Gas and Fuel Fashion,Food,Fitness. 5 people on a stage - From Left to Right: Female in black skirt and grey top, man in suit, female in long dark skirt dark top and jacket holding a microphone, female in evening dress, female in a wedding dress. Date and location unknown.event, social, gas & fuel fashion, food, fitness

long cream silk skirt with cotton petticoat sewn in. Silk decorated with crocheted rosettes, tiny pleats running 3/4 way down the skirt, and 9 tiny pleats running around the circumference of the base. Petticoat same colour with ruffle around base. Clasped with hook and eye at waist.No visible markingscostume, female, skirt, silk, cream, petticoat, clothes

Uniform items worn by girl students at Ballarat & Clarendon College (Years 11-12) in the 1970's. To be accompanied with fawn tights and brown lace-up shoes. The uniform was more relaxed to denote to seniority of the students. Girls were able to choose a jumper the colour of any of the lighter tones of the tartan. Box pleat, plaid skirt with fitted, adjustable, waist band, zip fastener; accompained by cream turtle neck jumperManufacturer's label sewn inside waistband: 'Flatcher Jones / 55% POLYESTER / 45% WOOL' Name tag sewn to manufacturer's label: REHFISCHuniform, ballarat-and-clarendon-college, girls-uniform, tartan-skirt, box-pleat-skirt, 1970s, winter-uniform, senior-college-uniform

Hecla electric jug, owned by Colvin family of GreensboroughCeramic electric jug, 24o volt, pale yellow cream, skirted design, with sliding Bakelite lid and double elementHecla Australia (on lid), [Model] J9, NPA Ps90hecla, electric jugs

Worn by patients at Sunbury Asylum.Petticoat, bodice unbleached cotton, sleeveless and fastened at back with four metal buttons. Skirt deep reddish brown flannel."F7" handwritten on shoulder in black ink.costume, sunbury asylum, george evans collection

Belonged to the Alison, John & Michael Woods' mothers parents, John & Eliza James. They lived in Napier Street Creswick. It is believed they may have bought it after moving into this house about 1909Belonged to the Grandparents of the Museum owners.Decorative brass kerosene lantern, suspended from ceiling by brass chains with a frosted glass hood and glass crystal skirt. Nilhanging lamp. kerosene lamp. hanging kerosene lamp. hanging brass lamp. brass hanging lamp.

Beige Nylon petticoat, bust trimmed with 3cm wide lace. A line skirt trimmed with 15cm beige nylon lace.lucascostume, female underwear

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. At this time, she had a collection of 300 garments. This dress is one of a number of items donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Long sleeved, pale pink cotton mini dress designed by Norma Tullo with ruffled trims on the bodice and the hem of the skirtLabel: TULLOnorma tullo, australian fashion - 1960s, mcintyre collection, mini-dresses, day dresses

Christening robe first worn in 1858 by William Thomas (Tom) Poulter, eldest surviving child of James & Mary Poulter. Used by several generations of Poulter descendants.Early Christening robe with local family significanceWhite lawn christening robe with embroidery detail to bodice and front skirt. Mostly hand sewn. Very good conditionpoulter, chapman, christening

Black and white photograph of Nell Bliss wearing white long sleeve blouse and dark skirt Lakes Entrance Victoriagenealogy

Sixteen page colour knitting pattern book. The cover features a woman wearing a white top and a purple skirt at the beach.front: [printed] THOROBRED / scheepjeswol / Summer / in Style / 6 FREE / fashion / patterns / for you / to knitthorobred scheepjeswol, fashion, design, knitwear, home made, wool, pattern book

Photo taken during Community Aid Abroad walk, 1968.Black and white photo of four women walking along street, one wearing skirt and blouse, three wearing dresses."Mrs Hiscock, Carrie Murrell, Ann O'Beirne, Jennie Hiscock 1968"mrs hiscock, jennie hiscock, carrie murrell, anne o'beirne

- Worn to wedding 1972 - Worn by bride's sister, aged 15- Long sleeves dress - Long skirt - Lace at neck and cuffs - Buttons at centre front - Corded waist - Fully linedNilhand sewing, bridesmaid

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains patterns for mens and womens garments knitted in mohair wool. The photographs in this book were taken at 'View Bank', a Welsh mountain pony stud farm owned by Mrs H. Bartramat Heidelberg, Vic.,Patons / BOOK No. 748 / KNITS FOR ALL OCCASIONS / His and hers - a 'V' neck pullover. / Hers only - pullovers, jackets and a skirt / - all in MOHAIR / 2'6 / 25 CENTSknitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history

The photograph provides details relating to the student's dress and deportment in 1909. The girls wear full-length dark skirts with wide belts and white blouses. The blouses are not uniform but feature high necks, cuffed sleeves and lace decoration. Their hair is elaborately coiffured and adorned with large bows. The teacher is wearing a mortar-board and academic gown. Her skirt of light-coloured. The photograph has social significance due to its representation of fashions for young ladies in 1909. Black and white photograph with grey mount featuring the Clarendon Ladies College Form VI (Intermediate and leaving) class in 1909. Students are arramnged in three rows - first row on floor, second row seated and third row standing. 18 students and one staff.Printed on bottom left corner of front of mount: Richards & Co/Ballarat; Handwritten on back of mount: Clarendon/Form VI (Inter & leaving)/1909/E.L.R.1909, clarendon ladies college, richards co

Cream coloured raw silk dress. Lower part of skirt hand-embroidered with floral design. Black and white striped silk collar and placket at front opening with 17 black decorative buttons. Two rows of thick cording insetred into casings around waist area which control the gathering in the skirt.silk, embroidery, 1910s

colour photograph of members and families having a picnic .3 Joan Rosser in centre (white skirt, blue top)4 x colour photographs of members and families having a picnic in what looks like Merriwa Park (the park below and behind the Ely St Station) No.7 in a circle - centre(.1) (social committee) in a circle - below the above(.2) .4 Allan Mills cooking the bbqjoan rosser, allan mills, 1970

In 1880 Melbourne hosted its first major international exhibition the "Melbourne International Exhibition". In 1888 Melbourne hosted its second major international exhibition the "Melbourne International Centennial Exhibition".Two-piece evening dress comprising separate bodice and skirt made of gold-coloured silk damask woven with large curvilinear design in cream. Cream tulle trim around neck embellished with beads and artificial pearls. Similar trim down centre front and around lower edge of bodice. Short puffed sleeves Neckline trimed with wide gold satin riboon and bows. Bodice is boned and fastens centre back with hooks and eyes. Gored skirt pleated into waist. .1 - bodice . 2 - skirtLabel, woven blue on cream, centre back bodice: QUOD FACIMUS VALDE FACIMUS, George & George Ltd / Federal Emporium / Melbourne, International Exhibition Melbourne, Costumes and Mantlesgeorge and george, evening dress, georges of collins street, 1888

This dress belonged to Nola Jennings, a long-time Brighton resident. Bindi of Melbourne was the youth label of Australian commercial fashion house Len Vogue.Long-sleeved crimplene dress (.1) with white bodice and short purple skirt. High collar, cuffs and waist have a purple and yellow checkerboard-patterned trim. Four self-covered buttons down the centre front of skirt. Zip at back. Long purple tunic vest (.2) worn over the top.Label in both dress and vest, white with black text: "Fashioned for / Bindi / of MELBOURNE" Two smaller labels at bottom: "SIZE 10 / TO FIT / BUST 32" / HIP 34"" and "CRIMP TERY. / C 145 4".nola jennings, 1960s, bindi of melbourne, len vogue

Silk organza wedding dress with a creamy satin strapless bodice under silk organza with a silk organza circular skirt, which was worn over a cream satin under-skirt (see 11400.529) Bodice has a dropped waistline, sitting at the hipline. Skirt gathers to the bodice and has a draped organza panel, passing through two satin and organza pleated loops at the hipline. Extending across the back from these loops is a 28cm wide tie, which extends to the hemline to be 44cm wide, and forming a tiny train. 41 covered buttons and loops extend from the neckline to below the hips. Sheer sleeves, lily pointed at the wrist, fastened with 7 covered buttons and loops. Floral lace motifs are scattered on bodice and front of skirt. Lace outlines the sweetheart neckline, and wrists. Eight V shaped panels are inserted into the lower skirt to produce the circular shape handkerchief hem. Skirt extends to a small train at back. Documents and photo linked to file. Wedding dress worn at marriage of Barbara Johnson to her first husband Ian Bulte. Part of wedding dress collection 11400.528, 11400.53029, 11400.530, 11400.531.costume, female ceremonial, wedding dress

Long gaberdine black frock with a black and white floral bodice with capped sleeves. It has a matching black and white border on the skirt.ball gown, reid family

Female Dress Jacket, Sergeant with Tie and dress webbing belt (use shirt trousers skirt in U881 or U886 shoes or boots)uniform, 1995, army

9036.1 Men's khaki coloured singlet style bathers 9036.2 Ladies, purple one piece bathers with short white skirt.9036.1 AKM regd. Cotton, wool

Slide. BENDIGO EASTER PROCESSION. A group of young ladies marching dressed in white tops & green skirts, brass band following.slide, bendigo, bendigo easter procession., bendigo easter procession.

Family Portrait Bibby Family of Navarre in bush SettingB/W. Print : Two rows of family members. Men in 3 piece Suits with ties. Ladies in dresses/ Skirts and Blouses.bibby family, navarre

Beige Nylon petticoat with deep lace trim on bust line- three gored skirt and 15cm deep lace hem line.Lucascostume, female underwear

Women's khaki tunic & skirt belonged to Lilian E. Steinberg Hospital Patch & red cross emblem. Collar dogs, & buttonsuniform, ww2, army