Showing 561 items
matching varnish
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Coal Creek Community Park & Museum
Honour Roll, Kilcunda Road School Honor Roll
This WWI Honor Roll was originally displayed in the Kilcunda Road State School (no.3337), which was located at the north east corner of the intersection of the Bena - Kongwak and Buchanans' Roads, Bena, Victoria, 3946. The school was located amongst the cypress trees at 645 Bena-Kongwak Road. The school was relocated in 2008 to the Coal Creek Community Park and Museum, 12 Silkstone Road, Korumburra, 3950 to become the Masonic Lodge building in the park display. On the west side of the intersection of the Bena - Kongwak and Buchanans' Roads is a brass plaque on a granite boulder with the following inscription TO COMMEMORATE THE DISTRICT OF KILCUNDA ROAD First Surveyed 1879. This is the site of the KILCUNDA ROAD UNITING CHURCH 1911 to 1966. Diagonally opposite at 645 Bena-Kongwak Road was the site of the KILCUNDA ROAD PRIMARY SCHOOL No: 3337, 1902 to 1975. Erected by The School Mother’s Club continuing as The Kilcunda Road Social Club 2008. One of the few remaining historic items from Kilcunda Road settlement.Honour roll of varnished wood, with three panels, an undulating shaped pediment, plain columns at sides, painted gold text and the Australian Imperial Forces insignia on base.Roll of Honor, Kilcunda Road State School. In Honor of Old Scholars of this school who served the Empire in the Great War, 1914-1919, Australian Imperial Force. (X) These made the supreme sacrifice. Sister J.E. Turner , E.N. Barge, E.F. Binding (X), E.H. Bunn, D. James (X), W.James, A. James (X), R. H. James, A.G. Rose (X), C.W. Stanlake, G. Wuchatsch, R. Wuchatsch, T.E. Young kilcunda road, honour roll, state school no.3337., wwi -
Tatura Irrigation & Wartime Camps Museum
Painting - Portrait - Oil Painting, Jacky, 1946
Jacqui Seal was the daughter of the Australian Army Intelligence Officer in Camp 13, Captain Stanley L. Seal. and sometimes visited her father in camp. Mueller asked to paint Jacky her father agreed, and Mueller presented the final work to her.|Jacqui did not like the portrait and pasted newspaper over it, since partially removed.Portrait of a young girl with bow in her hair and the name "Jacky" on her jumper. Portrait on brown paper in plain varnished wooden frame. Partially covered by newspaper.M. Mueller 1946.tatura, camp 13, manfred mueller, german pow, seal -
Tatura Irrigation & Wartime Camps Museum
Domestic object - CIgarette Box, 1940's
Crafted by Camp 1 interneeVarnished cigarette box with a lid and a brass hinge. Slot for cigarettes in the box and a pull out draw like cavity at the bottom to release the cigarettes. There is a black knob in the draw.camp 1 -
Uniting Church Archives - Synod of Victoria
Offering plate
Round varnished wood offering plate with a yellow felt lining which has an edging of gold glitter glue. The rim of the plate is carved with text and a Maltese cross."God loveth the cheerful giver" -
Tennis Australia
Racquet, Circa 1975
Snauwaert 'Caravelle' tennis racquet. Varnished wood (white ash) and fibre frame, leather grip. Navy blue decals. Materials: Wood, Gut, Paint, Leathertennis -
Maryborough Midlands Historical Society operating the Worsley Cottage Museum
Trophy, c. 1984
The "Jack Be Nimble" competition was run as part of Maryborough's annual Wattle Festival.The competition for which the trophy was presented is based on the traditional game of knucklebones or "Jack - Be - Nimble". The now defunct Wattle Festival was a significant feature of the town's cultural life for many years. Varnished wood two- layer base with central pillar, topped with gold coloured knucklebone. Metal plaque on upper layer of base and metal shields on lower level.Jack Be Nimble competition (main plaque) Individual competition winners noted on shields (Betty Briggs (1984), Isa Stewart (1985), Frank O'Connor (1986, 1987, 1988, 1989), Susan Crouch (1990), Vicki-Lee Rush (1992/3).trophy festival -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Plaque - Presentation Plaque, Afghanistan Plaque
Shield shaped plaque made from a red varnished wood. Located centrally is a large Afghanistan themed badge with Australian flag in the back ground with a scorpion in the front. infantry, plaque -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Plaque - Presentation Plaque, Royal Australian Regiment
Shield shape plaque made of timber that has been varnished red in colour. A large, gold coloured Royal Australian Regiment badge is affixed to the front of the plaque.rar, infantry, hat badge, plaque, army, wark vc club -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Plaque - Presentation Plaque, Infantry Centre Australia
Shield shaped plaque made of varnished timber with a smaller blue shield shaped badge affixed to its front. Within the blue badge is the Infantry Centre logo infantry, plaque, wark vc club -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Plaque - Presentation Plaque, Royal Australian Infantry
Shield shaped plaque made of varnished timber with a large RAINF badge affixed to its front. There is a large gauge down the left side, exposing bare wood rainf, infantry, plaque, wark vc club -
Glenelg Shire Council Cultural Collection
Sculpture - Model Ship, Bryan Tink of Geelong, "Ariel", 1998
Model of a traditional couta boat "Ariel" Made of cedar, plywood and balsa. Sails of calico, riggings fine cord. Model is lug rigged. Deck is varnished, combing painted. Copper strip on edge of combing near stern. Hull painted black with fine white stripe. Lower section red. ""Ariel C23" painted on stern in white. Model sits on varnished wooden stand with brass plaque.Front: Plaque :- Couta Boat "ARIEL" Built by J.A. Jones Melbourne in 1927 approx scale -7/8"= 1 foot Lug Rigged -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. Soldier in photograph - "Jack Grinton No.1038" 38th Bn doing his washing Refer Cat 1280 for Jacks Service History.Photograph - framed. Photograph - black and white photograph on paper depicting a soldier doing his washing. Frame - timber, light varnish finish. Perspex front and cardboard backing."Group 1: Living behind the lines". "E. At my washing" framed accessories, camera on the somme, 38th bn, jack grinton -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. Photograph of a Soldiers full kit laid out. Refer Cat. 1280 for Jack Grintons service details.Photograph - framed. Photograph - black and white photograph showing a soldier's full kit laid out. Frame - timber, light varnish finish. Perspex front, cardboard backing."Group 1 - Living Behind The Lines" "C. My Kit" framed accessories, camera on the somme, 38th bn, grinton, kit -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. Soldiers lined up on a Mess parade. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting a lineup of troops collecting food. Frame - timber, light varnish finish, perspex front, cardboard backing."Group 1: Living behind the lines". "G. Feeding the Troops".framed accessories, "camera on the somme, 38th bn, grinton, ww1 -
Flagstaff Hill Maritime Museum and Village
Stand
Stand wooden with 4 turned legs, varnished finish. Fitting on edges or a (missing) lockable cover, with unvarnished patch where machine has been removed on top surface.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Bulls Eye
Brought ashore by L Presse, Cadet Deck Officer on the "Falls of Halladale" after the wreck, The iron-hulled, four-masted barque, the Falls of Halladale, was a bulk carrier of general cargo. She left New York in August 1908 on her way to Melbourne and Sydney. In her hold, along with 56,763 tiles of unusual beautiful green American slates (roofing tiles), 5,673 coils of barbed wire, 600 stoves, 500 sewing machines, 6500 gallons of oil, 14400 gallons of benzene, and many other manufactured items, were 117 cases of crockery and glassware. Three months later and close to her destination, a navigational error caused the Falls of Halladale to be wrecked on a reef off the Peterborough headland at 3 am on the morning of the 15th of November, 1908. The captain and 29 crew members all survived, but her valuable cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. ABOUT THE ‘FALLS OF HALLADALE’ (1886 - 1908) Built: in1886 by Russell & Co., Greenock shipyards, River Clyde, Scotland, UK. The company was founded in 1870 (or 1873) as a partnership between Joseph Russell (1834-1917), Anderson Rodger and William Todd Lithgow. During the period 1882-92 Russell & Co., they standardised designs, which sped up their building process so much that they were able to build 271 ships over that time. In 1886 they introduced a 3000 ton class of sailing vessel with auxiliary engines and brace halyard winches. In 1890 they broke the world output record. Owner: Falls Line, Wright, Breakenridge & Co, 111 Union Street, Glasgow, Scotland. Configuration: Four masted sailing ship; iron-hulled barque; iron masts, wire rigging, fore & aft lifting bridges. Size: Length 83.87m x Breadth 12.6m x Depth 7.23m, Gross tonnage 2085 ton Wrecked: the night of 14th November 1908, Curdies Inlet, Peterborough south west Victoria Crew: 29 The Falls of Halladale was a four-masted sailing ship built-in 1886 in Glasgow, Scotland, for the long-distance cargo trade and was mostly used for Pacific grain trade. She was owned by Wright, Breakenridge & Co of Glasgow and was one of several Falls Line ships, all of which were named after waterfalls in Scotland. The lines flag was of red, blue and white vertical stripes. The Falls of Halladale had a sturdy construction built to carry maximum cargo and able to maintain full sail in heavy gales, one of the last of the ‘windjammers’ that sailed the Trade Route. She and her sister ship, the Falls of Garry, were the first ships in the world to include fore and aft lifting bridges. Previous to this, heavily loaded vessels could have heavy seas break along the full length of the deck, causing serious injury or even death to those on deck. The new, raised catwalk-type decking allowed the crew to move above the deck stormy conditions. This idea is still used today in the most modern tankers and cargo vessels and has proved to be an important step forward in the safety of men at sea. On 4th August 1908, with new sails, 29 crew, and 2800 tons of cargo, the Falls of Halladale left New York, bound for Melbourne and Sydney via the Cape of Good Hope. The cargo on board was valued at £35,000 and included 56,763 tiles of American slate roofing tiles (roof slates), 5,673 coils of barbed wire, 600 stoves, 500 sewing machines, 6,500 gallons of oil, 14,400 gallons of benzene, plumbing iron, 117 cases of crockery and glassware and many other manufactured items. The Falls of Halladale had been at sail for 102 days when, at 3 am on the night of 14th November 1908, under full sail in calm seas with a six knots breeze behind and misleading fog along the coast, the great vessel rose upon an ocean swell and settled on top of a submerged reef near Peterborough on south-west Victoria’s coast. The ship was jammed on the rocks and began filling with water. The crew launched the two lifeboats and all 29 crew landed safely on the beach over 4 miles away at the Bay of Islands. The postmistress at Peterborough, who kept a watch for vessels in distress, saw the stranding and sent out an alert to the local people. A rescue party went to the aid of the sailors and the Port Campbell rocket crew was dispatched, but the crew had all managed to reach shore safely by the time help arrived. The ship stayed in full sail on the rocky shelf for nearly two months, attracting hundreds of sightseers who watched her slowly disintegrate until the pounding seas and dynamiting by salvagers finally broke her back, and her remains disappeared back into deeper water. The valuable cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. Further salvage operations were made from 1974-1986, during which time 22,000 slate tiles were recovered with the help of 14 oil drums to float them, plus personal artefacts, ship fittings, reams of paper and other items. The Court of Marine Inquiry in Melbourne ruled that the foundering of the ship was entirely due to Captain David Wood Thomson’s navigational error, not too technical failure of the Clyde-built ship. The shipwreck is a popular site for divers, about 300m offshore and in 3 – 15m of water. Some of the original cargo can be seen at the site, including pieces of roof slate and coils of barbed wire. The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976).Carved wooden Bulls Eye, varnished, from the Falls of Halladale wreck. Peterborough, 1908. Brought ashore by L. Piesse. Cadet Deck Officer from the Falls of Halladaleflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, l presse, falls of halladale, bulls eye, peterborough, 1908 -
Uniting Church Archives - Synod of Victoria
Award - Wooden Shield
Winners: Uniting Premiers 1982; Uniting Premiers 1983; St Pius Premiers 1984; Combine Premiers 1985; Dennington Premier Champions 1986; Uniting Premiers 1987.Varnished rectangular wooden award shield with a large central metal shield surrounded by six smaller gold coloured metal shields which are attached to the wood with small nails."W.I.C.N.A. BARNHAM SHIELD "A" RESERVE"warrnambool inter church netball association, barnham shield -
Uniting Church Archives - Synod of Victoria
Poor fund box
Varnished wood collection box with dove tail joints. The top is sloping towards the middle and has a slot for offerings. The box is opened by sliding one piece of the top off.offering box -
Uniting Church Archives - Synod of Victoria
Shield, Rev J McIlroy Shield
Joseph McIlroy, BA BD Dip Ed, 1891 - 1940, was the Director of the Young People's Department of the Methodist church.Large varnished wood Methodist Order of Knights senior athletics shield with printed gold lettering and eight metal plaques of MOK court winners from 1950 - 1959."SENIOR ATHLETICS" "Rev. J.McIlroy Shield" "Spring Road Malvern" "Cooloongatha Rd Camberwell" "North Fitzroy" "South Camberwell"methodist order of knights, mcilroy, joseph, rev. -
Ballarat Tramway Museum
Photograph - Framed Photographs, "Archie Viccars 1950 Ballarat", Original 1950
Containing a colour copy photograph of Conductor Archie Viccars, leaning out of a bogie tram. He has cap number 2 with the conductor's bag slung over his shoulder. The donor noted that Archie worked as a Trammie from the 50's to the 60's when he transferred to the Ripon St offices on clerical duties. See acquisition notes for a story from Noel Forster - email of 1-3-2017 re Archie. Has a strong association with the family of SEC Conductor Archie Viccars and demonstrates the uniform of the time.Wooden frame, with carved out front edge, inner gold lining, varnished with title "Archie Viccars 1950 Ballarat". Printed onto Fujifilm Crystal Archive paper. Has a strip of tape at the base of the photograph ""Archie Viccars 1950 Ballarat".trams, tramways, conductors, ballarat, crews, archie viccars -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Plaque - Presentation Plaque, Prince of Wales Light Horse
Shield shaped varnished wooden plaque with a large silver PWLH badge mounted in its centre. There is a rectangular brass plaque with a hand inscribed message affixed below the badge.Presented to Swan Club by K. Duffy April 82prince of wales light horse, wark vc club -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Plaque - Presentation Plaque, 5/7 RAR
Presented to members of D Coy 1 RVRShield shaped varnished plaque with Bronze RAR hat badge in front of gold and maroon ( 5/7RARs colours) felt. The badge is located above an engraved brass plaque Presented to D Coy 1 RVR from WO1 G.W. HANSONwark vc club, infantry, 5/7rar, plaque, 1rvr -
The Ed Muirhead Physics Museum
Capacitor Bridge H.W. Sullivan
Wood cut and dove tailed, screwed and adhered; plastic moulded, screwed and adhered. Metals cast, forged, machine cut, screwed and adhered. Wood coated (painted varnish). Inscribed on upper face along right edge: H.W. SULLIVAN/LONDON; painted on upper face along front edge: UNIT 10-9 F; painted on front face: PART III and “F” carved into the wood below “Part III”; [Stamped] upper face along left edge: NAT.PHIL.LAB./NO 55/UNIV. OF MELB; adhered label on left side face: PA 4. -
Warrnambool and District Historical Society Inc.
Framed Paintings, 1 The Frame Shop, Fairfield, Melbourne .2 Kardinia Picture Framing, Geelong, 1Warrnambool Botanical Gardens .2 Hopkins River, Warrnambool, 1953
These two works of art are by Dr Don Edgar, a sociologist, educator and author. He taught sociology at Stanford University, the University of Chicago, Monash University and La Trobe University and was the founding Director of the Australian Institute of Family Studies. In the 1950s Dr Edgar was a student at Warrnambool High School and these works of art were produced at that time. For a school project he researched the early history of the Warrnambool Art Gallery and some of its collection, dating from the 19th century. In 2019 he published a book, ‘Art For the Country’, the story of Victoria’s regional art galleries and the book includes information on the founding and the later history of the Warrnambool Art Gallery.These works of art are of interest as they were painted by Dr Don Edgar, a noted academic and author today and a former resident of Warrnambool. The two works of art also have historical interest as they depict Warrnambool scenes painted over 60 years ago. .1 An art work (oil on artboard) – the Warrnambool Botanical Gardens with bridge and reflections, a gum tree and a poplar tree, all in green and orange tonings. The wooden frame has a light varnish with gold and white trim .2 An art work (oil on artboard) – multi-coloured view of the mouth of Hopkins River with the Hopkins River bridge, Lyndoch bungalow and boathouse. The frame is wooden with a mottled varnish and a white insert edging. .1 Don Edgar 1953 Don Edgar 1953 (High School Student) .2 D.E. 53 Don Edgar 1953 (High School Student) dr don edgar, sociologist, author and educator, warrnambool art gallery, history of warrnambool -
The Ed Muirhead Physics Museum
Wheatstone Bridge Leeds & Northrup Co
Machined metal sides and interior, machined plastic top with plastic dials, handmade wood base with dovetail joins and mitred corners. Perforated machined metal surface spray painted, machined plastic surface coating, wood base most likely hand varnished. Surface finish: metal sides painted matt blue, plastic top brownish red coating with smooth matt finish, wood base varnished. Inscribed on top face: “LEEDS & NORTHRUP CO./PHILADELPHIA/62798. Paper Sticker on back metal side: “PA 3” Diamond shaped paper label adhered to top face with diagram handwritten in black ink. -
Flagstaff Hill Maritime Museum and Village
Domestic object - Chair, Early 20th Century
The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair wooden varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned' wood. Backrest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry -
Flagstaff Hill Maritime Museum and Village
Domestic object - Chair, Early 20th Century
The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned wood. Back rest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry -
Bendigo Military Museum
Photograph - PHOTOGRAPH - FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. A Civilian with a cartload of possessions. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting a civilian with a dog, horse and a cartload of possessions. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War" "E. A civilian with a cartload of possessions". framed accessories, camera on the somme, 38th bn, agrinton, ww1, civilians -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. The original grave of Albert Gilhooley No 890 38th Bn, KIA 31.8.1918. Refer Cat No 5074P for his photo. Refer Cat No. 1280 for Jack Grintons service details. Photograph framed. Photograph - black and white photograph on paper depicting a field grave with a cross in a field of grass. Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and remembrance". "M. Field grave of a 38th Battalion soldier - Gilhooley".framed accessories, camera on the somme, 38th bn, ww1, grinton, field grave -
Bendigo Military Museum
Photograph - PHOTOGRAPH, RAAF, FRAMED, CWW2
Varnished timber frame with off white coloured mount with glass. Black & white photo of a military aircraft in flight with 2 crew visible in cockpit. Background of ground & small trees. On fuselage: “Dianne” & letters “NHL”photography - photographs, frame accessories, trades - carpentry, military history - air force