Showing 1835 items matching "handcrafts-sewing"
-
Clunes Museum
Domestic object - THIMBLE
UNLINED BRASS THIMBLE PITTED SURFACEthimble, sewing tool -
Flagstaff Hill Maritime Museum and Village
Equipment - Ship's Wheel, 20th century
This large, ten-spoked wheel is an example of a ship's wheel used to steer a large sailing ship. Wheels such as this would usually be handcrafted by a shipwright.This large, heavy wooden ship's wheel is an example of a wheel used used in past centuries at the helm to steer large sailing ships. The design continues to be used on sailing vessels today. This whieel has been on display for decades to demonstrate the perspective of size of equipment on a sailing ship.Ship's wheel: wood and brass. Ten spokes. Brass hub and trim around circumference of wheel. Column-like spokes, with usual rounded handles around the outside of the wheel. Heavy wooden centrepiece with metal backing and shaft.flagstaff hill maritime museum and village, maritime museum, maritime village, great ocean road, shipwreck coast, ship's wheel, 10-spoked ship's wheel, wooden ship's wheel, navigation, ship's steering, ship's steering wheel, maring technology, ship's fitting, navigational equipment, sailing ship's wheel, handcraft, shipwright -
Bendigo Military Museum
Plaque - BRONZE PLAQUE WW1, Post 1918 (estimated)
Henry Southby pre WW1 served 5 years in the Militia and 22 years on the Permanent staff. He is listed as No 2240 serving in the 4th Batt Aust Commonwealth Horse during the Boer War from March to September 1902. By the time he enlisted in the AIF he was 41 years 2 months of age on 22.3.16 with the rank of Lieut in the 39th Batt. Embarked for England 27.5.16, embark for France 23.11.16, promoted Captain 23.4.17, WIA 7.6.17 shell wound to back, return to France 30.7.17, KIA 12.10.17 at Passchendaele. It is believed he was W.I.A and while being carried out by Stretcher Bearers a shell burst killing them all. No known grave. The plaque was one of many that were placed on trees in Condon St. Bendigo as a memorial to those who lost their lives. Refer 1903.2, 1905P.Bronze plaque set in a wood frame re; H.SOUTHBY. Frame is brown, the plaque lettering is raised."CAPTAIN H. SOUTHBY 39th BATT. 10th INF. BGD. A.I.F KILLED IN ACTION OCTOBER 12th 1917"civic mementoes - plaques, handcrafts - woodwork, military history, southby -
Tatura Irrigation & Wartime Camps Museum
Egg Cups, c1940
... handcrafts ...made in camp 3 by Rudolf Hoefer, an interneeTwo wooden egg cups made of redgum turned on latheegg cups, camp 3, hoefer, rudolf, woodcarving, katzenwadel, gerda, tatura, !, handcrafts -
Tatura Irrigation & Wartime Camps Museum
Girdle - macrame, 1940's
... handcrafts ...Made by internee at Camp 3multi coloured macrame girdle/belt. Colours: yellow green brown black red & royal bluetatura, handcrafts, macrame, sieglinde melton, nee hottelmann -
Whitehorse Historical Society Inc.
Functional object - String bag, C 1940-1960
... HANDCRAFTS ...Popular before plastic bags, string bags home made circa 1940-1960Shopping bag of cotton string; folded into round crocheted purse, fastened with plastic bone button and crocheted loop. Unfolded, the purse functions as base. Colour bone. Two handles made of button-hole loop.handcrafts, crocheting or crochet work, personal effects, travel goods -
Flagstaff Hill Maritime Museum and Village
Textile - Bedspread, patchwork, 1976
This patchwork quilt or bedspread is a modern creation along the lines of the traditional 1800s handmade English paper piecing patchwork quilting craft. It is made from reproduction fabric and quilt designs and represents the bed linen typical of a late 19th-century bedroom. Years ago, patchwork was a form of recycling, where leftover or previously used pieces of fabric were used to create other useful item such as quilts, rugs, cushion covers and jackets. Special projects were sometimes made with fabrics representing special memories, such as pieces from baby clothes, wedding gowns, and school uniforms. The maker would use a cardboard template shaped like a hexagon, place it onto the fabric and trace around it. Often the cardboard was cut from a box such as a cereal box. Women would gather to work on their patchwork while enjoying their social time together. As in the case of this quilt, members of the South Western Branch of the Embroiderers Guild in Warrnambool worked on the project, designing and quilting as a group to achieve their aim, of presenting the quilt to the recently opened Flagstaff Hill Maritime Museum. It was the first Group Project of the Branch which was formed in 1974. In 1975 the members decided to make a Quilt as a project to promote the formation of friendship and togetherness. Under the foundation Treasurer, Rita Williams, members sourced their own fabrics for the 'flowers' which were then stitched into the calico borders. Provision was made for the quilt to be hung for display, with the addition of loops along one edge. The local disability services employees and members cut out octagonal paper batches and used their own fabrics to piece them together. The Branch's first exhibition raised funds for buying fabric and equipment to assemble the patchwork. The quilt was perfectly suited to dress the bed in the Lighthouse Keeper's Cottage. This carefully created and designed, recently made patchwork bedspread typifies bedding and handcraft of the late 19th century. The English paper patchwork technique was used. The quilt was the first community project of the South Western Branch of the Embroiderers' Guild of Victoria, and presented as an addition to the Lighthouse Keeper's Cottage tat Flagstaff Hill. Patchwork quilt or bedspread, double bed size, made from hundreds of hexagonal-shaped fabric of various colours and patterns, carefully stitched onto a white background. It was made using the English paper patchwork technique. One edge of the quilt has loops dispersed at regular intervals. This would allow the quit to be used as a wall hanging. It was handmade by the South Western Branch of The Embroiders Guild, Victoria, and presented to Flagstaff Hill Maritime Museum and Village in 1976. An inscription is embroidered in blue on a patch of the quilt. "Made and Presented by The Embroiderers Guild, Victoria (S.W. Branch) 1976"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bedspread, patchwork quilt, quilt, embroiderers guild, bedding, bed linen, 1800's handcraft, quilting, south west branch, warrnambool embroiders guild, recycled fabric, 19th century, household textiles, english paper patchwork, paper patchwork technique -
Whitehorse Historical Society Inc.
Domestic object - Milk Jug Cover
... handcrafts ...White cotton crocheted round milk jug cover. Stand up crocheted cup and saucer in centre edged in red. Red and cream beads around outside edgehandcrafts, crocheting or crochet work, domestic items, food storage & preservation -
Whitehorse Historical Society Inc.
Accessory - Necklace, C 1970
... handcrafts ...Necklace bought at the Nunawading Craft Market.Wooden beads, gum nuts and leather leaves, threaded onto a leather string, forming a necklace.costume accessories, jewellery, handcrafts, country crafts -
Whitehorse Historical Society Inc.
Book - Book
... handcrafts ...Used by donor, Mrs Beryl Gray, as a schoolgirl at East Camberwell Girls School, Mangara Road, Canterbury. Now known as Canterbury Girls Secondary College.Brown paper covered school book with picture of woman pasted on front.Beryl Smythe Form F Needlework.books, reference, handcrafts, needlework -
Whitehorse Historical Society Inc.
Textile - Pillow Sham
... handcrafts ...Made of white cotton with Mount Mellick embroidery. One corner has interlocking horseshoes with bows and ribbons. The opposite corner has a basket of flowers tied with bows and ribbons - all hand embroidered. Border of draw thread. Machined crochet edging hand sewn onto edge.handcrafts, needlework, manchester, bath linen -
Flagstaff Hill Maritime Museum and Village
Textile - Altar Cloth
This altar cloth is representative of ecclesiastical linen in use in the early to mid-20th century. It is decorated with the Mariner's Cross symbol, connecting it to the history of the early Christian church. The cover for the cloth shows the respect the maker had for the cloth and what it stands for. The Mariner's Cross symbol also makes it appropriate as an altar cloth for the St Nicholas Seamen's Church at Flagstaff Hill Maritime Village. MARINER'S CROSS symbol: - The symbol of an anchor that also looks like a cross is called the Mariner’s Cross (also called the Anchored Cross or Cross of Hope). It looks like a ‘plus’ sign with anchor flukes at the base and a ring at the top. The anchor is one of the earliest symbols used in Christianity and represents faith, hope and salvation in times of trial. The Mariner’s Cross is linked to the scripture in Hebrews 6:19, which says, “Which hope we have as an anchor of the soul, both sure and steadfast, and which entereth into that within the veil”. This particular Mariner’s Cross also has the letter ‘X’ under the post of the anchor. In Greek, the language of the New Testament, the word for Christ is ‘Christos’, which begins with the Greek letter ‘X’ or ‘Chi’. Together, the elements on this Mariner’s Cross - anchor, cross and ‘X’ - symbolise to the Christian that Jesus Christ the Saviour gives security and safety, hope and salvation. Many church organisations still use various forms of the Mariner’s Cross. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity that has served seafarers of the world since 1856 in Great Britain. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. The altar cloth is representative of the ecclesiastical linen in use in the early to mid-20th century, when the original St Nicholas Seamen's Church was opened in Williamstown, Victoria. The Mariner's Cross embroidered onto the altar cloth gives it a connection with the early Christian church and with the Missions to Seamen. The fine hand stitching and embroidery are examples of traditional handcraft skills used over the centuries and continuing in use today.Altar cloth, white linen, with custom-made white cotton cover. The long rectangular cloth has the symbol of a Mariner's Cross (anchor and cross) embroidered with white silk thread on each short end. The wide hems are hand-stitched. The cover has two white tape ties and embroidered text in blue silk thread. This cloth and cover is part of the St. Nicholas Seamen's Church Collection. On cloth: symbol of (anchor with an 'X' stitched behind the centre of it). On cover, text "FLAGSTAFF/ HILL" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, st nicholas seamen’s church flagstaff hill, altar cloth, church linen, ecclesiastical linen, mariner’s cross, anchor cross, cross of hope, symbol of christianity, anchored cross, flagstaff hill maritime museum and village, maritime village, religious worship, worship service, st nicholas seamen’s church, williamstown, missions to seamen victoria, mission to seafarers, st nicholas missions to seamen’s church williamstown, missions to seamen, st nicholas missions to seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church -
Greensborough Historical Society
Functional object - Dressmaking Pattern - Digital Image, Pauline Paper Patterns, Pauline paper patterns number 5116, 1939_
Front and back covers of "Pauline paper patterns number 5116". This pattern is for a ladies' dress and 'bolero' jacket, drawing on front and instructions on back cover.An example of early 20th century clothing and sewing patternsDigital copy of front and back covers of dressmaking pattern.dressmaking patterns, patterns, dresses, clothing -
Whitehorse Historical Society Inc.
Clothing - Floral nylon dress, C 1972
- Worn to wedding 1972 - Worn by bride's sister, aged 15- Long sleeves dress - Long skirt - Lace at neck and cuffs - Buttons at centre front - Corded waist - Fully linedNilhand sewing, bridesmaid -
Clunes Museum
Drawing - TAPESTRY, HOLLY BARKELL
COLOURED TAPESTRY OF LADY SITTING UNDER A TREE. BEING SERENADED BY GENTLEMAN WITH STRINGED INSTRUMENT.local history, handcraft, tapestry, barkell, harris family -
Port Fairy Historical Society Museum and Archives
Decorative object - Mantle hanging
... handcrafts ...This item was on loan now part of our collection as all members of the family are now deceased. (Mrs H. Dunbar TalaraMacrame mantlepiece decoration. 2 bands at the top which beomes triangular areas with tassles descending from themlocal history, handcrafts, macrame, mrs h. dunbar, talara -
Bendigo Military Museum
Equipment - BRUSH, CLOTHES, est 1930 - 1940’s
Clothes brush made of wood and natural fibre bristles.Stamped on side "R↑T" Handwritten in ink on side "149252" Handwritten in ink on top "LAC Jack King"personal effects-grooming, handcrafts-woodwork -
Linton and District Historical Society Inc
Handkerchief, Handkerchief - 'Souvenir De France', Embroidered, Framed, 1916, 1916
... Handcrafts ...The handkerchief was sent during World War I by Gordon Paine to Joyce McCook, then age 4, a daughter of William McCook, who at that time was manager of Mt Bute pastoral station. Gordon Paine was born in Ballarat, and enlisted for military service in 1915. His connection to the McCook family is so far not known.White muslin embroidered handkerchief. Yellow stitched border. Left upper quarter has a purple embroidered pansy with six embroidered flags and brown embroidered text. Handkerchief has been folded into 4 sections, mounted and framed.Text: ' SOUVENIR de FRANCE ' / to / my little Joyce / from / Gordon Paine / May 1916 / "Somewhere in / Flanders 'world war i, gordon paine, handcrafts, textiles -
Embroiderers Guild Victoria
Container - Thimble case, 1890's
Sterling silver thimbles were a valued needlework tool and a presentation case kept them safe from damage and lossImportant item in era when hand sewing predominated. Thimble case to protect the thimble, an essential and valuable tool Triangular green leather covered thimble case with brass clip and lining of None -
Whitehorse Historical Society Inc.
Painting - Oil Painting, Marjorie Martin, 1975
... HANDCRAFTS ...Oil Painting of Schwerkolt Cottage by Marjorie Martin. Purchased by Joan Gilmour who was her student.Oil Painting. Artist view of Schwerkolt Cottage looking at WEST END OF COTTAGE (KITCHEN WALL). PAINTING BY MARJORIE MARTIN IN 1976. Marjorie taught painting and donor was her student.Marjorie Martin 1975handcrafts, hand painted -
Bendigo Military Museum
Uniform - COLOUR PATCH WITH ANZAC BADGE, 1914
Colour patch is 6th Batt AIF, the letter “A” is for Anzac meaning served Gallipoli and islands off Gallipoli. Item belonged to Thomas Robert Jones No 1982 AIF. Refer 1377 for his service history also his brother 1367.5.Colour Patch, cloth sewn around edges. Greenish strip top, purple over red with greenish strip at bottom. Letter "A" in yellow sewn into centre.uniforms - army, badges, handcrafts- embroidary, patches, jones -
Clunes Museum
Container - CHURCH COLLECTION PLATE
... handcrafts ...USED IN THE FREE PRESBYTERIAN CHURCH. GLENDONALD CHURCH, ONCE ON THE PROPERTY NOW KNOWN AS SNIZORT. CHURCH WAS PULLED DOWN ABOUT 1925 AND THE CONGREGATION TRANSFERRED TO ST. DAVID'S, COGHILLS CREEK.ROUND WOODEN COLLECTION PLATE ON TURNED COLUMN AND BASE, PRE 1884IN PEN ON BASE: COLLECTION PLATE GLENDONALD CHURCH PRE 1884local history, handcrafts, woodwork -
Bendigo Military Museum
Postcard - SILK POSTCARD, FRANCE, c.1917 - 1919
Refer “Mrs May Burns” collectionEmbroidered silk postcard, various colours, centre a pink bow, under flag depictions and flowers underFront: A Happy Easter Rear: Somewhere in France To dear Mother Father & all at home with best love from Will & Roydocuments, cards, easter greetings, handcrafts - embroidery -
Whitehorse Historical Society Inc.
Craft - Lace Making pillow
... handcrafts ...American lace loom. Victorian substitute for the usual lace maker's cushion.Lace making pillow consisting of a round cylinder with wooden handle containing a green lace pattern pricking and blue velvet pillow holding 32 wooden bobbins wound with cotton hanging from the pattern pricking.handcrafts, lacemaking -
Bendigo Military Museum
Craft - EMBROIDERY
Due to the terminology used it is likely from WW2 and possibly from the Middle East.Embroidered artwork sewn onto a piece of silk and bordered by white lacework. Artwork has a centrepiece of Australian Rising Sun Emblem with an Australian and British Flag coming out each side. Below is "Australian Commonwealth Military Forces".Inscribed "Australian Commonwealth Military Forces".craft, handcrafts - sewing/ embroidery, ww2 -
Bendigo Military Museum
Memorabilia - TRENCH ART, WW1, WW2, Post 1945 (estimated); Made in WWI and WWII and assembled upon return
William John ARCHER (Bill) No 321 enlisted in B Coy 21st Batt AIF on 18.1.15. Embarked for Eygpt 8.5.15. Hospital 9.9.15 with Influenza. Hospital 24.11.15 with Gastric Enteritis. Hospital 2.1.16 with Otitis Media. Transfers to the 57th Batt and embarks for France. Hospital with Trench Fever 4.10.16. Promoted to Cpl 28.4.17. Hospital 19.3.18 with Scabies. WIA 18.4.18 GSW's to chest and leg severe. Discharged from the AIF medically unfit 9.1.19. Alexander William ARCHER No 40637 enlisted in the RAAF on 16.5.41 age 18 years 8 months. He wanted to be a Mess Steward and was taken in as he had worked in similar work line. He then has 5 postings before embarking for Egypt on 2.4.1942 and was posted to No 3 SQD RAAF on 20.5.1942. Re mustered as a Motor Cyclist he became a Dispatch Rider on 8.9.1942 between the RAAF and the Army. Alex served in the Middle East and Italy with 3 SQD. He embarked from Egypt diagnosed with Kyphosis and Scoliosis on 5.2.1944. In Australia he was re mustered as Office Orderly on 6.7.1944 and then discharged from the RAAF on 2.10.1944 Medically Unfit. Wooden base with brass shells either end resembling Officers caps,one being WWI, the other WWII, both inscribed. Centre plaque inscribed Alex Archer and Bill Archer, father and son. Above the centre plaque is a piece of German shrapnel chrome plated Map - "North Africa, 1940", on left hand side, "18-Pounder, 1917, Bill Archer-Anzac, 1914-1919", on right hand side, "German shrapnel"handcrafts - trench art, metal craft- brassware, arms - ammunition, military history - souvenirs -
Bendigo Military Museum
Memorabilia - TRENCH ART, MODEL, SUBMARINE, Post 1942
Small lead model Japanese midget submarine made from the ballast of two submarines sunk during the raid on Sydney Harbour in May 1942.Wording on both sides of model: “Made from ballast Jap midget sub sunk in Sydney Harbour in May 31 1942”military history - souvenirs/navy, handcraft - trench art, submarine -
Bendigo Military Museum
Memorabilia - TRENCH ART, VARIOUS, c.WWI
Collection of ARTHUR CYRIL EBDON See also: 2605.2, 2606, 2607, 2608.3.1) Brass cup with handle (flattened brass) made from shell case. .2) Brass paper knife made from ammunition (rifle) blade flattened brass. .3) Brass frame (photo/picture) made from ammunition (rifle) & flattened brass, square shape..1) Stamped on base: “St / GFSP 289 / DE2 1916 / ?”metal craft- brassware, handcrafts - trench art, military history - souvenirs, passchendaele barracks trust -
Bendigo Military Museum
Equipment - SEWING KIT, c.WWII
Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.RAAF issue mending kit. Rectangular, khaki, cotton drill material which can be rolled & secured with 2 white cotton ties. Inside the roll is a long white pouch divided into 3 sections. At the opposite end to the ties is a khaki pouch with a piece of grey flannel attached. Contents include 2 needles, 1 thimble, 3 silver metal buttons, 2 brown bakelite buttons, 2 hanks of navy wool, 1 hank of khaki wool, 1 hank of black, cream & green thread.Handwritten in black ink on outside near ties: 410533 RAAF.sewing, kit, military, accessory -
Bendigo Military Museum
Equipment - SEWING KIT, Driclad Pty Ltd, 1967
Ref to Cat 5825 Patterson.This is made of jungle green cotton drill. It has one end pointed with two small cords. Inside are two pockets. One pocket is open, one pocket is held shut with the aid of a brown button. Inside the pockets are various loos items such as cottons, wool and needles.Written in ink on the outside is "1734719 Steele"vietnam war, soldiers kit, steele