This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments.No. / 500 / Patons KNITTING BOOK / No. / 500 / PATONS / BEEHIVE and PATONYLE, 4-Ply AZALEA / HIGHLAND SPORTS DOUBLE QUICK / P&B / WOOLS / 1'9knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It contains patterns for a knitting machine, using Riverhart yarns.RIVERHART / HOME KNITTING MACHINE YARNS / 3 Ply / Pattern Book / No 3 / Pattern No. / Q3-9 / Pattern No. / Q3-7 / Pattern No. / Q3-8machine knitting, riverhart yarns

The telescope is original to the Wilsons Promontory Lightstation and was provided by the Department of Shipping and Transport in about 1900. The device magnifies images of distant objects through its curved interior mirrors, and lightkeepers used this telescope to monitor and record the names of ships, the time they passed, and their direction, as well as read meanings of flags and other visual signals communicated by vessels. The telescope is similar to Cape Nelson’s two metre long telescope, which is included in the VHR registration for the Cape Nelson Lightstation. It is particularly important for its good condition, completeness and confirmed provenance and has first level contributory significance to the cultural heritage values of the lightstation..1 Brass telescope, cylindrical tube shape with mobile interfolding sections. Middle section of tube has been covered with textile or leather and painted black. Narrow plaited rope fixed as a border to this section is also painted black. .2. The telescope is attached by a brass fitting to a wooden tripod on a three legged triangular ply wood base with three castors.

This knitting pattern leaflet was published by Patons and Baldwins and contains knitting patterns for mens garments. All the garments have been named after airplanes.No. / 438 / Patons KNITTING BOOK / No. 438 / PATONS / BEEHIVE 3-Ply TOTEM / HIGHLAND SPORTS PATONYLE / AZALEA DOUBLE QUICK / P&B / WOOLS / 1'9knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

A wooden racquet with concave throat, plastic whipping, and leather handle grip. Decal across throat on obverse features the inscription: J.C. HIGGINS/WHIZ. Incorporated into the logo a speeding tennis ball design. Around the crown on the obverse is a decal with a partially legible inscription, possibly reading as PLY-FLEX. Materials: Wood, Gut, Glue, Lacquer, Metal, Leather, Plastic, Inktennis

Research Notes - hand written on a sheet of University of Melbourne ruled foolscap sheet, in pencil listing a route number, description of route and section, timetable and times, maximum through fare and Minimum number of buses required. A transcription of the Victorian Government Gazette, Thursday 29/1/1925 - No. 12 - "Consent to the MMTB using motor omnibuses to ply for hire on route specified herunder."trams, tramways, timetables, buses, fares, government gazette

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Patons and Baldwins and contains knitting patterns for mens garments. (NB: on the back cover is a photo of a car. The registration sticker can be seen quite clearly and is dated 1961, thus dating this book precisely.)JET . TOTEM . HIGHLAND . CONFETTI FLECKS . NYLETTE / BLUEBELL . PATONYLE 4-PLY . BOUCLON . SKI WOOL / No. 618 / Patons / KNITTING BOOK 618 / WITH T.V. DESIGNS / 2'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting

Originally these mantles where produced to be used in gas street lights in Europe and North America cities.There use started in 1891. These mantles were used before electrical power street lighting was installed. They have been used ever since until safety concerns regarding radiation from their thorium infused particles made alternate mobile lamps more attractive. The age of open flame recreational lighting is fast coming to a close. The greater use of battery and generator powered lighting(ease of operation) has brought the costing of these alternative lighting to an acceptable level. The age of miniaturisation and volatility of the open flame has seen a greater swing to smaller and more stable lighting. These incandescent gas mantles were initially used in the Coleman White Gas LanternsThe Kiewa Valley, with its closeness to the Victorian Alps, allows greater opportunity for the "happy" campers to enjoy the outdoors. The lighting provided by the incandescent gas lamps allow the adventurer at heart to enjoy an alternative lifestyle and still having the comforts of "home" at their finger tips. The numerous camping facilities in the Kiewa Valley and the upper alpine region is testament that those living in the cities need a break from the day to day grind and go to a quieter and more spiritual environment. Artificial lighting, as provided by mobile apparatus, is highly valued by the urban gypsy. The outdoor recreational industry has significantly provided for, if only at holiday time, an industry that has a relatively high employment rate and beneficial to local communities.The gas mantle is in a fabric, pear shaped, of rayon fabric impregnated with cerium. It's appearance is similar to a very small fishing net. The fabric is very ply-able until it is heated by an open flame then it becomes more rigid and lets out an incandescent white light. Its colour is white to off white. It has a draw string fastened a t the bottom (to wrap around the flame source)lighting, gas, heating, camping, outdoor equipment lamp

Exhibition, CEMA 1991.View of beach with crumpets in foreground and hills and cliffs in background. Scene sweeps up to the right of image. Sea is breaking over several boulders along shoreline. Far out to sea the water's colour is dark green and indigo, arond a rocky island. Sky is pale blue with violet clouds near horizon line and white wispy clouds above. Mounted in a double matt (white on violet) and framed under glass in decorative wooden frame with gold decoration and paint.Front: (no inscriptions) Back: Alan Wilson. "Crumpets". Hollands framing sticker (lower centre). Oils-on canvas on ply. 1991. (lower right) (pen) 1991 (lower centre) (pencil).

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for baby clothes.Patons / No. 499 / KNITTING BOOK / No. / 499 / Babies' Wear / In PATONS SWIFTAKNIT and / PATONS PATONYLE, 3-Ply (Lilac Label) / With a Shawl in PATONS NIMBLA / P&B / WOOLS / 1'6knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This violin was made by Mr Edward Richter who lived in Warrnambool for 78 of his 85 years. he was born 10/03/1853 and was an expert model maker making models of ships. The Warrnambool Museum in 1937 held a model of the Cutty Sark which he had made from timber from the wreck of the Enterprise which was wrecked on Warrnambool beach. Violins were another of of his hobbies.This violin has a connection to Warrnambool through the maker who was a long time resident of the town. It belongs to an era when many people were interested in and turned their hand to making objects such as this.The body of the violin is stained brown in colour with black neck and bridge. The four strings are nylon. The pegs and scroll are timber of a finer grain than the front and back.The tailpiece and end button are black material. The bridge is missing. The stand is rectangular with violin shape cutout, painted in red with a ply backing. Small leather strap on one end. Six large and two small drilled holes around front section.Richter written in large letters on back of standwarrnambool, edward richter, handmade violin, richter warrnambool

Typed table card or run card, for Geelong Trams Run 129 glued and varnished onto a sheet of three ply timber - plywood. Gives details for the Motorman and Conductor, starting at 125, working Eastern Park and Newtown. Gives meal times, relief and taken by details. Not known when made - 1950's? See also Reg Item 6270 and 8134 for other examples and 8135 for a Bendigo example.trams, tramways, secv, forms, timetables, geelong

This Ockanui Hollow Plywood Surfboard was shaped by Peter Watson and his father at their family home in Murrumbeena in 1959 (Peter was aged 16 at the time). The surfboard was based on a series of full size plans purchased from the USA. The surfboard is made from marine ply, ureal/resorcinal glue, marine varnish, copper nails, the skeg (fin) is Huon Pine made from an old kitchen sink drain board.This surfboard is an excellent example of the type of hollow wooden surfboards being made in the USA and Australia in 1959. Hollow Wooden Plywood Surfboard. Hand made Ockanui, single fin. 9' 11" x 21 1/2" x 4 1/2" Nose 17 3/4" Tail 13" Fin 4 3/4" Base 1 3/4"No distinct inscriptions or markings. Skeg made from old kitchen sink (Huon Pine).ockanui, peter watson, hollow wooden surfboard,

At the height of the river trade, there was a town surveyed and laid out, and streets were named. This town was to house the workers at the river port of Red Bank when the paddle steamers plied the Murray River as far as Albury, carrying produce such as wool and wheat to the various towns along the river in the 1800s. As the river trade died away, this town never went ahead – one might say, “The town that never was.” A lone gum tree stands on the site today.This item is significant because it documents plans which were made for the early development of Wodonga.A black an white map depicting the proposed location of the township. The map is based on a sketch and is not to scale,early wodonga, boorgunyah - "the town that never was", wodonga heritage

A Spalding 'Lamina' tennis racquet, with tape whipping around shoulders; and, leather handle grip with patterned perforations. Inscription along obverse: A.G. SPALDING BROS/MULTI-PLY/LAMINA/SPALDING. Model name also across base of head on reverse. Spalding ball trademark features on throat of reverse, and impressed on butt cover. Materials: Wood, Glue, Metal, Lacquer, Nylon, String, Leather, Ink, Paint, Cloth tape, Adhesive tapetennis

Four page knitting pattern booklet featuring black and white printed graphics and text. The colour cover shows a woman, man and child wearing matching knitted jumpers.front: [printed] L794 / VillaWOOL / Superwash / Slalom / KNITTED IN / 12 PLY / SIZES: 61 to 106 cm / (24 to 42 in.) / PRICE / CODE / B / PURE NEW WOOL / A Superwash / Design / Machine Washableknitting, pattern, fashion, knitwear, women, villawool

The Altair was built between January 1956 and November 1958 with first flight on 20 December 1958. After a few flights the cockpit was lengthened and the glider flown by Cliff Gurr and Ron Adair to complete their FAI Gold C badges. Cliff set an unofficial Australian record for an out and return flight (between Gawler and Renmark) of 230 miles (368 km) in 1961. The glider was flown by only Ron and Cliff until Mervyn Waghorn joined Ron to fly it in the National Championships at Waikerie in 1967. For a period of time the glider was left in the care of some members of the Geelong Gliding Club. Doug Vanstan of the Geelong Gliding Club fitted a new canopy and rebuilt the aileron bellcranks to improve their operation. Subsequently the Altair was flown in competitions and at vintage rallies until the mid 1980s. On 31 March 1987 Alan Patching of the Victorian Motorless Flight Group purchased the glider from Ron for the sum of one shilling and named the owners as himself, Doug Vanstan and Ian Patching. It has been stored at Bacchus Marsh airfield since then. The glider is the only 18 metre wing span machine to have been designed and built in Australia.The Altair glider is a single place 18 metre span cantilever wing glider constructed from spruce and aircraft plywood. The laminar flow wing is completely covered in plywood with a ply balsa sandwich for the leading edge and the airbrakes are unique being located in the trailing edge of the wings. All these features were done in an effort to retain laminar flow over the wing and achieve a high performance. The wings, empennage and top of the fuselage are painted white with the rest of the fuselage red. The word ‘Altair’ appears on both sides at the top of the fin.australian gliding, glider, sailplane, adair, gurr, waghorn, vanstan, rees, patching, altair, adelaide soaring club, gawler, geelong gliding club, vmfg, zechner

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Patons and Baldwins and contains knitting patterns for baby clothes.Babies' Jackets - Birth to 3 Years - 16 to 23 Inches / BABY WOOL . AZALEA . PEARL KNIT . ORLON . PATONYLE 3 and 4 Ply / PATONS BOOK / No. 649 / Patons / KNITTING BOOK / No. 649 / 2'3handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments.No. / 503 / Patons / KNITTING BOOK / No. / 503 / PATONS / AZALEA / BEEHIVE and / PATONYLE, 4-Ply / DOUBLE QUICK / CATKIN / P&B / WOOLS / 1'9 THE WOOL CENTRE / 1099 MT. ALEXANDER ROAD / NORTH ESSENDONknitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This money, belt made of soft leather, would have been used in the mid 1900's by horse riding traders or wealthy property owners. It could also have been used by miners or other commercial business men. The main criteria for such a belt is security for valuables during travel on horseback. Commercial traders who plied their wares on horseback or caravans during a period where poor roads and flood prone rivers could dislodge wallets or money "sacks".The Kiewa Valley in the early 1900's was an environment which was frequented by the "canny" travelling salesman using dirt tracks and having to cross swollen rivers and creeks throughout the year. Travelling times within the rural areas in and surrounding the valley called for more frequent stops in bush lands. Camping presented itself with great challenges not to loose small cumbersome coin and notes. Local banks were of short supply and although bartering was a thriving method of transactions within the Valley traders from other regions were not so forth coming. Where ever possible local "trades" were called upon more than in city areas for limited products of a rural incline.This "vintage" handcrafted money belt has been professionally made circa 1950's. It appears as though it might have been made in a saddlery. There are five pockets each fastened by black painted "press studs". The stitching is of a high standard and the pockets are large and well defined. The buckle is circular with one fastening pin.handcrafts, leather work, vintage money belt, personal effects.

Photocopy of photo showing four wheeled horse drawn vehicle with fringed canopy. Male driving. Large light on side of vehicle. Inscriptions written across top 'The last cab to run between Eaglehawk and Bendigo. On back in grey lead ' FJ Stephens, Cabman' The last horse drawn cab to ply between Bendigo and Eaglehawk. The introduction of the tramway system in 1900 saw a rapid decline in the need for horse cabs along the line. (Bendigo Historical Society Inc).place, transport, horse drawn vehicle

.1 - sheet of three ply timber which has been painted with three different colours - MTA New Gold, MTA Cream and MTA Panel Green. .2 - Photocopy of an A4 sheet titled "RWC Work Instruction - class W8 Finishing Specifications", dated 25/7/2012 listing the Dulux Formulas for the above colours and MTA Dorian Grey, Bogie black and safety yellow. Not known if these are the actual colours being used on the trams being rebuilt as W8 by Bendigo Tramways.trams, tramways, paint, w8 class, colour schemes

This dress was made for the Melbourne Show in 1993 and won 3rd prize. It was designed by Jean Inglis who was inspired by the Blue Triangle Butterfly (Scientific name: Graphium sarpedon choredon). The Warp was 2/24 commercially brought black wool with a “tie down” thread of black polyester and Weft of the same 2/24 wool 2 ply. Jean utilised a twill technique devised by Theo Morgan in creating the dress. The dress was handwoven by Jean Inglis with the help of Ruth Rondell with some of the pattern and final sewing. Black dress stretching from below the knees, reaching up to the neckline and down to the hands in the sleeve. The dress has three butterflies attached to the front approximately 50mm in diameter going from right knee to left hip in a nonvisible diagonal line. Lower half of dress has ten thin blue & green lines of varying lengths, reaching a max height of the hip. The neck of dress has four frills of blue and green colour. The longest two frills are in the centre pointing diagonally outwards towards the hands. The second layer of frills is shorter and further around the neckline towards the shoulders. The dress is completed with a cape of blue and green colour with a thick black seam separating each segment of colour. The cape sits on the shoulders and droops to a height of the hips. At the rear, the cape reaches the height of the rump. The cape has two draw strings for tying to the shoulders. wool, butterflies, melbourne show, butterfly

John Mitchell was born c. 1830 in Cornwall and travelled to Victoria with his father in 1853. Arriving in Bendigo they both worked as blacksmiths before his father returned to Cornwall. John plied his trade in Mundy Street, Bendigo before selling the business in 1865 after 11 years. Upon the discovery of gold in Western Australia, John travelled there and back three times before dying in Bendigo in 1902. He lived in Violet st., and left a wife, Elizabeth Hannah, and daughter, Mrs E Morris. Early business in Sandhurst in 1850s.An account book used by the John Mitchell to record the purchases and services made with his business. Records date from 1859 - 1868. The book has lost its front cover, but the back cover is still attached. The book is made up of several sections stitched together and bound with three pieces of cotton cloth. The pages are light blue with ruled columns. There are alphabetical tabs at the front of the book with lists of names. Individual customers are allocated a double page entry. Pages numbers are written at the top of pages. The book is in very poor condition having obvious signs of water and insect damage with visible patches of mold. The writing in the first quarter of the book is barely legible, remaining pages can be read.bendigo businesses, blacksmith, horse shoer, wheelwright

This knitting pattern book was published by Coats Patons and contains knitting patterns for childrens garments.Patons / KNITTING BOOK 651 / WITH T.V. DESIGNS / FROM 2 to 8 YEARS - 21 to 27 INCHES / JET . TOTEM . BLUEBELL . DOUBLE QUICK / LUSTRELLE . BIG BEN . PATONYLE, 4 PLY / PATONS BOOK / No. 651 / 2'3knitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history

Twenty page knitting pattern book featuring black and cream printed graphics and text. The colour cover shows a man and woman seated on the floor both wearing knitted tops.front: [printed] 303 / Price 3/- 30 cents / llama / LLAMA HIS and HERS BOOK / SEVEN DESIGNS EACH IN SEVEN SIZES / INCLUDING / MACHINE and HAND KNIT / USING 4-PLY, DOUBLE, TRIPLE AND CHUNKY WOOLSknitting, pattern, fashion, knitwear, women

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for young girls garments.JET . TOTEM . BLUEBELL . PATONYLE 4-PLY . CONFETTI FLECKS / AZALEA . NYLETTE . HIGHLAND . FUZZY WUZZY / No. 619 / Patons / KNITTING BOOK 619 / WITH T.V. DESIGNS / Handknits for Girls / 6 to 16 years 25 - 34 inch / 2'-knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This knitting pattern book was published by Coats Patons and contains knitting patterns for babies garments.PATONS BOOK / No. 658 / BABIES' WEAR / From 3 Months to 3 Years - 17 to 23 Inches / Patons / KNITTING BOOK 658 / WITH T.V. DESIGNS / BABY WOOL . BLUEBELL . SWIFTAKNIT / TOTEM . AZALEA . PATONYLE, 4-PLY / 2'3knitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history

The SS ‘Edina’ is one of the most remembered vessels that plied the waters of Victoria’s Port Phillip Bay. Often referred to as the ‘Old Lady of Port Phillip’. Her active service included the North Sea trade, ‘Crimean War’, ‘American Civil War’, Victoria’s west coast run, New Zealand to Melbourne trade, Queensland coastal trade, and of course, the Port Phillip Bay runs between the years 1880 to 1938. ‘SS’ being an abbreviation for ‘Screw Steamer’ signifying that she was propelled by a steam engine rotating a single propeller, or ‘screw’ as it was know at the time.Model of a well known bay steamer operating in Port Phillip between 1880 and 1938.Model of SS Edinamodel, ss edina, screw steamers, port phillip, bay steamers