The Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme issued by the Creswick District Choral Society for a 'Grand Performance of Handel's Magnificent Oratorio The Messiah', in the Town Hall, Friday, December 23, 1904. With a chorus and orchestra of nearly 100 performers, the singers were Sopranos - Mrs. McGrath and Miss A. Horn, Contralto - Miss Bull, Tenor - Mr. V. Woolcock, and Bass - Mr. Marshall. The conductor was Dr. Nisbet. The reverse of the programme includes an advertisement for a Grand Sacred Concert on New Year's Night, Sunday January 1st, 1905 in the Town Hall. The programme was in a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.creswick district choral society, creswick town hall, the messiah (oratorio)

This tall piece of equipment was used in the theatre room of the Tawonga District Hospital to move (by rolling it) to the bedside of the patient and then to adjust the large light over the area of operation as required by the surgeon.The Tawonga District Hospital's theatre room was well equipped with up to date technical equipment.Stainless steel metal tube attached to 4 legs of steel that spray out into a 'star' and have a roller coaster attached at their end. On the 5th end of the star a steel arm comes up and has a tray attached to its end. At the top of the cylinder is attached a cream metal opened ended cap with a wheel which has thick wire around it. Below this top and on the cylinder a cream metal arm comes out like a spanner, the end of which a large light could be fitted. This arm can be moved up and down the tube. This stand also has a control 'radiation control unit' that can be attached to it and to the power.medical equipment. operation. surgeon. tawonga district hospital. theatre room., x-ray, falls creek medical centre

This is part of a contemporary traditional costume worn by males in parades and theatre productions these days, however worn by soldiers in battle during war times in Greece in the 18th - 19th centuryThis is a jacket for boys that is worn as part of the six piece traditional costume. It is navy blue in color and has gold and silver embroidery along the edges. It has silver buttons and a silky orange liningcostume, jacket, tsiolia, τσολιάς, στολή

The view is taken from the cnr of Lydiard & Sturt Street circa 1870-1880 from the Premier Album of Ballarat Views. The Academy of Music is now Her Majesty's Theatre.academy of music, ballarat art gallery, club hotel, streetscape, her majesty's, hotel, entertainment, premier album of ballarat views

Photo was taken from the Ballarat Post Office tower. The National Mutual Building is under construction. Sign on building reads 'H.M. Theatre Farewell Concert Jessie Maclachlan'.sturt street, ballarat post office, national mutual building, h.m. theatre, streetscape, garden, trams, vehicle, commerical, public

A group of talented Ballarat young singers and players performed Bedazzled at the Mount Clear Technical High School theatre. Many of them have gone on to musical careers of note.4 pages of white paper with black text, and coloured cover silver with red textBedazzled, with program outline and players. The Ballarat Light Opera Company Present AN EVENING OF SONG AND DANCE FROM BROADWAY MUSICALS Dedicated to Richard Wagner ORCHESTRA Musical Director Mark Jones Pianist Meredith Gunthorpe Harp Kerry Hanrahan Cello Sue Dodd Synthesizer Paula Heenan Flute Mark Lacey Natalie Jones Percussion Andrew Payne CAST Felicity Counsel, Matthew Brooks, Elizabeth Dale, Andrew Dark, Jacqui Dark, Time Gay, Fiona Hanrahan, Trevor Harris, Kerrie Hanrahan, Mark Jones, Anne Hoppen, Mitchell Leviston, Natalie Jones, Colin Prato, Wnedy McCausland, Toney (sic) Rowenow, Leanne Squires, Jeff Smart, Geoff Wallis

This magazine was first published in January 1959 and was a fortnightly edition which was distributed for free. The story is that in May 1963 at the National Theatre in Richmond when the film titled "KRYSTALLO" ("Κρυστάλλω") was about to be screened for the first time "Cosmopolitan Motion Pictures" thought of a very unique way of promoting it. Apart from the usual publications to the "Kinimatografikos Astir" (Film Star) magazine and the flyers, they decided to display on the theatre roof 25 live sheep in a scene from a typical Greek village stable with a shepherd etc. They also assigned the task of creating a large banner sized 2 metres by 8 meters approx. to an Australian artist (name unknown) to adorn the front of the National Theatre. When these sheep and the banner were finally displayed before the first screening there was so much traffic congestion created in front of the theatre that it became a standstill. Very quickly the police was informed and the RSPCA who attended and ordered the organisers to dismantle the setup of sheep on the roof as it was considered cruelty to the animals and that it was organised without a proper license. Nevertheless the film had so much success, that it was unprecedented for the times. First showing was 9th May 1963Primary historic significance to the Greek Film and Entertainment industries in Australia. Secondary Social and Rarity publication significance.Bi-weekly magazine size A4, published in black and white by "Cosmopolitan Motion Pictures" for the purposes of film shows and distributed free of charge."Κινηματογραφικός Αστήρ" magazine, entertainment, film, greek, language, publication, plutarch, yiannoudes

A white booklet with red and black print titled 'Oklahoma!' and presented by the Bendigo Operatic Society at the Capital Theatre View Street for five nights commencing on the 15th October, 1965. The Producer is Mr. Cid Ellwood and the lead actors are: Patricia McCracken, Leonard Carr, Ferd Lorenz, Heather Lindhe, Joan Crane, Fred Trewarne, Brian Thomas, Emily Houston, Graham Filcock, Reg Boromeo, Peter Houston and Douglas Sayle. Also included within the booklet are two Bendigo 'Advertiser' articles. One article is titled 'Pert 'Oklahoma Is Not At All Amateurish.' 16/10/1965. The second article is titled 'Interest in 'Oklahoma' is Mounting.' 9/10/1965.performing arts, music, oklahoma, lydia chancellor collection, collection, stage show, drama, musical, theatre, bendigo, clubs and associations, entertainment, performing arts, programme, program, bendigo operatic society, music, actors, actresses, acting, person, societies

"The Merry Widow" was composed by Austro Hungarian composer Franz Lehar with the libretto by Viktor Leon and Leo Stein. It was based on the comedy play "The Embassy Attache". It premiered in Vienna in 1905.Bendigo Operatic Society music programme. "The Merry Widow," - Capital Theatre, Bendigo - Opening Friday, April 30th, 1965 for 5 nights. A5 booklet of 15 pages. Booklet consists of lists and photos of people involved and organizing the concert, advertisements, synopsis of story and scenes. music, concert, programme

28 page soft cover booklet entitled 'Wagner in Australia - the Bendigo Ring 2023'. Souvenir booklet to commemorate the performances of 'The Ring Cycle' at the Ulumbarra Theatre, Bendigo by Melbourne Opera. Illustrated with colour and B&W photos and maps. Published by the Melbourne Conservatorium of Music in 2023.The University of Melbourne

Programme and Words for a Grand Patriotic Concert and Demonstration (Bairnsdale 1900) in aid of the Patriotic Fund. Held at Payne's Theatre Royal 14th Feb 1900. Songs, recitations and speeches - words for songs included along with the artist for each of the 16 items, finishing with ''God save the Queen''.person, individual, bush collection - personal

La Trobe University, Sir John Quick annual lecture1996 Sir John Quick Bendigo Lecture - "Towns and Gowns: The Humanities and the Community". Presented by Dr Janet McCalman, on Thursday 28 November 1996 at 6:45 PM; in the McKay Lecture Theatre, La Trobe University. B&W printed flyer, invitation and program.sir john quick annual lecture, dr janet mccalman

Opera Glasses came into existence as a result of a long line of inventions, and further improvements upon those inventions. The process started in the year 1608 when a Dutch optician by the name of Hans Lipperhey developed the first pair of binoculars with a magnification capability of X3. Less than a year later, a well-known inventor and philosopher by the name of Galileo developed what became known as the Galilean telescope. Advertisements were first found for opera glasses and theatre binoculars in London as early as 1730 in the form of a long collapsible telescope. The "Opera Glass" as it was referred to; was often covered in enamel, gems, ivory, or other art and paintings. For almost 100 years opera glasses existed merely as telescopes. In Vienna, in 1823 the first binocular opera glasses and theatre binoculars began to appear. They were two simple Galilean telescopes with a bridge in the centre, each telescope focused independently from the other by extending or shortening the telescope until the desired focus was achieved, which was useful, yet very cumbersome. Two years later in Paris, Pierre Lemiere improved on this design and created a centre focus wheel. This allowed the focusing of both telescopes together. After this development, opera glasses and theatre binoculars grew in popularity because of the superior view they facilitated in opera and theatre houses. The beautiful design of the glasses themselves also added appeal to the opera-going crowd. By the 1850's opera glasses and theatre, glasses had become a must-have fashion accessory for all opera and theatergoers.Not very significant as not associated with a historic event or person and made during the first half of the 20th Century and many are still available and easily sourced.Vintage Pair of Opera Glasses, with cow bone barrels and eyepieces, both barrel pieces have split in them, both metal end barrels each have a minor dent, optics are pretty clear no mould although have very minor dust spots inside, they look like they were gilded at some point but most of this has rubbed off glasses have a black leather case with blue lining. No markings whatsoever anywhereflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, binoculars, opera glasses, theatre glasses, optical instrument, cow bone

Opera Glasses came into existence as a result of a long line of inventions, and further improvements upon those inventions. The process started in the year 1608 when a Dutch optician by the name of Hans Lipperhey developed the first pair of binoculars with a magnification capability of X3. Less than a year later, a well-known inventor and philosopher by the name of Galileo developed what became known as the Galilean telescope. Advertisements were first found for opera glasses and theatre binoculars in London as early as 1730 in the form of a long collapsible telescope. The "Opera Glass" as it was referred to; was often covered in enamel, gems, ivory, or other art and paintings. For almost 100 years opera glasses existed merely as telescopes. In Vienna, in 1823 the first binocular opera glasses and theatre binoculars began to appear. They were two simple Galilean telescopes with a bridge in the centre, each telescope focused independently from the other by extending or shortening the telescope until the desired focus was achieved, which was useful, yet very cumbersome. Two years later in Paris, Pierre Lemiere improved on this design and created a centre focus wheel. This allowed the focusing of both telescopes together. After this development, opera glasses and theatre binoculars grew in popularity because of the superior view they facilitated in opera and theatre houses. The beautiful design of the glasses themselves also added appeal to the opera-going crowd. By the 1850's opera glasses and theatre, glasses had become a must-have fashion accessory for all opera and theatregoers. A vintage pair of 1920s opera glasses probably made in France by an unknown maker the item is significant due to it's provenance that can be traced and it's completeness as a useful social item and fashion accessory used by theatergoers from the mid 19th century and well into the 20th century. Some people still use modern variants of theater glasses today to improve their enjoyment of the theater.Both glasses and case are covered with black and white snake skin. Case lined with purple velvet, and has brass closure clip.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, opera glasses, serpentine opera glasses, binoculars, accessories, optical instrument, scientific instrument, theater glasses, french opera glasses, hans lipperhey

Ticket to see 'The Gipsy Rovers' in the Supper Room of the Sparklet Theatre, as part of the St Kilda Patriotic Carnival. The date is not specified. The event may have been in connection with the 1917 carnival.Yellow card with red discolouration, printed in black on one sidest kilda patriotic carnival, sparklet theatre, gypsy rovers

The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatrical programme for a production of The Toreador in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. the toreador, ivan caryll, lionel monckton, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, city of kew, theatre memorabilia

From Portland Town Council Art Programme. Sponsored by PTC's Art Program, the Theatre Board of the Australian Council, Portland 150th Anniversary Committee, Portland CEMA and the Myer Foundation.Poster for theatrical production. The central image is a retouched photograph of a group of people (men and women) outside a building. The building is made of wood. The people are standing in front of the building and on its roofless verandah. They are dressed in clothing of c1910's. The image is black and white with some items of clothing hand coloured in with red, orange and yellow. The entire poster is covered with approximately 61 signatures. On lower left is a reproduced newspaper clipping of paper addressing a welcome home ceremony for Gallipoli soldiers. In pale yellow in background is a map of Portland Bay. In orange mount in black and gold frame. Below image are the words: "Portland Bay Swells! Devised by Ken Harper and the Portland Community." Below this are details of performance times and ticket details. Mounted in peach matt. Black wooden frame with glass.Front: (no inscriptions) Back: (no inscriptions)

A pink programme with black print. On the front are the words, ' The Scotch College Dramatic Society presents ' A Safety Match' (In four acts) by Ian Hay at the Free Library Hall, Portland on Thursday, September 6th, 1928. To commence at 8 o'clock. Tickets - 2/- (Booking at Toye Bros. 5d. Extra) Proceeds in aid of Portland Public Hospital. Programme--3d. G. A. Fisher, Secretary. 'Guardian' Print, Portland. Inside is the cast list and a Synopsis of Scenes.program, theatre, scotch college dramatic society, lydia chancellor, collection, entertainment, drama, theatre, scotch college, portland, programmes, program

"Viktoria and her Hussar" is a German operetta in 3 Acts based on a play by Hungarian Imre Foldes. Music was written by Paul Abraham and libretto by Alfred Grunwald and Fritz Lohner-Beda. It was first performed in 1930.Bendigo Operatic Society - "Viktoria and Her Hussar" Programme - Capital Theatre, Bendigo. Opening Friday 14th April 1961 for five nights. A5, 15 pages - booklet filled with names and some pictures of participants and organizers, advertisements, details regarding synopsis of story and scenes and acknowledgements. programme, concert, music

"Oklahoma" was the first collaboration for Rogers and Hammerstein. It was based on the book "Green Grow the Lilacs" by Lynn Riggs. It was first performed on Broadway in 1943 and won a special Pulitzer Prize in 1944. It was made into a movie in 1955.Bendigo Operatic Society, music programme. "Oklahoma," At the Capital Theatre View Street - Opening for 5 Nights, Commencing 15th October, 1965. A5 booklet with 15 pages. Booklet consists of lists and photos of individuals participating and organizing the event, advertising, advertisements, synopsis of story and scenes. music, programme, concert

Printed silk programme, cream coloured silk printed in red. The programme is for the Austral Literary and Debating Society's first grand annual Competitions in music, song and story. Instituted Queen's birthday 1897, to commemorate the year of Her Majesty's Diamond Jubilee. Held at the Royal Princess Theatre.civic mementoes, first annual competitions, royal princess theatre, austral literary and debating society

"Call Me Madam' is a musical in two acts, music and lyrics by Irving Berlin initially released in 1953. Music Programme for "Call Me Madam" a musical in 2 acts, openingJuly 2nd-5th at J.B. Osborne Theatre, Kangaroo Flat - A5 booklet with 16 pages - booklet consisting of lists of individuals participating and organizing the concert, advertisements, acknowledgments, synopsis of story, musical numbers and scenes.programme, concert

The Old Scotch Collegians' Dramatic Society was formed in 1933. This performance celebrated the 100th anniversary of the College in 1951.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. Programme for the Old Scotch Centenary production of Off the Record by Ian Hay and Stephen King-Hall, performed in 1951 at the Union Theatre, Melbourne. The programme contains a history of the Old Scotch Collegians Dramatic Society (founded in 1933), a cast list, synopsis and cast profiles. 12 pp.old scotch collegians' dramatic society, union theatre - university of melbourne, arthur dear collection, theatre memorabilia

Printed theatre programme for the Linton Amateur Dramatic Club. Red border, white background. Dated September 10th. (Year not given - probably 1930s). Performance of "Gussie's Little Game" (one-act play) and "Pearly Pearls" (two act play) presented at Skipton Mechanics Hall.Text: " THE / LINTON AMATEUR DRAMATIC CLUB / IN THE / Skipton Mechanics' Hall / Saturday, September 10 / PRESENTING / "Gussie's Little Game". "linton amateur dramatic club, rev. w.c. duffy, mrs d. mcgregor, mr h.p. bennett, mr s. morgan, reeves collins, jim collins, jack collins, mrs d. mcgregor, mrs a. shepherd, rose hayward, beryl megee, kath cunningham, clem o'beirne, mr h. kennedy

National Theatre Movement of Australia Bendigo Branch presents 'The English Duo' Viola Morris, Victoria Anderson. Girton College Hall, Saturday, 11th October 1952. The First Programme of the 1952 October Arts' Festival. Programme: 6d. Cambridge Press. Bendigo. Pink with purple printing.event, entertainment, music, the english duo, national theatre movement of australia, viola morris, victoria anderson, cambridge press

For Cinderella dance at the Dandies' at Wickliffe House St Kilda. Wickcliffe House was an elaborate wedding cake of a house, built in 1873 on one of the prime pieces of land in St Kilda overlooking the bay. In 1912 it was converted to cafe and theatre called Arcadia and subsequently The Dandies open Air Theatre. It was demolished in.the 1970's and the land is now occupied by Arrandale, one of the last high rises to be built along the foreshore. Wickliffe was built for John Dickson Wyelaskie who was a higly successful parstoralist in the Western District. Yellow cardboard printed one side in dark blueHandwritten notation in red ink, mostly illegible, dated 27/6/16 wickliffe house, the dandies

Set of medals issued at the end of WW2 to personnel who served in the Pacific theatre of war between September 1939 and September 1945. See: www.defence.gov.au Defence honours and awards, WW2 for details. Pte McGregor was born in Gisborne.Set of four medals awarded to Pte W J McGregor in individual presentation boxes. Each medal has a ribbon and pin attached. A plaque displays Pte W J McGregor's record of service.Each box has the name of the medal written on the lid.The medals, 1939-45 Star and the Pacific Star each has vx102441 W J McGregor engraved on the back. The War Medal 1939-45 and the Australia Service Medal 1939-45 are both engraved on the rim with vx102441 WJ McGregor. pte w j mcgregor, ww2 service medals

The Manresa Theatre Company, in this 1957 programme, states that its aim was to bring Catholic men and women together in an atmosphere of joyful entertainment and culture. It contends, in 1957, that it is almost eight years old.The Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme issued by the Manresa Musical Society for a performance of A Country Girl, performed in 1957. The location of the performance is unstated in the programme.manresa musical society, theatre (kew), performing arts (kew), a country girl (musical)