Post card - Photograph - sepia. Written on front of photograph Lydia Pethard. Holding a tennis racket, wearing a white blouse and a scarf/tie around under her shirt collar. Photo not on top lineVincent Kelly, Photographer.person, family, pethard family, postcard. photograph. pethard family. lydia pethard.

Booklet showing servicemen how to knit clothing Items for knitting shown as: Socks Stockings Cap Pullovers Scarf Mittens Neck muffs airmans gloves balaclava capPaper booklet, black ink printing, red A.C.F star in middle of front cover, 20 pagesknitting, clothing, uniform, comforts fund

Postcard: image of man sitting on cockpit of plane. Man is wearing jacket, hat and goggles on top of head with scarf around neck. On bottom of photo: 'F.W. Goodoon, Morane 8qui Nier 80 hp Gnome'aviation, civilian, goodoon, morane, basil watson, f.w. goodoon

In a box of leftover items from when Shire Of Sherbrooke was dissolved in 1995.Scarf given as presentation gift by Shire Of Sherbrooke. Cream background with green and dark brown leaf pattern repeating, and edged with dark brown lyrebird motifs (Shire logo) surrounded by dark brown and green stripes.shire of sherbrooke

Army Summer drill uniform Korea Jacket U086, Pouch EQ112, Trousers U275a, Shirt U275,( Gaiters U146, Boots U136 Belt U088 Woollen cap H031,Scarf MS004,stored separately)uniform, korea, army

Robert Seipolt was ordained in 1962 and retired 1/02/1995. Eunice Smith was ordained 17/11/1987 and retired 1/02/1991. Cairns Memorial Church was badly damaged by a fire in August 1988.Colour photograph of Rev Eunice Smith and Rev Robert Seipolt standing near the communion table at Cairns Memorial Church, East Melbourne. Rev. Smith is wearing an alb with red scarf. Rev. Seipolit is dressed in a suit.robert seipolt, eunice smith, minister, uniting church, cairns memorial church east melbourne

Small booklet with patterns for socks, stockings, garters, spiral stockings (navy), balaclava, long sleeved pullover, sleeveless pullover, scarf, mittens, cap. airmen's neck muff,airmen's woolen glove used on active service.Australian Comforts Fundbooks, technical, handcrafts, knitting

US multicam Crye precision Operational Combat Uniform. 7th RAR. Shirt U909, Trousers U910, Hat H154, Sunglasses E066, Scarf U451e, Chest patches B237, Shoulder patch B236, Boots U451b)uniform, 2008, army

A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. Opening Ceremony Uniform included a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy.8120.1 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt, a matching headband and scarf, yellow gloves and brown leather shoes. To the right of the main image are five detail drawings of the skirt, gloves, shoes and scarf as well as a depiction of a brown leather bag. 8120.2 - unnumbered- mounted on green card this sketchbook page depicts a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt and yellow gloves. 8120.3 - unnumbered- A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt, a matching headband and scarf, yellow gloves and brown leather shoes. To the right of the main image are five detail drawings of the skirt, gloves, shoes and scarf as well as a depiction of a brown leather bag.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform

The mustard spoon would have been used in the past in a container or dish for serving a small portion of mustard. A similar item could still be used today. The stud was probably used as an ornament on a scarf or tie.These items have no known provenance and are retained for display purposes..1 A buff-coloured mustard spoon with a curved handle .2 A round stud with a pearl inlay and a metal back with a screw.vintage objects, warrnambool history

Account from William mann to Court King of the Forest, dated Jany 30/72, for writing name on Respect Board 7/6 and on Scarf 8/0. Total 15/6. Received ? Mann written across the paper.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, william mann

* Princess Style (1940's). Black silk Grograin material.Maygar sleeves, open down the front with eight buttons. Turn back cuff on sleeves. Worn with pink silk scarf at neck.|* Shoulder to hemline seams. No seam at waist.Mrs Williamscostume, female

Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.Profile head and shoulders portrait of probably a male internee dressed as a woman. Wearing a straw hat with netting around it. Rimless glasses. A green scarf around the neck that looks like plaid or tartan and a pink/burgundy coloured coat.Tatura Summermodel 1941 on mat board above the painting "The Happy Groom" Kurwin 42 on mat board under the painting Tatura 42 on bottom left hand side of paintinginternee, groom

Four sepia photos of a lady playing a harpsichord outdoors in the garden. She is wearing slacks, jumper, scarf and a large hat. In one photo she is looking at the keyboard and in the other she is looking towards the camera. There are two copies of each.photo, individual, female, peter ellis collection, lady playing harpsichord

Pte L FORBES sent fabric home to his sister. There are four L Forbes on the nominal roll, unknown which one.Orange silk, rectangular scarf/cloth. Embroidered in 2 diagonally opposite corners with motif incorporating crescent moon, star, globe and part wreath of leaves in blue, purple & white. Fringed in lattice and tassel design 12 cm deep.manchester, nappery, costume, female, handcraft - embroidery

Huttley Martin FamilyB/W Studio Portrait: 2 row of girls in hockey uniforms: white lace up 'Sailor' tunics, with dark scarfs, dark skirts, lace up shoes. Girl in the middle of the front row holding two hockey sticksGainsborough 215 Chapel Street Prahan On reverse Harry Martin m alice Henderson (my Uncle) MADGE HUTTLEY'S UNCLEhuttley, martin, sport, education

One of a collection of photographs purchased from Photo First, Thompson Avenue, Cowes when it closed in June, 2014. Dennis Harris on the whale, 2nd to right of lady in head scarf. One of the students, Helen Forrest, believes it was in 1948.Large Black & White photograph of children standing on a whale carcass at Cat Bay, Phillip Island, near the old pier.whale carcass, cat bay phillip island, dennis harris, photo first phillip island, helen forrest, cowes primary school

Vietnam Field uniform and Webbing,Shirt U196, trousers U022, Hat H162, Scarf U174a,Ammo belt A221,Torch EQ018, Water bottles EQ060 EQ062, Webbing EQ016, Ammo clip EQ248, Boots U294, Rope EQ442.uniform, vietnam, army

Armoured Corps Desert AUSCAM D.P.C.U. (shirt U337a, trousers U965, helmet H069, Sunglasses EQ635, Scarf U351a, Water bottle EQ061, Boots U296, Belt EQ441, Dog tag B475, Back pack EQ189, T-shirt)uniform, 1990, army

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Long silk taffeta skirt made of patchwork silk pieces/panels with a matching silk scarf. The patchwork panels are in shades of pinks, purples and blues. The skirt is secured with clear plastic press-studs. A narrow internal border of lace is attached to the basque.grace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), fashion design, fashion -- 1980s

VEMU 1738-1 Leather Woggle for holding the scarf around the neck. VEMU 1738-2 Patrol Leader Lanyard. Worn over the left shoulder. VEMU 1738-3 Scout Whistle. VEMU 1738-4 Leather Scout BeltVEMU 1738-1 Woggle, Engraved with scout emblem with words "Boy Scouts". VEMU 1738-3 Whistle, Engraved with "The Emca" Regd. Boy Scouts. VEMU 1738-4 Belt, Buckle with Boy Scout Emblem and inscription "Boy Scouts" and "Be Prepared".scouts, woggle, lanyard, whistle, belt

This doll was a highly treasured toy for a girl. The amount of wear and tear given to this doll indicates the great attachment to and comfort that its owner had with it. This doll could have been on a farm or cattle property in the Kiewa Valley rather than in the town.Due to the lack of social activities in the valley during the period, self amusement at home and limited interaction outside of the valley would have been this dolls prime role for its owner. The time between the two World Wars was one of recession and limited funds outside that required for survival. This is clearly demonstrated by the painted face and home made repairs to the body and limbs Porcelain/ceramic doll with painted face features. Half ceramic arms and legs. One leg missing.one arm loose Stitched dress with lace bodice hand made Body padded with cloth and fine wood shavings filler. Scarf lace weavedoll, porcelain, toy, lace, girls' play

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to  spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Short, cream coloured scarf printed with an Australian floral design inspired by the artist Margaret Preston. The floral design appears in red, green, white, yellow and black. Interspersed with the flowers are small motifs of Australia created through a curved cross hatching design.Label- Tee - Dee1992 barcelona olympics, sport, athletes, fashion, design, uniform

Thirty six page knitting pattern book featuring twelve colour pages. The front cover shows a woman standing in a paddock next to a fence, holding a walking stick and wearing a knitted jumper, knitted scarf, knitted cardigan, skirt, beret and boots.front: [printed] Cleckheaton / FABULOUS / 8 PLYknitting, pattern, fashion, knitwear, cleckheaton

The items in this collection of Ecclesiastical Linen were used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. The items donated include Maniples, Chalice Covers, a Goblet Cover, Altar Cloths, Matts, Priest's scarf, armband and sashes, and a bag that is a cover for the Baptismal Towel. HISTORY OF ST ANDREWS, DENNINGTON The land on which St Andrews Church was built in Dennington was surveyed in the 1840s and reserved for church purposes in 1855. In 1889 the Farnham Dairy factory relocated to Dennington and the town began to grow as involvement in the dairy industry increased in the area. In 1896 plans for a church hall on the reserved land were considered and on 22nd December 1907, the first Anglican Service was conducted in Dennington, with 60 people attending. In August 1909 the first building was opened with a midweek evening service conducted by the Rev. J.A. Coe. The Sunday School was opened the following year. In that same year, Nestle took over the Farnham dairy plant. On December 20th, 1914, a new church was opened in memory of Andrew Peacock, who passed away in 1912. The funds had been raised by the community and 150 attended the morning service. The building was described as a simple edifice with a plain exterior and high, wide pointed windows, and a comfortable porch entrance, all of which gave a pleasing impression of light and space. In 1935 the average attendance for morning services was just over 22 people. In 1936 extensive repairs and replacements were carried out. In 1947 the first recorded Pastoral Festival took place and in the same year, a Ladies Guild was formed. In 1954 water services were connected to the church building. Many items of furniture, furnishings and books were donated over the life of the church, including handworked linen items. Further items were added due to the work of the Ladies Guild, as well as donations in memory of church and community members.These items of Ecclesiastical Linen are significant as examples of handworked embroidery and drawn-thread work from the early 20th century. They are also examples of a collection of items used for church services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance of setting aside land in the 1850s for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900s and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Set of Ecclesiastical Linen. The items were once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. All of the handmade items are in white fabric. Some also have embroidered emblems, tassels and drawn-thread work. White embroidery thread has been used for most of the decorated items, with the following exceptions, which have been embroidered with coloured thread; the communion linen, the Priest's scarf, armband and sash, the altar cloths, mats and a cover for the baptismal towel. Two items have hand written inscriptions.(See individual objects for details)flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, linen for religious service, communion linen, priest's sash, baptismal towel, maniple, eucharist, emblem of rope and cross, embroidered religious cloths, embroidered celtic cross, drawn thread, chalice covers, handmade linen, embroidered linen, stylised cross, the english church, ladies guild dennington, nestle, farnham dairy, andrew peacock, victorian heritage register vhr 118083, hand worked linen, handworked embroidery, j.a. coe

Note dated December 2nd/1869. Court King of the Forest No. 3770 Dr. To William Mann To Writing name on respect (?) Board £0-7-6. To Dr.P.C.R. Court King of the Forest on two scarfs 0-16-0 Total 1-3-6.societies, aof, correspondence, ancient order of foresters no. 3770 collection - note, court king of the forest no 3770, william mann

Three quarter length cabinet portrait of a lady standing beside a bush chair with her right arm resting on the chair. She is wearing a high neck dress and has a scarf around her neck with a brooch in it. Photo mounted on black card with gold printing.Yeoman & Co., 47 Chapel St. Prahanphotograph, portrait, female, cabinet portrait of a lady, yeoman & co.