Photocopy of Plan Gazetted 01.08.1863. From Central Plan Office Department of Natural Resources.Signed by Clement Hodgkinson, Deputy Surveyor General. Stamped Department of Lands and Survey 7.12.48 Neg.18377. Handwritten notes on it, "Melb Roll 23 R.19(A)"exprimental gardens, burnley

This quilt was made as part of a public program for Glen Eira City Council's exhibition The Wounded Soldier. The quilt was designed as a response to a loan object for the exhibition, a Red Cross comfort quilt made by school children at Longwary Primary School for the patients at Caulfield Military Hospital after the First World War. Students from across Glen Eira were invited to workshops in 2016, and asked to bring a found natural object. Cameron Auty and Elle Credlin then explained the historic making of comforts for wounded soldiers by children during the war, and asked them to reflect upon what it would have been like to be confronted with war and its outcomes as a child. Artist Deborah O'Toole then guided the children in stitching message into their own cotton squares, and in tying the found objects into the cotton. Deborah then took the squares away and dyed them using a method that involved tying the squares into patterns and dyeing them to create the finished look. The quilt was displayed alongside the Longwarry Quilt during the exhibition before being collected into the collection.This object is significant as a modern, artistic response to Caulfield's experience as the centre of repatriation medicine in Victoria after the First World War. It is a locally significant object made by Glen Eira school children, and reflects the area's memorialisation of the war at its centenary.Square quilt made of tan coloured cotton. The quilt comprises many small squares, each of which has an image or name signed on it. The images are made of natural objects such as leaves. The names are hand stitched.quilt, wwi, world war one, first world war, caulfield, hospital, repatriation, the wounded soldier

1937 British Pattern web equipment was commonly on issue to Commonwealth forces including Australia up to the 1970's. Australian military forces changed colour from green blanco to black paint in the early 1960's.1937 pattern webbing belt with natural brass buckles and keepers. Outer surface stained black.Single engraved arrow on each inside surface of the belt fastening buckles. Printed owner's name "G. Boland" Printed identifier of former owner -3/773536(?) and initials "KFH" (?)

Coloured photograph: MDC, inside. Volunteer / employee explaining display board 'Natural Attractions' to visitors

Small black and white photo showing equipment comprising of a large oblong ball on top of column.Handwritten on back in pencil: “Van de Graaff Old Physic Building (Natural Philosophy)”

Fishing lure. Natural coloured horsehair and red feathers decorating lead covering of shank of hook. No 'head'.

Bellows made by Bert Vivian. Varnished wood and tanned natural leather, with silver metal upholstery nails.hl vivian saddler

Kitchen utensils beautifully made from natural materials including rotan, bamboo, palm tree and grass.

This artwork was painted by Charlotte Rippert who was interned in Camp 3 with her whole family. The painting was painted in camp. Charlotte Rippert was a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.green and yellow forest with a natural path coming from the left side and 6 prominent trees along itBack: (in pencil) 'Deutscher Wald. gemalt in Tatura (Australia) Charlotte Rippert.', a sticker for the Tatura and District Historical Society Museum, another sticker that reads - 'Gerd Aberle, 40 London Street, Bentleigh Vic 3204. Artist Charlotte Rippert Camp 3