Showing 199 items
matching stawell religion
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Stawell Historical Society Inc
Photograph, 27 Scallan Street, 03/2003
... grampians Religion Private Hospital On Reverse: 3-2003 Stawell ...Large White W/Board house with bay window on left side Metal Frame on roof next to a large crossOn Reverse: 3-2003 Stawell Victoriareligion, private hospital -
Stawell Historical Society Inc
Photograph, Ministers of Religions in the Stawell district 1912
... Card. Ministers of Religions in the Stawell district 1912 ...Group of Stawell Ministers Serving in Stawell District June 1912 Back Row Rev. Griffith, (Baptist), Rev. Matthew, (Presbyterian), Rev. Dewhurst, (C of E), Rev. Milne, (Congregational) Front Row Adj. Perry, (Sal. Army), Rev. Harrison, (Methodist), Rev. Storrs, (The Missioner), Rev Shipway, (Church of Christ)Two Black & white photograph of a group of males, four standing, four seated. Picket fence in background. These photographs were taken from a Photographic Post Card.Empire Post Card June 1912 Back Row Rev. Griffith, (Baptist), Rev. Matthew, (Presbyterian), Rev. Dewhurst, (C of E), Rev. Milne, (Congregational) Front Row Adj. Perry, (Sal. Army), Rev. Harrison, (Methodist), , Rev. Storrs, (The Missioner), Rev Shipway, (Church of Christ)stawell portrait -
Stawell Historical Society Inc
Book, J W Ridder, Songs of Gladness with Tunes, 1872
... 1877 Religion Songs stawell education Robert McIntyre Stawell ...This Book belonged to Robert McIntyre Stawell Oct. 29th 1877Religion SongsA Brown Material. Soft cover with gold inscription on front contents songs of Gladness. Music and WordsRobert McIntyre Stawell Oct 29 1877stawell education -
Stawell Historical Society Inc
Photograph, Reverend Susan Pearce
... grampians Religion 1974-75 Runners Up C Grade Stawell Uniting Church ...Stawell Uniting Church Minister 2011- Photographed in formal attire 2011 - 2020 1974-75 Runners Up C Gradereligion -
Stawell Historical Society Inc
Photograph, Stawell Historical Society, Uniting Church Pipe Organ 2021
Pipe organ is as of 27/6/21 one hundred years old. It is a Dodd Organ made in South Australia. Previously Presbyterian Church still St Matthews.Two colour photographs of the pipes and one of the keyboard religion, music -
Stawell Historical Society Inc
Photograph, Roman Catholic Tennis Team
1920's Roman Catholic Tennis Team. Six males standing in back row, two are priests. Four ladies are sitting on bench three wearing hats. Roman Catholic Tennis Team. Tony Rathgeber left end, Mick Cowman right side. Patricia Naylor white hat.sport, religion -
Stawell Historical Society Inc
Photograph, St Matthews Church
... Stawell Historical Society Inc 46 Longfield St Stawell ...Three colour photographs of St Matthews Presbyterian Church Hall, Scallan Street Stawellreligion -
Stawell Historical Society Inc
Postcard, Churches in Stawell
... grampians Methodist Church Stawell Main Street religion Churches ...Methodist Church Stawell Main Streetreligion -
Stawell Historical Society Inc
Postcard, Presbyterian Church Stawell Scallan Street
... grampians religion Presbyterian Church Stawell Scallan Street ...religion -
Stawell Historical Society Inc
Postcard, St Patrick's Catholic Church Patrick Street c1906
Same as 0105-1 Post card of Catholic Church Patrick's Street Stawell. religion -
Stawell Historical Society Inc
Photograph, St Matthews Church in Scallan Street 1981 -- Coloured
St Matthews church Scallan Street. 1981religion -
Stawell Historical Society Inc
Photograph, Primitive Methodist Christian Endeavour July 1901 -- Studio Portrait, Feb 1st 1992
Primitive Methodist Christian Endeavour Group July 1901. Photo taken in Stawell by Stawell Photographic Company. Mrs R. Gray would be Mary Gray. Back Row: L-R J. Anyon W.A.Perry (vice-president) W. Hambly, G. Smith, Miss V. Willoughby Second Row: L-R Miss L. Crawford, (Secretary) Miss M Schnieder, Miss Matthews Miss M. Hambly, Miss B. Fletcher, Mis B. Yates, Miss E. Bunting Miss B. Dickie, Miss B. Hambly Miss W. Matthews, Mr Gillams. Third row: L-R Miss. L. Corrie, Mrs Corrie, Mrs Jenkinson, Mrs McDonald Mrs McRae, Rev. L.T. Copeland (President) Mrs Russelll, Miss L. Goldsworthy Miss L. Beard Miss Bell Sumner Miss S.GillamsBlack and white photograph of a group of males and females, Taken in the studio of Stawell Photographic Company, 1901 Primitive Methodist Christian Endeavour group.July 1901 Primitive Methodist Christian Endeavour Stawell Photographic Co. Close Railway Station C. Hewitt Manager Mrs R. Gray Wakeham St Stawellreligion -
Stawell Historical Society Inc
Photograph, Wesleyan Church Choir 1899 -- Studio Portrait
... Studio Stawell. wesleyan religion choir Taken August 1899 ...Wesleyan Church Choir taken in August 1899 by Herbert's Studio Stawell.Black and white photograph of a group of 12 females plus one male seated centre front. Taken in Herbert's Studios Stawell.Taken August 1899 Wesleyan Group Mrs. R. Gray Wakeham St Stawell Herbert's Studios Stawell Methodist Church Choir Matilda Miller need Hanes in front. Daughter of John and Martha Hanes nee Hall. Deep Lead. Born 1879. Died W.A. 1958 Mrs Richard Herbert Miller/\wesleyan, religion, choir -
Stawell Historical Society Inc
Photograph, Congregational Church Stawell Children’s Choir 1923, Feb 6 1992
Congregational Church Children’s Choir Stawell 1923 Back Row: L-R Emma Evans Olive Warne Jean Wood Marie Evans Reverend Mr Cleavely, May Holloway Marjorie Bainbridge Mollie Heywood Maisie Riley Front Row: L-R Ida Abrahams Bess Sumner Ena Holloway Alice Heal Ilma Phillips Lorna Huttley Marg Heywood Edda Lawrence Reclining at front: Scott HeywoodBlack and white photograph of a group of young people, including a minister standing in the centre of the back rowchoir, religion -
Federation University Art Collection
Ceramic - Artwork- Ceramic, Blue Goblet by John O'Loughlin
John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) in 2007 John completer a Masters at the University of Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Botanical inspired wheel thrown goblet with decorative incised leaves on stem and flower head shaped cup. Glazed 'JOL' on bottom.art, artwork, goblet, botanical, ceramic, john o'loughlan, alumni -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Set of Four Goblets by John O'Loughlin
John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks, such as 'Reliquary No. 20' engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Four wheel thrown goblets, two with decorative stems. art, artwork, john o'loughlin, ceramics, goblets -
Federation University Art Collection
Ceramic - Artwork - Ceramics, 'Reliquary No. 20' by John O'Loughlin, 2007
John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks, such as 'Reliquary No. 20' engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Lidded ceramic form.art, artwork, john o'loughlan, ceramics, available, available ceramics -
Federation University Art Collection
Painting - Artwork - Painting, 'Angel' by Susan Paterson, 2013
Susan PATERSON Born Melbourne Dr Susan Paterson is an artist, curator, writer and lecturer. Her research includes artistic practice and theory. Susan Peterson has worked as an art educator in many Australian States, China, England and New Guinea. Framed painting of an angelic figure with halo. Artist's statement: This work is inspired by those who love angel hunting in the old city of Jerusalem. Angels have significance in the three monotheistic religions which have grown together in harmony in this beautiful holy city. JUDAISM, CHRISTIANITY and ISLAM emerged historically in this order to be religions of peace and prosperity. PILGRIMS from these three religions visit the Holy City of Jerusalem in Israel to celebrate their respective religious traditions. susan paterson, angel, halo, available -
Federation University Art Collection
Artwork, other - Artwork, 'Ghosts in the Himalayas (Shot Up)' by Lisa Anderson, 2016
Dr Lisa ANDERSON (1958- ) Dr Anderson’s research questions environmental issues that impact on the social structures of communities and their mapped or metaphysical borders. She develops projects around ways of understanding the effects of climate change. These include work with folklore, legends and religions that tell stories of coping with weather, forced migration of animals and people and coping with difference. She has undertaken international residency programs and exhibitions in the Arctic, Iceland, Paris, Norway, London and China, and she was the first Artist in Residence at the Australian Museum. These unique opportunities continue an extensive art practice of installation work, video, photography and sculpture. Anderson has an extensive record of exhibitions in Australia and overseas with work included in both private and corporate collections. Her exhibitions include Journeys: Due North, a large installation work that includes work created over a 10-year period of engagement in expedition and science work North of the Arctic Circle. Beneath the Beauty of Architecture, an exhibition at her London Gallery, Bicha, used images created in China, Nunuvut Territory in Canada and the Antarctic while working with the migration stories of survival. Dr Anderson has created many large scale artworks that challenge notions of occupation of the City, including Writing the City, a three-year program of installation works to shift the use of Sydney to being a city of public space in its pre-Olympic development. Singing up Stones celebrated the people who created and use the Opera House and the Quay for performance and ideas. This included the first image projection onto the Sydney Opera House, a projection onto the Sydney Harbour Bridge and a ballet of cruise liners with the sound simulcast on the local radio station. Two digital prints with acrylic on metal and bullet holes. This work is the result of research on the hidden voice of landscape undertaken by Dr Lisa Anderson while an Honorary Professor at Federation University Australia. lisa anderson, available