Photocopy of photograph in "The Australasian." Caption, "Miss Phyllis Laing, a student at the School of Horticulture, Burnley (V), working beside the Lily Pond."the australasian, phyllis laing, female student, school of horticulture, burnley, lily ponds, luffmann ponds, student working outside

21 photographs with negatives in a photograph folder with, "Peter Esdale Burnley," handwritten on it. (1) Low view across Lily Ponds to Weeping Willow trunk. (2) Same as (1), different exposure. (3) View from path beside Emily Gibson beds towards Oak tree. (4) Lily Ponds. (5) Crack Willow, pruned. (6) View of trees across lawn. (7) View of Administration Building from Oak tree. (8) View of Administration Building from Oak tree. (9) View of Administration Building from Oak tree. (10) Outside of Shady Garden. (11) View towards Wisteria Arbour from Sunken Garden. (12) View of Administration Building from Oak Lawn. (13) Planting demonstration. (14) Students working in the Gardens. (15) Students working in the Gardens. (16) Students working in the Gardens. (17) Students working in the Gardens. (18) The Sequoia sempervirens from the Orchard. (19) View of the outside of the Shady Garden from the Orchard. (20) The Administration Building from the Oak Lawn. (21) The Administration Building from the Emily Gibson bed. 4 additional photographs dated Sept 1990: (22) Administration Building from the Oak Lawn. (23) Entrance to Administration Building. (24) Front of Administration Building. (25) Administration Building with Emily Gibson bed in front. "Peter Esdale Burnley," handwritten.burnley, lily ponds, weeping willow, emily gibson beds, oak tree, crack willow, trees, lawn, administration building, shady garden, sunken garden, students, sequoia, orchard, oak lawn, wisteria arbour, garden views

Identified by E.B. Littlejohn and T.H. Kneen as Margot George (1951).Student, Margot George, (T. H. Kneen, E. B. Littlejohn) watering hydrangeasmargot george, students, female students, watering, hydrangeas, student working outside

Hank Swaan, Lecturer, with a group of students working on a row of tomatoes.On reverse, "Photograph by Publicity Branch Victorian Department Of Agriculture Ref. No. 1981(914-37).hank swaan, lecturer, tomatoes, vegetables, orchard, students outside class

Student throwing dust/fertilizer over cabbagesOn reverse, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No. D.1100.E."students, cabbages, vegetables, orchard, student working outside

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sansom who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An academic portrait of Federation University Australia Vice Chancellor Helen Bartlett.academic portrait, helen bartlett, graeme drendel, portrait, vice chancellor, academic regalia

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sansom who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which often inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. This work is one of a substantial body of limited edition prints donated by the artist to Federation University in 2022 covering work from Graeme Drendel's earliest years as a student, through to more recent etchings. A etching of a woman with hair braids.graeme drendel, printmaking

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sanson who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which often inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. This work is one of a substantial body of limited edition prints donated by the artist to Federation University in 2022 covering work from Graeme Drendel's earliest years as a student, through to more recent etchings. A etching of two men carrying a mattress.graeme drendel, printmaking, mattress

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sanson who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which often inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. This work is one of a substantial body of limited edition prints donated by the artist to Federation University in 2022 covering work from Graeme Drendel's earliest years as a student, through to more recent etchings. An etching of a pool and surrounding objects such as chairs and towels. This work was completed during Graeme Drendel's final year at Melbourne State College where he was studying Secondary Art and Craft Teaching and majoring in Printmaking.graeme drendel, printmaking

Collection of negatives with instructions for developing. Probably belonged to Stuart Miller (Staff). Some scanned. 1-4,17,18,22,31 Student outside class, 5-8 Oak Lawn, 9-11. Students working in the Orchard, 13,19,20 Students in the Nursery, 14-16 James Hitchmough Grasslands, 21,24,25 Students inside class, 23. Garden view, 26. John Delpratt and his Grassland Project, 27-30. Administration Building,stuart miller, staff, john delpratt, grassland project, students inside class, laboratory, landscape design, nursery, potting in nursery, trees in suburbs, students outside class, herb garden, administration building, plants

Student dusting cabbages in the Orchard.students, cabbages, orchard, student working outside

Black and white photograph. 2 similar photographs (a) and (b) of a draught horse pulling a lawnmower in the Ornamental Garden. On reverse of (a) "Banner-23 yrs old. Dec 1941. Destroyed because of age and sidebones Jan 1942." (Sidebone causes pain and lameness.) Note by T.H. Kneen 24 June1992, "The writing on reverse of photo is the hand of J.L. Provan, Principal (42-46). The name of the horse is Banner. This is an enlargement. clydesdale, lawnmower, student working outside, banner, pavilion, draughthorse

Black and white photograph. Student Examining corn cob on plant in the Orchard.On reverse, "Photograph by Publicity Branch Victorian Department Of Agriculture Ref. No. D.473.E."student working outside, vegetables, orchard, corn

Black and white photograph. Student tying up a root ball of a fruit tree in hessian in the Orchard. Identified by T.H. Kneen 10 June 1992 as Margot George (1951).fruit trees, margot george, student working outside, orchard

Student identified by T.H. Kneen 10 June 1992 as Judy Serjeant.Black and white photograph. Judy Serjeant standing in a bed of delphiniumsOn reverse, "Delphiniums "Pacific Giants," and "Photograph by Publicity Branch Victorian Department Of Agriculture Ref. No. C.1768.E."delphiniums, judy serjeant, student working outside, pacific giant delphiniums, publicity

Black and white photograph. Judy Serjeant standing beside a Callistemon2 copies. On reverse, "Callistemon (Bottle Brush), and, "Photograph by Publicity Branch Victorian Department Of Agriculture Ref. No. c.1769.E."callistemon, judy serjeant, bottle brush, student working outside, publicity

Black and white photograph. Judy Serjeant standing next to and holding branch of a Eucalyptus torquataOn reverse, "Eucalyptus torquata," and, "Photograph by Publicity Branch Victorian Department Of Agriculture Ref. No. C.1767.F."judy serjeant, eucalyptus torquata, student working outside, publicity

Black and white photograph. Female student hoeing between vegetables in the Orchard. On reverse, "Photograph by Publicity Branch Victorian Department Of Agriculture Ref. No. c.1762.K."female students, vegetables, hoeing, student working outside, orchard, publicity

Black and white photograph. Female student standing in a bed of Stock cuttings. Student identified by T.H. Kneen as Germaine O'Dwyer.On reverse, "Mixed bed of Stock cuttings photographed March 1956, cuttings planted June 1955." Stamped 34 117.female students, germaine o'dwyer, student working outside, stocks, cuttings, nursery

T.H. Kneen identified students 17.6.1992 as, L-R: possibly Rita Brown, Roy Cottrell, Ted Hawkesworth, ?. Laminated copy of black and white photograph. CRTS (Commonwealth Reconstruction Training Scheme) students working with apple trees.On reverse, "C.R.T.S. Students. Budding apples Mornington Peninsular (sic) 1947."crts, apples, mornington peninsula, 1947, jim newell, rita brown, roy cottrell, ted hawkesworth, commonwealth reconstruction training scheme, excursion, student outside class, budding

Students identified by T.H. Kneen 17.6.1992, L-R Darkie? Stewart, Roy Cottrell, Ted Hawkesworth, Casilda Webster, others unclear.Laminated copy of black and white photograph. CRTS (Commonwealth Reconstruction Scheme students working with apple trees.On reverse, "C.R.T.S. Students budding apples Mornington Peninsular (sic) 1947."crts, 1947, jim newell, darkie stewart, roy cottrell, ted hawkesworth, casilda webster, commonwealth reconstruction training scheme, excursion, student outside class, budding, apples

Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 61.Sepia photograph.Female student on a wooden stepladder holding secateurs pruning a fruit tree in the OrchardOn reverse, "August 1918."female students, stepladder, green grows our garden, a.p. winzenried, student working outside, orchard, pruning

11 photographs with label,"Dennis Gedye 30 photos cut. 1969-72." Students engaged in various activities including an excursion. 3 scanned.dennis gedye, students, activities, les p riley, excursion, pruning, student working outside, wall plaque

Black and white photograph. Elspeth Newman (1947) (identified by T.H. Kneen) on a stepladder picking pears.On reverse, "Athol Shmith Studios.....No. 1770A."elspeth newman, stepladder, pears, orchard, student working outside, publicity, athol shmith

Male student working in vegetable plotmale students, vegetable plot, student working outside, orchard

Large coloured photograph on heavy cardboard backing depicting man in shirt sleeves and braces spraying citrus (?) trees. The 4 iron wheeled spray tank surmounted by a belt driven pumping engine (2 wheels) is drawn by 2 draught horses harnessed; the rear horse in collar and blinkers, has white socks on both back legs; the far horse has white socks on 3 legs and a white blaze on its face. Some colouring on the photograph.men, spraying, horse drawn cart, spraying equipment, student working outside, orchard

(a) Donated by Carine Williams (nee Wettenhall) in 1991 for the Centenary Year. (b) Donated by P. McVickar in 1991 for the Centenary Year.Sepia photographs. a. 4 students working in the Orchard, and a member of staff. Bird-proof cage in the background. (b) Same photograph shifted 1mm to the right. Names suggested by P. McVickar are: Ritchie?, Greer, Owen Thomas.(a) On reverse, "Pruning in the Orchard. Pretty awful on those cold wintry days! 1929."students, orchard, bird-proof cage, carine williams (née wettenhall), 1991, centenary, pruning, 1929, pat mcvickar, owen thomas, strudents working outside