This is a collection of seven photographs of Women’s Royal Australian Army Corps (WRAAC) personnel posted to the Army Headquarters Survey Regiment, Fortuna, Bendigo circa 1957 to 1964. After the disbandment of the Australian Women's Army Service (AWAS) in 1947 there was only one or two of civilian women in administrative positions at Fortuna. In February 1957 female positions from the disbanded Southern Command Field Survey Section in Melbourne were transferred to newly established positions at the Army Headquarters Survey Regiment, Bendigo. They were accommodated at the newly acquired ‘Turriff’ mansion in Carpenter Street, Bendigo. Their first Officer Commanding (OC) was CAPT Beryl Perry from 1957 to September 1960. Her replacement as OC was CAPT Carol Castor who served in several positions up to June 1967. The main areas of employment in these early days were in administrative positions, draughting in and retouching in Lithographic Squadron. WO2 MA McLaren was the female to reach the rank of WO2 as a Cartographic Squadron section commander in June 1961. WO1 Marj Knight served at Fortuna from 1959 to 1978 was the first female to reach the rank of WO1. WO1 Knight served in the senior Squadron Sergeant-Major and Technical Warrant Officer positions of Cartographic Squadron. She was also the first female PMC of the Army Survey Regiment SGT’s Mess. The WRAAC uniform seen in this collection was replaced in 1979. As the Australian Army implemented the disbandment of the WRAAC as a separate corps in 1980, WRAAC personnel posted to Royal Australian Survey Corps units were integrated into RA Svy.This is a collection of seven photographs of Women’s Royal Australian Army Corps (WRAAC) personnel posted to the Army Headquarters Survey Regiment, Fortuna Bendigo circa 1957 to 1964. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1957. Back row – unidentified personnel, Front row – centre: CAPT Beryl Perry, unidentified personnel. .2) - Photo, black & white, c1958. Back row – unidentified personnel, Front row L to R: unidentified, SGT Margaret McLaren, CAPT Beryl Perry, unidentified (x2). .3) - Photo, black & white 1959. Back row – L to R: PTE Gwen Hill, PTE Hilary Clarkson, PTE Helen Paisley, PTE Pam Carseldine, PTE Margaret Ross, PTE Barbara Minto, PTE Margaret Taylor. Front row L to R: PTE Barbara Hawkin, PTE Joan Murray, SGT Margaret McLaren, CAPT Carol Castor, CPL Jenny Murray, CPL Julie Williams, PTE Phillipa Bowman. .4) - Photo, black & white, October 1963. L to R: WO2 Margaret McLaren, PTE Kay Brown, CAPT Carol Castor, PTE Helen Pasley, PTE Bev Madex, CPL Marj Knight. .5) - Photo, black & white, October 1963. L to R: PTE Bev Madex, PTE Helen Pasley, PTE Kay Brown, WO2 MA McLaren, CPL Marj Knight. .6) - Photo, black & white, August 1963. Back row – L to R: PTE Hollingsworth, PTE GM Hill, PTE PE Sykes, PTE Nola Strawbridge, PTE Jan Cruickshank, PTE Margaret Taylor, PTE Prescott, PTE RR Hutton, PTE BJ Madex, PTE BM Fuhrmann, PTE Cockburn. Front row – L to R: PTE NA Falot, LCPL JA Hurst, SGT Marj Knight, CAPT Carol Caster, CPL Jennifer Murray, LCPL A Burrows, unidentified. .7) - Photo, black & white, 1964. Back row – L to R: PTE Dianne Fowler, PTE Leslie Mortimer, PTE Marlene Penglase, PTE Marg Cooper, PTE Irene Rankins, PTE Elaine Veith, PTE Lyn Ireland, PTE Marg Murphy, PTE Nola Downes, PTE Joan Lawler, PTE Henni Schunck. Front row – L to R: PTE Loretta Hall, LCPL Jo McNamara, SGT Marj Knight, CAPT Carol Caster, CPL Nola Strawbridge, PTE Mary McHugh, PTE Kalen Sargent..1P to .3P, .7P - no annotation, .4P to .6P - Personnel (surnames, no rank) annotated on back.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, wraac

Black and White Photograph of Helen Martin Director of Strategig Planning and Dev. 1995 Tambo Shire Gippsland Victoriamuincipal history

Black and White Photograph of Helen Martin Director of Strategig Planning and Dev. 1995 Tambo Shire Gippsland Victoriamuincipal history

Black and White Photograph Of Helen and Brian Martin 1995 Victoriamuincipal history

Black and white photograph. Official Staff photograph. Some seated on benches and some standing in the Burnley Gardens. L-R: Front Row: C.L.(Connie) Hoffman, Jill Murray, Freda Wannenmacher, T.H. Kneen, E.B. Littlejohn, Rosemary Hamley, Helen Requini, Mrs. Jackson (Canteen), ?. Middle Row: George Grumont, Ken Elliott, A.B.T. Courtney, J.B. (Jack) Nowell, A.J. (Jack) Farrance. Back Row: W.J. (Bill) Nicholls, J.B. Dimelow, Laurie Metzeling, Ian McCure, Clarie Henderson, Phil Bandt.On reverse, "With the compliments of Ross Everard."ross everard, c.l.(connie) hoffman, jill murray, freda wannenmacher, t.h. kneen, e.b. littlejohn, rosemary hamley, helen requini, mrs. jackson, canteen, george grumont, ken elliott, a.b.t. courtney, j.b. (jack) nowell, a.j. (jack) farrance, w.j. (bill) nicholls, j.b. dimelow, laurie metzeling, ian mccure, clarie henderson, phil bandt, staff

The wedding photograph of Nicholas Kakogianis to Helen Raftopoulos (Trianti) in Sydney was taken in 1937 and was later published in a Greek/Australian publication some time after 1946.A black and white photograph taken from a magazine of a large group made up of family and friends, posing on the church steps.Printed in Greek and English under the photograph:THE WEDDING OF NICHOLAS/KAKOGIANIS TO HELEN RAFTOPOULOS IN SYDNEY IN 1937 weddings, families

Pictured at a family gathering celebrating the baptism of Colin Lucas, son of Freda Lucas (nee Benias) and Spiro Lucas. from L-R: Stathi Vlass, Nick Lucas (Lekatsas), Con and Helen Vlass and Annie Vlass. A black and white photograph with a white border, of five people, three men and two ladies, sitting on a long form at a social function.

Costa and Helen Vlassopoulos (Kopela) on board a ferry in 1962 when they were holidaying in Greece with their daughters Eugenia and Anna. It was Costa's first trip back to Ithaca since he migrated to Melbourne in 1937. Costa was reunited with his parents, Dimitri and Eugenia Vlassopoulos, who had returned to Ithaca in 1958 for their retirement. Up until the 1960s very few Ithacans travelled back to Greece. However, as air travel became more common and affordable travel became more common. Today descendants of early Ithacan immigrants return to the island on a regular basis. Some have restored family homes. A black and white photograph of a lady and a man sitting on the deck of a ferry.

Members of the Vlassopoulos (Vlass) (Kopela) family together with Freda Benias are enjoying a day out in the countryside. Pictured L-R: back: Annie Vlass, Freda Lucas (nee Benia), Costa Vlass and Helen Vlass; front: Con Vlass, Demetri Vlass, Anna Vlass and Eugenia VlassA black and white photograph of three women, one man , two boys and two girls standing next to a sedan car in an open area. The photograph has a white border around it. A partial view of a utility truck with a lady standing next to it is on the RHS of the image.

The photo is taken at a Grecian Ball held in 1947 at the St Kilda town Hall. Grecian balls were organised by the Greek Orthodox Community of Melbourne. Pictured is a large party of Ithacans in attendance: Anastasia Kostopulos and her daughter Katina pictured in the foreground; and behind left to right - lady in white unknown, Nathalia Vlassopoulos (Laoretis), Thalia Lekatsas, Angelos Lekatsas (Kalfas), Nina Ventouras (Sikiotis), Nick Ventouras, Sophia Kostopoulos (her son Leo Kostos behind her), Helen Fatouros (Vlass ) Panagioti Paxinos, Rita Paxinos (nee Fatouros), A black and white photograph of a group of people at a social function

The young girl whose name is Helen Raftopoulos, daughter of a Theofani, was bridesmaid at the wedding of Dimitri and Kalypso (nee Raftopoulos) Sofianos.A small scanned black and white photograph of a bridesmaid. She is dressed in a long frock and carrying a large bunch of flowers with a ribbon trim. She has a small band of flowers in her long curly hair.Bridesmaid to Kalypso and Dimitri Sofianos Eleni (Theofani's daughter) HELEN ?

Arthur and Aspasia (Sia) Koutsouvelis and Aspasia's mother, Ioulia Raftopoulos along with Helen and Andrew Yiannis, Arthur's sister and brother-in-law pictured outside the Evangelismos Orthodox Church in East Melbourne in 1956. Ioulia Raftopoulos nee Sicotis arrived in Australia from South Africa in 1926. She married George Raftopoulos, who migrated to Australia in 1908 from Frikes and was a founding member of the Ithacan Philanthropic Society. He and his brother Arthur worked in the Spot Cafe in the 1940s and 1950s. George and Ioulia had two daughters, Effie and Aspasia (Sia). Family celebrations were a very important part of Ithacan social life especially weddings and baptisms. A black and white photograph of three smartly ladies and two men standing outside a brick building. They are all wearing overcoats.

Arthur Koutsouvelis is photographed with his sister Helen Yiannis. Arthur is holding his baby son George and his older son Harry is standing in the front together with his cousins Mary and Debbie Yiannis. The family group appears to dressed for a special occasion. A black and white photograph of a lady and man with two little girls, a boy and a baby standing in a garden. The man is holding the baby.

Pictured are cousins The children are cousins. The girls are sisters Mary and Debbie Yiannis, and the boys are brothers George and Harry Koutsouvelis. The girls' mother, Helen Yiannis and the boys' father, Arthur Koutsouvelis were siblings.A black and white photograph of two little girls and two little boys leaning against the back of a stationary car which is parked in a street.

This swimsuit is part of a collection of clothing donated to the Brighton Historical Society by Dr William and Helen Wells. It belonged to William's mother, Dorothy Wells (nee Marshall, 1910-2000). William's family has had a long association with Brighton, dating back to the town's earliest days in 1843 when his ancestors Robert and Eliza Hayball, who had emigrated to Melbourne two years prior, established a wattle-and-daub hut in what is now New Street, close to Tovell Street. Robert established a business as a timber merchant on the opposite side of New Street. His sons, Robert, William and Edwin took over the firm following his retirement, trading as the Hayball Bros. Hayball Court, which runs off New Street, is named after the family. Robert's son William (1855-1926) married Jessie Robertson and had four children. Their eldest, Winifred Grace Hayball (1886-1971), married Andrew Hollingsworth Marshall at the Black Street Congregational Church in 1907. They subsequently lived in Hill Street, Hawthorn, before moving into a house designed by Andrew and Winifred's brother Robert at 39 Bay Street, Brighton in 1915. Their daughter, Dorothy Marshall (1910-2000) married Robert George (Argie) Wells in 1937 at Wesley College Chapel. They lived in East Malvern until 1947, when they moved into a newly built home in Hawthorn Road, East Brighton, where they lived for the rest of their lives. Their son, William Wells (b. 1939) married Helen Pickering in 1968 and the couple have lived together in Brighton ever since.Blue knitted woollen women's one-piece swimsuit featuring a scooped back and braided crossover shoulder straps which thread through loops at the back. Small shorts cover the tops of the thighs, underneath a short modesty skirt.Designer's label near front hem, proper left: a narrow white triangular lance logo, bordered with black and featuring black text: "BLACK LANCE". Small label proper left inside seam: "BLACK LANCE / KNITTED WEAR / 38"wells family, dorothy marshall, dorothy wells, 1930s, swimwear, black lance, melbourne designers, peter o'sullivan, botany knitting mills

Pale green soft covered magazine with red and black ink. 56 pages including advertisements. 1. Fourth Term, 1907. Included an article on Cornish Mining. 2. 1946 3. 1945 4. 1949 5. 1950 6. 1951 7. 1944 8. 1942 9. 1941 10. 1960 - School Council, Members of staff, Editorial, Principal's Page, Literary Society, That First Day, Prominent Personalities, Conferring of Diplomas, The Begonia Parade, Efficient Reading?, The Sporting Pages, Enter the Modern, Tradition, The Ceremony, Roll Call - List of Students' 11. 1939 12. 1909 13. 1908 ballarat school of mines, robert norton, c. t. tay, n. delosa, bill boggs, alan bethune, janis erdmanis, alan rock, peter agrums, gail trewanack, tony white, norm nash, graeme "curly" williams, chong thung "jack" tay, noel whitcher, malcolm peel, k. blee, roberta pittard, margaret timmins, i. menner, r. nicholson, g. titheridge, g. johnson, p. agrums, d. pope, r. wollermann, g. hall, g. hart, n. nugent, a. bethune, k. penna, s. white, t. white, j. pollock, k. rogers, l. campbell, n. bromley, t. scanlon, j. davis, j. miller, k. kirton, b. hickey, w. moore, m. mckinnon, i. weir, r. coutts, g. thurling, anthony yeung, y. kwong, r. champneys, j. erdmanis, a. webb, d. taylor, j. rash, n. nash, c. tai, s. chand, t. gan, k. e. ooi, c. poh, m. mallett, l. rawlings, a. patterson, g. le couteur, m. hewitt, e. grummett, a. rock, r. miller, g. ikstrums, b. lonsdale, d. holmes, g. leishman, r. norton, t. brauer, n. whitcher, p. lockyer, lois morris, eric mcgrath, helen ross, g. cornell, i. menz, l. j. matthews, l. j. groat, o. n. hails, p. j. davis, n. l. nash, s. mason, mr and mrs barry singleton, john wolfe, brian duthie, cornish mining, j. skuja, s. rowe, a. kinnane, w. maddox, sturt street ballarat

Black and white photograph taken at the 21st birthday of the Garden Club, Bob Hodgson, Vera Taylor, Aileen Raynor, Barbaa Gray, Myrtle Hodgson beside Helen Curran who is cutting the cake. Lakes Entrance Victoriaclubs, gardening, celebration

The family group photograph was taken at the wedding of Jim Vlassopoulos (Kioukiouris) and Melita Zavitsanos. Pictured are - back row from L-R: Helen Stratos, Ioannis (Jack) Vlassopoulos (Kioukiouris), Jim and Toula Kandiliotis, Jim and Melita Vlassopoulos, Nick Defteros (Melita's uncle from Brisbane), Vicky and Orpheus Kandiliotis and Fotoula Moraitis, Jim's cousin. Flower girls/page boy: Christine, Clem Jr and Joanne Kandiliotis. Jim was born in Melbourne and Melita arrived in Australia from Ithaca in 1954. Jim and Melita met in Melbourne and were married in 1955. A black and white studio photograph of a wedding group which includes 5 men, 5 ladies, two little girls and a young boy. There are white trellis screens behind the group.

Articles in the annual report include: opening of the only nursery for blind babies and children at Victor Maxwell House, a new Braille shorthand class, the erection of an Occupational Therapy Department building, the development of a new switchboard operation course, a trial of long-term prisoners producing Braille has resulted in 83 being created, a profile on the late Jean Currie and appointment of Coral Cook in that position, awarding of an MBE to R.W. Kippax (who has occupied many positions at the Institution), thanks to A.F Toll for the free transport of Braille volumes and the Black and White Committee on another outstanding Ball, and the success of the NSW Blind Cricket Club and the young women at Helen Keller hostel forming the Amazons Blind Girls Sports Club.1 volume of text and imagescorporation records, royal sydney industrial blind institution, jean currie, black and white committee, nsw blind cricket, coral cook, r.w. kippax, victor maxwell kindergarten

Black and white photographWritten on back of photograph: "Back row: Left to right: Loosje van Winkle, Helen Ingram, Maureen Street, Shirley Cassidy, Winsome McNamara, Helen Hamilton, Coral Skurrie, Joan Ingram, Lynette Rackham. Flower Girl - Patricia G?????. Page, Graham Sinclair. Front Row, Left to Right" Elizabeth Sumner, Judith Morris, Virginia Jones, Janet Phillips, Margaret Rick, Lezlie Sumner, Margaret Lockey."

Illustrated book. Title and authors name printed on front cover and spine (red ink on front and white ink on red background on spine) Background of front cover has three photographs: black and white photograph of a group of nurses (Malaya 1941 group portrait of Australian Army Nursing Service nurses of the 2/4th Casualty Clearing Station), colour photo of a nurse looking over her shoulder, and a coloured photo of an Indigenous nurse. The back cover has a summary of the book along with four coloured photographs: Portrait of a nun with constitution and quill (Sister Mary Augustine Aikenhead by Nicholas Joseph Cowley), A nurse in uniform with veil (Vivian Bull winkel 1941), an indigenous woman (Lois O'Donoghue) an enrolled nurse (Samuel Yenui)non-fictionFrom the First Nation caregivers who healed, birthed and nursed for millennia to the untrained and ill-equipped convict men and women who cared for the sick in the fledgling colony of New South Wales, nursing has been practised in Australia since the beginning. It would take the arrival of a group of dedicated Irish nuns, followed by Florence Nightingale-trained nurses - and decades of constant and continuing campaigning - to transform nursing into what it is today: the most trusted profession in Australia. Nurses will recognise their own lived experience in stories about training days, nurses' quarters, changing uniforms, changing roles, the arrival of male nurses and current pathways to nursing. Produced in collaboration with the Australian College of Nursing and the Congress of Aboriginal and Torres Strait Islander Nurses and Midwives, with additional information provided by the Australian Nursing and Midwifery Federation, this is the story of nursing in Australia.nurses-australia-history, nursing-australia-history

Paperback book with pale blue cover. Title and authors name on front cover and spine. Photos of Helen Gilles on front and back covers. Numerous black and white photos within.non-fictionBiography of Helen Gilles, an Alfred nurse who became paraplegic and went on to be a nurse educator at The Alfred Hospital.helen gilles, paraplegia, alfred hospital, nurses, nurse education, ahnl

Donated by Maureen A. Nelson (née Skuse) (1956), Springhurst. Black and white photographs. Social outing: J.A. Sargeant 1956, G.J. Kneen 1956, H.M. Wiltshire 1956, S. Schumacher 1956, R.A. Weller 1956, G.R. Muntz 1956, Y. Winterbottom 1957, Louise L. Rawsthorn 1957, J.R. Wall 1955, J.A. Care 1956, A.D. Werner 1956.(1) Handwritten on reverse, "Judy Sargeant, Graeme Kneen, 1956 Social Outing." (2) "Helen Wiltshire, Maureen Skuse." (3) "Susi Schumacher, Bob Weller." (4) "Susi Schumacher, Judy Sargeant, Helen Wiltshire, Barry Dangerfield, Louise Rawsthorn." (5) "Yvonne Winterbottom, Greame (sic) Muntz." (6) "L-R Mario Takasuki, Dick Wall, Don Marriott." (7) As (4). (8) "Helen Wiltshire." (9) "Ron Iromewan, Sandra McAlley." (10) "Jocelyn Care, Alan Werner." (11) "Judy Sargent (sic), Graeme Kneen." judy a. sargeant, graeme j. kneen, 1956, social outing, helen m. wiltshire, maureen a. nelson (née skuse), susi schumacher, robert a. weller, barry dangerfield, louise l. rawsthorn, yvonne winterbottom, greame (sic) r. muntz, mario takasuki, dick wall, don marriott, ron iromewan, sandra mcalley, jocelyn a. care, alan d. werner

Reference from Gippsland in Focus, Debra Squires, Linda Barraclough, Helen ClothierBlack and white photograph of a motor boat on Tambo River with four people on board Tambo VictoriaTambo River A Cooper photo waterways, rivers

H D Blmer was a prolific photographer of all aspects of Gippsland including scenery, industry, celebraations, servicemen and women, schools, portraitureBlack and white photograph of Howard Decimus Bulmer wife Helen Rutherford with their three children Bairnsdale Victoriagenealogy, businesses

Outlines the family history of the Whatmough and Partington families and how they came to be in Greensborough. Part 1 of a series written by Helen Gillman from interviews with Alan Partington.Partington and Whatmough are well known pioneer families in Greensborough. Both have major sporting grounds named after them.A 2 page photocopy of a newspaper article on the history of Whatmough Park by Helen Gillman.A biro written number on the second page.partington, whatmough, greensborough, flintoff, black hills

Illustrated book, front and back cover have coloured illustrations of Crimean War conflicts on a pale grey background. The front cover also has a coloured illustration of a woman in quasi military dress. This last illustration also appears at the top of the spine. The book's title is printed in dark and light brown ink at the top of the front cover and the author's name is printed in light brown ink at the bottom of the front cover. The spine has a light brown background, with title printed in white and light blue, author's name printed in black, and publishers name printed in white. The back cover also has a summary of the booknon-fictionThe pioneering work of Florence Nightingale has become legendary, but in this book the author also champions the contribution of the women whose stories have largely gone untold-the nurses, cantinieres and army wives who played a vital, but often overlooked role in the theatre of war. Mary Seacole's establishment of "The British Hotel' near Balaclava supplied fatigued soldiers with much needed comfort and medical attention, earning her the respect of many men, but no official recognitioncrimean war, mary seacole, nurses, nursing, women in war, florence nightingale

This framed lithograph print in watercolour and gouache was produced on November 19th, 1924, by 20th-century marine artist, Mr R.N. Duffield. It depicts the event of a sea rescue that took place two years earlier. The framer was A.L. Frith of Footscray, Melbourne, who actively advertised from 1933 to 1935. The now disbanded Shiplovers' Society of Victoria (1930-2018) donated the print, and it seems likely that this print was framed for that organisation. This graphic image shows the conditions in which the rescue from the wrecked Helen B. Sterling happened. Captain George Harris was master of the American-owned, four-masted windjammer. His wife Edith and their ten-year-old son Leslie were on board, along with a crew of fifteen seamen. The ship set off from Newcastle, NSW, on January 5th, 1922, loaded with a cargo of coal to deliver to the Society Islands and on to San Francisco. Young Leslie later wrote a lively school composition for his teacher about his experiences on board the Helen B Sterling. He tells of a fire that broke out the day after they departed and burned a hole in a beam. Then another troublesome time on the 9th, when a strong gale blew a sail off the ship. Finally, he tells of the highlight of his voyage when, on the 18th January, the ship was right in the path of a strong cyclone, which broke the mainmast. Huge waves crashed over both sides of the deck, meeting in the middle, and the ship began to sink. The rescue from the wreck was an exciting time for the young boy, and even more so when one of his cats survived after being carefully wrapped in a pillowcase and thrown down from the ship for the boy. Reporters later wrote about Leslie’s comments, “... what had grieved him most was the thought that he might never see his two little sisters again”. Captain Harris said in a published statement, “… the gale was the worst he had met in his 12 years’ experience at sea. All went well for the first week. We then encountered a strong blow from the south-east. We tried the gasoline pump, but the engine broke down, and we had to do the pumping by hand. We at once shortened sail, but the sea increased in fury to such an extent that men were washed from the pumps. I was below at 5:30 on Sunday morning [January 22nd, 1922] when the main mast went over the side, … I at once sent out SOS signals, and got word that HMAS Melbourne was coming to our assistance. I had made a mistake with regard to our position, but did not know it until 11:30 o’clock, when I sent out the correct location. This was picked up by the Melbourne and I received the following reply: “We will reach you about 2 am. Keep a good heart. The Melbourne will do all she can.” Our ship was practically awash when we were taken off.” (Ref: the ‘Helen B. Sterling Disaster’, Maitland Weekly Mercury, NSW, 4-2-1922.) Officers from the Royal Australian Navy, Captain Henry J Feakes (later Rear-Admiral) and Commander Wilfrid Ward Hunt, were on board the light cruiser, HMAS Melbourne (1913-1928), when it left Sydney for New Zealand. After the SOS was received, the ship sped at full steam towards the sinking Helen B. Sterling. They found the vessel at about midnight and shone bright search lights on the distressed ship to illuminate the desperate scene. The Melbourne was unable to move close to the schooner, so sixteen seamen, including Commander Hunt, volunteered to man the Melbourne’s lifesaving 12-oared cutter. They rowed the sea boat with great urgency towards the victims of the sinking ship, keen to save lives no matter what the conditions. When the cutter was close to the Sterling, a line was secured between the Sterling and the cutter. The weary, waterlogged and anxious men on board could be rescued, one at a time, in the breeches buoy equipment, which looked like canvas shorts with a lifesaving ring in the waistband. The victims were hauled along the line and pulled aboard by many willing hands. All eighteen crew and passengers were saved, including Captain Harris and his family. The seamen of the Melbourne received a heroes’ welcome when they arrived in New Zealand. The grateful survivors were taken to Auckland, where they received the care and comfort they needed. Melbourne’s Lord Mayor, Cr. Swanston, on behalf of the citizens of Melbourne, formally recognised the heroic rescue efforts of the seamen of the HMAS Melbourne on March 2nd, 1922, at a special presentation. Two large flags, a White Ensign and an Australian “Jack" Flag, were presented to the Captain of HMAS Melbourne, and souvenirs were awarded to the sea boat’s crew and its Commander, Wilfred Ward Hunt. Commander Hunt was also presented with an original watercolour depicting the heroic rescue from the wreck of the Helen B. Sterling, painted just after the event by renowned marine artist Arthur V Gregory (1867-1957), and he received a silver cigarette case bearing the City’s coat of arms and the inscription, "To Commander Ward Hunt from the Citizens of Melbourne as a memento of the rescue of the crew of Helen B. Stirling by H.M.A.S. Melbourne, on 23.1.22". Both the painting and the cigarette case are now treasured items inherited by his grandson; a reminder of “… a very fine naval gentleman who believed in leading by example." R.N. DUFFIELD: - The Lithograph print in our collection by 20th-century English artist R.N. Duffield is dated Nov. 19, 1924. It is very similar to, and possibly created from, the original A V Gregory watercolour presented to Commander Hunt and dated 1922. Mr R.N. Duffield has art works in the Yarmouth Museums, Norfolk Museums Collection; “Orient Liner Otranto …,” and "Convoy of six ships at sea", both painted in watercolour and gouache during the 1940s. Some of his other works, also painted in watercolour and gouache, have been advertised for sale on Internet sites. Some details differ between the original A.V. Gregory and this Lithograph Print: - -the words on the bow on the original watercolour are “Helen B. Sterling, Blain”, which is in Washington, USA, where the Sterling Shipping Company was registered from around 1919; the words on the print are “Helen B. Sterling, Halifax, N S”, for Nova Scotia, Canada, which is the hometown of Sterling Shipping Company founder’s wife, Helen B Sterling. -The watercolour is coloured and has fine details; the print is monochrome - The A V Gregory signed the watercolour in 1922, on the lower left; the print is signed with the Lithographer’s name on the lower right; “R N Duffield, Nov. 19. 1924” ARTHUR VICTOR GREGORY (1867-1957): - A.V. Gregory is a renowned marine artist who worked in watercolour and gouache. He painted actively between 1899 and 1932, creating over 3o0 works. South Melbourne, Victoria, was where he lived and worked. This Lithograph print is significant in that it depicts the rescuing of the passengers and crew of the schooner “Helen B Stirling”. At the time this was a significant event that made most Australian and New Zealand papers because of the involvement of the Australian cruiser “Melbourne”. The image demonstrates the perilous conditions experienced by seafarers. It includes an example of the line and breeches buoy method used to save lives at sea from the 1860s and into the 20th century. It reflects a time in our history when sail and steam ships cruised the world’s seas together, the former trading with a cargo of coal from Newcastle, the latter defending our country in World War I. The print is part of Flagstaff Hill Maritime Museum’s Collection of maritime artworks that depict famous events, vessels and locations, showing the evolution of sea craft, and aiding the interpretation of our maritime history. The Lithograph print is behind glass in a black painted timber frame and mounted under a cream matte. The vivid image depicts a sea rescue in progress. The night scene is illuminated by a light beaming from a steamship, the Cruiser HMAS Melbourne. It reveals figures on the deck of a sinking sailing ship, the schooner Helen B. Sterling, as foaming waves roll across it. The stricken ship has a broken main mast, and a sail has been detached. A small figure is floating in the choppy sea, secured in a breeches buoy that is attached to a rescue line between a lifesaving cutter and the sailing ship. The crewmen in the cutter are ready to haul the shipwrecked victim aboard, while the figures on the foundering ‘Sterling’ watch them. The print’s paper-covered wooden backboard is attached to the frame with small tacks. A metal hanging wire is secured to two dissimilar eyelet screws. Inscriptions include text on the bow of the sinking vessel, a handwritten title below the picture, and a handwritten name in the print’s lower right corner. On the reverse are two oval, black ink stamps and a round cream label with printed text. The hand-painted print was reproduced from a lithograph, signed in the lower right, by R.N. Duffield of England, on November 19th, 1924. A Frith of Footscray, Melbourne framed it. Painted on the ship’s bow: “HELEN B. STERLING / HALIFAX N S” [Nova Scotia, Canada] Handwritten below the print: “AUSTRALIAN CRUISER “MEMBOURNE” (Tons 5600) rescuing crew of sinking four-masted schooner “HELEN B. STERLING” of Halifax NS Canada, Tons 1343 in a gale in the Pacific Ocean.” Handwritten on lower right: “R.N. DUFFIELD / Nov. 19. 1924” (underlined) On paper label: “Phone: / Footscray 398 [some of the text has torn off] / “A. FRITH / PICTURE FRAMER / Manufacturer / 17 Paisley Street / Footscray.“ On both oval stamps: “SHIPLOVERS SOCIETY OF VICTORIA / LIBRARY” flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, lithograph, lithograph print, reproduction print, helen b. sterling, the sterling, american owned schooner, halifax, halifax n s, halifax nova scotia, nova scotia, halifax n s canada, schooner, windjammer, sailing ship, four-masted ship, captain george harris, george harris, edith harris, leslie harris, sterling shipping line, hmas melbourne, hmas melbourne (1), cruiser hmas melbourne, the melbourne, australian cruiser, captain henry j feakes, commander wilfred ward hunt, sinking ship, shipwreck, sea rescue, gale, cyclone, 1922 rescue, shipwreck rescue, breeches buoy, line rescue, rescue line, lifesaving, cutter, cutter melbourne, sea boat, lifesaving crew, 12-oar cutter, shipwreck victim, r.n. duffield, marine artist, nov. 19. 1924, 20th century artist, a frith, footscray picture framer, shiplovers’ society of victoria, shiplovers’ society library, watercolour, a v gregory, arthur victor gregory, melbourne artist, newcastle coal, newcastle nsw, society islands, san fracisco, aukland new zealand, school composition, ship’s cat, sos signal, lord mayor cr. swanston, heroes, cigarette case

Natasha Melnikova and Helen Howlett of Classic Needlecraft which was recently opened in Swan Reach Victoria. Also another black and white photograph of Natasha Melnikova and Helen Howlett showing examples of needlework at their business number 04099.1 size 12 x 15.5 cmBlack and white photograph showing Natasha Melnikova and Helen Howlett of Classic Needlecraft which was recently opened in Swan Reach Victoriaarts, exhibition, function, wool industry