The Trustees of the Australian Ex-Prisoners of War Memorial have defined a Prisoner of War to be a person who was captured by a common enemy and/or interned in a neutral or non-combatant country. To be defined an Australian Prisoner of War, the person needs to be either an Australian Born person serving in the Uniform of an Australian Service; or in the Uniform of a friendly country, or Born Elsewhere and serving in the Uniform of an Australian Service. A Prisoner is a person who has lost personal privileges, suffers deprivation of liberty or is unable to return home or dies in captivity.Colour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial." ballarat, ballarat botanical gardens, peter blizzard, ballarat north gardens, war memorial, prisoner of war, prisoners of war

DESCRIPTIONColour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial."australian ex-prisoner of war memorial, peter blizzard, prisoner of war, ballarat north gardens

DESCRIPTIONColour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial."australian ex-prisoner of war memorial, prisoner of war, ballarat north gardens, peter blizzard

Photograph, (colour) of plaque on stone wall with typewritten explanatory attachment: '' Plaque to honour the epic journey of seven Cornishmen who sailed on the small lugger 'Mystery' from Cornwall to Melbourne in 116 days in 1854-5'' (Captain Richard Nicholls with Job Kelynack, William Babcock, Richard Babcock,, Charles Boase?, F C Matthews, Lewis Lewis). Tonnage of lugger 16? Location of plaque unknown.history, naval, captain richard nicholls, mystery. captain richard nicholls.

Items created for the anniversary of the wreck of the Schomberg and displayed in the Peterborough Hall as part of the anniversary celebrations. Sea Shanty lyrics include a reference to Bully Forbes, Captain. All Schomberg information pertains to display and presentation at the time of the anniversary of the shipwreck celebration in 2015.Plastic zipped satchel containing collected information about the wreck of the Schomberg, created for the 160 year anniversary of the wreck of the Schomberg. Items included are: transcription of the diary of James Hopkins journey on the Schomberg; transcription of the diary of Thomas Angove, passenger on the Clipper ship the Schomberg; 14 large print pages summarising the story of the Schomberg and including lyrics of Blow Boys, Blow, a halyard sea shanty; Ron Cashmore's input.James Hopkins original diary held in the UK, this copy for display by he Peterborough Residents Association, Peterborough History Group. Thomas Angove original diary held in the UK, this copy for display by he Peterborough Residents Association, Peterborough History Group.rex mathieson, ron cashmore, bully forbes, schomberg rock, peterborough 3270, the schomberg, schomberg-shipwreck, shipwreck, sea shanty, captain bully forbes

Pioneer, Anne Currie and her husband John helped open up the area we now know as Lardner or the Drouin area. Anne Currie kept a diary more like a day book of her family's activities throughout their lives. The Diaries were commenced by John on 8th March 1813, but on 28 September of that year there is an entry 'John Currie has tired of keeping a Diary and has handed it over to me - C. Currie' The diary continued with a few breaks right up lo 19162807.11a Photocopy of Catherine and John Currie, photograhped in Melbourne by the famous J.P.Lind prior to journeying to Lardner in November 1875. Albert Currie is the baby aged four months. John is 41 years and Anne Catherine Currie is aged 30 years. 2807.11b Anne Currie - A Colonial Wife. A talk given by Robert Marmion at an Amy Huxtable Memorial Talk. Fifteen typed A4 Pages from the diaries.history, amy huxtable, bendigo, robert marmion, anne currie, albert currie, john currie, lardner drouin

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 7 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This photograph shows a covered tourist ferry moored on the river bank at Studley Park. Tourist cruises traversed the Yarra between Princess Bridge and Heidelberg, stopping at scenic points along the journey. "Studley Park / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, kew, ferries, tourism, studley park

Block of 200 tickets - blue ink on off white paper, Zones 1+2+3 single journey, $4.00 Adult, issued by the The Met with their logo at the top of the ticket. The ticket number is in black ink. The tickets have been stapled onto a heavy cardboard back with a single metal staple. See Reg Item 1677 for a $2 Concession block. See Item 6715 for other samples.trams, tramways, the met, tickets

Block of 200 tickets - orange ink on off white paper, Zones 1+2 single journey, $1.50, Concession, issued by the Met with their logo at the top of the ticket. The ticket number is in black ink. The tickets have been stapled onto a heavy cardboard back with a single metal staple. See Reg Items 2957 and 2908 for other tickets of different values. See Item 6715 for other samples.trams, tramways, the met, tickets

Set of two strips, 6 tickets in each strip of "School Swimming Classes" for use by students under 16 years of age for single journey between the school and the swimming baths. Have a perforated edges. Gives condition of use. Tickets printed in dark blue on manila coloured card. Has letter W in the bottom left hand corner. See Reg Item 2815 for other examplestrams, tramways, tickets, schools tickets, scholar's tickets, swimming class

1. B & W portrait (full length) of a British Soldier. He is in shorts with his sleeves rolled up. He has no belt and is wearing boots and putties. It is in the form of a postcard. 2. B & W casual photo of a soldier sitting in the shade under a tree. In the background can be seen a truck and some equipment on the ground. The soldier is sitting on his gas cape.1. On rear is written - Dear Vin, hope the journey doesn't make the rev...? any worse. Addressed to Miss W. M. Foster, 42 St. Margarets Road, Bare , Morcombe Lanes, England. 2. Inscription on the rear is written " Chez Moi", for the time being.photos, army solldier

Yields information about the use, style and printing of weekly tickets used in Ballarat tramways and how they were presented during the late 1940's prior to abolition.Used SECV 2/6 weekly ticket, ticket numbers B 144630. Originally printed and stapled into blocks of 20 tickets. The ticket is printed on a manila 210gsm card and printed using red ink to give day numbers, monthly, week number, transfers, and day of the week, excluding Sunday. Numbered on the right end of the ticket. Static number (1 - 7) on left indicates maybe the day of the issue. The ticket has been nipped in the day spaces 10 times and has been nipped for the month of August and week 3. On the rear of the ticket is the details of the ticket use, allowing the passenger one return journey between City and section 3 or 4. Not available on Sundays. On rear of ticket is the details of the ticket use, allowed passenger one return journey between City and section 3 or 4. Not available on Sundays. See Reg Item 2105 for a sample of a ticket block with these tickets.secv, ticket, weekly tickets

Ticket - Trip Slip - cable tram Bell Punch type - fawn card, 3d fare (Full Fare), has been punched or nipped once on the Down side. Printed for the Melbourne Tramway and Omnibus Company for the Clifton Hill Cable Tramway. On the Up side Has space for 15 journeys on each side. On side, has space for Date, Badge, car, time of starting and signature or the conductor or if a student conductor.trams, tramways, tickets, cable trams, bell punch, clifton hill, mtco

Newspaper clipping from The Age, 22/4/2007 titled "Tram chief raps councils over clogged routes "written by Stephen Cauchi. about issues with clearways. Quotes Dennis Cliche, Yarra Trams CEO, Jim Betts, Director of Public Transport, Dick Gross President of the MAV, Peter Daly RACV and Daniel Bower PTUA. Concerned with the length of journeys, Think Tram, traffic light priority.trams, tramways, traffic lights, congestion, public transport, car parks

A pictorial journey of Marysville before the 2009 Black Saturday bushfireA book of photographs taken in and around Marysville before the 2009 Black Saturday bushfires. Marysville was almost completely destroyed in the fire and this book showcases natural attractions, locations to eat and stay and some of the local flora and fauna in and around the district.Hardcover. Front cover has a photograph of the Corner Cupboard Cafe in Marysville taken at night.In memory of those that lost their lives and property in the/ Black Saturday fires/ on the 7TH of G=February 2009marysville, photographs, victoria, australia, black saturday, bushfire, 2009, 7th february 2009, angelina lodge, darmody lake, galipolli park, murchison street, meeting of the waters, marysville bakery, marysville patisserie, lolly shop, bruno's sculpture garden, crystal journey, flora, fauna, coralyn falls, steavenson falls, keppel lookout

A pictorial journey through Bruno's sculpture garden in Marysville in Victoria.A pictorial journey through Bruno's sculpture garden in Marysville in Victoria.Hardback. Book is bound in blue with the title in silver on the spine.B Torfs / 05 To this wonderful planet Earthbruno torfs, biography, gardens-design, andrew spensley, sculptors, australia, sculpture gardens, marysville, victoria

Copies of handwritten letter from John Grimson (1856) to 'My Dear Maria'. Page is copied in four (overlapping) sections. First section is notable for using as an illustration an S T Gill etching by James Blundell entitled 'Deep Creek - Mail Passengers en route to Melbourne' (approx size 10 x 20 cm). Letter describes journey to Bendigo and crossing of Deep Creek. Refer to 2007.1 for information about the letter in question.person, individual, john grimson, john grimson (1856) s t gill, james blundell, deep creek.

Walkabout magazine Australia's way of life magazine. February 1969, price 40 cents. On the cover Australia's film makers, the art of the Boyds. The photo on the cover captures the dedication and concentration of Australia's film makers. Contents: Mail bag - Publisher's column - Two thousand weeks - journey to a lonely mountain - Those brilliant Boyds - Maldon, a museum piece - Our changing language - A paradox of geese - Above Barron waters - On the move - Book reviews.book, magazine, travel

Phil Berry was undertaking a Master of Arts when he completed this artwork. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This work reflects the life of refugees who were often fleeing conflict and persecution and spending their savings risking their life and that of their families."Their journey should remind us all of how lucky we Australians are, ... We need to understand conflict and its consequences, and help anyone affected by it. We need to think about the meaning of peace to us. We need to work for it, embrace it, and everyone who seeks it." Winner of the 2001 Lucato Peace Priceart, artwork, phil berry, lucato peace prize, berry, baggage

Ticket - or Trip Slip - cable tram Bell Punch type - green card, 1d fare, has been punched or nipped three times in the down direction. Printed for the Tramway Board. Has space for 15 journeys. On the up fare side, has space for name Line, Date, Badge, car, time of starting and signature if a student conductor. Name - "Bond", Line "CHill" - Clifton Hill, date "21" - all in pencil.See abovetrams, tramways, tickets, cable trams, bell punch, clifton hill, tb

The history of development of the Nullarbor and the author's personal journey across this area of Australia. Hardback, 165 p., black and white photographs, col. dust jacket."C. G. Aitken"south australia, nullarbor

Song titles refer to train journeys of the late 1970s - early 1980s.45 rpm vinyl recording in a paper sleeve. The paper sleeve has the names "Fable" and "Bootleg" printed on the top corners. Record has a pink and orange label with the word "Fable" in white across the centre. Side A: "The Rutherglen Red | (Peter Best) (CPA) 3.10 (Control) | Blaze | Produced by Best Results" Side B: "The Swan Hill Spirit | (Peter Best) (CPA) 2.35 (Control) | Blaze | Produced by Best Results"rutherglen, swan hill, song, peter best, music recording

Item posted back to Australia as momento of AIF Soldiers journey to WW1 WW1 memorabiliaSouvenir postcard booklet of Cabo Verde (West Africa)Printed - Souvenir de Sao Vicente - Cabo Verde Handwritten to Mother from Cecil - with love 14/7/16.ww1, soldier's correspondence

A pictorial journey through the property 'Ellimatta' before the 2009 Black Saturday bushfireEllimatta was first established in 1918. Over the years the various owners have developed the property in different ways to suit their needs at the time. The garden has been developed over the years into a focal point of the property. To many of the residents of Marysville Ellimatta was known as the "Walkers House" after Bill and Rose Walker who enhanced the garden in many ways. The 2009 Black Saturday bushfires reduced the house to a pile of rubble and the garden was completely destroyed.Hardcover. Front cover has a photograph of the sign which was on the street outside of Ellimatta. Backcover has a series of photographs of the gardens and outside of the house.To the Marysville Historical Society/ in memory of all the/ good times at Ellimatta / Graham & Pauline Alman / Nov. 2009ellimatta, marysville, victoria, australia, graham alman, pauline alman, kerami crescent

Daily Journal/Diary by Bryan John Meehan of his WW2 Service covering 7 Mar 1943 until 21 July 1943. The diary mainly covers Bryan's journey from Sydney to Darwin via Melbourne and Adelaide. The Journey was with 6th Topo Survey Co. (No2 Section).Paper Daily Diary, Foreward of 2 x pages, Foolscap sized pages, mostly hand numbered 13-35. Pages have been punched for plastic ring binder that is not fitted.Page numbers have been altered from the original typed numbers. Several hand annotations on front Foreward.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

The travel pass was used by Victorian Railways to ascertain that the bearer was indeed a blind person and entitled to free travel. This example was numbered 1741 and was issued in the name of Mr N.L. Walker. It outlines that the pass is used by a blind person for free travel on suburban journeys and half price fares on country or intersystem journeys.1 rectangular travel pass with red cloth cover and black textvictorian railways, association for the blind

Bendigo Weekly from Friday, January 11, 2002. '' A snippet of Bendigo history'' by Edith Lunn, the View Street story continued. In the journey up View Street we come now to the former Masonic Hall and Temple, our present day Performing Arts Centre. As a freemason, architect W. C. Vahland and his partner Robert Getzschmann were, in 1875, invited to design this fine Masonic building with its classical portico. The clip is in a folder.newspaper, bendigo, bendigo weekly