Clothing. Women's cream coloured short sleeved linen nightgown. High round neckline with 4.5 cm broderie lace frill. Front has lace bib below neckline.(45cm wide X 30 cm deep) dipping to a V shape across the bustline. Bib section made up of 4.5 cm broderie lace around the edge. Centre front opening (15 cm) from neckline, fastened with two press-studs with lace frill covering the opening. Short set in sleeves edged with pin tucks, ribbon and 4.5 cm broderie lace. "A" shaped nightgown widening to the hem.costume, female, women's cream coloured linen nightgown

Cream coloured linen and lace ladies dickey. Front opening with crossover. Each side made from two pieces of silk fabric. Crossover forms V shaped neckline. Edge of crossover has lace trim (5cm) folded back to form collar effect. Lace has scalloped edge. On each side at waist level. Front has tape tab (2cm X 9cm). Tab on LH side has 5cm loop attached at side. Back panel of linen fabric has .5cm tape stitched along hem with long ties formed either end(59cm & 34cm).costume accessories, female, linen and lace ladies dickey

This wedding dress was made & worn by Marjorie Gertrude Schneider, elder daughter of Mr & Mrs A. A. Schneider, of Lorquon, married Harold Francis Rohde, youngest son of Mr & Mrs J. B. Rohde, of Gerang, at St. Paul's Lutheran Church, Woorak, March 2nd, 1949.The dress was handmade by the bride, Marjorie Schneider.A charming frock of ivory cloque, inset with a yoke of beige lace with scalloped edges, cut on very flattering lines. The bodice, fitting perfectly to the waist and the back having a row of buttons, was ornamented as the shoulder with a diamante clip which had adorned her mother's wedding gown. The full skirt was draped softly from the waist, & extended into a long train at the back. The halo of orange blossom, which held the veil in place, set off to perfection the exquisite bride. She carried a shower bouquet of creamy white tiger lilies, gardenias, dahlias, gladioli and rose buds, & added to this was several horseshoes given by friends.schneider, rohde, woorak, st paul's lutheran church, gerang, lorquon, wedding

Historically the bodice is representative of a style from the early 1900s.As a hand sewn item it is significant to demonstrate the craftsmanship and textiles used in that time period.Deep pink bodice with velvet and lace at collar. Velvet ribbon and lace border on bodice edge next to sleeves, the edging goes from the front of the bodice and over to the back. Seven white mother-of-pearl buttons down the front and pintucks across the top back of the bodice. The sleeve cuffs have a lace border and are closed using hooks and eyes. The bodice is lined, with the lining visibly stitched to the back of the bodice at waist level. The bottom of the bodice is designed as a peplum.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bodice, ladies bodice, hand sewn, edwardian

Formally Miss Sharlene Barry now Mrs Ron Drager, the great grand daughter of the girl for whom the dress was originally made in England. The wedding was in Ceylon, and later the dress travelled with the happy couple to Australia. In total the dress has been worn four times. It missed one generation and then was sent to Adelaide for the wartime wedding of Sharlene's aunt, Mrs Hubbard. It returned to Melbourne for the wedding of Sharlene's mother Mrs Barry. The elaborately rouched dress with tight bodice and slight bustle effect was altered for the 1941 wedding.Used in 1950's for third wedding. Dress altered from the original dress made in 1886. Lace taken from draped overskirt and remade to square neck and long sleeve. Bodice pointed front and 22 satin covered buttons on back. Satin skirt and train edged with lace. Lace and cotton overskirt stiffened and draped and caught to the left side. Brussels lace mounted on satin. Used for weddings held in 1886, 1941, 1950, 1973.costume, female ceremonial

Clothing. Four Collars a. Stand-up lace collar with a shallow scallop at the lower neck edge-6 cm -7 cm deep. Three ''stand-up'' flower motifs and other flat floral motifs form the lace. Five boned and wired casings keep the collar erect. At the centre lower edge fine, cotton fabric is gathered tightly and forms a 10 cm long, fan shaped drop or jabot which in turn has a shield shaped crochet drop 12.5 cm deep with corded and cut-work elements. The stand-up collar is lined with fine cotton net, and fastens at the back with three metal hooks, but no loops are evident. b. Very fine creamy silk (?) stand-up collar. 4.5 cm deep, with a 32 cm deep jabot front. The same lace as the collar, edges the Vshaped front jabot. In the centre of this jabot is a stylized maltese cross, which also features at the front of the collar. No fastenings are visible at the neckline. c.This item is of the same design as 14.b, but is slightly larger.Cream cotton or silk, the collar is 6 cms deep at the centre front, and features a Maltese Cross shape at the centre front of the collar, and the jabot front. Ten floral motifs are spaced around the collar, and the same lace outlines the edges of the jabot front. No fastenings are evident. d. Collar. 8.5 cm deep at the centre back, shaped to 6.5 cm deep at the centre front. Jabot 2 cm wide at top, 10.5 cm wide at lower edge, then shaped to a point at the very lower edge. Floral elements and eyelets form the design. Centre back has six eyelets at each edge-perhaps laced to fasten. Two 5.5 cm long x .3 cm wide bones are encased on the front of collar, to support it in the front.costume, female, lace collar and jabot front

Cream lace sleeveless wedding dress, V neck. Bodice lined with satin in four pieces. Upper piece forms part of neckline. Full length unlined skirt - slightly gathered. Piping around waistline. Train at back. Back opening with six fabric covered buttons and loops. (top half of bodice). Four unmatched press studs on back of bodice. Lining torn away from back opening. Opening at back of skirt has torn edges. Hem is edged with lace.costume, female, wedding dress

Given to Lydia Johns, mother of donor, by her cousin who lived at Strangways.Octagonal box made of gold embossed paper serviettes, Lined with pink cotton material and thick cellophane with holes punched around edges and then crocheted together with pink cotton thread. A lid made of the same material with a floral medallion in the centre with pink ribbon threaded through flower . Finished with lace crocheted around edge. Four pink ribbon bows placed around edge. Lined with pink cotton gathered . Seven rows of pink & blue flowered braid. The name of Lydia in gold printing on pink ribbon diagonally across lid with 14 small gold medallions placed between the rows. There is a tassel of pink cotton and two crochet cord to help hold up the lid.LYDIApersonal effects, containers

Ceremonial purple velvet collar with gold metallic bullion fringe to outside edge and gold metallic ribbon and ribbon lace to all edges. At each end is a five point star in gold zardozi work in sequins and metallic thread with central couched button. Above the stars on the LHS is couched zardozi work initial G and on RHS couched zardozi work initial M and above these are two identical five point stars as lower ones with the addition to each of two metallic thread tassles. At the bottom centre of the collar are two small rings. In a separate bag is a purple velvet rosette with central sequined button and braided surround with large tassle all in gold metallic thread.ceremonial collar, grand master

Research suggests that this dress dates from the early 1920's when elastic was first used in clothing.Deep cream cotton muslin ladies tea dress. High waisted, square neckline, elbow length sleeves edged in cotton lace. Skirt has four panels of fabric - two side panels extending around front and back, and centre panels at front and back. French seams - some stitched in pink thread - machine stitched. Centre panels have two rectangular inserts of cotton lace. Each side panel has one rectangular insert of cotton lace. Lace inserts are edged on sides with six ball passementerie buttons. Neckline and sleeves edged with cream cotton lace. Soft gathering from neckline of centre front and back. Elastic casing around waist.costume, female, ladies tea dress

Clothing. Camisole. Fine cotton, fine cotton lace at neck and circular lace inserts front and back, Cotton tie through casing above 5 cm peplum. Embroidered lines above and below lace inserts on front and back. Side opening for 13 cm above peplum. Cotton tape through the casing tied on the LHS at the waist. U shaped neckline edged with lace. Fine cotton tie through lace around neckline. Tied at front. Sleeveless. Arm holes edged with 15 cm lace.costume, female, underwear

Clothing. Infant's coffee coloured crocheted lace bonnet. Concentric circles of lace from centre back. Edged on both sides with scalloped lace. Fully lined with coffee coloured net. Two rows of .8 cm blue satin ribbon and two rows of .8 cm pink satin ribbon threaded from side to side. Four pink rosebuds across front edge of bonnet. Rosettes of pink and blue ribbon on each corner above ties of cream coloured silk ribbon.costume, children's, infant's coffee coloured bonnet

This leather folder is part of a collection of books, photos and memorabilia donated from the Chatham-Holmes family collection. The item belonged to Elizabeth Chatham who was the first Ladies President elected to the general committee in 1993...1)Tooled leather folder with Elizabeth Chatham stamped into the front along with a leaf pattern and Ballarat Golf Club Member tooled into the back surrounded by a laurel wreath and Ballarat's Avenue of Honour's Arch of Victory tooled into the centre. The edge is laced with leather thonging in a blanket stitch. It is fastened by two press studs. .2-4) Inside is held three score cards from the Ballarat Golf Club of which only .4) has been used. .5) Card printed with 'Elizabeth Chatham, President, Ballarat Golf Club .6) Red plastic utensil.1) Stamped into the outside - Elizabeth Chatham, Ballarat Golf Club Member .4) In pencil - E 7, J 5 .5) Printed - Elizabeth Chatham, President, Ballarat Golf Clubelizabeth chatham, leather tooled folder, ballarat golf club, score cards, chatham-holmes collection

Clothing. Infant's white spotted muslin waisted dress. High round neck with lace trim. Front of dress has alternating vertical stripes of pin tucks and lace. Skirt tightly gathered into casing at waist. Lower section of skirt has alternating horizontal stripes of pin tucks and lace. Long shaped sleeves with fabric cap around arm hole. Sleeve gathered into casing at wrist. Item edged with lace, forming a frill. Centre back opening (20cm) fastened with five X .9mm white buttons between neckline and waist.costume, children's, infant's white spotted muslin dress

Clothing. Women's cream coloured long sleeved linen nightgown. High round neckline trimmed with 1cm red and white lace with scalloped edge. Front bib section below neckline (44 cm X 35 cm) of vertical red and white ribbon strips and pin tucks. Lower edge of bib section has zig zag shape dipping to V shape at centre front. Bib section edged with red and white lace.Front opening left of centre (24 cm) fastened with 2 X 0ne cm plastic buttons and cotton loops. Long straight sleeves gathered into cuff of red and white ribbon strips, lace with red and white pleated lace frill. Fabric yoke across shoulders at back below fabric yoke. ''A'' shaped garment widening to hemcostume, female, women's long sleeved linen nightgown

Wedding dress and veil worn by Margaret Vyner at her wedding to Ian McKendrick on 11th January 1958The McKendrick family came to Mt Beauty very early in the Kiewa Hydro Electric Scheme (KHES) days. Their son, Ian, worked in the Mt Beauty Post Office for 40+ years. The Vyner family were long time employees of the SECV working on the KHES and were residents of Mt Beauty. Margaret was a nurse at the Tawonga District Hospital at the Tawonga site and at the Mt Beauty site.Long soft white taffeta under-skirt. The outer is cut on the cross, made of nylon and with a train and has appliqued lace of a flower and is beaded. The sleeves are long and shear. The taffeta bodice is fitted with a featured V waistline. The sleeves are pointed (to cover over the hand) with a flower applique. There are 5 pearl buttons down the back and are fastened with loops. The side zip is metal and on the right hand side and at the top there is a hook and eye. The bridal veil - A large tulle circle edged with lace and formed into a 2 tiered veil held together with a green covered wire circlet decorated with wax flowers.vyner family, mckendrick family, wedding dress with veil

White cotton infant's nightgown with long sleeves. Front insert below neckline of broderie lace with lace (2cm) trim on outer edges. Broderie lace band at waist below insert (14.5 X 3cm) has ties attached at each side (61cm X 6cm). gathered lace trim around neckline above casing (.6cm) threaded with cotton tape tie. 33cm back opening fastened with tie at neckline. Lower part of skirt has broderie all over pattern with 27 cm border. Set in long sleeves with 2cm lace trim at wrist.costume, children's, white cotton infant's nightgown

Cream coloured long sleeved infant's silk nightgown. Yoked front and back made up of overlay of vertical strips of lace. Ruffle of gathered lace around high neckline. Set in sleeves with 1.6cm lace trim and three pintucks at wrist. Skirt gathered onto yoke and front. Lower section of nightgown has three X four horizontal sections of four pintucks with lace inserts (2.5cm) between the sections. Gathered ruffle at hem,(15cms) with four pintucks and three cm lace trim with scalloped edge. Back opening (26cm) fastened with two X .8cm plastic buttons at either end of the yoke.costume, children's, cream coloured infant's silk nightgown

Probably 1890's to early 1900's. The Dress and Mantle Makers departments was part of F. Davey and Co. and the department was run by Miss Middleton, formerly of the Beehive. F Davey and Co. sold their View Point premises in Oct 1904.Cream coloured silk wedding dress with train. Three flat panels at front and side, lined with polished cotton. Centre tightly gathered panel at centre back lined with stiffened cotton.Other panels lined with stiffened cotton above hemline of skirt. Double layer lace insert inside lower edge to hemline. Back opening with four hook and eye fasteners. Deep pocket on side seam at hip on RHS. Three back panels extended below hemline of skirt to form squared edge train. Two hanging tapes inside waist band. Skirt hand and machine stitched. Matching bodice 11400.314.Label stitched inside skirt waistband - ''F.Davey & Co Dress & Mantle makers, View Point, Sandhurst.costume, female, wedding dress skirt

Clothing. Women's white cotton full length half petticoat.Centre back opening (25 cm) fastened with cotton tape ties attached to edges of waistband(4cm). Skirt of petticoat shaped by darts around waistline and pleats at centre back. Hemline edged with 1 cm scalloped lace. Flounced layer at bottom of petticoat (38 cm) has two horizontal 1 cm ribbon strips, a zig zag lace insert (6 cm wide) and scalloped broderie lace edging (8 cm). Ribbon insert lace along the top edge of the flounced layer is threaded with pink 1 cm ribbon. Ribbon tied with a bow at front on LHS.costume, female, women's white cotton half petticoat

Textiles. Finely woven linen bed spread, white in colour, and with a ''turn-back'' top to come over or under the pillows. A 10.5 cm deep band of cotton lace trims the edge of this turn-back, and is gathered around the two lower corners, and extends 74 cm. along the side edges of the turn-back. An insert of lace, 2.5 cm wide, also outlines the turn-back, 8 cm from the edge of the linen. The lace trim has a scalloped edge, and a corded effect. Above the narrow band of lace, are beautifully embroidered initials CF. Some small red cotton embroidery on top hem-left hand corner. Embroidered in white cotton satin stitch, the initials are embellished with floral motifs and leaves, and some embroidered eyelets May be the initials of Caterina (Ina) Lamaro who married Giovanni "Jack" Favaloro, or Caterina "Kitty" Lopes who married Salvatoro "Salve" Favaloro.textiles, domestic, woven linen bed spread

White fine cotton short sleeved blouse. The front is made of two pieces with a front opening. Each side has two darts from the waist and are slightly gathered at centre front. The front has a V shaped neckline with a border from the shoulder. The border is made up of three rows of cotton featuring drawn work patterns and embroidered flowers. The back is made of two pieces with a centre seam. The front and back pieces are attached to a casing that is attached to a peplum. The neckline is edged with lace at front and back. The front opening is fastened with three buttons and buttonholes plus three cotton tapes threaded through casings around the neckline and around the waist above the peplum.costume, female daywear, cotton blouse

Cream coloured full length cotton and lace dress with elbow length sleeves, Unlined bodice with high round neckline. Two lace panels at front to form crossover with Vshape filled in with lace panel to neckline. Back centre opening extending from neckline to 30cm below waist. Lace panel at back angling diagonally to LHS across opening. Seven press stud fasteners on bodice, hook and eye at waist. Four press stud fasteners on skirt. Sleeves cut as part of bodice - no seams. Sleeves edged with fine gathered lace. Skirt made from three panels. Two sections are of fine emblems, edged with a wide band of lace with scalloped edges. Third panel is of fine cotton on the LHS. This panel has fine vertical pintucks from the waist to below hips. A band of folded satin ribbon circles the waist with two large ribbon flowers - one LHS of back and one LHS of front(10cm diameter). Possibly a wedding dress.costume, female, dress

Clothing. Fine white linen fabric. A .8 cm 'tuck' edged at top and bottom with a spoke-stitched border, marks the waistline. Below the waistline is a peplum, split at the centre front with 8 cm deep peaks. These peaks are repeated at the centre back. The peplum tapers to 7 cm deep at side seams. The camisole is trimmed at the top edge with a 4 cm deep band of cotton lace. The top edge of the linen fabric has a double row (off set) of cotton embroidered 'spots' 2 mm in diameter, and three rows of drawn thread work - one cm in width, 3.5 cm wide lace form the shoulder straps. The back opening fastens with six tiny 7cm pearl buttons, and hand-stitched button holes. The lower button fastens with a loop at the waistline 1880-90's. A 'fan' of pintucks, arched from 4 cm long at the ends, to 6 cm long at the centre, fans the midriff at the centre front, above the waistline - 28 tucks in total.costume, female, camisole.

Clothing. Child's cream coloured waisted organza dress. U shaped neckline with 1.5 cm lace trim with eyelet edge. Silk ribbon (1cm) threaded through eyelet lace. Organza fabric and bows. Large bow pattern of on centre front of bodice, on each sleeve and four bows around skirt connected with trailing ribbon pattern. Front bodice has decorative vertical pin tucks.Back bodice has vertical pin stripes and lace strip inserts. Centre back opening (35 cm) fastened with ribbon at neckline and five metal hooks with cotton loops. Two horizontal strips of lace around waistline. Long straight sleeves trimmed with 1.5 cm lace at wrist. Hem is trimmed with 1.5 cm lace. Dress is unlined.costume, children's, child's cream coloured linen petticoat

A dress belonging to the family of George Ward Cole in the late 1800s; possibly his wife Thomas Anne Ward Cole or one of his daughters, Margaret or Agnes. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn, brown silk, evening dress, circa 1860, consisting of a bodice and skirt. The bodice features an off the shoulder neckline edged with cream lace. A chevron design of black velvet trim, passes from the shoulders to the centre front waist, then hangs loosely to the hip line. The black velvet trim on the sleeves and the skirt is edged with a black fringe. The bodice (.1) base is finished in a v-shaped front at the natural waistline. There are short puffed sleeves also feature the black velvet fringed trim and lace at the edge along with three epaulette style strips, which pass from the shoulder seam to the edge of the sleeve. Each strip finishes with a decorative bobble. The bodice lining is cream glazed silk with steel boning, cotton tabs sewn into both sides have four eyelets for lacing. The dress has a full, floor length unlined skirt (.2) which is slightly longer at the back creating a modest train. The skirt has horizontal bands of the velvet trim and finishes with a box pleated trim of the dress fabric. The dress is fastened at the back using two connecting rows of black velvet covered buttons.brighton, st ninian's, 1860s, evening dress, george ward cole, thomas anne ward cole, margaret morison ward cole, agnes bruce ward cole

Clothing. Infant's cream coloured silk cape with collar and two layers. Semi-circular 180 degrees lined yoke section with round neckline with casing and fold over collar (18 cm). Collar has 9 cm frilled embroidered lace trim with scalloped edges. The cape has two layers both lined with linen fabric. The under layer (110 cm) is edged with 9cm frilled embroidered lace and three horizontal pleats above the hemline. The top layer (52 cm) is edged with 9 cm frilled embroidered lace with a 14 cm panel of embroidered lace across the centre of the cape. The layers create the effect of a long cape with a collar and a shoulder cape. The cape is fastened at the throat with silk fabric ties (8 cm X 50 cm) with fabric frills at the hem.costume, children's, infants cream coloured silk cape

Purchased from Baptist Community Care Shop in Station Street , Mitcham1980s Wedding dress with vee neckline, bodice coming to a point over waistline. Satin bodice with lace motives re-embroidered with pearl and sequins. Tulle yoke and sleeves with embroidered pattern lace motives and sleeve edge also re-embroidered. Satin bow on shoulders with pearl and sequins embroidering. Back of bodice to point over waistline, buttons down back - eleven self covered buttons over zip fasteners. Back waist finished with large bow at waist. Circular skirt gathered at bodice. Three panels inserted in centre front to 67cm high and 60cm wide. Attached underskirt. Train gathered to back waistline, two widths of material with embroidered lace inserts around hemline. Nine arrangements of embroidered lace flowers inserts over the train coming out of satin petal shaped pouches gathered at top to give an impression of a vase.costume, female ceremonial

High waisted bodice, with centre front seam, back opening fastened with metal press-studs, and finished on the right side, with ball-shaped pearl buttons sewn in pairs - six groups of two. A placket extends into the skirt at back, and is fastened with metal press-studs. Bodice is gathered onto skirt at waistline, and defined with a 1.5cm wide tape. An 8.5cm wide cotton lace frill is gathered around the high neckline. The wrist-length sleeves are an extension of the bodice and have a 4cm band, and 4cm wide gathered frill at the wrist. The sleeves are shaped from the high waistline, and also at the cuff edge. The skirt has an overlay of fine lace, made up of six X 17cm wide bands of lace, with a scalloped edge. No shoulder seams. Back opening and centre front seam indicate the cutting out layout of fabric. A one cm wide ribbon finishes the neckline, and the lace frill is hand stitched to the ribbon. Some seams are hand neatened. A 2.5cm wide flat bow finishes the back neckline.costume, female, cream satin and lace wedding dress