Drawing of Moritz Cohn by Johnstone, O'Shannassy and Co. Wooden frame, glass broken on front. Screws and string on the back for wall hangingJohnstone O'Shannassy and Co.drawing, etching, moritz cohn, moritz cohn, cohn bros

Slide. Bendigo Views. Trees in Rosalind Park. There is a white garden seat beside a stone wall edging a higher garden bed.sslide, bendigo, bendigo views, bendigo views

Slide. Bendigo Views. Partly constructed walls to part of the Sacred Heart Cathedral. Houses in the background. In the foreground is a bush with yellow flowers.slide, bendigo, bendigo views, bendigo views

Slide. Bendigo Views. Additions to the Sacred Heart Cathedral. Picture of a partly constructed wall, some scaffolding and some heaps of stone.slide, bendigo, bendigo views, bendigo views

"The work gestures towards Utopian, modernist public art, like that of Miro, Matisse and Sainte-Phalle, but I was also inspired by Yarra's own Keith Haring murals, in the way that he repeats his personal iconography to fill a chosen space. I wanted to make an expansive, open and inclusive artwork. I drew legs from women playing footy, cricket and soccer, but tried to draw them in the least heroic, least literal way possible." Commissioned as part of an upgrade project at the Malcolm Graham Pavilion, Kevin Bartlett Reserve, Burnley, 2020. The existing facilities were upgraded to include female change rooms and amenities. The project funding comes from Yarra City Council and the State Government through its Female Friendly Facilities Fund. The commission is a result of Yarra's Public Art Policy 2015 - 2020 which ensures Council commits a percentage of the capital works budget for new community infrastructure projects. Matisse and Sainte-Phalle, Keith Herring, Miro, ModernistCopyright the artistA series of abstracted legs in various shapes that jump, kick and run across the wall, activating and animating the space with bold, bright colours.accompanying plaquesport, women, installation, modernism

Colour photo in wooden frame with buff matt board. De[icts an elderly couple pointing to a name on the memorial wall in the USWes Kendall (signature)vietnam veterans' memorial

Four large wall hangings joined depicted the Trung Sisters on Elephants defeating the Chinese Rule over 2,000 years agomother of pearl, wall hanging

historic building, original pulpit and communion tableColour photo, Presbyterian (now Uniting) Church, Buninyong, interior, Pulpit, chair and Communion Table, large arch and cross on wallbuninyong, church, presbyterian, uniting, pulpit, communion table

Aerial photograph wall panel of 1 Aust Field Hospital Vung Tau, features layout and labelled building of hospital complex1 Australian Field Hospital Vung Tau South Vietnam1st australian field hospital

Tourist booklet of Hue in English and French. Ancient capital of Vietnam with Hue written above picture of boats on river through walltourist, booklet

School Photo Circa 1954 Mr A.K. Boyd, Head Teacher Pearl Mitchell, Dawn Shuttleworth, Jean Cray, Amy Cray, David Perry, Richard MItchell, Keith Mitchell, Evelyn Cray, Dorothy cray, Robert Cray, Tom Cray, Edwin Perry, Betty shuttleworth, Barry Cromwell, Bruce Richards.B/W Photo Students and Teacher outside trees in background Brick building wall to Left of Photo and wire fence to right.deep lead school, education

Colour Slide, showing the Base of Lake Bellfield, with two people in the mid distance, and more on the far wall. Also with three vechiles.grampians

Black & white Kodak print of a young dark haired girl in a white dress sitting with a doll and teddy bear on the wall of a verandah.till

Colour photograph of a 'ghost sign' on the walls of the Macaroni Factory in Hepburn Springs. The hepburn Democratic Club met at the Hepburn Democratic Club.macaroni factory, hepburn springs, swiss italian, lucini, italo-australians, giacomo lucini, pietro lucini, pasta, hepburn democratic club

Colour photograph brick wall with plaque explaining establishment of forecourt at Lakes Entrance WW1 Memorial on Esplanade. Lakes Entrance Victoriaworld war 1914-1918, memorials

Colour photograph of the historic Suggan Buggan school showing timber table and benches with slatted timber walls. Suggan Buggan Victoriahistoric buildings, schools

B & w photo interior Belgrave Post Office, 1997. Photo shows counter and seating for the public use. Posters are on the walls.

Copy of photo: shows Violee Myers Davey ( OAM) looking at photo hanging on wall, presumably at Golden Square Primary 1189.education, primary, golden square laurel st p.s., violee myers davey.

Wall mounted hand operated drill press. Flywheel on LHS. Drill lowering hand wheel on top. Painted green and black.Cast in relief on frame "Champion ......... & Forge Co./ Lancaster" on LHS, "Warranted" on RHS.trades, metal working

Black and white arial photograph of the Moyne river entrance, the original signed by R.W.Golding.Black and white aerial photograph of Griffith island showing the lighthouse keeper’s compound, the large flagstaff and the river training walls in the foregroundHand written on the back "Port Fairy Moyne River Entrance R. W. Golding Handwritten on the back of the copy "Port Fairyb Harbour 1925"local history, photography, photographs, slides, film, arial, moyne river

Built at Old Gippstown from secondhand materials during the 1970sRectangular-shaped timber shed, with a corrugated iron roof. It has a back and two side walls, while the front is open for access.shed, old gippstown, west gippsland, gippsland, gippsland heritage park, goldfields, coal mine, victorian era, moe, historical village, bushy park, old gippstown heritage park, latrobe valley, farm shed, latrobe city council, gunaikurnai

See NP4151Sepia-toned photograph of the Mitcham Football team and supporters beside the wall of the clubhouse. Written on the bottom is MITCHAM FOOTBALL CLUB 1929.mitcham football club, sporting clubs, football clubs

White, single card with a lady and a man at a garden wall. The lady is standing in front of the archway on the other side of the wall. She is wearing a pink skirt, white blouse, brown jacket and black hat with pink flowers. The wall is grey stone with a creeper growing on the top. On the front side of the wall a man is standing waiting holding a cane in both his hands. He is wearing light grey trousers, white shirt and waistcoat and a long knee length black coat. He has black shoes and a black top hat which is on an angle. He also has a monacle and a long black moustache. Across the bottom 'A merry Christmas to you both' is printed in light brown. The card has rounded corners.Castell Brothersperson, greeting cards, malone collection, malone collection, greeting cards

Original walls and portholesScammell housePhotocopyNil

This broderie perse' wall hanging was donated to the Kew Historical Society in 1980 by Mrs Joy Ivory. The hanging had belonged to her mother - Amy Grigg - and was used by the latter to demonstrate skills in darning (the red stitching). Provenance includes a certificate dating from 1889 which records an award to Amy Grigg of Pakington Street (Kew) for skills in needlework, issued by the Kew Floral Industrial & Art Society. Amy Grigg later married Albert Watson, the son of John Watson. The latter was an early pastor of the Kew Methodist Church in Highbury Grove, Kew. Both the Watson and Grigg families were early pioneers of Kew. While the hanging was modified by Amy Grigg in 1889, the original textile dates from an earlier period when 'Broderie Perse' (Persian embroidery) was used to create quilts and wall hangings. It is estimated that the hanging dates from the first half of the 19th century. An exact dating will require a detailed examination of the cotton chintz fabrics used to embroider the hanging. This appliquéd wall hanging is one of the earliest textiles in the Kew Historical Society's fashion & textiles collection. Similar examples are held in major international collections such as the Victoria & Albert Museum. This example of broderie perse is significant for the cross-cultural influence of Indian textiles on European taste, not unusual given the English foothold in India during this period. Additional interest is due to the mixing of Indian and European textiles in the design, while staying true to the derivation of the design. The textile is both well-provenanced and rare. While it is unlikely to be Australian-made, it is probably an example of a textile brought to Australia during the colonial period that indicates a desire to decorate interiors using items created in and for the English home. On another level, the wall hanging is a fine example of 'women's work' in the first half of the nineteenth century.Small wall hanging, comprised of five panels that are each appliquéd by hand in herringbone stitch using a range of decorative figurative motifs including flora and fauna. The design is based on an Indian palimpore representing a tree of life design. The base textile is a cream linen while the appliquéd figures or shapes are cut from cotton chintz. These additions are probably a mix of Indian and European designs. The quality of the herringbone stitching is very fine. Later stitching in red wool was added in the 1890s to demonstrate skill in darning. The main panel is bordered by a narrow green and ecru braid. It has a narrow tan braid at the top and bottom of the two side panels. A surrounding tan braid around the entire textile is missing in some places. textiles, applique, broderie perse, amy grigg, wall hangings, migration

Coat hangers were used to hang up trousers or skirts by the waist. This coat hanger was designed prior to clips with springs being used.Wooden coat hanger with wire fitted hook used to hang trousers (or skirts) by moving a steel plate along the wire (to tighten the grip). There are 2 rectangular pieces of wood with small padding attached on the inside outer edges. Each piece of wood has wire coming out of the centre. The wire is vertical before rounding to form a hook and is continuous. The wire has a small steel plate with 2 holes along the vertical section.coat hanger. clothes. skirts. trousers.