Exercise book containing lined pages, used by Iris Webb for her English classes in 1959. Text on approximately 200 pages.See PDF's above. On front cover: Iris Webb, 4A English.williamstown high school, 1959, iris webb, english, student work

Donated by Jessie Smith (nee Small)Photograph of group of children with woman in background. Willow trees and foliage in background. A part of the Small family of Shetland Heights Homestead. Jessie & Marian wearing bonnets. Zilphe in background holding either Jessie or Marian.picnic group, phillip island, jessie smith, group of children, small family, zilphe small, jessie small, marian small

Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1995oil on canvas

Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1998oil on board

This work forms a pair with Untitled #4 (fox bones – pattern) / This work draws on ideas of death and the traces of a body that death leaves behind / The work aims to confront the viewer with the concept of death, but it is not morbid or macabre in its consideration of it / Instead of fear the work presents a quiet and beautiful image that aims to portray a feeling of acceptance in the inevitable destruction of one's body / In this work the bones of a deceased fox were meticulously cleaned, bleached and layed out for photographing / No digital manipulation was used to arrange the bones / The same bones from the same fox were rearranged and used for the other work in this series. This work was completed in 2012 as part of the artist's residency in 2011 at Birrarung, Laughing Waters (Laughing Waters Artist in Residence program - LWAIR) managed by Nillumbik Shire Council / Works produced there take inspiration from the natural landscape and the creatures living within that particular environment.Print - digital photograph printed on hahnemuhle photo rag paper / edition 2 of 8 + 2 artist prints / Individual fox bones placed/layed out on a white background and arranged in an orderly fashion according to size and shape / Beige/neutral in colour / Blonde timber frame.No signatures / no personal markings / no framers identified. digital print / fox / bones / ordered / photograph / laughing waters / birrarung / imam / death

This work forms a pair with Untitled #3 (fox bones – ordered) / This work draws on ideas of death and the traces of a body that death leaves behind / The work aims to confront the viewer with the concept of death, but it is not morbid or macabre in its consideration of it / Instead of fear the work presents a quiet and beautiful image that aims to portray a feeling of acceptance in the inevitable destruction of one's body / In this work the bones of a deceased fox were meticulously cleaned, bleached and layed out for photographing / No digital manipulation was used to arrange the bones / The same bones from the same fox were rearranged and used for the other work in this series.This work was completed in 2012 as part of the artist's residency in 2011 at Birrarung, Laughing Waters (Laughing Waters Artist in Residence program - LWAIR) managed by Nillumbik Shire Council / Works produced there take inspiration from the natural landscape and the creatures living within that particular environment.Print - A digital photograph printed on hahnemuhle photo rag paper / edition 2 of 8 + 2 artist prints / Individual fox bones placed/layed out on a white background and arranged in an outward circular pattern. Beige/neutral in colour / Blonde timber frame. No signatures / no personal markings / no framers identified.digital print / fox / bones / pattern / photograph / laughing waters / birrarung / imam / death

Imam is represented in the Nillumbik Shire Art Collection and was the winner of the 2015 Nillumbik Prize for her work "Diagram of sentiment #1" (judged by Linden New Art Director Melinda Martin). She was also a finalist in the Nillumbik Prize 2016, 2015, 2013 and 2010. Imam completed a residency at Laughing Waters in 2011. Imam works within photography, the moving image and installation to create works centred on themes of embodiment and the female perspective. In this work she participates in a dialogue between her body and the Finnish Archipelagos in order to develop a relationship with the islands as both a place and an organic body [of land] where flux and change occurs. Photograph of the artist immersed from the waist down in green moss (landscape).N/Afinnish, archipelago, inkjet, print, photographic, body, island, moss

Drypoint etchingTitled, edition 1/25, signed and dated 1923 under printed imagefactory, industrial, etching, architectural

This work depicts the coast at Black Rock. Figures in early 20th century outfits are dotted on the oxide rocky outcrops in the foreground and beyond the water the hazy Red Bluff cliff dominates the coast.Impressionismoil on canvasbeach, coast, figures, jessie traill, red bluff, bayside, black rock, bathers, port phillip bay, bay, water

etchingbridge, boats, reflection, water, etching, print, jessie traill, melbourne, yarra, river

London : Longmans, Green, 1961 203 p. : ill. ; 22 cm. non-fictionchildren's history, australia -- history -- 20th century.

London : Longmans, Green, 1954 xii, 175 p. : ill. ; 23 cm. non-fictionaustralia - history, history - children's books

Purchased, 1999Watercolour on papergippsland, artwork, permanent collection

Purchased with the assistance of Brian and Raynor Castles, John and Annette Gibson, Rob and Margaret Ziffer, and Graeme and Alida Dyer, 2017Watercolour on papergippsland, artwork, permanent collection

Ill, p.131.The experience of Australian nurses as captives of the Japaneseworld war 1939-1945 - prisoners of war - japan, world war 1939-1945 - personal narratives - australia

Correspondence re descendants of George Guthrie from Jessie Guthrie, Western Australia July 1975. Interested in whether George (Bendigo Pottery) was a relation of her husband? Information about the author's husband's family in letter to BHS, Reply (Sep. 1975) re George Guthrie and Pottery history. Other names included in the letter are;Dave, Alexander, James, Adam, Charlotte and Mary Guthrie. Also a cousin Colin Guthrie. Mention of Wedderburn Victoria.Jessie Guthrieperson, individual, george guthrie

owned by The Pointon family relatives of the Webb family one of the first coridial makers in Port Fairybottle with an indent below neck to hold marble from entering the liquid has a cone shaped neckWEBB BROS AERATED WATERS PORT FAIRYcordial, factory, webb, bottle, soft drink

Describes Mrs Jessie Angus's participation in the Diamond Valley Carol Service over a period of 69 years.Mrs Jessie Angus was a local identity in the Greensborough area. She was a member of the Partington family and involved in local activities.Newspaper clipping. Black and white. Photograph of Mrs Jessie Angus and text.jessie partington, jessie may angus, partington family, diamond valley carols service

Webb Bros cordial FactoryLarge glass soda syphon with engraved label on side and silver coloured metal spout and glass straw inside handle is missingWEBB BROS TRADE _engraved crown in centre MARK PORT FAIRY-webb bros, webb & sons, bottle, cordial, factory, belfast, port fairy, soda syphon

Note by by T.H. Kneen 5 February 1992, "Student is Heather Hill (1949)-working alongside Webb-Way Irrigation System. I believe the Webb-way System was developed by Mrs Webb a progressive citrus grower in the Doncaster district and a good friend of Principal J.L. Provan." See it also in B98.1016.Black and white photograph. Female student working along rows of plants in the Orchard with a hoe. Webb-way irrigation system installed along the row.female students, heather hill, mrs webb, j.l. provan, student working outside, orchard, webb-way irrigation system, hoeing

JOHN AND JESSIE WILLIS (NEE DAWSON). THE DAWSON FAMILY LIVED FOR MANY YEARS IN ALBERT STREET CLUNES. JOHN WILLIS WAS A SCHOOL TEACHER AT THE CLUNES HIGHER ELEMENTARY SCHOOL.SEPIA WEDDING PHOTOGRAPH OF JOHN AND JESSIE WILLIS (NEE DAWSON)MAYFAIR BALLARATlocal history, photography, photographs, dawson family

Refers to Service of 3/745787 Lieut. K. J. Mackay.1. Black wool uniform jacket. Four pockets. Four gold buttons on front centre. Top pockets - brass button each. Motif on button is a shield with a crown. Collar badges of 38 Bn Northern Victorian Regiment. Two gold pips on epaulettes. 2. Trousers black. Red stripe on leg outers. Fly shuts with black buttons. Waistline has black buttons. Two side pockets, One rear pocket, One fob pocket. 3. Shirt - cream/white. One breast pocket. Opaque plastic buttons. 4. Cap - Officers. Black with red band. Silver 38 Bn badge. 5. Tie - black silk. 6. Belt - black, wool with brass bronze.1. Written in jacket 3/745787 - K.J. Mackay. 2. Written inside trousers - Sgt. Mackay K.J. SP COY. 3/745787 K.J. Mackay.38 bn, post ww2, passchendaele barracks trust

Article from The Age about Harold Connell who has been Greensborough Plaza Santa for more than 40 years.News article reprinted from a digital copy from The Age, text and image.greensborough plaza, greensborough rsl, christmas, harold connell

Three posters from the University of Ballarat (now Federation University Australia) Equity and Equal Opportunity Office.equity, equal opportunity, barbara webb, anti-harassment, fox, donkey, bird

Four posters from the University of Ballarat (now Federation University Australia) Equity and Equal Opportunity Officeposter, equity, equal, fox, donkey, bird, barbara webb, equity and equal opportunity, anti harassment