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Churchill Island Heritage Farm
Tool - Crosscut Saw
... working with horses. Post-war, the Olinda hand tools and machinery ...Cross cut saws have been used for millennia, but they came into wider usage in Europe from the 15th century onwards. The term 'cross cut' refers to the blades on the saw’s cutting edge which come in a variety of different patterns. These saws are specifically designed for cutting across the grain of the wood by timber workers, sawyers, and other land workers for tree felling and cutting up larger pieces of lumber into smaller more manageable pieces. The saws come in variable sizes and lengths and are designed for use by one or two people. With the two-man saws, a method of alternating 'pull and push' to drag the blade back and forth through the timber, maximising efficiency and labour division. Donated by Wilfred Dungan on behalf of the Dungan family Collection originally used on the property of the late Dr Rae Dungan in Falls Creek Rd Olinda, purchased in the late 1930s from Olinda pioneers Harry and Minnie Holden. Also on the property of late May Farndon of Farndon’s and Falls Rd Mt Dandenong – aunt of Dr Rae William Dungan and also an early pioneer. Family holidays and weekends involved use of these sorts of farm implements plus working with horses. Post-war, the Olinda hand tools and machinery moved to the Shady Creek, Nilma North area where bush, pasture and cows had replaced the Olinda property. Wilfred well remembers being on one end of the crosscut saws cutting fence posts, logs and timber under “the tireless and vocal instruction” of a red headed local Darnum Rd legend called Harry Collyer. “He drove an old Rugby car and nearly pulled me through the logs with every cut!” steel blade, wooden handle and peg grip. Single person sawcrosscut, saw, churchill island, tool -
Churchill Island Heritage Farm
Tool - Crosscut Saw
... working with horses. Post-war, the Olinda hand tools and machinery ...Cross cut saws have been used for millennia, but they came into wider usage in Europe from the 15th century onwards. The term 'cross cut' refers to the blades on the saw’s cutting edge which come in a variety of different patterns. These saws are specifically designed for cutting across the grain of the wood by timber workers, sawyers, and other land workers for tree felling and cutting up larger pieces of lumber into smaller more manageable pieces. The saws come in variable sizes and lengths and are designed for use by one or two people. With the two-man saws, a method of alternating 'pull and push' to drag the blade back and forth through the timber, maximising efficiency and labour division. Donated by Wilfred Dungan on behalf of the Dungan family Collection originally used on the property of the late Dr Rae Dungan in Falls Creek Rd Olinda, purchased in the late 1930s from Olinda pioneers Harry and Minnie Holden. Also on the property of late May Farndon of Farndon’s and Falls Rd Mt Dandenong – aunt of Dr Rae William Dungan and also an early pioneer. Family holidays and weekends involved use of these sorts of farm implements plus working with horses. Post-war, the Olinda hand tools and machinery moved to the Shady Creek, Nilma North area where bush, pasture and cows had replaced the Olinda property. Wilfred well remembers being on one end of the crosscut saws cutting fence posts, logs and timber under “the tireless and vocal instruction” of a red headed local Darnum Rd legend called Harry Collyer. “He drove an old Rugby car and nearly pulled me through the logs with every cut!” Two handled cross cut saw. One manufactured handle and one bush replacement wedged with three inch nail. 6 broken teeth. Rivets for handle broken off at home-made end. M shaped tooth profile.churchill island, crosscut, saw, tool -
Churchill Island Heritage Farm
Tool - Scythe
... working with horses. Post-war, the Olinda hand tools and machinery ...A scythe is an agricultural hand tool that cuts grass and is used by making large sweeping motions through the crop. Eventually replaced by horse-drawn or motorised machinery, they are occasionally still used as they are inexpensive and efficient. There are different types of scythes with larger or smaller blades. This particular scythe was manufactured by W.A Tyzack & Co. Ltd. Set up by William Tyzack in the early 1800s in Sheffield, United Kingdom, they grew into a larger manufactory specialising in agricultural tools. Adding the ‘Horseman’ brand to their trademark in 1948, they expanded dramatically and exported throughout the Commonwealth.Donated by Wilfred Dungan on behalf of the Dungan family Collection originally used on the property of the late Dr Rae Dungan in Falls Creek Rd Olinda, purchased in the late 1930s from Olinda pioneers Harry and Minnie Holden. Also on the property of late May Farndon of Farndon’s and Falls Rd Mt Dandenong – aunt of Dr Rae William Dungan and also an early pioneer. Family holidays and weekends involved use of these sorts of farm implements plus working with horses. Post-war, the Olinda hand tools and machinery moved to the Shady Creek, Nilma North area where bush, pasture and cows had replaced the Olinda property. Wilfred well remembers being on one end of the crosscut saws cutting fence posts, logs and timber under “the tireless and vocal instruction” of a red headed local Darnum Rd legend called Harry Collyer. “He drove an old Rugby car and nearly pulled me through the logs with every cut!” Cast steel blade. Hole on back and of blade for hanging. Steamed handle (may not be original). Complex pipe/nut washer and five metal shims keeping blade on handle.From tip: BEST CROWN W.A. TYZACK & CO. LTD STELLA WORKS SHEFFIELD. Near handle: image of figure on horse.churchill island, scythe, wa tyzack, sheffield, machinery -
Churchill Island Heritage Farm
Photograph - Set of card mounted photographs
... working horse festival... churchill island working horse festival ian crosbie clydesdale ...Ian Crosbie was a signwriter and keen photographer. He was a member of the Phillip Island Camera Club and organised many photographic exhibitions. He often donated to cancer research, and his interest in photography waned with the advent of the digital cameras. These photographs were taken and printed by Ian Crosbie and show picturesque views around the Phillip Island area3 Clydesdale sculpture photographs (2004); 2 sunset photographs of Phillip Island (02/07/2004); 3 sunrise photographs at Cowes (05/07/2004). All eight photographs mounted on a single large piece of card.PENTAY 210 CAMERA - SAMSUNG 200 FILM/PHOTOS BY 'ICROS' CLYDESDALE/CHAIN SAW CARVING/CHURCHILL ISLAND/2004 DAY'S END PHILLIP ISLAND JULY 2 2004 EARLY SUNRISE AT COWES JULY 5 2004 churchill island, working horse festival, ian crosbie, clydesdale -
Churchill Island Heritage Farm
Photograph - Set of card mounted photographs, c.2004
... working horse festival... island working horse festival ian crosbie clydesdale Ian Crosbie ...Ian Crosbie was a signwriter and keen photographer. He was a member of the Phillip Island Camera Club and organised many photographic exhibitions. He often donated to cancer research, and his interest in photography waned with the advent of the digital cameras. These photographs were taken and printed by Ian Crosbie and show picturesque views around the Phillip Island areaTwo photographs depicting chain saw carving the Clydesdale sculptures, and four photographs of the Churchill Island Highland Cattle. All photographs mounted on a single large piece of card.CHAIN/SAW/CARVING/CHURCHILL ISLAND HIGHLAND CATTLE - CHURCHILL ISLAND FUJI FINEPIX 53000 DIGITAL CAMERA - JUNE 28 2004churchill island, working horse festival, ian crosbie, clydesdale -
Churchill Island Heritage Farm
Photograph - Photograph of horse pulling cart
... working horse... margaret campbell working horse ...Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph is of Ginger pulling a cart with Sister Margaret Campbell and Alice Jenkins riding along. Sister Campbell was Ted Jenkins' carer, and managed the daily running of the Island, eventually inheriting it after his death. Alice was the mother of Harry Jenkins - the owner of the Island.Black and white photograph with a white border of a stationary horse hitched to a cart with two women sitting in it. The group are centred in the frame and a dam is visible in the background on the left hand side. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, harry jenkins, alice jenkins, margaret campbell, working horse -
Churchill Island Heritage Farm
Photograph - Photograph of horse, cart, and hay
... working horse... with a white border of a horse hitched to a cart loaded with hay ...Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period.Black and white photograph with a white border of a horse hitched to a cart loaded with hay. The horse is pulled up alongside a fence with large trunks as posts, and a man is visible in the background as is the hay barn. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, working horse, hay -
Churchill Island Heritage Farm
Photograph of two men filling sacks, Unknown
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show candid pictures taken by previous residents of the Island.Black and White photograph of two men working the land. One is holding a funnel and filling hessian sacks, while the other stands on a horse-drawn piece of equipment.Catalogue number written on reverse in pencil.churchill island, farming -
Churchill Island Heritage Farm
Photograph of men loading sacks onto cart, Unknown
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show candid pictures taken by previous residents of the Island.Black and White photograph of two men working together to load full hessian sacks onto a horse-drawn cart.Catalogue number written on reverse in pencil.churchill island, farming -
Churchill Island Heritage Farm
Photograph - Black and white photograph of a man on farm machinery, c.1940
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of a man working a piece of farm machinery being pulled by a horse.Catalogue number written in pencil on reverse. On reverse in pen '1940 Not sure who it is. But this is looking towards the Boys Home and the crossing'churchill island, cart, farm machinery -
Churchill Island Heritage Farm
Photograph - Photograph of a horse in a wooden pen
... working horse... clydesdale working horse sophie ...Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This photograph shows Sophie - a Clydesdale brought to Churchill Island in 1997 - hitched to a mill.Photograph of a horse in a wooden pen operating some machinery with a group of onlookerscatalogue number written on reverse in pencil photograph, churchill island, clydesdale, working horse, sophie -
Churchill Island Heritage Farm
Photograph - Photograph of a working horse
... Photograph of a working horse... horse Photograph Photograph of a working use using a piece ...Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series of photographs was probably taken at a Farm in Kyneton and shows a similar historic farm to Churchill IslandPhotograph of a working use using a piece of machinery on a farmCatalogue number written on reverse in pencil.churchill island, photograph, kyneton -
Churchill Island Heritage Farm
Photograph - Photograph of a working horse
... Photograph of a working horse... horse Photograph Photograph of a working use using a piece ...Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series of photographs was probably taken at a Farm in Kyneton and shows a similar historic farm to Churchill IslandPhotograph of a working use using a piece of machinery with a small barn partially visible to the right of frameCatalogue number written on reverse in pencil.churchill island, photograph, kyneton -
Churchill Island Heritage Farm
Photograph - Photograph of man and horse working, 30/03/2013
... Photograph of man and horse working... and horse working Photograph Photograph of a man and horse pulling ...Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of a man and horse pulling a hay grabber aloft at the Easter FestivalCatalogue number written on reverse in pencil Handwritten on pen in reverse 'Pulling the hay grabber aloft. Churchill Island Easter Festival 30/03/2013'churchill island, photograph -
Eltham District Historical Society Inc
Photograph, Excavating Railway Cutting to Hurstbridge
Labourers excavate a cutting for the new railiway extension from Eltham to Hurstbridge. Men are working with shovels and buckets, dropping dirt into horse and carts. A pile of newly cut sleepers sit on the sidelines waiting to be laid. The new extension is approx. seven miles in length and opened on 2 January, 1912.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, diamond creek, hurstbridge, wattle glen, railway line construction, railroad construction workers, railroad construction -
Parks Victoria - Wilsons Promontory Lightstation
Anvil
As quoted from Wikipedia, ‘An anvil is a block with a hard surface on which another object is, struck. The block is as massive as it is practical, because the higher the inertia of the anvil, the more efficiently it causes the energy of the striking tool to be transferred to the work piece’. The lightstation’s anvil is a red-painted iron block with a conical beak or horn at one end that was used for hammering curved pieces of metal. It would have stood on a heavy free-standing pedestal, such as a large tree stump, to allow complete access to the item being hammered. Some anvils display the manufacturer’s name in the metal on the side, but this is not the case here, and its age, although unknown appears to be quite old, perhaps c.1900. It appears to have had a lot of use, and although no record of this survives, it is presumed that a forge operated on site for hammering, cutting, shaping and repairing tools such as bolts, nails, hooks, chain segments, pulley blocks, hinges, crow bars, picks, chisels, horseshoes and harness hardware. A hames hook (which forms part of the collar worn by a draught horse) survives at the lightstation as do many other heavy metal tools and pieces of equipment. The anvil is an example of the necessary resourcefulness and self sufficiency practiced by lightkeepers working and living in a remotely located workplace and home, and many of the iron items in the collection may have been repaired or even made on its working surface. As a lightstation manager Chris Richter used the anvil to manufacture pulley blocks for sash windows, repair brass door hinges & sharpen cold chisels, crowbars and picks and other lightkeepers have used this anvil for many fabricating jobs such as manufacturing ducting for the generator room ventilation system."The lightship only came in every three months with supplies and there would have been repairs to do between visits from a blacksmith - who would have had to travel on the ship. Also, the ship was only anchored in the bay long enough to unload supplies and collect and deliver lightkeeping staff – probably not enough time to get much smithy work done – especially if the weather packed it in and the ship had to depart. Lightkeepers in our time had to be self sufficient, resourceful and innovative and I imagine that would have been the case in the past." It has second level contributory significance.Red painted blacksmith's anvil. -
Victorian Railway History Library
Book, Daddow, Vivian, The Puffing Pioneers - and Queensland's Railway Builders, 1975
INTRODUCTION Until well into the twentieth century, driver, fireman and guard — with a locomotive — set out on something resembling a safari. Tucker boxes crammed with food, a change of clothing, a roll of blankets, and armed with a sheaf of time-tables, they worked trains hither and thither not to return home for almost a week. But the passing of time, plus union pressure, brought an end to the need for "waltzing Matilda". Not only blankets but sheets, pillow slips, then later mosquito nets, along with other aids to civilized living, were provided by the Department in living quarters away from home. Few wives took kindly to the chore of selecting and preparing food and packing tucker boxes. Railwaymen seeking board and lodgings in a new depot could receive a set-back by being told "no tucker boxes packed". Until pooling of locomotives in depots became the order, a driver and fireman had "their own engine", and great was the competition between engine crews to display the best groomed horse. Much time might be spent outside rostered working hours cleaning their engine with kerosene and polishing with tallow and bath brick. So spotless and sparkling were some that a proud engineman would say a clean white handkerchief could be rubbed even over a hidden part. While miners talked of what made their day, farmers discussed crops and harvests, seamen their ships, and trainers and jockeys their horses, wherever steam men gathered, discussion soon turned to locomotives and the trains they hauled. Like jockeys with their mounts, iron horses with excellent traits were praised while those with annoying peculiarities were criticized and remedies suggested. Methods of firing to get best results from slow steaming locos were debated. Driver warned driver of weaknesses found in locomotives on recent "trips", spoke of developing defects calling for close attention — this one is "knocking Badly on one side", that one "priming badly (give her a good blow down before leaving the shed)", another with a "big end inclined to run hot", one with "a lot of slop in the boxes", one "getting down on the springs", or the sloth that was slow pulling on steep climbs to the chagrin of a driver striving to run on time. Things of no small concern when handling a locomotive on a train for a shift of maybe eight hours straight, or ten, even twelve, and on occasions longer. Foreknowledge of the particular loco allotted his train on the next job could fill the preceding hours for a driver or fireman with pleasant contentment, or with nagging trepidation and disgust……index, ill, p.217.non-fictionINTRODUCTION Until well into the twentieth century, driver, fireman and guard — with a locomotive — set out on something resembling a safari. Tucker boxes crammed with food, a change of clothing, a roll of blankets, and armed with a sheaf of time-tables, they worked trains hither and thither not to return home for almost a week. But the passing of time, plus union pressure, brought an end to the need for "waltzing Matilda". Not only blankets but sheets, pillow slips, then later mosquito nets, along with other aids to civilized living, were provided by the Department in living quarters away from home. Few wives took kindly to the chore of selecting and preparing food and packing tucker boxes. Railwaymen seeking board and lodgings in a new depot could receive a set-back by being told "no tucker boxes packed". Until pooling of locomotives in depots became the order, a driver and fireman had "their own engine", and great was the competition between engine crews to display the best groomed horse. Much time might be spent outside rostered working hours cleaning their engine with kerosene and polishing with tallow and bath brick. So spotless and sparkling were some that a proud engineman would say a clean white handkerchief could be rubbed even over a hidden part. While miners talked of what made their day, farmers discussed crops and harvests, seamen their ships, and trainers and jockeys their horses, wherever steam men gathered, discussion soon turned to locomotives and the trains they hauled. Like jockeys with their mounts, iron horses with excellent traits were praised while those with annoying peculiarities were criticized and remedies suggested. Methods of firing to get best results from slow steaming locos were debated. Driver warned driver of weaknesses found in locomotives on recent "trips", spoke of developing defects calling for close attention — this one is "knocking Badly on one side", that one "priming badly (give her a good blow down before leaving the shed)", another with a "big end inclined to run hot", one with "a lot of slop in the boxes", one "getting down on the springs", or the sloth that was slow pulling on steep climbs to the chagrin of a driver striving to run on time. Things of no small concern when handling a locomotive on a train for a shift of maybe eight hours straight, or ten, even twelve, and on occasions longer. Foreknowledge of the particular loco allotted his train on the next job could fill the preceding hours for a driver or fireman with pleasant contentment, or with nagging trepidation and disgust…… railroads -- queensland -- history, railroads -- australia -- queensland -- history. -
Melbourne Legacy
Magazine - Newsletter, Melbourne Legacy, Legacy Newsletter July 1954, 1954
The newsletter from July 1954. It featured Governor Sir Dallas Brooks on a carousel horse with a girl on the cover. The president's introduction talked ofvalue of books and reading. There was a piece on the death of Legacy founder Stan Savige and has a photo of funeral cortege. Pages showed news from the different Boys and Girls Classes and photos showcased the annual demonstration. Also photos of the Legacy library and the medical and dental care given to junior legatees. Also an article and photo about speech training by Miss Williams. Photo of mothers working hard at sewing costumes for the girls classes. There was an article about the royal visit of to the MCG and the JLs that presented flowers to the Queen. A newsletter published by Legacy in this format for many years from 1942. It mentions "Issued from time to time for Private Circulation among the Sons and Daughters of Deceased Service men and Merchant Seamen who served their Country during the War of 1914-18, or the present War". Many articles on the work of Legacy, including features on boys classes, girls classes, camps, the residences and where their past residents ended up. There are some suggestion for careers and some general interest articles. Some very interesting photos.Newsletter outlining news of Junior Legatee activities.Black and white printed newsletter x 16 pages from July 1954. Volume 7 Number 1boys classes, activities, girls classes, ilc -
Linton and District Historical Society Inc
Photograph, Making A Dam at Linton, undated
... to a backing card. Horses Dams Dam Building Working Life ...Sepia image of a group of men with horses and shovels making a dam. There are six men and three horses in the foreground. A building is behind them. Image has been adhered to a backing card.horses, dams, dam building, working life -
Ballarat Tramway Museum
Photograph - Colour Photograph/s - set of 8, Carolyn Dean, 11/03/2002 12:00:00 AM
Set of 8 photographs of the operation of the BTM during the Begonia Festival, including the loading of the Horse Tram for Melbourne on Sunday 10/3/2002 and arrival back the following day. Taken by Carolyn Dean, on Kodak paper. 2012.1 - Richard Gilbert at Depot Junction - 9/3/02 .2 - Pushing the horse tram out of the depot - 10/3/02 - Gary Wood, Stephen Butler .3 - The Tow Truck and 33 at Depot Junction - Cranbourne Heavy Haulage - Associated Towing .4 - Horse tram waiting to be loaded .5 - Working out the job - Warren Doubleday, Len Millar, Alastair Reither, Alan Snowball and Gary Wood .6 - Being hauled up the ramp .7 - "Gone to Moomba" - the vacant space where No. 1 normally is - 11/3/2002 .8 - Being pushed back across Wendouree Parade, Alastair Reither, Gary Wood and Simon GreenAll have date written on rear and "photo by Carolyn Dean" on ink in the rear.horse trams, depot junction, moomba, loading trams, tram 1, tram 33 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 3, 13/12/1985 12:00:00 AM
Black and white photograph of the recovery of the body of Horse Tram No. 1 at the Anderson St. Ballarat home of J. Leviston on Friday 13 December 1985. See also Ref. No. 734 and 751. Body yet to be loaded on the trailer. Photos of end views of the tram body. 788.1 - Garry Wood working to slide tram body along a piece of timber east end. 788.2 - end view of body - note piece of timber under frame to enable movement - west end..trams, tramways, horse tram no. 1, btps, tramcars, tram recovery -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, Carolyn Dean, 17/05/1992 12:00:00 AM
Colour photograph of the Ballarat Horse Tram No.1 with most of the painting of the metal work completed. Handrail installation has commenced. Warren Doubleday working on the west end steps. Photographed outside the rear of the depot by Carolyn Dean on 17/5/1992. On Fujichrome paper.In top left hand corner of print on rear "167.4 17.5.92 / Carolyn Dean / Photo"horse trams, reconstruction, depot, btps, tram 1 -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Fifty years of electric trams in Ballarat", 30/04/1955 12:00:00 AM
Newspaper Clipping from The Courier, Ballarat Sat. 30 April 1955, titled "Fifty years of electric trams in Ballarat". Features photo of the opening of the tramway to Lydiard St. North, Norman St in 1937 and Leo Grant, depot worker, working on the undergear of Ballarat No. 19. Notes the number of staff employed, Mr. L. J. Denmead as Superintendent, 67 motormen or conductors, four inspectors, a senior inspector, 12 track men and 12 depot workers and a number of traffic clerks. Gives a history of electric trams in Ballarat, conversion of horse trams, trams ex Sydney, fares, replacement trams, trailers, conductresses, bogie trams, gold tram, reconditioning of the system. ballarat, sec, esco, reconstruction -
Ballarat Tramway Museum
Document - Letter and Envelope, 1937
Five page handwritten letter on light brown or fawn lined paper within a brown envelope within Reg. Item 2488, page 105. The envelope has been glued to the back cover of the book and is address to "Mr. James Inspector / Electric Supply". Seven overseas stamps have been stuck to the envelope. The letter dated 11/10/1937 from an unknown person who lived at 305 Eyre St Ballarat, not signed, outlines the building the horse tram depot in Wendouree Parade. The person put in a quote as the plumber. Notes various aspects of working on the site, materials, difficulties, Thompson and Moore of the Adelaide as the contractors, number of people on the job, problems with the construction, wind damage, building the workers cottages, their rooves and the cash boxes for the conductors. Image 2520i2 shows the position on the page or back cover of items 2520 and 2521.Inktrams, tramways, horse trams, depot construction, depot, thompson and moore -
Ballarat Tramway Museum
Postcard, E.W Cole Book Arcade, Ballarat Horse tram arriving at the Grenville St. terminus
Demonstrates aspects of working of Ballarat tramways, with a passenger stepping off a moving horse tram at Grenville St. Hand painted card.Printed black and white postcard with hand painted light blue sky background of Ballarat Horse tram arriving at the Grenville St. terminus, at the bottom end of Sturt St terminus with a person stepping off the tramcar. Has buildings on both sides of Sturt St. in photograph, and one other horse drawn vehicle. Also Suttons and Richards & Co. buildings in photo. Titled "Sturt St. Ballarat". See Reg. Item 1539 for photographic image of the postcard. Titled "Sturt Street, Ballarat" in bottom left hand corner". On rear of postcard, printed is the words "Post Card", areas for "This space may be used for correspondence" and "The Address to be written here" and in stamp area in a square "Penny Stamp here". On the side of the card is "Cole's Sunny Australia Series 96 Views. E. W. Cole Book Arcade, Melbourne, Sydney and Adelaide." See also Reg Item 3898 for another postcard using the same photograph. trams, tramways, sturt st, postcards, horse tram, grenville st -
Whittlesea Historical Society Inc.
Photograph - Copy, Lindsay Mann, Mayfield Presbyterian Church, Mernda, 2011
Mayfield Presbyterian Church, on Plenty Road Mernda. MAYFIELD PRESBYTERIAN CHURCH The Mayfield Presbyterian Church at Mernda was erected in 1860, and the first service held on 23 October that year. The erection of the Mayfield Church, and others at Janefield and Whittlesea soon after, reflected the relatively large number of Scots in the Plenty Valley in the 1850s. Presbyterian services had been held at Mernda prior to the erection of the Mayfield church. In 1851 and 1852 the Rev. P. Gunn of Campbellfield conducted services at Mr. Radcliffe’s (now the Poplars), a barn at Carome and at Moses Thomas’ newly erected house on Marsh Farm. Mayfield Church was built on an acre of land, apparently donated by Moses Thomas. The block was a 66 feet frontage to Plenty Road. It is not clear who designed and built the Mayfield Church, although it has been generally accepted that it was Moses Thomas. Dr. Richard Ely, the historian who owns the adjacent property The Poplars, believes it was most likely Thomas, given that he possessed both the capacity and resources for the task, as well as a personal interest. For a short time, the newly completed church was called the Guthrie Church, after the prominent Scottish Free Church Leader. Moses Thomas died in 1878. His son Walter, who had joined him on the church committee in 1861, served on it almost until his death in 1932, having been ordained as an Elder in about 1880. During the 1880s he became Superintendent of the Mayfield Sunday School, a task he also performed until shortly before his death. On 15 October 1922 a special service was held at the Mayfield Church to celebrate its recently completed renovation, including the installation of the four still present Gloria lights. Further minor repairs and renovations have been made in recent times. Mayfield Church is the earliest of the five Presbyterian Churches in the City of Whittlesea, predating Kalkallo (1860), Whittlesea (1863), Mill Park (1861) and Epping (1867). Like Mill Park this church was built by Moses Thomas and similarly suffers from differential settlement on the uneven foundations. Here the cracking and movement is less severe than at Mill Park and this building is reasonably sound. It appears to be the design prototype for the more elaborate Mill Park building. It is a simple preaching hall with small gabled porch. The only elaboration occurs at windows where render quoins are formed to reveal and to gable ends, where a bull's eye louvre decorates the gable, and a rendered string course terminates them. The general proportions and the squat rectangular windows give the church a Georgian character clearly based on Scottish precedent. The windows are the dominant feature of the design. They are unusually large for the size of the church and incorporated on the principal entrance facade in similar manner to Mill Park. Whereas at Mill Park the windows are also large, their pointed Gothic form clearly indicates a church. Here the windows have a domestic quality and contribute to the simple “village” quality of the building. The bluestone walls are well executed in coursed random rubble to a much better standard than the Mill Park design. As for the initial Mill Park church (added in later) there is no separate sanctuary or vestry. The interior is remarkably plain and incorporates an altar, lectern and communion rail all within the nave. The gloria lights of 1922 survive apparently in working order. At the rear of the large open site is a stable built c1920 for parishioners' horses. Mayfield Church is historically significant for its association with the “Laird of Mernda”. Moses Thomas and his early effects to create a town at this site. It is architecturally significant for its simple construction probably incorporating Scottish precedents and for the high-quality use of local bluestone. HISTORICAL REFERENCE J.W. Payne, The Plenty, 1985. Mayfield Presbyterian Church Mernda : Historical notes on its origin by R. Ely 1991. City of Whittlesea Heritage Study. Historical building in Mernda.A4 colour copy of a photograph and digital image on HDmayfield presbyterian church, mayfield mernda, bluestone church, guthrie church, laird of mernda, moses thomas, church, red gum tree, stable -
Whittlesea Historical Society Inc.
Photograph, Gwen Hawke, Mayfield Presbyterian Church, Mernda, 20 Oct 2010
Mayfield Presbyterian Church, on Plenty Road Mernda. MAYFIELD PRESBYTERIAN CHURCH The Mayfield Presbyterian Church at Mernda was erected in 1860, and the first service held on 23 October that year. The erection of the Mayfield Church, and others at Janefield and Whittlesea soon after, reflected the relatively large number of Scots in the Plenty Valley in the 1850s. Presbyterian services had been held at Mernda prior to the erection of the Mayfield church. In 1851 and 1852 the Rev. P. Gunn of Campbellfield conducted services at Mr. Radcliffe’s (now the Poplars), a barn at Carome and at Moses Thomas’ newly erected house on Marsh Farm. Mayfield Church was built on an acre of land, apparently donated by Moses Thomas. The block was a 66 feet frontage to Plenty Road. It is not clear who designed and built the Mayfield Church, although it has been generally accepted that it was Moses Thomas. Dr. Richard Ely, the historian who owns the adjacent property The Poplars, believes it was most likely Thomas, given that he possessed both the capacity and resources for the task, as well as a personal interest. For a short time, the newly completed church was called the Guthrie Church, after the prominent Scottish Free Church Leader. Moses Thomas died in 1878. His son Walter, who had joined him on the church committee in 1861, served on it almost until his death in 1932, having been ordained as an Elder in about 1880. During the 1880s he became Superintendent of the Mayfield Sunday School, a task he also performed until shortly before his death. On 15 October 1922 a special service was held at the Mayfield Church to celebrate its recently completed renovation, including the installation of the four still present Gloria lights. Further minor repairs and renovations have been made in recent times. Mayfield Church is the earliest of the five Presbyterian Churches in the City of Whittlesea, predating Kalkallo (1860), Whittlesea (1863), Mill Park (1861) and Epping (1867). Like Mill Park this church was built by Moses Thomas and similarly suffers from differential settlement on the uneven foundations. Here the cracking and movement is less severe than at Mill Park and this building is reasonably sound. It appears to be the design prototype for the more elaborate Mill Park building. It is a simple preaching hall with small gabled porch. The only elaboration occurs at windows where render quoins are formed to reveal and to gable ends, where a bull's eye louvre decorates the gable, and a rendered string course terminates them. The general proportions and the squat rectangular windows give the church a Georgian character clearly based on Scottish precedent. The windows are the dominant feature of the design. They are unusually large for the size of the church and incorporated on the principal entrance facade in similar manner to Mill Park. Whereas at Mill Park the windows are also large, their pointed Gothic form clearly indicates a church. Here the windows have a domestic quality and contribute to the simple “village” quality of the building. The bluestone walls are well executed in coursed random rubble to a much better standard than the Mill Park design. As for the initial Mill Park church (added in later) there is no separate sanctuary or vestry. The interior is remarkably plain and incorporates an altar, lectern and communion rail all within the nave. The gloria lights of 1922 survive apparently in working order. At the rear of the large open site is a stable built c1920 for parishioners' horses. Mayfield Church is historically significant for its association with the “Laird of Mernda”. Moses Thomas and his early effects to create a town at this site. It is architecturally significant for its simple construction probably incorporating Scottish precedents and for the high-quality use of local bluestone. HISTORICAL REFERENCE J.W. Payne, The Plenty, 1985. Mayfield Presbyterian Church Mernda : Historical notes on its origin by R. Ely 1991. City of Whittlesea Heritage Study. Historical building in Mernda.2 colour photographsmayfield presbyterian church, mayfield mernda, bluestone church, guthrie church, laird of mernda, moses thomas, church, red gum tree, stable -
Trafalgar Holden Museum
Functional object - Bridle, Circa 1900
... Used to control a horse while it was working... Used to control a horse while it was working Manufactured ...Used to control a horse while it was workingManufactured and Sold by Holden and FrostBlack leather bridle set including blinkers and head banddecorated with metal studs across headbandbridle, equestrian, black leather -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Council to Count Cost of Saving some Trams", 6/08/1971 12:00:00 AM
Newspaper clipping from The Courier, 6/8/1971 about the request by the BTPS to approve in principle the operation of a working tramway museum in Ballarat. Mentions track in Wendouree Parade, temporary storage of trams in the depot, tramcars to be allocated to the BTPS, findings of the Tourism Committee and comments from Councillors. Also notes statement by Mr. Tom Evans about the approval of the SEC for the used of the existing depot for storage until the new depot is built. Suggest that a bogey (bogie) be kept to enable the reconstruction of a horse tram. Sir Arthur Nicholson expressed concern about the use of Wendouree Parade due to the narrowness of the roadway.trams, tramways, btps, museum establishment, sec depot, tom evans -
Truganina Explosives Reserve Preservation Society Inc (TERPS)
Tramway on pier
Tramway on Explosives Loading Pier. The Clydesdale horse was one of many working at the Reserve.