Showing 304 items
matching local theatre
-
Clunes Museum
Programme
PROGRAMME FOR THE CLUNES FILM AND AMATEUR THEATRE SOCIETY PRESENTATION OF " A MURDER IS ANNOUNCED"local history, documents, programmes, clunes film and amateur theatre society inc. -
Clunes Museum
MEDALS
Milton Arthur Williamson was born in Clunes, Victoria and enlisted at 22 years and 5 months on 29/3/1915. He embarked for Alexandria on 30/8/1915. He was injured during duty and had continual problems with his knee. He was returned to Australia on 10/9/1917 following several appearances before the Medical Board of the Australian Military Offices of London and Kent in the United Kingdom. The termination of his appointment was effected on 4/3/1918 and he was medically discharged from the AIF. L-R 4.The Australia Service Medal 1939-1945 was instituted in 1949 to recognise the service of members of the Australian Armed Forces and the Australian Mercantile Marine during World War II. 3.The Victory Medal was awarded to prescribed classes of persons who entered a theatre of war on duty between 5 August 1914 and 11 November 1918. 2.The British War Medal instituted by King George V in 1919 to mark the end of World War I and record the service given. *PTE SS WILLIAMSON 1.The 1914–15 Star was authorised in 1918 and was awarded for service in specified theatres of war between 5 August 1914 and 31 December 1915.4 MEDALS : L-R WITH RIBBONS 1. BRONZE : STAR SHAPED MEDAL 1914-1915 ON BANNER. BACK 1112 SPR M A WILLIAMSON 2/ DIV SIG COY AIF 2. PEWTER - ROUND MEDAL FACE OF GEORGE V - BACK 1914-1918 NUDE MAN ON HORSE WITH 2 FEET OFF GROUND. RIM : 636 PTE SS WILLIAMSON 8 BN AIF 3. ROUND MEDAL ANGEL IS HOLDING A PALM BRANCH BACK : ENCIRCLED BY WREATH - THE GREAT WAR FOR CIVILISATION 1914-1919 4. ROUND SILVER MEDAL PROFILE OF GEORGE VI. BACK : AUSTRALIAN COAT OF ARMS ENCIRCLED BY THE AUSTRALIAN SERVICE MEDAL 1939-1945 RIM : W 71800 A M WILLIAMSON RIBBON NAVY, RED, BEIGE, SKY BLUElocal history, numismatics, medals, military -
Clunes Museum
Equipment - AUROSCOPE
... IN THE OLD CLUNES HOSPITAL IN THE OPERATING THEATRE LOCAL HISTORY ...USED IN THE OLD CLUNES HOSPITAL IN THE OPERATING THEATREBOX : SQUARE WOODEN BOX OVERLAID WITH BLACK LEATHER, LINED IN DEEP BLUE VELVET WITH SHAPED RECESSES FOR 4 X AURISCOPE PARTS. INSTRUMENTS : SILVER "TRUMPET" SHAPED INSTRUMENT WITH THREE SIZES OF SILVER ATTACHMENTSlocal history, medical equipment, medical -
Clunes Museum
Instrument - GUT CUTTER, Elliott Bros, Unknown
... IN THE OLD CLUNES HOSPITAL OPERATING THEATRE local history medicine ...USED IN THE OLD CLUNES HOSPITAL OPERATING THEATRETWO STAINLESS STEEL TUBES CHAINED TOGETHERELLIOTTS SYDNEYlocal history, medicine, medical equipment, medical -
Clunes Museum
Instrument - GUT CUTTER
... IN THE OLD CLUNES HOSPITAL OPERATING THEATRE local history medicine ...USED IN THE OLD CLUNES HOSPITAL OPERATING THEATRETWO STAINLESS STEEL TUBES CHAINED TOGETHERD.H.A.local history, medicine, medical equipment, medical -
Clunes Museum
Programme - PROGRAM, 2006
PRODUCTION OF "THE BOYFRIEND" ON 14,15,21,22, JULY 2006.PROGRAM FOR THE PRESENTATION OF "THE BOYFRIEND". AT CLUNES TOWN HALL IN JULY 2006.local history, document, programs, clunes film and amateur theatre society inc. -
Clunes Museum
Programme, 2005
PRODUCTION OF "DIMBOOLA" PRESENTED IN CLUNES TOWN HALL FRIDAY 2ND AND SATURDAY 3RD DECEMBER, 20052 X BLACK AND WHITE PRINTED PROGRAMMES FOR PRODUCTION OF "DIMBOOLA" PRESENTED BY THE CLUNES FILM & AMATEUR THEATRE GROUPlocal history, documents, programmes, events and celebrations, film & theatre -
Clunes Museum
BROCHURE
BROCHURE ADVERTISING THE PLAY "THE BOY FRIEND" PERFORMED AT THE CLUNES TOWN HALLlocal history, document, brochure, clunes film and amateur theatre society inc. -
Clunes Museum
PROGRAM
PROGRAM OF THE PLAY DIMBOOLA PRESENTED AT THE CLUNES TOWN HALL.local history, document, program, clunes film and amateur theatre society inc. -
Clunes Museum
Equipment - AUROSCOPE
... IN THE OLD CLUNES HOSPITAL IN THE OPERATING THEATRE local history ...USED IN THE OLD CLUNES HOSPITAL IN THE OPERATING THEATREBOX : SQUARE WOODEN BOX OVERLAID WITH BLACK LEATHER, LINED IN DEEP BLUE VELVET SHAPED RECESSES FOR AUROSCOPE PARTS Five instruments in box INSTRUMENTS : STAINLESS STEEL SHAPED INSTRUMENT WITH THREE SIZES OF STAINLESS STEEL ATTACHMENTSlocal history, medicine, medical equipment, medical -
Clunes Museum
Instrument - STAINLESS STEEL SAW, UNKNOWN
... IN THE OLD CLUNES HOSPITAL IN THE OPERATING THEATRE LOCAL HISTORY ...USED IN THE OLD CLUNES HOSPITAL IN THE OPERATING THEATRESTAINLESS STEEL SAW USED FOR SURGERY / DISSTON BRANDlocal history, medicine, medical equipment, medical -
Clunes Museum
Equipment - ANAESTHETIC FRAMES
... IN THE OPERATING THEATRE local history medicine surgery medical OVAL METAL ...USED IN THE OPERATING THEATREOVAL METAL FRAMES WHICH HAVE A HINGED BACK PIECE WITH WHICH TO HOLD A CLOTH? IN PLACE.local history, medicine, surgery, medical -
Clunes Museum
PETHADINE BOX
... IN THE OPERATING THEATRE AT CLUNES HOSPITAL local history medicine ...USED IN THE OPERATING THEATRE AT CLUNES HOSPITALCARDBOARD BOX WHICH HAS CONTAINED AMPOULES OF PETHADINE HYDROCHLORIDE INSIDE THE BOX ARE 4 METAL "BLADES"? WITH A SERRATED EDGE ON ONE SIDE'WELLCOME' BRAND INJECTION OF PETHIDINE HYDROCHLORIDE. POISON D 12 AMPOULES. 100MG IN 2 ML. A STERILISED SOLUTION FOR SUBCUTANEOUS INTRAMUSCULAR OR INTRAVENOUS INJECTION. FOR USE UNDER MEDICAL DIRECTION.local history, medicine & surgery, medical -
Clunes Museum
Programme, 2007
PRODUCTION PRESENTED ON MARCH 2ND, 3RD,9TH & 10TH, 2007 AT ST. PAUL'S ANGLICAN CHURCH HALL.PROGRAMME FOR PRODUCTION OF "A MURDER IS ANNOUNCED" BY THE CLUNES FILM & AMATEUR THEATRE GROUPlocal history, documents, programmes, events and celebrations, film & theatre -
Nillumbik Shire Council
Drawing (Pastel): Nicholas Nedelkopoulos (b.1955 Melb, AUS), Nicholas Nedelkopoulos, The Sneeze, 1995
Nicholas Nedelkopoulos is an established artist, his work is represented in the Metropolitan Museum of Art, New York, the National Gallery of Australia and in numerous International and Australian Public and Private Collections. His work has been included in major historic exhibitions: the National Gallery of Australia's Federation touring exhibition, The Australian Bicentennial Folio and Victoria's 150th Anniversary exhibition curated at The State Library of Victoria and National Gallery of Victoria. He has a Diploma of Fine Arts from Victorian College of the Arts, a Master of Fine Art from the University of Melbourne (Victorian College of the Arts) and has a Doctorate from Monash University. Nedelkopoulos' work is based strongly in graphic tradition which can be seen throughout all of his media.'The Sneeze' alludes to a feverish response, an irritation, a period of temporary discomfort, or a sign of sickness. On a visit to Eltham in 1995 Nedelkopoulos became aware of the disquiet felt by many residents because local government was not in the hands of elected representatives. 'The Sneeze' is an allegorical work, which serves as a reminder of this period in our municipal history. Nedelkopoulos has constructed an environment similar to a theatre set in which every element is a symbol to be deciphered. Whether you read the red-nosed figure as democracy being challenged by the political circumstance, as representing the unelected commissioners surrounded by the criticism of the community, or as another player in the story, to unravel the meaning of individual elements will provide direction and add weight to your interpretation. Without knowledge of the artist's intention the work can convey quite straightforward messages and responses. For example, the misery of hayfever in Spring, or how germs spread from a single sneeze. Such ideas are relevant and provide the metaphoric basis for a more in-depth analysis.Pastel drawing on paper. Image depicts a small black figure with a small monkey on a lead. The figure has a red nose to which he is holding a tissue. He is walking through what appears to be a flowering forest.nedelkopoulos, the sneeze -
Whitehorse Historical Society Inc.
Photograph - Black and white photograph, Blackburn Hall Blackburn
Used by Robin Da Costa in 'Blackburn: a picturesque history' Blackburn Hall, built 1888 on present site of Blackburn Branch Library, demolished March 1965. Photo of an Arbor Day . gathering of local children outside the hall.|See page 85 of Da Costa book. Was also known as the "bug house"" when it was a picture theatre.Black & white photo of Blackburn Hall, built 1888 on present site of Blackburn Branch Library, demolished March 1965. Photo of an Arbor Day gathering of local children outside the hall..|See page 85 of Da Costa book.blackburn hall, blackburn branch library, blackburn -
Ballarat Heritage Services
Newspaper clipping, Spotlight on Local Talent, Thursday 14 June 2012
1/2 page newspaper clipping with photograph of Dark holding a playing cardSpotlight on Local Talent AT A GLANCE What: Made in Ballarat concert When: Sunday, June 24, at 2pm Where; HER MAJESTY'S THEATRE, 17 LYDIARD STREET SOUTH Tickets: Adult $37.50, concession $30 Details: Call 5333 5888 or visit www.hermaj.com.au Caption under photo: SOPRANO: Ballarat alumni Jacqueline Dark in Opera Australia's production of Arabella. Picture Jeff Busby -
Numurkah & District Historical Society
Isolation Ward Medical Displays - overview
Shelf One – North End of Isolation Ward 1 x slipper enamel bedpan 1 x enamel pan with spout 1 x stainless steel bedpan 1 x stainless steel urinal 2 x ceramic urinals 1 x ceramic bowl Shelf Two – North end of Isolation Ward 1 x small enamel kidney dish 2 x slipper ceramic bedpans 1 x enamel wash-bowl & jug Shelf Three – North end of Isolation Ward 1 X dry Steriliser Shelf Four – North end of Isolation Ward 1 X steam Steriliser Shelf One – South end of Isolation Ward 1 x nurse’s dictionary Domestic Medical Practice Book Doctor and Specialist Book Aids to Gynaecological Nursing Book Foundations of Anatomy & Physiology Book 2 x thermometers 1 x stainless steel swab bowl 1 x ophthalmoscope 1 x stainless bowl & bandages 1 x scissors/ tweezers kit 1 x large operating scissors & 1 x operating tweezers 1 x camode pot 1 x sigmoidoscope 3 x plessors Shelf Two – South end of Isolation Ward 1 x ceramic jug Kaarimba Ladies Auxiliary History of Num. Dist. Health Nursing Certificates & Notebooks – Winifred Smith Shelf Three – South end of Isolation Ward Nursing Certificates & Notebooks – Winifred Smith Shelf Four – South end of Isolation Ward 1 x white enamel bucket 1 x enamel bowl Glass Cabinet: Premature Babies Book Handbook of Paediatrics Various health brochures 1 x enamel potty, dry liners, nappy pins 1 x infant welfare leather case 2 x breast pump 2 x dippers Medical Items placed around the room 1 x kidney dish with syringes & bandage 1 x stethoscope 1 x catheters 1 x oxygen tubing 1 x hospital bed (pre-dates 1950’s eg from local private hospital) 1 x operating table and 1 x theatre stool (original Numurkah Hospital 1950’s) 1 x heart table 1 x dental chair, mouthwash dish & stand 3 x wooden crutches 1 x early dentist chair 1 x Infant Welfare Centre sign hospital, medical equipment -
Ballarat Tramway Museum
Document - Photocopy, Ballarat Tramway Museum (BTM), "Cottage to go for bypass", "Fun tram just the ticket", 1991
1099.1 - photocopy of an article in The Courier, Ballarat Tuesday Feb. 9 1988, page 17 of the house that contained Ballarat ESCo tram No. 12 in the Tuesday Heritage Column of the newspaper. Contains a photograph of the house containing the tramcar. Newspaper Clipping details the former occupiers, the Rayner family, the construction of the extensions around the tramcar, family use, family history and some details of the family members and other local history. The copy of the newspaper Clipping has numerous pin holes in the corner and the rust marks due to use on a display on Tram No. 12 in a display board in the depot from about 1991 to 1998. From a copy made from the newspaper Clipping collection held by Alan Bradley. 1099.2 - copy made March 1999 of the same Clipping for record purposes and to have a good copy. (2 copies held). Also has a review by John Hindle of the "Storming St. Kilda by Tram", presented by TheatreWorks aboard a special tram for St. Kilda, from the Herald Newspaper dated 15/3/1988. Collected by Alan Bradley.trams, tramways, nerrina, rayner family, theatre, esco -
Ballarat Tramway Museum
Document - Guide Book/notes, McConnell's, "McConnell's District Guide - Ballarat", 1924
Yields information about Ballarat's and district government and local services and business's through advertising, timetables, providing addresses.Thirty two page + covers, Guide Book titled "McConnell's District Guide - Ballarat" for 1924. Covers - orange with title and advertising and calendar for 1924 and 1925 on inside of rear cover. Inside pages, missing pages 23 to 26 (see note below) printed on semi gloss paper with district information and Advertisements. Pages 7 to 11 loose - due to removal of other pages. Centre stapled. Page 1 has a table of contents, giving municipal and district information including banks, clubs, Councillors, Hospitals, JP's Industries, Medical, Newspapers, Parks, Places of interest, schools, train and bus timetables and trams (see note below). Item was contained within the back cover of Reg Item 5486 - Service Exercise Book, black covers, with label, red binding titled "No. 2 - Ballarat Tramways & S.E.C. Systems" - see list. Timetables cut out and pasted into a folio within Reg Item 5507 - see Reg Item 5513 for pages of the timetable pasted into the document. Has many advertisements for local and Melbourne companies. Major ones are: Wertheim pianos - Melbourne Tyer's Drapery Morshead Stores Jeffree Muir - Seeds Victor H Wastell - Optometry B. Farrer - chemist Val Purdue - Saddler McGibbony Bros - jeweller Sunshine Garage Osbrow & Co - boots J. Ewins - books W. A Stark - Grocer Tunbridges - furniture Walters Bros - Estate Agents The Ballarat Trustees Executors and Agency Co. A. E. White - tailor Excelsior Motor Bus Co. Creer the Cashman - blankets Faull's - shoes Andrew Cant - ironmonger W. F. Coltman - timber Stevens - furs Her Majesty's Theatre Hutton's - Jeweller On cover, "W. Jack 1924" and "1924" in ink.trams, tramways, ballarat, commerce, advertisements, timetables -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: VARIOUS INWARDS CORRESPONDENCE
Various Inwards Correspondence from; Crafers Organ and Choral Music Society re Simon Preston; Bendigo Woollen Mills re Craft exhibition; Craft Council of Victoria; Sandhurst Trustees re sponsorship of Craft Exhibition; Regional Arts Victoria re 2001 closure of Arts Bendigo; Bendigo Advertiser re 1988 Annual Supplement; Don Mackay - 2001 congratulatory letter to AB; Barry Ackerman (Mayor) with congratulations to AB 2001; John Little congratulations 2001 to AB; Roman Rudnytsky (pianist) re forthcoming visit 1997; Marketing Images & Technology re visit of Simon Preston 1988 (with supplementary material); William Feasley- guitar?- re confirmation of Bendigo performance (no stated year); Geelong Society of Operatic and Dramatic Art re information as to their use of Plaza Theatre, Geelong; Public Record Office Victoria re application for Local History Grants Program; sue Prain re possible appointment as coordinator/rehearsal leader of Bells and Brass Project; Victorian Arts Council (1981) re performance of ''You're a Good Man, Charlie Brown''; Australian Dance Theatre re details of trip to Bendigo October 1987; Sandhurst Trustees Bendigo Easter Fair Festival (1997) re inclusion of AB/BRAC event - ''Facing the Music''; Victorian Arts Council re letter of agreement for ''Wish You Were Here'' (1993). -
Bendigo Historical Society Inc.
Programme - BENDIGO OPERATIC SOCIETY ''RIO RITA''
Bendigo Operatic Society ''Rio Rita'' Capital theatre Bendigo Commencing 8th July 1964 for four Nights. Producer: Reginald Newson - Musical Director: Max O'Loghlen - Society Pianist: Mrs. Gwen Grose - Asst. Producer & Ballet Mistress: Miss M Welch. Cast in nOrder of Appearance: Peter Ivarsen as Corporal McGinn of the Texas Rangers - Reg. Boromeo as Ranger Wilkins - Jack Werry as Posadero (Landlord of the Mesa Francesca) - Pat Lyon as Carmen (Cabaret Girl) - Wendy Bertam as Lolita (Cabaret Girl) - Fred Trewarne as Ed Lovett (An American Lawyer) - Victor White as Davalos (A local Bad Man) - Graham Filcock as Roberto Ferguson (Brother of Rio Rita) - Peter Houston as General Romero Esteban (Governor of the District) - Pat. McCracken as Rio Rita (A Cabaret Singer) - Annette Beckwith as Dolly(An American Cabaret Girl) - Ferd Lorenz as Chick Bean (An American) - Brian Thomas as Jim Stewart (Captain of the Texas Rangers) - George Steele as Captain Gonzales (Aide to General Esteban) - Joan Crane as Katie Bean (Chick's First Wife).program, theatre, bendigo operatic society -
Bendigo Historical Society Inc.
Newspaper - LYDIA CHANCELLOR COLLECTION: MELBOURNE SYMPHONY ORCHESTRA PERFORMANCE SEPTEMBER 1, 1948, 1st July, 1948
Under the direction of Mr Joseph Post 50 members of the Melbourne Symphony Orchestra (MSO) performed to at crowded house at the Capital Theatre in Bendigo July 1st, 1948. The programme included the Max Bruch's Violin Concerto in G Minor, op. 26; Dvorak 'New World'' Symphony; Weber's ''Oberon'' overture, Debussy's 'L'Apres midi d'un Faune''; chorale, 'Jesu, Joy of Man's Desiring'' (Bach-Roberts,) gavotte from Suit No. 6 (Bach-Wood), Brahms'Fifth and Sixth Hungarian Dances, Percy Grainger 'Country Gardens; (Arr, Earle) 'The Mermaid'' and (Martin Shaw) 'The Song of the Music Makers'' Soloists for the event included: Miss Bertha Jorgenson a Castlemaie Local and well known talent on violin; Miss Kathleen Moore violin; Miss A Walk flute. The concert was sponsored by Bendigo Musical Advancement Society in conjunction with the Austrlisn Broadcasting Commission.bendigo, tourism, theatre performances music -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: ARTS BENDIGO, VARIOUS SUNDRY DOCUMENTS
Merle Hall Collection - Arts Bendigo, Various sundry documents- a. One-page notice (''To All Teachers of Piano in the Bendigo Area'') of visit to Bendigo of former Bendigo student Tony Gray, notice date March 1993 - concert in the Banquet Room, Capital Theatre 14/3/1993; b. One-page notice of visit of Russian pianist Elisio Virsaladze and ''Moving Harps'' (trio) for October dates Year??; c. A5 brochure of information and dates for 1985 ''for many of the local and visiting arts-associated functions''. (3 pages of functions with dates, summary of performance and location of show; d. Single-page sheet of ''Arts Bendigo Activities Oct. '84 - Sept. '85 with paragraphs of ''Major Achievements'' and ''Disappointments'' and ''Thanks''. Also - ''Just Happened of Still To Come''; d. Six paged listing of 'Bendigo Subscribers' List 1979'' (Arts Council of Australia) with * annotations of being ''Financial'' - mostly personal names/addresses but some organizations. Approx 150 entries; e. two-paged list of ''Arts Bendigo Members July 1985'' with annotations of s= Single and F = Family members - approx 65 names; f. one-page Brief Report of Program Subcommittee June 1982, with rough analysis of attendance figures for recent shows; g. 3-page report of AB Development Sub-Committee meeting of 25/2/1985; h. two-paged report on ''Possible rehearsal and performing spaces in Bendigo area as known at June 1988 by Merle Hall, Secretary - brief details of 7 facilities and a number of ''Other'' facilities, with a final section on ''The Grand Vision''; i. One-page ''Proposals from Development Sub-committee'', prepared by Ellis C Blainer 3/3/87 - eight proposals in small detail; j. Bi-fold flyer ''Membership Information'' with description of AB activities and membership details/application form (not dated); k. A5 invitation of 'parchment' paper to ''25 Years of Achievement in the Arts'' (27/101995) - a brief AGM with a Social Evening from 8 pm; l. one-page invitation note accompanying the formal invitation to the special evening for 25th celebration of working with the arts in the Bendigo region. -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: ''COMMUNITY ARTS CENTRE DEPUTATION NOTES''
On front cover is: ''Community Arts Centre - Deputation Notes''. Within this stapled collection are the following: typed notes for presentation at a Public Meeting at Bendigo Municipal Offices (25/6/1975) re the ''establishment of a cultural centre in Bendigo''.J. Cannon with the names of six supportive speakers; handwritten Notes from Public Meeting 25th June 1975 (two pages); handwritten ''Notes from Public Meeting 36 June 75'' (meeting to hear address from Federal Department of Tourism and Recreation (with newspaper advertisements of meeting); Loddon Campaspe Regional Council for Social Development Interim Committee questionnaire for seminar on nine aspects - housing, educational facilities, medical and welfare services, municipal and other public services, transport and communication, conservation features, active and passive recreation, employment, shopping; handwritten notes for Public Meeting 25th June ; handwritten notes re the Plaza theatre being up for sale, letter to The Editor re the recent reported announcement by the City Council of its intention to seek Federal finance to assist in the purchase of the Plaze theatre; two-paged document (letter??) re the problems of keeping the Plaza theatre and, instead, promoting a ''fine modern facility'' of the Bendigo Arts Council (no named author); ; handwritten notes of Sub-committee - Arts Centre Building (Report - J. Cannon); handwritten notes from the ''Tours Officer'' for comments on the past year's activities; handwritten list of 30-40 local people with 'ticks'' for their (potential) interest and time?? -
Bendigo Historical Society Inc.
Programme - Bendigo Operatic Society: Camelot
Belonged to a lady born in Bendigo in 1919, lived all her life in Bendigo, died aged 94 years. Program for Bendigo Operatic Society, production of Camelot, at The Capital Theatre, commencing 9th June 1976 for 8 nights 4 pages, double sided print, folded in half & stapled in the centre. Pink coloured front cover & middle page. Program includes: black/white photos of cast, list of musical numbers & synopsis of scenes & local advertisements. 2 X Ticket stubs, numbered 19LL & 20LL for performance on Wednesday 16th June 1976souvenir programme, tickets -
Bendigo Historical Society Inc.
Article - MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO NEWSPAPER ARTICLES, 1997
MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO NEWSPAPER ARTICLES 3858.9a Young boy holding a board of mosaic tiles probably at a workshop. Article begins: A unique mosaic pavement is to become part of the tapestry of the restored Rosalind Park. Students from three of Bendigo's central primary schools are taking part in the project. Photo Caption reads ART at work: preparing to create the unique mosaic pavement in Bendigo's Rosaling Park is eight year old St Killians Primary School student, David Nicholds. 3858.9b A newspaper coloured photo from the poppet head of two young people standing on and looking down on the mosaic at the lookout. Caption reads: Passing students take a keen interest in the new-look base of the Rosaling Park poppet head. The mosaic was created through an Art Bendigo project. LEAP workers helped install the five sections using stone tiles made by local primary school students. Depicting the saddle reef formations in the area the work has been designed and created by Bendigo artise Maery Hall. Picture: Peter Hyett. 3858.9c A photo from the poppet head lookout looking down at a worker with a broom, sweeping the mosaic. 3858.9d Two women crouching on the ground viewing the work done on the mosaic. One woman holds books and papers; in the far background over the car-park is the Sacred Heart Cathedral, the Bendigo Art Gallery and the Capital Theatre. 3858.9e Newspaper article along with coloured photo of the poppet head lookout in Bendigo's Rosalind Park. In the foreground are two young people arranging the mosaics. The article begins: Mosaic pavements began taking shape at the base of the Rosaling Park poppet head lookout yesterday. The pavement will cover about 130 square metres, in five sections, and have been designed as a memorial to Bendigo's mining history and traditions. 3858.9f Newspaper article July 29, 1997 entitled 'Bendigo Paving the Way' - photo of artist Maery Gabriel at the official opening of the heritage mosaic. Pictures: Tania Bond. Photo of Maery taken from the poppet head looking down on the mosaic. Als a smaller photo with details of the mosaic design. Opening paragraphs of the artical: Arts Bendigo and the City of Greater Bendigo are paving the way to an improved Rosalind Park with the official opening of the 'Bendigo Heritage Mosaic'. The mosaic is more than 100 square metres of decorated pavement sections surrounding the poppet head lookout at the park. The paving was designed by mosaic artist Mary Gabriel and depicts Bendigo's mining history and colour throughout. -
Ararat Gallery TAMA
Textile, Frances Burke, Goanna, c. early 1950s
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Ararat Gallery TAMA
Textile, Frances Burke, Mosaic, c. 1962
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Ararat Gallery TAMA
Textile, Frances Burke, Tiger Stripe, c. 1939
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs.