Book. ALEC H CHISHOLM COLLECTION. 70 page small ''Everybody's Series'' book of verse. A reprint from an old book found on a bookstall. Author(s) unknown. Published in 1890 by Howe & Co., London. Catalogue sticker ''2104 ANO'' on spine. Handwritten in ink on page before title page ''Edilti Anderson 1890''.Unknownbooks, collections, poetry, alec h chisholm collection, everybody's series, poetry

The original small, pioneer cottage was built in the late 1840s to early1850s, by an unknown pioneer. It was located on part of a 30 Acre allotment that was originally part of Henry Dendy’s Special Survey granted in 1841. The doors and window sashes, (made of red deal joinery timber), as well as the brass locks and fittings, are from the original cottage, and were imported from England.The fire-place bricks are from the original cottage, and are sun-dried, (not kiln fired), and are hand-made. Convict marks can be seen on two bricks.There is a small display of external cladding shingles from the original pioneer cottage. These shingles were hand-split, and most likely made from locally collected timber The nails included in this display were used to fasten the shingles on the original cottage, and are also hand-made. The enamel nameplate, “Colonial”, on the wall of the cottage, was the name chosen for the original pioneer cottage when a later owner, Mr August Rietman and wife Frieda leased the property in around 1917. August purchased the property 1935 for 1200 Pounds approximately and resided there until 1953. In 1974 Mr Lewis, a timber specialist, found the dilapidated building on property he had recently purchased in Jasper Rd and suggested it be reconstructed and relocated. Moorabbin Council agreed and the Cottage was rebuilt just about 250 metres from its original site. The cost of the rebuild was met by 'Victoria's 150th Committee, plus a small grant from the City of Moorabbin, and Mr Laurie Lewis donated much of the timber for the reconstruction. Although 'Box Cottage' is a re-construction, it is an unique museum that, being located in the midst of a modern community in Ormond Victoria, can educate and demonstrate many aspects of the early settler’s way of life in Victoria. As such, it is an invaluable resource for students and all kinds of visitors. The original small, pioneer cottage was built in the late 1840s to1850s, by an unknown pioneer. It was located on part of a 30 Acre allotment that was originally part of Dendy’s Special Survey granted in 1841. The re-constructed pioneer cottage, named ‘Box Cottage’, is located only a matter of metres from the original pioneer cottage site, in Joyce Park, Jasper Road, Ormond, Victoria. The museum has copies of interesting Land Titles associated with the surrounding land, including the site of the original pioneer cottage, from Dendy’s time, and into the 1900s. ‘Box Cottage’ is named after the pioneers, William and Elizabeth Box, who resided in the original cottage from approximately 1865, until Elizabeth’s death in 1914.The re-constructed cottage plan has followed faithfully the original dimensions, and plan of the original pioneer cottage, and as many original items from that cottage’s long occupation have been incorporated. Convict marks on sun -dried, fire-place chimney bricks. Enamel nameplate 'Colonial' circa1915brighton, moorabbin, cottages, pioneers, ormond, colonial, mckinnon, dendy henry, box william, box elizabeth, convicts, rietman august, rietman frieda, rietman stefanie

Photographic collage of 9 Bendigo scenes designed as Christmas card. Bendigo Hospital. Camp Hill School. Capital Theatre. Alexandrina Fountain. Fountain in Fernery. Above ground mine workings. Lansell's Gold-mine with Needle chimney. Beehive Stock Exchange. Unknown female statue in Fernery. Estimated date 1875. Initials AB at bottom right corner.Unknownbendigo, buildings, heritage buildings

Black and white Polaroid photo of some bush shrubs in unknown LocationPolaroidphotograph, landscape, unknown

Date and Location Unknown - Suburban Street person with pick next to a car.Kodakbendigo, streetscape, unknown

graphic design

Covers were used in the early 20th century to protect milk and sugar from flying insectsSquare net cover edged with alternate blue and white beads. A central bow is surrounded with a circular pattern at the edges. Beads inserted in crotched edgehandicrafts, food protection, jug covers, bowl cover

In the early 20th century it was common for ladies to work doilies in lace or embroidered cloth. They were used to decorate sideboards or dressing tables and also on trays underneath crockery and on plates under food. These could be made from purchased kits or pattern books. They may form part of a trousseau Set of partially worked doilies. They are comprised of daisy wheels of two sizes. A central circular motif is surrounded by smaller motifsdoilies, household textiles

In the early 20th century it was common for ladies to work doilies in lace or embroidered cloth. They were used to decorate sideboards or dressing tables and also on trays underneath crockery and on plates under food. These could be made from purchased kits or pattern books. They may form part of a trousseauSet of two white embroidered doilies. Scalloped edge has crotcheted finish. An embroidered leaf and half flower pattern on two opposing corners and embroidered quarter flower on the other two corners. There is an embroidered flower in the centre. There are six sets of embroidered holes to thread a ribbon through to gather the larger doily.doilies, household linens

This item is part of the Caine Tool Collection owned by the National Trust of Australia (Victoria) and curated by the Hand Tool Preservation Association of Australia Inc (HTPAA). Watchmakers vice with multiple adjustments

The donor and family of this gown were long-term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. Originally owned by Elizabeth Emma Adams and Cecilia Elizabeth Adams, it is believed that the dress was brought to Australia by either a half brother, James Smith Adams, or a younger sister, Sophia Charlotte Louisa Adams (later known as Mother Rose Columba Adams). Elizabeth and Cecilia were the daughters of James Smith Adams (a squire, 1780-1860) and Elizabeth Emma McTaggart (1793-1843) of Tower House, Woodchester in Gloucester, a property which Elizabeth later inherited. Originally a monastery, Tower House had been converted into a stately home after the Reformation. According to information originally provided by the donor, the skirt portion of this dress (along with the bodice T0004.3) was made for either Elizabeth or Cecilia to be worn at the young Queen Victoria’s first 'drawing room ball' following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecilia would have been twelve years old and Elizabeth would have been ten years old. It is possible that this dress was worn by one of the girls to this event as it is of appropriate dimensions for a child of that age, although its design is very formal and adult. Elizabeth was born on 30 June 1828 at Tower House and died on 1 May 1909. She created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18. The validity of the marriage was later formally investigate and, while it was confirmed as valid, a second church wedding was subsequently held. Thomas died in 1878. Elizabeth subsequently remarried Reverend R. E. Blackwell, but was widowed again by 1889. Cecilia was born on 17 December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. Elizabeth and Cecilia's sister Sophia converted to Roman Catholicism in 1851 and became a nun, taking the religious name 'Rose Columba'. In 1883 Mother Rose Columba led a group of eight to Australia, answering a call for Dominican sisters to nurse the sick in Adelaide. Upon arrival, she founded St. Dominic's Priory and the Church of Perpetual Adoration in North Adelaide, using her inheritance to build the chapel. Elizabeth's second son, George Henry Somerset, who inherited the Adams family estate dropped the 'i' in Gardiner and added the maiden name of his grandmother. Therefore, the family name has now become Gardner McTaggart. These Adams family entries have been updated with information provided by Dr Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggart contacted the society after finding our entries online.A hand and machine sewn cream, pale blue, orange and gold embroidered satin formal dress, the bodice dates from circa 1890. This dress shares a skirt with T0004.3, which dates from circa 1840. The bodice features a high scoop neckline with gathers at the base of the scoop and directly below where the bodice finishes creating fullness over the bust. The bodice front encloses the bust with a right panel over the top of a left panel and securing with two hook and eye closures over the left shoulder. The panels are secured together with 15 hook and eye closures. The sleeves are set neatly on the true shoulder and are elongated full puffs to just above the elbow. The fullness is created by nine pleats from the top of the shoulder over the back of the shoulder. At the base of the sleeve the fullness is gathered just above the elbow. At the centre back of the bodice are four inward facing pleats running from the centre neck to the waist. The bodice is secured around the waist with a tape and four hook and eye closures. The bodice is boned around the sides and back of the torso with eight bones. This bodice is finished at the waist with a pleated cummerbund of the dress fabric that is designed to appear to be a sash with two decorative bows. One front left of centre and one back right of centre. The skirt secures at the waist with an opening to the left of centre at the back. The skirt gathers tightly at the centre back with a dart on either side. The skirt has a front central panel and the skirt falls to floor length. At the back, the skirt is also floor length. The back of the skirt may have been modified at some time and may have originally finished in a train. It would be more appropriate to the period of the bodice, and the believed use of the dress with a train.cecilia elizabeth adams, elizabeth emma adams, queen victoria, tower house, woodchester, james smith adams, elizabeth emma mctaggart, sophia charlotte louisa adams, 1890s fashion

This mural was an community art project for Visual Arts Students. During this era the art students were based at Mt Helen Campus in 'A' Building, and the painting lecturers were Iain Reid and Doug Wright. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work was exhibited in an external situation since it was created. Over the decades sun and weather have taken their toll.art, artwork, mural, students, alumni

A colour photograph of an unknown location in Marysville in Victoria.A colour photograph of an unknown location in Marysville in Victoria.marysville, victoria, photograph

A colour photograph of an unknown location in Marysville in Victoria.A colour photograph of an unknown location in Marysville in Victoria.marysville, victoria, photograph

A colour photograph of an unknown location in Marysville in Victoria.A colour photograph of an unknown location in Marysville in Victoria.marysville, victoria, photograph

25 cm x 17.5 cm black & white Tin Type portrait. Woman half length in black mourning dress. Parted drawn back hair style with pale pleated cloth head band worn similar to a tiara. Pendulum earrings. Silver Albertina chain and bar suspended from dress front to side pocket. Knotted silk scarf around neck and down to waist. Photographer and subject unknown.unknownphotograph, person, female

A closeup, black & white photo of the P.S. Captain Sturt moored by river bank. Captain Sturt is a two-funnelled, two storey boat with the wheelhouse above the 2nd storey. It appears the second storey is cabins. The original photo is part of the Price Collection.Black and white copy of a photograph of P. S. Captain Sturt moored by river bank. Copy of an original photograph (unknown date)In black pencil "Price, Captain Sturt, date unknown

This hat was part of the ceremonial dress of Williamstown Mayors. It is evident in early photographs of Williamstown Mayors from circa 1880 to the 1920's. The hat is designed to be folded as is often shown carried under the arm in Mayoral portraits.The hat is significant as an example of Mayoral ceremonial dress and is documented in Mayoral portraits associated with Williamstown Council.Black beaver fur bicorn ceremonial hat with silk brocade and ostrich feather trim. Silk lined.

L to R - Mr A.Piergrosse, Mr H.S.McComb and Mr W.Hughes. 3 Bayswater identities.Written on back of photograph; "L to R - Mr A.Piergrosse, Mr H.S.McComb and Mr W.Hughes. 3 Bayswater identities"

Digital photograph

Sepia photograph showing view looking towards Loughnans Hill"Written on front of photograph" Loughnans' Hill, Ringwood

NCO's school, Jellelabad Barracks, Tidworth, England Letter part of correspondence to Gladys Holmes and local Byaduk residents from local servicemen abroad in WW 1. Letter written from NCO's/Jellalabad Barracks/Tidworth Eng.Gladys Holmes, daughter of Byaduk baker, Joseph and Agnes Holmes. Eldest of Vida, Frank and Una. She married Alexander George Henderson 1924.Original document, part of correspondence sent by servicemen abroad to Gladys Holmes and Byaduk residents, 7/14 items. White translucent paper with blue/black handwriting on both sides. The sheet has been stored folded three times.Letter to Gladys, Tues. Sept. 18 1917 from NCO's School/Jellalabad Barrack/Tidworth Eng.gladys, nco's school, 18/9/1917, jellalabad barracks, tidworth, ww 1, captn colley, byaduk

Digital file only - Digitised by EDHS from a scrapbook on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes.beryl bradbury (nee stokes) collection, charis pelling, kath stephenson, russell yeoman, shire of eltham historical society

Digital file only - Digitised by EDHS from a scrapbook on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes.beryl bradbury (nee stokes) collection, eltham history

Digital TIFF file Scan of Kopdak 620 black and white negative transparencygeorge coop collection, r-class steam locomotive, spencer street railway station

Launch of the Kinloch Gardens development, 12 new double and triple storey homes along a private road in the gardens of Kinloch, a mansion set on 2.4ha in Arthur St. The launch was attended by Planning Minister Rob Maclellan and Nillumbik Shire president Robert Marshall, Architects Graeme Gunn and Ian Jelbart and approximately 100 guests.1 images; digital file only; created from scan undertaken by EDHS of a set of 26 colour 10 x 15 cm prints arthur street, eltham, graeme gunn, houses, ian jelbart, jelbart property, kinloch gardens, robert marshall, woodridge estate