This photo provides an example of the beautiful costumes worn by Junior Legacy girls for Legacy's Annual Demonstrations at the Melbourne Town Hall. The girls are dressed as native American girls. A similar photo was featured in the Age Newspaper on 20 October 1952. The caption read 'These girls of the Legacy Club could pass for Indian lasses as they wait their turn to perform in the Totem Tom Tom at Melbourne Town Hall, They were among those who participated in Legacy's annual demonstration of physical culture, dancing and allied activities.' Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1970's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. The photo was featured in an article in the Legacy Newsletter in December 1952.A record of a Junior Legacy annual demonstration. This photo serves as photographic evidence of the effort put into the annual demonstrations.Black and white photo of performers in Native American costumes for the 1952 Demonstration.Stamped on the back of the photo, Copyright of Herald Sun Feature Service, in purple inkjunior legatee, annual demonstration, costumes

This book, a de-luxe copy, was given to John Dwyer as the Chief President of the Australian Natives Association from 1938 to 1940. The Australian Natives Association (A.N.A.) was established in Melbourne in 1871 as a benefit society. Originally membership was restricted to white men born in Australia. The A.N.A. was influential in Australian politics, especially in the 1890s when it campaigned vigorously for Federation. In 1993 it merged with Manchester Unity I.O.O.F. to form Australia Unity, for many years the largest benefit society in Australia. The annual Victorian Conference of A.N.A was held in Warrnambool in 1931. John Beynon Dwyer (1904-1999) came to Warrnambool in 1937 and assumed control of the legal practice in Kepler Street of Desmond Dunne, retiring in 1984. J. B. Dwyer was a long-serving City Councillor (1937-1975) and was awarded an O.B.E. for municipal service in 1966. This book is of considerable importance as it was a presentation copy given to John B. Dwyer, a prominent Warrnambool lawyer, when he retired as Chief President of the Australian Natives Association in 1940. This is a soft-cover book of 92 pages. It is a de-luxe edition with a green leather cover with gold printing on the front. The inside of the covers has a green and yellow mottled pattern The leather on the spine is very worn and the book’s cover is scuffed. There are some insert title pages in yellow and blue thick card. There is one loose leaflet.‘Australian Natives Association’ ‘Reports of Proceedings Victorian Board of Directors March 1938 to March 1940’ ‘J.B.Dwyer Chief President’ john b. dwyer, warrnambool, australian natives association, history of warrnambool

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Koala clinging to branch of tree with young one on backAustralian Native Bearlocal history, photography, photographs, postcards, wildlife - koala, black & white postcard copy, phillip island, koalas

Part of collection donated to the Museum by Mr. Bernard Grayden. 1975Postcard (re-touched) of Koala and young"Australian Native Bear"local history, documents, postcards, native animal, koalas, phillip island, sepia postcard, bernard grayden

The Australian Natives' Association (ANA) was founded in 1871.Sixteen page black and white magazine of the Australian Natives' Association. Contents include: * The story of the Eureka Stockade by Keith Rash. * Who wants to be a Lodge Secretary? * Obituary for Sydney Gordon Herron * District Councils and Branches * Anakie No 138 - 80th Anniversary * Foreign Imports: how do they flourish * Obituary for Albert Edward Daviesaustralian natives' association, ana, eureka, keith rash, rash, bryan kelleher,

Menari Village and nativepicture, general

The Australian Natives Association (ANA) Benefit Society was formed in 1871 at a meeting of young men in Grimwood's Hotel, Elizabeth Street, Melbourne. The Association was one of many friendly societies that also aimed to promote the moral, social and intellectual advancement of its members. The young founders restricted membership to native-born Australians, but there were no Koories among them. The Australian Natives Association Ballarat Branch (No4) was founded in 1874. The association’s modest building was based in Camp Street and the branch was one of the most active in the colony, playing a key role in Federation. The Ballarat branch of the ANA was wound up in 1957 and the double storey building has since been used as for office space most recently for employment companies such as Tracey Recruitment. Ballarat's ANA Hall has heritage status under the City of Ballarat’s Camp Street heritage overlay HO186, however it is not listed by either the Victorian Heritage Register or the National Trust.Handwritten letter glued onto a lined page. The letter is from the Australian Natives Association Ballarat Branch No. 4, and is written to John Mateer at the time of his wife's death. The letter is signed by John Gray (President) and Fred Wainwright (secretary). Fred Wainwright was the first secretary of ANA branch No. 4. hew as a clerk at Ballarat Town Hall, and presented an essay on Federation of Australian Colonies in 1879.Australian Natives Association Ballaarat Branch No 4 14th December 1883. Dear Sir The members of this branch of the A.N.A. desire us to convey to you expression of their deep sympanth with you in the irreparable loss you have sustained by the death of your dearly beloved wife. The Members are fully aware that during the first month of such an overpowering infliction the most sincere sympathy of the truest friends can do little by alleviate the bitter pangs of remembrance and sorrow, still they trust that you may be enabled to submit with christian calmness and fortitude to the Will of Him, who, when seeming to act most severely wit us, is in His Own Divine Wisdom, ordering things for the best. We are Dear Sir Yours fraternally John Gray President fred Wainwright Secretary To Mr John Mateer australian natives' association, ana, ballarat branch no. 4. ballaarat branch no. 4, gray, john gray, wainwright, fred wainwright, mateer, john mateer

This photograph was donated by the Bread and Cheese Club, Melbourne but it is not know to what group or institution it was originally given. It is a copy of a well-known photograph of John Feltham Archibald, taken about 1910 when he was obsessed with all things French and was known at the time as Jules Francois Archibald. John Archibald (1856-1919) was born at Kildare near Geelong (so is not a native of the Warrnambool district) but he lived for some time in Warrnambool with his family. He began his working life with the Warrnambool Examiner newspaper and its successor, the Warrnambool Standard before going to Melbourne. In N.S.W. in 1880, he established with John Haynes, the Sydney Bulletin , a journal that became the most influential one of its day, promoting nationalism and fostering Australian writers and poets. He left legacies to establish the Archibald Prize for artists and the Archibald Fountain in Sydney. This photograph of John Archibald is of some interest though it is a widely-known one and is not original. It is kept because John Archibald, a national figure in Australian History of some importance, spent his school years in Warrnambool in the 1860s and 70s where his father was a local policeman. He went to Henry Kemmis’ Warrnambool Grammar School and wrote about his time here in later years, He also commenced his career as a journalist with the Warrnambool Examiner newspaper and later the Warrnambool Standard newspaper before going to Melbourne. This is a black and white photograph of John Archibald, mounted on cardboard. It has been taken out of its original frame and the typed card with the original frame has been removed and attached to the back of the photograph.The typed card reads: ‘J.F.Archibald, A Native of Warrnambool District. Founder of the ‘Bulletin’ School of Australian Literature, Presented by the Bread and Cheese Club, Melbourne’ (note that this contains inaccurate information in that John Archibald was not a native of the Warrnambool district)warrnambool, archibald family, j f archibald, john archibald, john feltham archibald

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Black & White Postcard. Koala clinging on to branch of tree.No. 15. Australian Native Bearlocal history, photography, photographs, postcards, wildlife - koala, black & white postcard copy, koala, phillip island

Part of collection donated to the Museum by Mr. Bernard Grayden. 1975Postcard of Koala clinging to branch."Australian Native Bear" No. 15local history, documents, postcards, native animal, koala, phillip island, sepia postcard, bernard grayden

INDIGENOUS PLANTS OF BENDIGO. 76 pages with photos.Bendigo Native Plant Groupbendigo, hospital, flora, bendigo, native plants, indigenous plants

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Aboriginal Natives of Victoria hop gathering’ : Views of Victoria (General Series) No.50 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The growth of Hops has of late years occupied the attention of farmers in most of the colonies, and with the most encouraging results. It has been introduced with considerable success on most of the Aboriginal Stations in Victoria. Our illustration represents a group of natives gathering Hops on the Station at Bairnsdale, in Gipps Land.’nicholas caire (1837-1918), bairnsdale, aborigines, landscape photography, first peoples, aboriginal and torres straight islander

The Pacific Island Natives Welfare Association was formed in Geelong in 1940. It's initial goal was to provide trade training to young men from Nauru as a move towards self-determination for the island. It was then very active in the fight against continued phosphate mining on the island and the effects of it on the local people.Three typewritten letters. The first one dated 22nd January 1945 is a report on the native labour conference held in Sydney the 1st of December 1944. The second, dated 16th March 1945 is from the Chairman of the Pacific Island Natives Welfare Association to the Minister of External Territories, the Hon E.J. Ward asking for the minister consideration to the situation of some young people from Nauru living in Geelong. The third dated 24th April 1945 is from the Chairman of the Pacific Island Natives' Welfare Association, replying to Rev. T.H. Indian, Forest Street, Bendigo, thanking him for local rotary support and outlying the aims of the association going forward. Also included a brown envelope addressed to L.J. Ellifson, Esq C/o The International Harvester Co of Australia Ltd, North Shore. Part of the Aileen and John Ellison collection.nauru, pacific island, natives welfare association

Ballarat Teachers' College lecturer, Alan Sonsee, was a collector of Aboriginal artefact and possibly this photograph. The tree is probably situated in Northern Territory.Black and white photograph of an Aboriginal Canoe Tree in the Northern Territory. It was probably taken during a Ballarat Teachers' College excursion, and is located in close proximity to a railway crossing.Native Canoe was cut from this treeaboriginal, scarred tree, canoe tree, ballarat teachers' college, alan sonsee

Two photos from an album belonging to JB McLean, of his voyage home from World War 1 in 1920 on the Ceramic. The photos shows an Egyptian boat called a felucca on the Suez Canal at Kantara. The Ceramic departed Tillbury, UK 12th March and docked in Freemantle on 27th April 1920 and then went onto Adelaide, Melbourne and Sydney. The Ceramic was a transport vessel built in Belfast in 1913 for the White Star Line to transport frozen produce and apples from Australia to UK. It was taken over by the Australian Government for troop transport in October 1914 and could carry over 3,000 troops. This trip in 1920 there were 1467 on board, there were women and children as well as 439 soldiers returning home, one of whom was John 'Basil' McLean. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.A collection of items from John Basil McLean is in the archive. Kept as an indication of what founding legatees experienced in World War One and what they saw on the way home.Sepia photo x 2 of an Egyptian boat on the Suez glued to black cardboard in an album of photos from 1920.Handwritten caption 'Native Boat Kantara' in white ink. Handwritten caption 'Native Boat Suez' in white ink.souvenir, world war one, jb mclean, ship, ceramic, suez, kantara

Belonged to DONALD HENRY HARRIS No 141844, LAC RAAF. Refer 2318 for service history also 2126.2.All photos relate to New Guinea & Morotai. .1) Native hut scene in the islands - sepia colour .2) - .9) Relating natives, airfields & construction - sepia & b/w .10) - .15) Relating natives & possibly D H HARRIS - sepia & b/w .11) - .20) Relating to natives - sepia & b/wnatives, morotai, borneo

A photo of senior girls in a scene from an annual demonstration. The girls were dressed as native American girls, some are in a kayak and others stand near totem poles. One of these two photos was used in the July 1954 newsletter to highlight the work of the girls classes. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Miss Enez Domec-Carre was the supervisor of girls classes and instrumental in the Annual Demonstration for many years. She joined Melbourne Legacy in 1932 and became the chief instructor of girls' physical education until she retired aged 65 in 1970.A record of the set and costumes used at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of junior legatees in native American costume in a mock kayak on stage at an Annual Demonstration. There are two copies of different sizes.annual demonstration, junior legatee, costume, totem pole

Giving box in the shape of a thatched native hut."LMS" on door of hutlondon missionary society

This Egg and Bacon plant was found near La Franchi's hutYellow and red native plant with yellow flower. flora, egg and bacon plant, eutaxia obovata

Colour photograph. Native garden. Concrete kerb.buildings, house, unknown

Professor Alan Merry commissioned the work from New Zealand artist Heke Collier as a gift to the College at his retirement from Council. This artwork was carved by Heke Collier in May-July 2016. It is made from native New Zealand Rimu timber. Heke named this carving Mauri Ora which translates to vitality, well-being or the healing life-force. Tihei Mauri Ora (breath of life) is a well-known Māori saying that was uttered by the first human being. Māori believe that all people and all things have mauri. This carving symbolises the many shapes and forms of mauri with reference to the Māori creation story, and the spiritual and natural worlds. Māori refer to the heavens as Ranginui the sky-father and according to the Māori creation story, Ranginui was pressed against Papatūānuku the earth mother. Their children did not like living in the cramped, dark space between them. One of their sons Tāne separated Ranginui and Papatūānuku to allow light and life into the world. The central male figure carved into Mauri Ora (above) is Tāne. To his right (far right) is his mother Papatūānuku and to his left (far left) is his father Ranginui. Papatūānuku gives birth to all things including human kind and provides the physical and spiritual basis for life. The takarangi (spiral) design in the carving (to the left of Tāne) symbolises the life cycle. Whenua, the word for land also means placenta - organ that nourishes the baby in the womb. Women are associated with the land (whenua) because the land gives birth to people and so do women. In tribal history women have had influence over land and men. Papatūānuku is depicted in the carving to the right of Tāne. Ranginui played a pivotal role in the birth of the sun, moon, planets, stars and constellations – collectively called Te Whānau Mārama (the family of light). Human life and knowledge were said to originate in the realm of Ranginui. Tāne ascended the heavens to retrieve three baskets of knowledge: te kete-tuatea (basket of light), te kete-tuauri (basket of darkness) and te kete-aronui (basket of pursuit). Ranginui is depicted in the carving to the left of Tāne. Tāne had many different roles, and he was given different names to reflect these roles. He is called Tāne-mahuta as god of the forest, Tāne-te-wānanga as the bringer of knowledge, and Tāne-te-waiora as the bringer of life, prosperity, and welfare. His teachings and knowledge are relevant in contemporary times, and the cell-phone carved into his left hand represents this. Tuatara feature in the Māori creation story and some tribes view Tuatara as kaitiaki (guardians) of knowledge. Given that they have lived for more than 220million years. There are birds or manu surrounding Tāne in the carving, who represent Tane’s voice or the voice of the forest. The flax or harakeke depicted in the carving represent the family unit and reinforce the importance of kinship ties. There are plants, ferns, and birds carved into Mauri Ora play an integral role in the life-cycle which represent rongoa Māori or Māori medicine. Traditional Māori carving in Rimu, a native New Zealand wood, with paua insets.merry, alan, anzca council, collier, heke, kaiwhakairo, master carver, rimu

Five photos on a page from an albumView at mena cairo egypt jan 1915 "the square" Alexandria june 1915 street scene Alexandria june 1915 natives arriving for coins at colombo nov 1914 resting on manoeuvres ... desert egypt feb 1915ww1, world war 1, mena, cairo, egypt, pyramid, alexandria, street, native, colombo, 1914, 1915

Three of a collections of Photographs & Postcards donated by Julie Barnett. Photos taken & purchased by Julie's In-law's on their Honeymoon in November 1946.229-19. Black & White photograph of a garden on Phillip Island. 229-20. Black & White photograph of seals on Seal Rocks, Phillip Island. 229-21. Colour photograph of a koala.229-21. "A pert little native of Cowes"gardens, wildlife - koala, seals on seal rocks phillip island, seal rocks phillip island, australian fur seals, wildlife - seals, julie barnett

One of a collection of 15 photographs/postcards donated by Lois MullinsBlack & White photograph of a Koala with joey on her back."Australian Native Bear Koala" On back: "Roadley"koala with young, wildlife - koala, koala and joey, lois mullins

One photo from an album belonging to JB McLean, of his voyage home from World War 1 in 1920 on the Ceramic. The photo show three policemen from Bombay in their uniform. There are many photos of Bombay in the album when the Ceramic had a stopover on its way back to the Australia. The Ceramic departed Tillbury, UK 12th March and docked in Freemantle on 27th April 1920 and then went onto Adelaide, Melbourne and Sydney. The Ceramic was a transport vessel built in Belfast in 1913 for the White Star Line to transport frozen produce and apples from Australia to UK. It was taken over by the Australian Government for troop transport in October 1914 and could carry over 3,000 troops. This trip in 1920 there were 1467 on board, there were women and children as well as 439 soldiers returning home, one of whom was John 'Basil' McLean. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.A collection of items from John Basil McLean is in the archive. Kept as an indication of what founding legatees experienced in World War One and what they saw on the way home.Sepia photo of the Taj Mahal Palace Hotel in Bombay glued to black cardboard in an album of photos from 1920.Handwritten 'Native Police Bombay' in white ink.souvenir, world war one, jb mclean, ship, ceramic, bombay

Sent from New Guinea. Sketches of natives on frontpicture, ww2, general