This cut-throat razor was originally owned by the father of Dr. W.R. Angus' wife Gladys. Her maternal father's name was William Lawrence Forsyth. The razor was inherited by Gladys and is now part of the W.R. Angus Collection, which was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. The “W.R. Angus Collection” includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Cut-throat razor, part of the W.R. Angus Collection. Razor in dark coloured cardboard box, has dark brown Bakelite handle with rounded end; blade swings inside the handle. The razor is a Full Concave Bengal design, made by Cadman & Sons Ltd. of Sheffield in the early 1900's.Written in pen on the lid: "W. L. Forsyth", written along front of box and on tape on the handle 'FORSYTH". Impressed on steel blade "Full Concave / BENGALL RAZOR" and "CADMAN & SONS LTD. / SHEFFIELD"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, william lawrence forsyth, cadman and sons ltd sheffield, cut-throat razor, personal effects 1900's, grooming equipment 1900's, hair cutting equipment 1900's

James Alexander Nicholl was born 1878 at Ballarat Victoria. He served four years with the 3rd Regiment Victorian Colonial Forces, receiving his commission as an officer after two years. On 1 May 1900, as a 22 year old lieutenant, he sailed with the 4th Victorian Imperial Regiment to South Africa serving there under Colonel NW Kelly for fifteen months. Upon his return to Australia he resumed service with the now, Australian Light Horse. He was adjutant of the 16th (Indi) Light Horse located in northeast Victoria when WWI began. He volunteered for the AIF and was appointed to ‘C’ Squadron 13th Light Horse with the rank of Captain. Nicholl served at Gallipoli, France and UK, returning to Australia in 1919. Again he resumed his service with the CMF, this time with the 20th Light Horse.Rare group of medals awarded to citizen soldier from Victoria with service in Boer War and WWI (1914-1918) and peacetime service with pre-Federation Colonial Forces and post-Federation Citizen Military Forces both before and the war.Swing mounted medal group awarded to Major JA Nicholl being: Queens South African Medal with four clasps - Transvaal, Rhodesia, Cape Colony and South Africa 1901; 1914-15 Star; British War Medal; Victory Medal and Colonial Auxiliary Forces Officer's Decoration (VD). On rim QSA "Lieut J.A. Nicholl Victorian MR"; on reverse 14-15 Star "Captain J.A. Nicholl 13/LH Rgt AIF"; on rim BWM and Victory "Major J.A. Nicholl AIF"; on reverse VD "Major J.A. Nicholl 20th LH"nichol, medal, boer war, wwi, vd, colonial, light horse, 13th, world war one

Evolution captures Australian surfing at a pivotal moment in 1969 when the shortboard revolution was in full swing. The old long board era was to be consigned to history as Wayne Lynch, Nat Young and Ted Spencer re-wrote the surfing rule book on a 1969 world tour. Music soundtrack by Taman Shud and Tully.This film had a significant influence on world surfing when it as released. The surfing images of Lynch, Young and Spencer had a profound influence on the way that surfers rode waves and the surfing equipment they used. The film remains a true reflection on a pivitol moment in surfing history.Black and white photograph on cover of Wayne Lynch cutback.Classification (G), movie title and synopsisnat young, wayne lynch, evolution, paul witzig, ted spencer, taman shud, tully

Ural Owls are one of the largest nocturnal birds of prey and are distributed across Northern hemisphere land masses from Scandinavia in the west, across Russia and China to Japan in the east. They average between 500-640mm in length, have large ears, a very long tail, and wing spans up to 1340mm. Ural Owls display reverse sexual dimorphism. They have a range of calls and sounds that vary between regions and among subspecies. Ural Owls prefer mature primary forest habitats that are not too dense, but adapt to a range of environments, including damp heathland and high elevation mountain forests. The species is considered nocturnal but may be more correctly described as ‘cathemeral’, due to frequent daylight activity in the taiga zone. Ural Owls are non-migratory and highly territorial. They prefer to hunt from a perch into open areas of forest, seeking small mammal prey, such as voles, as well as birds, amphibians, and invertebrates. Ural Owls have a broad, rounded head and a well-developed round facial disc with a small V-shaped indentation. They tend to be plain greyish-brown to whitish overall, though some subspecies display darker colour variation. The underparts are pale cream to grey-brown and boldly overlaid with dark brown streaking. Ural Owls lack the richer colour tones of other Strix owls. Their flight style gives the appearance of a large bird. The eyes are dark brown and relatively small, and the bill is yellowish. Tarsi and toes are feathered grey and the talons are yellowish brown with darker tips. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Ural Owl is an average sized specimen with a broad, rounded head and characteristic V-shaped facial marking between the eyes. Overall plumage is plain and consistent in colour and pattern, with white, brown and grey streaks. The eyes are large and the bill is small and yellow. This specimen stands on a wooden perch with identification tags attached to its leg.Swing tag: Strix noctua / Athene noctua, [illegible] / near leiden / 26 Mai 1860. / Holland / Other tag: N38 / Strix noctua / Holland. / Metal tag: 4062 /taxidermy, taxidermy mount, burke museum, australian museum, owls, birds of prey, heart-shaped faced owl, nocturnal birds, predator birds, carnivore, territorial owl, animalia, large owl, long-tailed owls, ural mountains, taiga zone owls, cathemeral, monogamous, iucn red list, strix, wood owl, attacking owl, long-tailed owl, large-eared owl, owls with facial disc

During early farming in Australia (before motorised whipper snippers) the hand held sickle was used to cut long grass, in this case in or around railway tracks. The inside of the blade's curve was sharp, so that the user can either draw or swing it against the base of the grass, catching the stems in the curve and slicing them at the same time. Historic - Railway Permanent Way and Works - track equipment - Grass SlasherWrought iron sickle with extended with wooden handle.puffing billy, extended sickle, farm tool, reaping hook, curved blade, grass cutting

This is a photo of the Comfort Station in the reserve in central Halls Gap. The reserve was used by campers and picnickers.The photograph shows a building, constructed from logs and stone. Steps lead up to the door and the building has small, paned windows. There is a large tree in front of the building and bush behind it. To the right are a some swings and in the right foreground there is a wooden seat and a hanging sign mounted on a stone base. There are two posts in the centre foreground.natural history, flora

Journal of Australian Electric Traction Association. Volume XIX, No. 1, January 1964. 16 pages. History of document: Part of 'Basil Miller Collection'. Cover picture was a seven-car suburban electric train of original "swing door" rolling stock passing through parklands in the suburb of Burnley on its way to Melbourne.Pub: Australian Electric Traction Asscn. Printer: O'Loughlin Bros. Pty. Ltd., Sydney NSWdocument

Copy of a plan of the Chum Reserve, Long Gully, dated September 1998. The plan between Derwent Drive and Dyason Court show play area, trees, swings, fire pit, tree house and grassy area. There is also a plan of the tree house - South East Elevation. Drawn by Mary Jeavons Landscape Architects.bendigo, history, long gully history group, the long gully history group - chum reserve long gully, shared action long gully community house, city of greater bendigo, mary jeavons landscape architects

Building used as community hall and school until Education Dept built school nearby.Black and white postcard showing early Kalimna West Primary School, square water tank on side of building, home made swing on right, flag pole on left, vegetable garden in foreground, two people, lady and boy, dressed in 1900s style clothes. Uncleared bush in backgound. Kalimna West Victoriaschools, halls

Alma Quon played the drums/piano in the all-girl band the Joy Belles and was its major instigator and leader. It is believed that the band played contemporary western popular music, possibly a jazz/swing style. It was basically a dance band and they played at many Young Chinese League functions. This drum is believed to have been used during the 1950s.This drum is significant for its links to the all-girl band 'Alma Quon & the Joy Belle', a girl band during the 1950s and the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.Drum with mother of pearl laminex shell, stainless steel fittings and skin membrane.Painted on one side "Alma Quon & The Joy Belles" and on the other "Alma Quon".young chinese league, alma quon, girl bands, drums, music

This was the corner of Victoria Street and Main Road. Stone's building is now Intersport. The road in the front of the store is Main Road which swings around the side to become the Bridge Mall. Victoria Street ends at the roundabout and becomes Little Bridge Street and runs down the other side of the building. The road between the front of the building and the roundabout, was closed off.stone's corner, victoria street, main road, buildings, commerical, streetscape

Also new sepia print 10 x 15 cm. See also Peter Synan's book 'Highways of Water'Sepia photograph showing paddle steamer Tanjil at Latrobe Wharf. Swan Hotel on left and Victoria Hotel on right. Timber stacked on wharf. People on wharf and in small boats on river on left, taken from opposite side of Latrobe River. This scene is immediately downstream of present swing bridge on Latrobe River. Sale Victoriaboats and boating, jetties, houses, disasters

Multi-part object of 5 identical racquets (parts are numbered from 2008.2776.1 to 2008.2776.5). Each racquet is: a Penn 'Centre Court' racquet with no net, Penn-branded butt cap and a paper swing tag affixed to the head frame with red string. Materials: Wood, Paint, Plastic, Leather, Adhesive label, Paper, Stringtennis

The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as a Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. He sits on a wooden perch with his head turned to the left. A swing tag is attached to its leg.11 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds

This cut-throat razor was originally owned by the father of Dr. W.R. Angus' wife Gladys. Her ,maternal father's name was William Lawrence Forsyth. The razor was inherited by Gladys and is now part of the W.R. Angus Collection, which was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. The “W.R. Angus Collection” includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Cut-throat razor, part of the W.R. Angus Collection. Razor in dark green cardboard box. Razor has bone handle with arrow-head shaped end; blade swings inside the handle. The razor is a design called The Abbott and was made by J & J Maxfield of Sheffield in the early 1900's. It once belonged to William Lawrence Forsyth. Written in pencil script on lid: "W. L. Forsyth". Stamped into box and on steel blade "The Abbott". Blade also inscribed "J & J MAXFIELD / SHEFFIELD" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, william lawrence forsyth, j and j maxfield sheffield, cut-throat razor 1900's, personal effects 1900's, grooming equipment 1900's, hair cutting equipment 1900's

Illustration from a photograph reproduced in a magazine of the river Yarra, Flinders St railway yard, the viaduct, the swing basin, the wharves and Queens Bridge. Has a number of cable cars and trains in the view. Taken prior to the construction of the second or duplicate viaduct which was completed during 1915. Construction of the second viaduct on the south side of the original can be seen.in ink in bottom right hand comer "By 1916"trams, tramways, flinders st, railways, shipping, cable trams

Rose Series postcard No. P 10147, titled "A delightful view across the River Yarra, Melbourne" showing a view from the south bank of the Yarra across to Flinders St station, the signal gantries at the west end of the platforms, the station buildings and some of the other buildings on the skyline. A St Kilda bound dog box (swing door) set is in platform 10 awaiting departure.Yields information Flinders St station from the south side of the river.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.flinders st station, signals, yarra river, railways, electric trains

The stereoscope was an interpretation device used to interpret aerial photography and the landscape. It was used by National Parks Victoria located at Mt Beauty to look at aerial photos so that they showed up the relief of the topography and therefore looked 3D.Used by National Parks Victoria staff located at the Mt Beauty office during the 1970's and early 1980's.Dark green wooden box with padded protection around the perimeter and on lid where 2 rectangular pieces of wood touch the stereoscope. The box is fitted with wooden dividers that fit around the stereoscope. The stereoscope is green metal with folding legs and sides attached to allow the stereoscope to sit on a surface. The instrument has 2 round glass ('mirrored viewing lens') cylinders eye distance apart, that allow light in from the side swinging doors. The amount of light is constricted by a rectangular piece of metal at the top of each leg. The box has swing clips used to close it and a metal swing handle all on the front side.The hinges are reinforced (and offer protection) by additional rubber pieces at each end. Inside the box is a brush made of bristle with a wooden handle - used for cleaning.Outside and top of box: written in black: No. 1026. On blue tape beneath: Mirror stereoscope 1026. written in black centre top of box: W10/WKA.0233. On front edge of box written in black: W10/WKA 0233. Inside box lid on silver plaque: Stereoscope Universal/ Made in / Australia / Die Casters Ltd. Victorianational parks victoria. stereoscope. aerial photographs. scientific instrument. mt beauty. 3d

From the 1970's onward the relative isolation of regional areas was improving in "leaps and bounds". Social amenities, and life styles were changing at a great rate. Items such as this camera (recreational/life style/non professional) capture of the altering socio economic balance of rural based activities provided the catalyst for greater appreciation by city dwellers to the benefits of rural life. The greater levels of communicative avenues, especially the visual (photography, pictures, television and the internet), from the beginning of this period and throughout the time frame (1970 to the 2000s) has cut the major restraints of what was rural "isolationism".The significance of this type of camera, being a small two lens (normal, telescopic) and portable piece of equipment, allowed non professional tourists, locals or visitors to visually display the uniqueness of the Kiewa Valley and Alpine regions. This method of promotional and intimate visual reproduction of not only physical but also through personal involvement, of the photographer to the audience, a greater psychological impact, by the nature of intimacy involved. This type of photography is one of the most effective stimuli to promote the unique qualities of the Kiewa Valley region.This Item is dual lens (22mm,44mm) camera comprising of an elongated oblong shape, black hard plastic shell. It has a slightly rough surface(for a better fingers grip), two latches are located at the back, one to release the camera from its hinged protective cover and one to move to the next picture frame (film is within a cartridge).On swing cover "Kodak Tele 1 " on back in small print "MADE IN USA" On camera body "KODAK TELE EKTRA 1" underneath "CAMERA" and on slide switch(front) to change lenses:"Tele" and "Norm" kodak two lens camera, photographic hobby usa made camera

This very heavy type of iron kettle was hung on a hinged swing-arm, known as a “crane”, in the kitchen fireplace. This type of kettle, with a tap was known as a “fountain”, gave ready access to boiling water. This meant that water could be kept hot all day by the fire, and the water topped up as necessary. The metal arm was swung out from the fire -place to access the hot water relatively safely.This "fountain" was used by one of the pioneer families in the City of Moorabbin.Cast Iron Tea Kitchen, comprising a kettle, with a lid, a hook attached to swivel handle and a brass tap attached to side of kettle. T & C Clark & Co 12 Galls imprinted on lid.T & C Clark & Co

Deep brown seal skin fur handbag on a silver frame. A side clasp opens the bag - with a silver engraved knob and keyhole. Another swing silver clasp closes the bag. Handle is covered with fur,Frame is decorated with embossed relief work, including some faces. Bag is lined with satin, and has one side pocket. Lining shows damage.Frame marked: DEP.H&B Rd. No. 25436. Patent Applied For. DEP. H&B.costume accessories, female, handbag

The new member for Mitcham, Tony Robinson begins work in the electorate after a 16% swing to labor. He is pictured with opposition leader John Brumby and Cheryl Kernot, the ALP candidate for Dickson. Detailed voting figures are given and comments from independent candidates David Scotte, Peter Stokes (vice-President of the Family Council of Victoria) and Steve Raskovy.The new member for Mitcham, Tony Robinsonrobinson, tony, kennett, jeff, pescott, roger, scotte, david, stokes, peter, kernot, cheryl, brumby, john, mitcham, raskovy, steve, elections

'Tournament' model wood tennis racquet. Made by A.J.Reach Company, Philadelphia, USA. Leather strip around butt. String whipping around shoulders. Squaed wooden handle with grooved surface. Swing tag indicates purchased for $5 from Wagga Antique Centre, Fitzmaurice St, Wagga. Purchase date unknown. Materials: Wood, Gut, Paint, Leathertennis

There is no information with this item. John Tynan's Victoria Agricultural Implement Factory began making ploughs in 1857. His company is also believed to be the first to have produced drilling tools suitable for use in basalt quartz-load gold mining. Tynan was the first person to manufacture swing ploughs. His ploughs won numerous prizes, including the first gold medal ever given in Victoria for a colonially made plough.This is a photograph of an early farming tool.A black / white photograph on a discoloured cream coloured card. It is of a shiny new plough on a carpet with walls and drapes in the background.on cutting arm - Tynan Bros Prize Ploughphotograph-plough-tynan

These items came from the estates of Dorothy Ardlie (1910-1993) and her sister Agnes Ardlie (1915-1993). They are poignant mementoes of their sister Olive who died in 1912 of gangrenous appendicitis at the age of 6. The three sisters were the daughters of Arthur and Ethel Ardlie of Warrnambool, the granddaughters of the prominent Warrnambool lawyer, William Ardlie and his wife Mary and the great granddaughters of John and Mary Ardlie, pioneer Warrnambool settlers. These mementoes were kept by family members for over 100 years These items are of considerable interest as mementoes of a small child who died early in the 20th century and of the type of bereavement cards used at that time. .1 A black and white photograph produced as a post card. The subject is a young girl on a swing and holding a doll. The photograph has a hole at the top. .2 A bereavement card with black edging, black printing and handwriting in black ink. .3 A bereavement card with black edging and black printing. .4 A small envelope, much stained. This contains a small amount of a child’s hair. .1 Foyle’s Photo Card Liebig St. Warrnambool For Ethel in memory of her little playmate Olive Ardlie .2 In Affectionate Remembrance of Olive Mary Josephine Ardlie who departed this life 24th February 1912 Aged 6 Years .3 Mr & Mrs Arthur Ardlie return sincere thanks for kind sympathy in their great sorrow ‘Aroona’ Warrnambool .4 Olive’s hair, March 31st 09 3 yrs ardlie family, history of warrnambool

A wooden racquet. Inscription across neck and stem of obverse: DREADNOUGHT/DRIVER/.../LEE/POWER/MODEL. Inscription across neck and stem of reverse: HARRY C. LEE & CO/NEW YORK/DREADNOUGHT/DRIVER/.../CUSTOM BUILT. A partially illegible inscription, adhered to the side of the stem, reads: RHYTHMIC SWING/BALANCED. Materials: Wood, Leather, Plastic, Glue, Lacquer, Ink, Painttennis

The Northern Hawk-owl is a nomadic and generally solitary bird, although they can occasionally be seen in pairs. While these birds resemble owls, their behaviour is more similar to that of a hawk, hence their name. Normally active during the day (similar to the hunting habits of a hawk), they prefer to reside in boreal forest, grasslands, shrublands and temperate, cold and polar zones. Located in North America, Europe and Asia, these owls can also occasionally be found during migration, in the northern United States. There are three subspecies in North America, Central Asia and Siberia. At the present time (2021), its numbers are stable and so it is therefore considered of ‘least concern’ on the IUCN Red List, indicating it is not yet endangered. This particular specimen has been correctly mounted and presented as a relatively accurate representation of the actual bird. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Northern hawk-owl's face features white and brown soft feathery plumage and a dark brown border around its face/chin area, with a dark cream curving beak soft yellowy brown coloured eyes. Its front breast feathers are generally off white in colour with some flecks of brown. It has a long brown tail with off white banding, with creamy white claws. The owl has speckled brown and white plumage over the back of its body and wings and some areas of more solid brown are present around the back of its neck and top of wings. This specimen stands upon a wooden platform and two identifying tags hang from its right leg, while a metal numbered tag hangs from its left.Swing-tag: 38 / Rayed Swin Owl –/ See Catalogue, Page 53. Tag with faded script: No 33 Strix[?] / misarea[?] / Sweden[?] Metal tag - digits on metal tag appear to read, either ‘5028’ or ‘6028’taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, surnia ulula, strigidae, northern hawk-owl, hawk-owl, canadian owl, hudsonian hawk-owl, owl, canada, asia, europe, north america

Suburban electric train of the swing door variety seen here inbound to the City from St Kilda having just joined the Port Melbourne lines at the former Port Melbourne & St Kilda Junction. The angle of the Port Melbourne lines over Clarendon St are the remains of the former Port Melbourne main line that went right through the middle of Montague Goods Yard seen in the background.transport - railways, red train