This silk nightdress was made by Mabel Church in the 1920s. Mabel undertook a dress making and tailoring apprenticeship at Whan's Store in High Street, Wodonga.This item has well documented provenance and a known owner. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A mid-length silk nightdress with hand stitched embroidery on collar and sleeves.silk, dress making, dress, tailor, apprencticeship, nightdress, 1920s, wodonga, whan's store, albury wodonga

THE SKIRT The skirt has a gentle, soft, feminine design which keeps it in good shape and condition, preserving it from soiling and prolonging its life: - the satin fabric is softly pleated at the waist and falls gently to almost floor length - the opening is concealed at the back within one of the folds and closes with hooks and eyes underneath the bow at the back of the jacket - the horizontal stitching at the base of the skirt joins the lining to the skirt, and the firmness it creates allows it to gently flare out at the base without the need of hooped petticoats - a removable fabric lining at the hem protects the front and back of the skirt from friction and soiling from the wearer’s footwear THE SKIRT This evening outfit is significant for its connection with colonial Australia, Victoria and Warrnambool. It is a fine example of female fashion of the mid to late 1900s. The outfit is significant for its connection with a wedding uniting two colonial families from Northern Ireland who immigrated to Australia in the mid-1850s. The families had a significant role in the history of Warrnambool and district. The outfit is significant too for connecting the colonial families to the indigenous culture of the district and the contact between the native and European people. The lined, floor-length, amber satin skirt has gentle folds that gather into a fitted waistband. One of the folds at the back conceals the opening of the skirt that fastens using metal hooks and eyes. The bow at the back of the jacket covers the top of the closure. There are metal hooks distributed around the top of the waistband. The skirt is stitched horizontally around the hem in several rows. There is a removable fabric lining at the base of the skirt.evening skirt, ladies 1h century skirt, satin skirt, antique satin skirt

.1) Brown soft leather glove with press stud attachment. Three rows of stitching on back. Double stitched hem around glove opening. (Right hand). .2) Same as .1) (Left hand).uniform, accessory, gloves

A silk scarf souvenir from Egypt. It was embroidered with military symbols. The date is unknown. The connection with Legacy is not known. The founders of Legacy were all returned servicemen who returned from overseas service in World War One so would be familiar with similar sentimental souvenirs that were purchased in Egypt and sent home to loved ones.A record of a type of souvenir made to commemorate the Australia Commonwealth Forces. Founding Legatees would have been familiar with Egyptian souvenirs from World War 1.Purple scarf, possibly silk, hand stitched with military forces symbol, text and floral motifs. Gold braid trim possibly machine stitched at a later date. See similar items 00182, 00183.Embroidered with 'Australian Commoolth (sic) Military Forces'.souvenir, world war one

The linen tablecloth has been hand worked using satin stitch embroidery and drawn thread work. This tablecloth is one of many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. Most of the items in this Collection are in the Lighthouse Keeper’s Cottage at Flagstaff Hill. The majority came from the simple home of Vera’s Giles’ parents, Henry Giles and his wife Mary Jane (nee Freckleton), whose photographs are in the parlour. They married in 1880. Henry Giles was born at Tower Hill, Victoria in 1858 and worked as a labourer on the construction of the Warrnambool Breakwater. His wife, Mary Jane, was born in 1860 at Cooramook. She attended Mailor’s Flat State School, and later worked there as a student teacher, before (as family legend has it) she became a governess at “Injemira” where her grandfather, Francis Freckleton, owned the land. The Giles family of six, some of whom were born at Mailor’s Flat and the younger at Purnim West, lived at “The Maam”, Wangoom before moving to New South Wales in 1895, where Henry built bridges for about 7 years. Henry died in 1933 and Mary Jane died in 1940. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Tablecloth, white linen, part of the Giles Collection. Large white rectangular tablecloth, hand embroidered using white thread. Floral design in satin stitch and drawn threadwork. Cloth has additional white cloth iron-on label.Iron-on label, hand written in black pen "LHK B22". flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, giles family, cooramook, 19th century linen, 19th century household goods, 19th century handcraft, 19th century manchester, 19th century table linen, 19th century tablecloth, giles family collection, 19th century household linen, warrnambool breakwater construction

Puttees were long established items of a soldiers kit. Although time consuming items to tie correctly, puttees were a very comfortable and practical method of ensuring that mud and loose debris would not enter the tops of ankle length boots. Short puttees were common during the second world war.A pair of dark khaki woven wool cloth bands that were wound around a soldier's ankle. Each puttee has cotton stitching across one end, with the other end stitched into a triangular shape. Attached to the triangular end is a long khaki woven cotton strap that was used to secure the puttee in place. Cotton stitching is across the end of the cotton strap.V307 1944 D (broad arrow) Dputtees, clothing

White fine cotton lawn waist apron. Pentagon shaped bib with spoke stitched hems on four sides. Waistband with ties attached, Skirt has two pleats on each side. Spoke stitched hems on sides and lower edge. Lower edge has spoke stitched detailing of two rectangular shapes, and a centre peak. Old box 160.costume accessories, female, waist apron.

An item of Local significance for women in use of decorating their Domestic life in the mid 1920's. Usually these items were constructed with the use of their own handicrafts. The 'Sunday Best' status helped to present a civilised look to the one day of No work and Church in a family's weekly life.A lady's linen, hand embroidered full apron. Orange Flowers(Button hole stitch), green leaves (satin stitch) Featherstitch on pockets and edges of the garment.1 Tie is missing meaning that the apron cannot be worn.embroidery, hand, domestic, linen, silk, crafted, apron, sunday best, stranded, ties

Made by the Returned Soldiers & Sailors Mill in Geelong, post-1924. Rug was owned by the donor's extended family.Tartan rug with cream base, featuring pattern with blue, black, green, yellow and red. RETSOL label stitched on one corner. Name of rug is The Dress Steward. Label has stitched signature of Stan Savige.

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Coffee coloured smaller and larger frills to wear at the neck. Chemical lace daisies sith the net cut away with a punch. The machine was set precisely to repeat the design with lock stitch and then satin stitch around the edgeslace, women's clothing, jabots

Northern District School of Nursing trainee nurse's base uniform from 1972Nurse's one piece dress in yellow with yoke and central front chest panel in white. Dress fastens with full back zip to waist and metal hook and eye. There are two pockets at sides below waist. There is a gusset to each side of back to sleeve. There is a long sleeved, waist length jacket, satin lined, with round neck with five buttons and button holes at front. The fabric is of stretch cotton. There is a metal press stud at the top of the jacketDress has a white label with gold embroidered 'House of King, Melbourne' stitched to left rear neck facing. Stitched to the top of this label is another small white label with the name 'Anne Fitzpatrick' in green embroidery. The jacket has a white label stitched to the lining at base of neck with 'Florgale Uniforms, Melbourne, Sydney" in gold. 'SW' and a female figure in long dress is embroidered in navy blue on the label.nurses uniform, northern district school of nursing, dress, jacket

This name badge belonged to Rosemary Isaac, a member of the South Western Branch of the Embroiderers Guild of Victoria. The badge, designed by long-time member Rita Williams, shows a Norfolk Island pine tree and a fence line. The South Western Branch of the Embroiderers Guild of Victoria was formed in Warrnambool in November 1974. Its first major project was the making of a patchwork quilt for the Lighthouse Keepers cottage at Flagstaff Hill. This was presented to the Warrnambool and District Historical Society at a meeting of the Embroiderers Guild attended by Historical Society members and representatives of Flagstaff Hill Maritime Village in October 1976. This badge is kept as a memento of the work of the local Embroiderers Guild, a prominent community organization in Warrnambool and district.This is a rectangular-shaped cloth badge with blue and green stitching on a white cloth surface. ‘Rosemary Isaac’south western group of the embroiderers guild of victoria

Item belonged to Horace Eli Hambly No 794 AIF. Refer 2325.2 for his service history. Small white felt pouch with edges finished in orange, button hole stitch.containers, personal effects

Linen doily with fine embroidery and a stitched edge, with cut-out embroidery in the centreflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, doily, doiley, doyly, doyley, haberdashery, manchester, linen, decorative napkin

Large cream silk handkerchief with 40mm hand stitched border on all sides.Nil.handkerchief

Small white cotton apron with bib front and tie. Spoke stitch border.costume, female working

This collar was made by the mother of the donor. A home made fashion item.Tape lace collar. Machine made tapes with needle made filling stitches.

Fashion accessoryTape lace collar. Machine made tapes with needle made filling stitches.

Ladies red gloves, suede finish, curved edging, raised stitched joinsgloves, ladies,

Green vest with gold trim stitching and a black WTC logo on the top right.

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Two white engageantes with lace duffs. The stitching suggests that they were hand madelace, women's clothing, sleeve cuffs, engageantes

Cream silk petticoat. With cut out complete with spoke stitching. Crocheted later.petticoats, underwear

Small leather satchel used to carry personal items and manufactured by Holden and FrostUsed to carry small personal items manufactured by Holden and FrostStitched steel framed brief bag leather lined with brass fittings and lockleather, bag, brief bag

Southern Cross Series. Specially written to meet the requirements of the New Zealand Code. Sold by William P. Linehan, 309 Lit. Collins Street, Melbourne.Softcover book with hand-stitched brown cover. 128 pp. Good condition.Title page top, 'Henry. Carey. J.P./Bald Hills/Kilmore East/March 29 - 3 - 1902'. Inside front cover, various arithmetical calculations.arithmetic text, henry carey

This silk nightdress was made by Mabel Church in the 1920s. Mabel undertook a dress making and tailoring apprenticeship at Whan's Store in High Street, Wodonga. This item has well documented provenance and a known owner. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A mid-length silk nightdress with pink hand stitched embroidery on collar and sleeves.silk, dress making, dress, tailor, apprencticeship, nightdress, 1920s, wodonga, whan's store, albury wodonga

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.4 sample pieces of cream machine made lace stitched to backing board.On display stand ' C. R. Eichhom Plaven I. V. 'handcrafts, lacemaking