Showing 279 items
matching landscape centre
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Whitehorse Historical Society Inc.
Newspaper - Article, Paradise springs from wasteland, 14/02/1990
A landscape designer was appointed in 1993 to prepare a master plan after which the mammoth task of clearing and planting was undertaken and koalas and sugar-gliders introduced. Information Centre built.parks and reserves, brandenburg, john p, yarran dheran, mullum mullum creek, smith, dorothy g., koalas, sugar gliders, schwerkolt, johann august -
Ballarat Heritage Services
Digital photographs, L.J. Gervasoni, Warrnambool Koroit Street, c2011
Colour photograph of a roundabout at Koroit Street, Warrnambool.warrnambool, landscape, koroit street, shops, commercial centre -
Ballarat Heritage Services
Photograph - War memorial, Clare Gervasoni, Ballarat Prisoner of War Memorial, 11/03/2017
Designed in 2004 by sculptor Peter Lambert the memorial honours more than 35,000 Australians held prisoner of war during the Boer War, both world wars and the Korean War.Landscape featuring the Ballarat Prisoner of War Memorial. The memorial includes a 130 metre long wall of highly polished granite engraved with the names of all Australian prisoners of war. The paving stones at the centre of the path are cut in the shape of railway sleepers to symbolise the prisoners' journey. prisoner of war, ballarat priosner of war memorial, war memorial -
Ballarat Heritage Services
Photograph - Photograph -Colour, Clare Gervasoni, Interior of the Melbourne Exhibition Building, 2019, 31/03/2019
A competition was announced to design a suitable building for the proposed Melbourne International Exhibition in December 1877. Eighteen entries were received. The winner of 300 pounds was Joseph Reed of the architectual firm Reed and Barnes. The foundation stone was laid by Governor Sir George Bowen on 19 February 1879. Prominent Melbounre builder David Mitchell, father of Dame Nellie Melba, won the tender to construct the main building. Exhibitors were able to move in by May 1880. On 01 October 1880 the Melbourne International Exhibition opened, when over 6000 people entered the main hall to see the Governor, the Marquess of Normanby open the show. Thirty three nations participated and ofver 32,000 exhibits were displayed. At the close of the exhibition on 30 April 1881 over 1.3 million people had visited the exhibition. In 1881 Victoria's population was just over 250,000. The management of the Exhibition Building and eight hectares of the Carlton Gardens was handed to the Exhibition Trustees by the Melbourne International Exhibition Commissioners on 01 OCtober 1881. The Trustees maintained the building for 'future public exhibitions and ... general public instruction and recreation' until 1996 when management of the building was transferred to Museum Victoria. In 1901 when the Australian colonies federated there was no capital and no federal parliament building. The Federal Parliament moved into the Victorian State Parliament building, and the State Parliament moved into the Western Annexe of the Exhibition Building for 26 years. After World War One, on 04 February 1919, the exhibition Building was turned into a hospital to treat Melbournians struck down with the Spanis 'Flu'. Initially housing 500 beds, the hospital grew to accomodate 2000 patients. Femals were located between the concert platform in the western nave and the done; male patients occupied the spaces beyond. The basement was used a a morgue. With the departure of the State Parliament in 1927 the western annexe became home to the Country Roads Board. In 1932 it was joined by the MOtor Registration Branch, and the Transport Regulation Board in 1934. They co-existedin cramped offices until the 1960s. In 1949 the oval at the rear of the ExhibitionBuilding was leased to the Commonealth Government for the establishment of the Migrant Reception Centre. When it closed in 1961-62, the centre comrised 29 bungalows over 1.4 hectare. The centre provided temporary accomodation for thousands of new arrivals from Britain. On 01 July 2004 the Royal Exhibition Building and Carlton Gardens were inscribed on the World Heritage List. It is the only 19th century Great Hall to survive largely intact, still in its original landscape setting, and still used as a palace of industry. The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show.melbourne international flower and garden show, carlton gardens, melbourne exhibition building, royal exhibition buildings -
Ballarat Heritage Services
Photograph -Colour, Clare Gervasoni, Interior of the Melbourne Exhibition Building, 2019, 31/03/2019
A competition was announced to design a suitable building for the proposed Melbourne International Exhibition in December 1877. Eighteen entries were received. The winner of 300 pounds was Joseph Reed of the architectual firm Reed and Barnes. The foundation stone was laid by Governor Sir George Bowen on 19 February 1879. Prominent Melbounre builder David Mitchell, father of Dame Nellie Melba, won the tender to construct the main building. Exhibitors were able to move in by May 1880. On 01 October 1880 the Melbourne International Exhibition opened, when over 6000 people entered the main hall to see the Governor, the Marquess of Normanby open the show. Thirty three nations participated and ofver 32,000 exhibits were displayed. At the close of the exhibition on 30 April 1881 over 1.3 million people had visited the exhibition. In 1881 Victoria's population was just over 250,000. The management of the Exhibition Building and eight hectares of the Carlton Gardens was handed to the Exhibition Trustees by the Melbourne International Exhibition Commissioners on 01 OCtober 1881. The Trustees maintained the building for 'future public exhibitions and ... general public instruction and recreation' until 1996 when management of the building was transferred to Museum Victoria. In 1901 when the Australian colonies federated there was no capital and no federal parliament building. The Federal Parliament moved into the Victorian State Parliament building, and the State Parliament moved into the Western Annexe of the Exhibition Building for 26 years. After World War One, on 04 February 1919, the exhibition Building was turned into a hospital to treat Melbournians struck down with the Spanis 'Flu'. Initially housing 500 beds, the hospital grew to accomodate 2000 patients. Femals were located between the concert platform in the western nave and the done; male patients occupied the spaces beyond. The basement was used a a morgue. With the departure of the State Parliament in 1927 the western annexe became home to the Country Roads Board. In 1932 it was joined by the MOtor Registration Branch, and the Transport Regulation Board in 1934. They co-existedin cramped offices until the 1960s. In 1949 the oval at the rear of the ExhibitionBuilding was leased to the Commonealth Government for the establishment of the Migrant Reception Centre. When it closed in 1961-62, the centre comrised 29 bungalows over 1.4 hectare. The centre provided temporary accomodation for thousands of new arrivals from Britain. On 01 July 2004 the Royal Exhibition Building and Carlton Gardens were inscribed on the World Heritage List. It is the only 19th century Great Hall to survive largely intact, still in its original landscape setting, and still used as a palace of industry. The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show. Four mottoes are painted under teh windows of the dome: Dei Grecia (By the grace of God), Carpe diem (Make the most of the day), Aude sapere (Dare to be wise) and Benigno numine (With benighn power)melbourne international flower and garden show, carlton gardens, melbourne exhibition building, royal exhibition buildings -
Ballarat Heritage Services
Photograph - Photograph -Colour, Clare Gervasoni, Interior of the Melbourne Exhibition Building, 2019, 31/03/2019
A competition was announced to design a suitable building for the proposed Melbourne International Exhibition in December 1877. Eighteen entries were received. The winner of 300 pounds was Joseph Reed of the architectual firm Reed and Barnes. The foundation stone was laid by Governor Sir George Bowen on 19 February 1879. Prominent Melbounre builder David Mitchell, father of Dame Nellie Melba, won the tender to construct the main building. Exhibitors were able to move in by May 1880. On 01 October 1880 the Melbourne International Exhibition opened, when over 6000 people entered the main hall to see the Governor, the Marquess of Normanby open the show. Thirty three nations participated and ofver 32,000 exhibits were displayed. At the close of the exhibition on 30 April 1881 over 1.3 million people had visited the exhibition. In 1881 Victoria's population was just over 250,000. The management of the Exhibition Building and eight hectares of the Carlton Gardens was handed to the Exhibition Trustees by the Melbourne International Exhibition Commissioners on 01 OCtober 1881. The Trustees maintained the building for 'future public exhibitions and ... general public instruction and recreation' until 1996 when management of the building was transferred to Museum Victoria. In 1901 when the Australian colonies federated there was no capital and no federal parliament building. The Federal Parliament moved into the Victorian State Parliament building, and the State Parliament moved into the Western Annexe of the Exhibition Building for 26 years. After World War One, on 04 February 1919, the exhibition Building was turned into a hospital to treat Melbournians struck down with the Spanis 'Flu'. Initially housing 500 beds, the hospital grew to accomodate 2000 patients. Femals were located between the concert platform in the western nave and the done; male patients occupied the spaces beyond. The basement was used a a morgue. With the departure of the State Parliament in 1927 the western annexe became home to the Country Roads Board. In 1932 it was joined by the MOtor Registration Branch, and the Transport Regulation Board in 1934. They co-existedin cramped offices until the 1960s. In 1949 the oval at the rear of the ExhibitionBuilding was leased to the Commonealth Government for the establishment of the Migrant Reception Centre. When it closed in 1961-62, the centre comrised 29 bungalows over 1.4 hectare. The centre provided temporary accomodation for thousands of new arrivals from Britain. On 01 July 2004 the Royal Exhibition Building and Carlton Gardens were inscribed on the World Heritage List. It is the only 19th century Great Hall to survive largely intact, still in its original landscape setting, and still used as a palace of industry. The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show. Four mottoes are painted under teh windows of the dome: Dei Grecia (By the grace of God), Carpe diem (Make the most of the day), Aude sapere (Dare to be wise) and Benigno numine (With benighn power)melbourne international flower and garden show, carlton gardens, melbourne exhibition building, royal exhibition buildings -
Whitehorse Historical Society Inc.
Photograph, Britannia Mall, Mitcham, 2007
Coloured Photograph of Britannia Mall looking south, after completion of development and landscaping works.britannia mall, mitcham, shops, shopping centres -
City of Ballarat Libraries
Photograph, Eureka Stockade Memorial, Ballarat East circa 1900
Eureka Memorial not yet landscaped.eureka memorial, monuments, east ballarat -
City of Ballarat Libraries
Card Box Photographs, Eureka Stockade Memorial, Ballarat East 1899
Surrounds of the Eureka Stockade Memorial before landscaping.eureka stockade memorial, ballarat east, stawell street, monument, public -
City of Ballarat Libraries
Photograph - Card Box Photographs, View of Sovereign Hill before the development of the historical village circa 1960
Shows a south west view towards Sovereign Hill before the establishment of the Ballarat Historical Park Association.sovereign hill, private dwellings, landscape, ballarat, mt pleasant -
City of Ballarat Libraries
Postcard - Card Box Photographs, Palm Walk, Ballarat Botanic Gardens circa 1900
Garden path edged with palms in the Ballarat Botanic Gardens.ballarat botanic gardens, public, landscape -
City of Ballarat Libraries
Photograph - Card Box Photographs, Eureka Memorial, Ballarat 1903
Panorama view of the Eureka Memorial. The garden has yet to be landscaped.eureka memorial, gardens, public -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 2 Silverleaf Crt., Forest Hill, 1996
A property illustration by Margret Picken Commissioned by the real estate agency Woodards Real Estate Blackburn for the purpose of advertising 2 Silverleaf Crt., Forest Hill. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 2 Silverleaf Crt., Forest Hill, of a two story rendered house setback from a landscaped front garden, with a attached two car garage. There are two hole punch holes near the centre of the upper edge.2 Silverleaf Crt., Forest Hill Picken - 96 Woodards - B/burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill, real estate -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Gibson, Tim, 1998
Built 1987c by American businessman in Cape Cod style, builder unknown, was barge superintendent for McDermott's.|Also three other colour photographs, groups of people in outside courtyard, and inside at tables for luncheon.Colour photograph of The Gables, a large multi-gabled dwelling of red brick with tiled roof, dormer windows in upper storey at 1 - 9 Creighton Street. Developed as Bed and Breakfast accommodation by Bruce and Maureen Livingstone between 1994 and 2004. Surrounded by landscaped gardens. Kalimna Lakes Entrance Victoriahouses -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1999
Known as Powerlot, built by George Packer, a local builder for Jim McLaughlin in 1914. During Olsen family ownership house was altered. The two acre site once had landscaped garden and orchard. Flat roof has lead lined walkway for viewing lakes and sea. Story goes 'The German raider Wolf was observed signalling during WW1'.Colour photograph of a white painted timber dwelling set on a high vantage point at Stirling Road consisting of two wings, one with flat roof and veranda on three sides, the other more recently built has hipped roof. Metung Victoriahouses, tourism, heritage study -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph
Black and white photograph of the new Bellevue Motel Units, with landscaping between units and front fence on the Esplanade.motels, architecture, tourism -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/06/1996 12:00:00 AM
Black and white photograph of Greg Jenkins and Scott Cassells of Lakes Entrance Landscapers in a cherry picher about to prune a tall tree with a chainsaw Lakes Entrance Victoriabusinesses -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Painting - Oil, Three Trees
Painting by Charlotte Rippert, a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.Framed oil painting - Three gum trees in foreground (trunks) - fence and meandering fields in the centre and a blue low-rise hill in the backgroundPainting - "C. R. Australia..." (cut off by frame)landscape -
Robin Boyd Foundation
Newspaper - Clipping, The Sun, Going back to 1850s, 19.11.1971
This article anticipates the opening of the new Tower Hill centre. It compares the 1855 landscape of Tower Hill painted by Eugene von Guerard with the today's landscape - very different indeed.p 16tower hill, von guerard, walsh st library -
South Gippsland Shire Council
Photograph, colour, Last Light at Mount Best, 2006
Framed colour photograph titled " Last Night at Mount Best" The landscape features a red building in the centre of green rolling hills. Black card window mount. Glossy black timber frame. Two gold screws with nylon hanging cord on back . -
Department of Health and Human Services
Photograph, Colanda History - Buildings & Landscapes - Wren unit 2019 - Dining area taken from day room
The Colac, Victoria-based Colanda Centre was one of the last Victorian institutions and offered disability accommodation from 1976, when it was established, until 2019, with its closure.Digitised colour photograph of the Colanda Centre Wren Unit dining area, taken from the day room in 2019. colanda, colac, disability services, residential services, disability, digitised photograph -
Department of Health and Human Services
Photograph, The front of the Olney Rehabilitation Centre building - Buildings, vehicles & landscape at Gresswell Sanitorium Mont Park
... The front of the Olney Rehabilitation Centre building... Melbourne melbourne The front of the Olney Rehabilitation Centre ... -
Department of Health and Human Services
Photograph, A stone wall, landscaping, & buildings, all constructed by residents circa 1970s at Sandhurst Training Centre
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Department of Health and Human Services
Photograph, Landscape View of a Ward 6 Outing for a BBQ - Bundoora Repatriation Hospital - Day Centre - Photographs taken by Patients ( Series 59 ) - Parties & Outings - 1986 To 1992
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South Gippsland Shire Council
Photograph
Framed colour photograph featuring a landscape showing low hills, ploughed paddock in foreground and dams in centre. Brown timber frame. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69. -
Southern Sherbrooke Historical Society Inc.
Poster - Assorted posters
Assorted posters sent to the society. Contains: 0414 - Laminated poster promoting the history of Aboriginal station Coranderrk. 0415 - Poster commemorating the centenary of Federation. 0416 - Poster commemorating the centenary of Australian Federation. 0417 - Double-sided poster promoting the history of Federation in Australia in 1901. Highlights a snapshot of life in Australia in 1901. 0418 - Double-sided poster commemorating the centenary of Australian Federation. One side is a replica of a Federation poster in 1901, and the other side is a timeline of events leading to Federation in 1901. 0419 - Printed poster for the 'Fire Cycle' event held by the Dandenong Ranges Music Council, Inc. at Belgrave Heights Convention Centre on October 8th-9th 2005. Feature possum on a human's hand in front of a burnt landscape. 0422 - Poster of Station Pier. 0423 - Poster focusing on clay pipes from the shipwreck of "Victoria Tower" near Torquay in 1869. 0424 - 2 posters, one green and one blue, about the life of lyrebirds. -
Ballarat Tramway Museum
Document - Photocopy, Gregory Burgess Pty Ltd and Architects and, "Landscape Plan for Potential Ex-POW Memorial & Ballarat Botanical Gardens Interpretation Centre", Nov. 2005
Three page photocopy consultation document titled "Landscape Plan for Potential Ex-POW Memorial & Ballarat Botanical Gardens Interpretation Centre" showing concept plans for the development to the east of the tram depot and for the POW memorial. The project did not proceed. Prepared by Gregory Burgess Pty Ltd, Architects, November 2005.trams, tramways, gardens, depot, botanical gardens -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Model, Alan W. Chandler, Brighton Municipal Complex, 1959
This model of the Brighton Municipal Offices was made by Alan W. Chandler. The Brighton Municipal Offices were designed by Kevin Knight of Oakley and Parkes with the engineers John Connell and Associates and were erected by Prentice Builders Pty Ltd. The foundation stone was laid on 13 February 1959 and the building was opened on 21 July 1961. The interior decoration and furniture was by Grant Featherston. As is common practice, an architectural model was prepared to present the final concept of the building for approval to the Brighton City Council. In February 1959 festivities occurred to celebrate the centenary of the municipality of Brighton. A garden party attended by two hundred Brighton residents was held in the grounds of the Brighton Town Hall. This model graced the centre of the lily pond during the event. The following day the foundation stone of the Brighton Municipal Offices was laid.Architectural model of a large public building in orange brick, the main cylindrical tower is set within a rectangular structure, with circular and oval roof structures. The model is set within landscaped grounds with paths, a water feature, several trees and bushes, lawns and flower beds.brighton municipal complex, brighton civic centre, brighton chambers, architectural model, model, alan w. chandler, kevin knight, oakley and parkes, architecture, municipal offices, municipal building, scale model -
Ballarat Tramway Museum
Book, Keith Kings, "Bendigo's Vintage Talking Trams"
Book - "Bendigo's Vintage Talking Trams" - Edited by Keith Kings tells the story of Bendigo's trams from the battery tram days through to the operation by the Bendigo Trust. Includes the script of the Talking tram (Nov. 1996) and the tram fleet at the time. Has a table of contents, editor's notes and a colour map of the trip with script or talking points.Yields information about Bendigo's trams and that of the Bendigo Trust operations and fleet.Book - A5 landscape, 100 pages + card covers centre stapled, with some colour pages.bendigo, musuems, bendigo trust, keith kings, trams, tramways -
Kew Historical Society Inc
Plan, Melbourne & Metropolitan Board of Works : Borough of Kew : Detail Plan No.1576, 1904
The Melbourne and Metropolitan Board of Works (MMBW) plans were produced from the 1890s to the 1950s. They were crucial to the design and development of Melbourne's sewerage and drainage system. The plans, at a scale of 40 feet to 1 inch (1:480), provide a detailed historical record of Melbourne streetscapes and environmental features. Each plan covers one or two street blocks (roughly six streets), showing details of buildings, including garden layouts and ownership boundaries, and features such as laneways, drains, bridges, parks, municipal boundaries and other prominent landmarks as they existed at the time each plan was produced. (Source: State Library of Victoria)This plan forms part of a large group of MMBW plans and maps that was donated to the Society by the Mr Poulter, City Engineer of the City of Kew in 1989. Within this collection, thirty-five hand-coloured plans, backed with linen, are of statewide significance as they include annotations that provide details of construction materials used in buildings in the first decade of the 20th century as well as additional information about land ownership and usage. The copies in the Public Record Office Victoria and the State Library of Victoria are monochrome versions which do not denote building materials so that the maps in this collection are invaluable and unique tools for researchers and heritage consultants. A number of the plans are not held in the collection of the State Library of Victoria so they have the additional attribute of rarity.Original survey plan, issued by the MMBW to a contractor with responsibility for constructing sewers in the area identified on the plan within the Borough of Kew. The plan was at some stage hand-coloured, possibly by the contractor, but more likely by officers working in the Engineering Department of the Borough and later Town, then City of Kew. The hand-coloured sections of buildings on the plan were used to denote masonry or brick constructions (pink), weatherboard constructions (yellow), and public buildings (grey). Development in the 20th century has irreparably altered that part of Kew represented in this plan. In the block bounded by Cotham Road, Charles Street, Wellington Street and Gellibrand; just one house standing in 1903 remains. This block included two of the most historic houses in Kew: ‘Ordsall’ (later ‘Southesk’) and ‘Madford’ (previously ‘Elm Lodge’). Ordsall was the home of the second chairman of Kew, John Halfey. It contained some of the most significant interior murals in Kew, created for Halfey by artists working for Cullen & Co. It was demolished in 1960 to make way for the Kew Civic Centre. Elm Lodge had been built for William Siddeley in ca. 1864. Arthur Septimus King purchased it in 1874. The lower paddocks of Madford were sold in 1905 by his wife to the Borough of Kew and, after landscaping by George and Thomas Pockett, opened as the Alexandra Gardens in 1908. Elm Lodge/Madford was in 1922 to become St. Anthony’s Home for Little Children before its subsequent demolition in the 1980s.melbourne and metropolitan board of works, detail plans, maps - borough of kew, mmbw 1576, cartography