Book of illustrations by David Williams. Black and white illustrations of significant buildings and views of the Ovens Valley. Short descriptive article for each illustration.ISBN O 646 259741book, illustrations, ovens valley, david williams

Raisins are first dampened.'Boss' raisin seeder, hand-cranked with a wooden know on the handle."Mf'rd by A.C. Williams Ravenna O." "The Boss Raisin Seeder Pat. Pdg."food processing equipment

W. D. Williams had a chemist shop in Hargreaves Street, Bendigo from 1901 to 1917. He also had a chemist shop in Barkers Road, Hawthorn/ Glenferry 1902-1915 when he sold the business. in 1922 he appears as a chemist in 87 Malvern Road, Malvern.Green and brown prescription book of W.D. Williams Chemist. The book covers the year 1907. In chalk on the front cover: Chemist W.L. Williams old scrip book 1907prescriptions, chemist, w d williams

Written on back of photograph, "Mail - 9/1/1958. Ringwood High School. Scene from the ballet. Reading Left to Right: Back Row Standing: 1. D. Close, 2. J. Baker, 3. ??, 4. ??, 5. ??. Middle Row: 1. S. Pickford, 2. ??, 3. B. Beatie, 4. ? Williams, 5. Sheryl Gogly, 6. ??. Front: 1. Julie Doitry, 2. Pam Deuter".

Two pages of notes and subdivision sketches on tracing paper.Mary Ann Williams of Bedford Road Ringwood in the County of Mornington, wife of John Williams of the same place, Gardener, is now the proprietor of and estate in fee simple subject to the encumbrances notified herunder in all that piece of land deliniated and coloured red on the map in the margin, containing 72 acres 3 roods and 30 perches of thereabouts being parts of Crown Portion 16, Parish of Ringwood, County of Mornington, together with a right of carriage way over the road coloured brown on the said map. 18/4/1912. Encumbrances - special railway conditions contained in Crown Grant to Nelson Polak. Transfer to Elizabeth Anne Yelland 10/9/1918 Transfer to Mary M Savage 16/5/1912 (?) Easement - Emma Blood 8/10/1919 (?) Turner - 12/3/1924 18 Greenwood Avenue 3/7/1915 Caveat no.63960 25/8/1924

357 p., illustrationsnon-fictionWilliam George Monteith and his involvement with the Victorian and Australian Navy. australian navy history, australian naval ships, hmas cerberus, biography, william george monteith, navy, victoria

George Williams No 1608, actually Cuthbert Lodington. He enlisted under an assumed name of an Aunt. Enlisted on 4.12.14 in the 3rd reinforcements to the 6th Batt AIF. Embarked 19.2.15 for Eygpt then Gallipoli. Reported missing 8.5.15, confirmed KIA same day. Refer 2070P.Medal set, brass plate mounted, set of (3) re G Williams. 1. 1914-15 Star. 2. War Medal 1914-19. 3. Victory Medal. "1608 Pte G Williams 6 Bn AIF"medals, military, history

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year.Sepia photograph.Draught horse with cartload of hay and 2 men working.On reverse, "Tom. Mr. Russ second in command on the hay. 1929." draught horse, hay, men, carine williams (née wettenhall), 1991, centenary, 1929, tom, mr russ, agrostology

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year. Black and white photograph. 5 female students seated outside the Pavilion. On reverse, "Carine Wettenhall, Pat McVickar and others 1929."female students, pavilion, pat mcvickar, carine williams (née wettenhall), 1991, centenary, 1929

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year. Black and white photograph. 5 female students standing under or on top of the "Langwarrin" sign.On reverse, "An excursion to Langwarrin 1929."female students, langwarrin, excursion, carine williams (née wettenhall), 1991, centenary, 1929

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year. Sepia photograph. A group of 12 female and 2 male students seated and standing on the lawn.On reverse, "The Seniors in 1929."female students, students, carine williams (née wettenhall), 1991, centenary, 1929, 1929 year group

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year. Sepia photograph of 2 women standing on the lawn beside a palm.On reverse, "Miss Allender (left) our lady boss (and a real lady too) and Matthews 1929."Dorothy Allender (staff), O. Matthews (1930).women, lawn, dorothy allender, staff, o. matthews, carine williams (née wettenhall), 1991, centenary, student

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year. Sepia photograph of George Russ Standing in a garden bed of dahlias.On reverse, "Mr. Russ (our Garden Boss) - a good disciplinarian and needed to be! 1929"garden beds, carine williams (née wettenhall), 1991, centenary, 1929, george russ, dahlias, staff

Anthea WILLIAMS The sculptural practice of Gippsland-based artist Anthea Williams includes welded metals, moulds and assemblages. She has lectured Visual Arts at Federation University, Churchill and has many years experience as a technician at Latrobe Regional Gallery. Large steel sculptureanthea williams, gippsland art collection, sculpture

Albert E. Williams was a teacher at the Ballarat Technical Art School.Framed Design for an Art Gallery for a Provincial Centre ballarat technical art school., albert e. williams, art gallery design, art teachers' certificate, a.e. williams

Albert E. Williams was a teacher at the Ballarat Technical Art School.Framed Study in Colour of a Flowering Plant from Naturealbert e. williams, art gallery design, art teachers' certificate, a.e. williams, ballarat technical art school, staffmember, flora, aqualegia, available

This ship model of the Cutty Sark was hand-built in the 1980s from a model kit produced by Billings, Denmark. It was on display in the Olde Maritime Motor Inn in Warrnambool until it was refurbished around 2015. The Cutty Sark was a famous clipper ship, launched in 1869 for the tea trade from China to London. The ship was designed for speed, with the ambition to be the fastest ship. In the late 1800s, it competed in the tea clipper races. It was eventually sold to a Portuguese company, Ferreria, and took on the company's name. It was sold again and renamed Maria do Amparo. Finally, the ship's name was returned to the original 'Cutty Sark' when it was purchased by Captain Dowman for use as a cadet training ship. The ship continued trading and in 1922 it became the last operating clipper ship in the world. The ship is now a museum, preserved in a dry dock at Greenwich, England, as part of the British National Historic Fleet. About Barry Williams: - The maker, Barry Williams, worked for the Australian Shipping Line, Huddart Packard Ltd., until it closed down in 1960. Williams then worked for Shaw Savill & Albion Co. Ltd., a substantial British passenger and liner company. and subsequently Furness Withy Ltd. (SS&A's parent company). In the late 1970s Williams and two friends established their own ship chartering company in Melbourne, the Harwood Shipping Co. During the early 1970s Williams and his wife lived in London, near Greenwich, and often walked along the river where the Cutty Sark Maritime Museum is located. The fascination of the Cutty Sark led Williams to build model ships of the same era. At one stage Williams lost the rigging plan for the Cutty Sark but one of his partners, on a visit to London, photographed the Cutty Sark on the river, and Williams used these to complete the rigging on the model. Williams found the making of the model a very demanding but also pleasurable exercise.The model is significant for showing a visual representation of one of the most famous tea clippers, the vessel Cutty Sark. The three-masted ship was built for speed and traded tea between England and China. In 1922 the Cutty Sark became the last operating tea clipper in the world. The craft of ship model building has been popular for centuries, especially with people associated with the sea, such as this model builder, whose career was based around the shipping industry.Ship model; clipper ship, the 'Cutty Sark', a three-masted clipper ship, bare rigging, netting below the bowspit, and fine chains hanging from the bowspit. Black hull with two parallel horizontal stripes below the rail. Lifeboats on board. The white figurehead is below the bowsprit. The model comes with a cradle stand. The ship's name is not visible on the model.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, cunysark, historic sailing ship, tea clipper, sail training vessel, cadet training ship, commercial trading vessel, cargo sail vessel, ship model cutty sark

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of 2 men standing beside Lake Wendouree 1923. They are dressed in suits with hats on, their names are Frank Wright and Vernon Holt..1) Frank Wright 22 and Vernon Holt 16 Taken beside the shores of Wendouree by Mrs Williams 10.9.23 (au) frank wright vernon holt lake wendouree

Williams' use of the dog and poem was inspired by a print by the late Barbara Hanrahan (an artist friend) in which a women was holding a cat accompanied by a dog and in which words from a William Blake poem were included / After her mother died Williams made a work of her mother with the dog, holding the cat and using the same words in the Hanrahan print / The dog is a family pet; Dolcie, that Williams fell in love with / The dog as a symbol has been used in fifteenth and sixteenth century painting to represent fidelity in marriage / The use of the dog is also a contradiction to the themes in this work by Williams / Williams found that many of her women friends were having emotional and romantic difficulties, suffering from the same malady again and again, feeling rejected, destroyed and having unfulfilled desires / The female figure standing on her hands is not seeing things realistically / The figure is head over heels, vulnerable, with her skirt around her head revealing more than normal / The text enhances the meaning of the work and draws the viewer into experiencing the foolishness of love, demanding the viewer travel around and around to read it / Overall the dog provides structure to the work and a reliable object on which all else balances / Balance has been one of the recurring or repetitive themes within William's work / It references the physicality of clay, the difficulties in creating balance with the clay and balance in the work / Williams' work is about form rather than colour / Sometimes she uses a coloured clay like a pale terracotta / Williams likes the flatness of the surface in relationship to the marks of the text / She describes herself as a Minimalist, paring down the form to the bare essentials. 'In Love' was a finalist in the 1997 Nillumbik Art Award held at the Eltham Community and Reception Centre, Pitt Street, Eltham. A ceramic sculpture made of white stoneware clay (coated with a wash of gesso) of a girl doing a hand stand on the back of a dog (retriever?) / Her face/head is partially covered by her skirt which has come down / Her skirt is inscribed in the round with the poem "The Lady's First Song" (1938) by W.B. Yeats (see inscriptions and markings) / The dog is looking straight ahead and upwards towards the sky and his tail is pointing straight out. The dog is covered with cross-hatch incised lines to give the illusion of fur and texture / Hand written inscription of W.B. Yeats poem "The Lady's First Song" (1938) on girl's skirt / I turn round / Like a dumb beast in a show. / Neither know what I am / Nor where I go, / My language beaten / Into one name; / I am in love / And that is my shame. / What hurts the soul / My soul adores, / No better than a beast / Upon all fours.williams / yeats / love / ceramic / stoneware / dog

(a) Donated by Carine Williams Wettenhall for the 1991 Centenary Year. (b) Donated by P. McVickar for the 1991 Centenary Year.4 female students standing under the willow beside the lily ponds. (a) Sepia. (b) B/w. Three of the students are dressed in the uniform of jodhpurs, shirt and tie(a) On reverse, "Clowning in a spare moment 1929."female students, willow, lily ponds, carine williams (née wettenhall), 1991, centenary, 1929, pat mcvickar, luffmann ponds, recreation

(a) Donated by Carine Williams (nee Wettenhall) in 1991 for the Centenary Year. (b) Donated by Pat McVickar in 1991 for the Centenary Year.2 copies sepia photographs. 2 female students cutting sapling trees with secateurs. (a) On reverse, "Pat McVickar and-Mathews hard at it 1929." (b) On reverse, "Pat McV & Mathews, Pat McVickar O. Mathews graduated 1930."female students, sapling trees, secateurs, carine williams (née wettenhall), 1991, centenary, pat mcvickar, 1929, o matthews, students working outside

(a) Donated by Carine Williams (nee Wettenhall) in 1991 for the Centenary Year. (b) Donated by P. McVickar in 1991 for the Centenary Year.Sepia photographs. a. 4 students working in the Orchard, and a member of staff. Bird-proof cage in the background. (b) Same photograph shifted 1mm to the right. Names suggested by P. McVickar are: Ritchie?, Greer, Owen Thomas.(a) On reverse, "Pruning in the Orchard. Pretty awful on those cold wintry days! 1929."students, orchard, bird-proof cage, carine williams (née wettenhall), 1991, centenary, pruning, 1929, pat mcvickar, owen thomas, strudents working outside

WALTER WILLIAMS No 1442 enlisted in 2nd reinforcements 2nd Batt AIF on 27.11.1914 aged 23 years 9 months. Embarked for Egypt 11.2.1915, embarked for Gallipoli 5.4.1915. Transferred to Stretcher Bearers 8.4.1915 & hospitalised 9.6.1915 with a twisted instep. Returned to unit 13.7.1915, KIA 29.8.1915. Refer Cat No 1860 & 4342P Original photo of W WILLIAMS with Identity disc and medals mounted beneath. Mid brown colour timber frame with dark green mount & glass.Above photo on white label with black print: W WILLIAMS No 1442 - 1st AIF 2nd Bn Below photo handwritten with grey lead pencil: PT WALTER WILLIAMS nobly FFL THAT WE MIGHT LIVE Attached white printed label: WALTER WILLIAMS Killed in Action 29.8.1915 Refer book 4. photography-photographs, frame accessories, military history

C1914 - 1915 infantry Private 1st AIFA b/w postcard portrait of Walter Williams - oval shaped showing head and shouldersHandwritten on back: WALTER WILLIAMS Typewritten on front: WALTER WILLIAMSwilliams, walter, soldiers, uniforms, armed forces, clothing and dress, portraits, george evans collection