine leaves with her layered, swirling brushstrokes is her iconic motif. In 1999 Gloria Petyarre became the first Indigenous Australian artist to win the 'Wynne Prize for Landscape' at the New South Wales Gallery. She is credited with being the creator of this popular style, which was adopted and adapted by several generations of her family members over Gloria's retirement in 2019. The artistic tradition in Utopia started in the Utopia Women's Silk Batik Group introduced in 1977. Gloria Petyarre and her aunt Emily Karne Kngwarrye were found members of this group. Gloria Petyarre started painting on canvas in 1988 with her brushstrokes and layered paint having foundations in the batik tradition. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Utopian Art Movement‘Bush Medicine Dreaming’ depicts the leaves of a special plant that is used to aid in the healing process. The leaves are collected and then boiled to extract the resin. Following this, the resin is mixed with kangaroo fat collected from the kangaroo’s stomach. This creates a paste that can be stored for up to six months in bush conditions. This medicine is used to heal cuts, wounds, bites, rashes and as an insect repellent. The Dreaming that is the basis for Petyarre’s paintings comes from the important ceremonies and traditions held by the people of Atnwengerrp. art, artwork, gloria petyarre, aboriginal, utopia

These boots had a metal plate inserted in sole to protect the feet of personnel wearing boot. This was after earlier boots without this protection did not protect the wearer from sharpened spikes eg bamboo set in pits or “punji” pits, during the Vietnam war. The laces were done up by knotting one end,threading from bottom hole across to opposite hole,up next hole on same side,across to opposite hole etc. This meant that only one loop per opposite holes was all exposed for a quick and easy cutting to release the boot in case of injury to wearer.These boots were typically worn on parade,training and in combat during the Vietnam war era and after.The LEFT boot solid black leather uppers with split leather tongue sewn to sides - making the boot semi water and insect proof.The sole is hard black rubber compound with 7 cleats on sole and 3 cleats on heel,all part of rubber sole. Woven black cotton laces. 30 mm leather reinforcing strip sewn on inside top of boot. 11 by 5mm metal holes per boot for laces. Sole is welded on. “Dunlop made in Australia” and “5/5” on sole in front of heel. Inscribed on top reinforced inside leather band is- “ B 22 R.B.T 1439 188” on one side and “ 5/6” on the other.boots, general purpose, g.p., vietnam war

These boots had a metal plate inserted in sole to protect the feet of personnel wearing boot. This was after earlier boots without this protection did not protect the wearer from sharpened spikes eg bamboo set in pits or “punji” pits, during the Vietnam war. The laces were done up by knotting one end,threading from bottom hole across to opposite hole,up next hole on same side,across to opposite hole etc. This meant that only one loop per opposite holes was all exposed for a quick and easy cutting to release the boot in case of injury to wearer.These boots were typically worn on parade,training and in combat during the Vietnam war era and after.The RIGHT boot solid black leather uppers with split leather tongue sewn to sides - making the boot semi water and insect proof.The sole is hard black rubber compound with 7 cleats on sole and 3 cleats on heel,all part of rubber sole. Woven black cotton laces. 30 mm leather reinforcing strip sewn on inside top of boot. 11 by 5mm metal holes per boot for laces. Sole is welded on. “Dunlop made in Australia” and “5/5” on sole in front of heel. Inscribed on top reinforced inside leather band is- “ B 22 R.B.T 1439 188” on one side and “ 5/6” on the other.boots, general purpose, g.p., vietnam war

The name of this chair, Lepidoptera, refers to the insect species of moths and butterflies as LeAmon drew upon the anatomy of a butterfly to develop the concept of the chair?s structure, colour and pattern. Another key feature of the design was the use of textile remnants from automotive textile manufacturer Autofab,recalling LeAmon's redeployment of leather offcuts from the manufacture of cricket balls to make her 'Bowling Arm' series of bangles.industrial design, furniture

Clothing. Suit coat, part of a man's three piece suit.Pure wool tweed suit coat. Three button front. Three buttons on each cuff. Rear split. Taffeta type fabric lining. Brown with fine black and red stripe to form a plaid type design 7 x 5.5 cms.''Cut away'' shaped front, two front pockets, one chest pocket, two inside pockets in lining. Some slight insect damage.The ''Buckleigh'' Exclusive to Buckley's, 36R, Pure wool.costume, male suit, tweed suit coat

The Oakey Army Aviation Centre is a training facility formed in October 1943 at Oakey, Queensland. It was built with the purpose of providing a maintenance facility: the units would erect, repair and insect aircrafts and engines. At the end of the war in 1945, the depot was used to store surplus aircraft. In early 1946, the RAAF Station Oakey was disbanded and categorised ‘to be retained but not maintained’. Since then, the RAAF Station Oakey facilities have been used few times for some minor activities. Although there are no information relating to the owner or usage of the cup; it holds historic significance for its direct link with the Australian Army Aviation Centre in Oakey and its involvement in World War II; and more generally for its link to the Australian Army.Large white cup with a handle; decorated with a blue ink symbol (displaying a crown and below it, a bird handling two swords) and blue ink inscriptions (from the Army Aviation Centre Oakey). Inscription on top: 'Frank McNamara VC Club' Inscription at the bottom of the symbol: 'Vigilance' Inscription circling the symbol: 'Army Aviation Centre Oakey'

Three photographs of Frederick Parkhurst Dodd born 1861, in Wickliffe Victoria and the son of Frederick Willian Dodd and Maria Dodd nee Mayes. The photos were emailed to the society on 30.11.2011 showing Frederick P. Dodd as an Entomologist. Photo 1 shows Fredrick as a young man. Photo 2 as an older man with a large net on a long pole obviously netting insects. Photo 3 shows Frederick with a framed collection of large and small butterflies.Three small photo prints of Frederick Parkhurst Dodd as a young man and then at later stages of his life. stawell portrait

Part of medical kit from WW2small bottle with metal screw lid. bottle labelled 'poison'.Front of label also reads;CARBOLIZED PETROLATUM (improved). (Less than 3% Carbolic Acid). FOR WOUNDS - CUTS - BURNS - INSECT STINGS - ITCHING PILES - ETC. Sole makers the 'Sanax' Co Moorabin Vic. Back of label reads: DIRECTIONS FOR USE. Apply to affected parts and cover with gauze, then bandage.-- NB This preparation must not be used if liquid has separated

Pro (Kevin Charles) HART (30 May 1928 – 28 March 2006) Born Broken Hill, New South Wales Pro Hart drew upon a variety of techniques in his paintings, including layering, chiaroscuro, glazing, scumbling, scratching and Alla prima. Insects, particularly ants and dragonflies, are among Hart’s most popular and most identifiable images. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Etched bookplate featuring ants. This is the only etched Bookplate Pro Hart created, and one of only two Ex Libris designs created by the artist. It was made in Broken Hill, New South Wales in 1999 for his friend Robert Littlewood. Printed on fine art paper in the intaglio method directly from the original copper plate. The plate was needled by the artist using a make-shift tool cut from mild steel. This Bookplate is the subject of a small Private Press book written by Professor Karal Ann Marling (retired), of the University of Minnesota, to be published by The Lytlewode Press, 2010.pro hart, ex libris, bookplate, robert littlewood, keith wingrove memorial trust, ant