John DERMER (1949- ) Born Melbourne, Victoria John Dermer studied Ceramics at the Royal Melbourne Institute of Technology and Hawthorne State College (Diploma of Education), before working in potteries in England. Upon his return to Australia he established "Kirby's Flat Pottery" studio at Yackandandah, Victoria in 1974. John is proudly a product of the Leach/Hamada movement in ceramics. He sees this as a tradition that for him represents the essence of working with clay. The lines are pure and balanced while the forms are honest, proud and passionate. Yars of research and experience in salt glazing were rewarded in 2006 when John Dermerwon the highly prestigious Saltzbrand Keramik International Award in Koblenz, Germany. Another avenue of ceramics for which John is renowned is in the field of terra sigillata. This passion had its foundation back in 1987 when he received a major commission from Romaldo Giurgola and Pamille Berg for the new Parliament House in Canberra. During the completion of these massive pieces for the Prime Minister’s suite and Cabinet entry he had to invent and develop methods for decorating and firing the pots successfully. The completed pieces are still regarded by John as some of his finest works. John Dermer was a visiting lecturer to the Gippsland Centre of Art and Design (GCAD). This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Salt glazed stoneware pot This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Signed on base 'John Dermer'john dermer, ceramics, artwork, artists, gippsland campus, jan feder memorial ceramics collection, salt glaze, kirby's flat pottery, stoneware

Nine prints in cardboard folders titled 'Pictures From Pickwick' copyright Richard Wyman & Co London. Number 10 print missing from folder. Images depict rural and city English scenes in the mid 1850's. [1] Sam Weller and Mr Smauker. [21] Mr Weller chastises Stiggins. [3] Skating at Dingley Dell. [4] Bardell v Pickwick. [5] Mr Winkle Rides to Dingley Dell. [6] Chasing the Runaways. [8] The Start from the 'Bull' at Rochester. [9] Mr Winkle Partridge Shooting. [10] Mr Tupman on Richmond Hill, missing from folder.artwork, print, mr picwick

17.5x4.5cm creased photograph of large cub gathering in parkland. Cubs dressed as soldiers and aboriginals. Location and event unknown.On Reverse: Elsie M Dicker, Photographer, 170 Auburn Rd, Auburn E2. "Dear Mr Mabus. Would you please let me have any orders as soon as possible. Price 4/- each"

A press release from Melbourne Legacy in 1975 which relates the story of a junior legatee playing professional football. The information was intended to be used by press and magazines etc. The junior legatee is not named but it mentions he had a rough home life, then his father died and his siblings became State Wards. His father was a returned ex-serviceman and Legacy heard of the boy's situation and began regular visits to the family and gave not only advice but financial assistance as well, to try and provide a normal family life. The younger children were returned from state care. The future footballer endeavoured to rise above his background and on finishing school he wanted to apply for a job that called for honesty and integrity and involved responsibility for money. Thi family background was held against him until with the help of Legacy he won the day. Legacy helped provide appropriate clothing for his new position. Since then he has gone from strength to strength in his career and in his sport as well. 'Legacy has often been referred to as an organisation of human kindness'.A record of how Legacy promoted their work in the 1970s.Buff foolscap page x 2 with black type of a press release in 1975.Title 'Success through Legacy''press release, promotion, case studies

Document letting Japanese soldiers know that if they come in they will be treated properly. Item souvenired by William Herbert Greenman VX126789 2nd AIF. Refer Cat No 81 for his service details and other.Allied Document written in Japanese. Front has red & blue stripe with Japanese & some English writing. Back has further Japanese writing in black ink with a red Japanese stamp.Front left below blue stripe: THE BEARER HAS CEASED RESISTANCE. TREAT HIM WELL IN ACCORDANCE WITH INTERNATIONAL LAW. TAKE HIM TO THE NEAREST COMMANDING OFFICER. C - IN - C ALLIED FORCESleaflets, propaganda, japanese

This bottle labelled No Rub liquid wax proclaims the wonders of No-Rub, no-slip, and shines as it dries. The bottle still contains some of the liquid floor wax, made by J R Alexander & Sons Limited. The company was registered as a limited company from 1924 to 1975. However, the firm's advertisement and referrals from satisfied Melbourne customers, printed in The Argus, Melbourne, on Mach 19th, 1954, states that it made the first shoe polish, Supreme, in Australia as long ago as 1900. The firm made a range of household cleaning products such as floor wax, shoe polish and fabric starch. The J R Alexander & Sons Ltd. No-Rub liquid wax was advertised in various states of Australia from around 1936 until the 1950s. Later advertisements show sketches of the wax containers, which were round bottles or metal cans. The bottle in our collection is likely to be made around the 1960s.Bottle; brown glass with metal cap and yellow, orange and black label on the front. Flat rectangular-shaped bottle with a short neck and rounded shoulders The bottle has a black metal screw top lid and contents inside. There are inscriptions on the label. The bottle contains No Rub Floor Wax. Made by J R Alexander and Sons, of Adelaide, Melbourne, Sydney and BrisbanePrinted on the label: "SHAKE WELL" "No-Rub" TRADE MARK REGD." "THE NON-SLIP / Liquid / FLOOR WAX / Saves Labour / Saves Time" "Shines as it dries" "NETT CONTENTS 15 FLUID OZS"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, glass technology, bottle, glass bottle, brown glass, cleaning product, floor cleaner, floor polish, domestic cleaner, no-rub, floor wax, non-slip, flat bottle, bottle contents, liquid wax, j r alexander & sons, household cleaning, cleaning products, zippy starch, zippy window cleaner, liquid floor wax, no rub floor wax, supreme shoe polish, rectangular bottle

part of group of tally boards used by shore to ship rescue equipmentWooden board, curved at one end. .Black cloth tacked over with printed instructions (white). detail in English, French, German & Norwegian. Brown cord (hawser) ends whipped, attached.FASTEN TAIL BLOCK TO LOWER MAST WELL UP; IF MASTS GONE, THEN TO BEST PLACE HANDY; CAST OFF ROCKET LINE; SEE ROPE IN BLOCK RUNS FREE; SHOW SIGNAL TO SHORE

1959 was the first issue of 'Threshold'. In 1951 thirty girls started a junior technical course for the first time in Ballarat, under the Principal of the Ballarat School of Mines. By 1959 it had increased enormously with an enrolment of 284 students, and its own headmistress. The early school took place in the Dana Street Primary School and a large portion of the Ballarat Technical Art School. It was not thought necessary for girls to produce a magazine, but Joan Hood (Kirner) was determined that the girls would have the same opportunity as the boys. “When I went out teaching, I went to Ballarat Girls Tech, where I met [husband] Ron who was at Ballarat Boys Tech. They were seen as tough schools, and I saw the disadvantage faced by these girls who were at the lowest of the low of the education rung – and yet there were some fantastic girls there who needed equal opportunity. So I think it was teaching that cemented in my mind that people don’t get an even go – and in particular girls. It didn’t take me too long to realise blokes were largely empowered. And it was teaching that cemented how equity and empowerment for women could be achieved through education.” Sarah Capper: You graduated from Melbourne University in 1958, and as mentioned, began work as a teacher in Ballarat. You married Ron in 1960 and received one of those government letters asking you to resign - JK: Yes, I think it burnt a hole in my pocket when I brought it home! We were both teachers, and I said to Ron, “Well, you got married – where’s your letter?!” That really clarified that the world wasn’t quite even, even in this profession that I’d always wanted and loved. I didn’t get superannuation – I think I got something like 100 pounds as pay in lieu of permanent service. And that wasn’t just me – that was a whole generation. Fancy that – that’s what it said – “pay in lieu of permanent service”. So that made me livid. If I hadn’t been a feminist before then, I certainly was by then. I realised the distribution of power was different for women and men. http://sheilas.org.au/2014/02/a-bonza-joan-kirner/, accessed 06/06/2015 The four houses of the Ballarat Girls' Technical School were Bass House, Sturt House, Flinders House and Mitchell House. Orange and green soft covered magazine of 24 pages. Includes a message from the headmistress, Fay Moore, and a photograph of the Magazine Committee featuring teacher Joan Hook (later Joan Kirner, Premier of Victoria). Information and a photograph is given for the following personalities: Sandra McHenry, Sylvia Rowe, Heather Young, Beverley Davis, Lorna Robertson, Janice Hunter, Margaret Ayars, Margaret Veal, Heather O'Brien, Hilary Batt, Leone Davies, Marlene Drever, Janet Smith.ballarat girls' technical school, joan hood, joan kirner, fay moore, i.e. harris, faye hilton, marilyn miller, lesley cutts, margaret jones, moira blair, rosemary davies, lorraine button, vivienne guy, lorraine krankovich, loralie crabbe, beverley davis, shirley dean, lorrice campbell, hilary batt, valerie stewat, sandra mchenry, joy henderson

This stool appears to have been home-made. It was used in the days (first half of the 20th century) when cows were mostly milked by hand. It was most likely to have been used to milk a house cow, perhaps in Warrnambool or a nearby town. The cow would have been kept during the day time on the town common and brought back to the home for milking and returned to the common the next day. The production of milk, cheese and butter has been an important industry in the Warrnambool district since the second half of the 19th century, with the Warrnambool Cheese and Butter Factory at Allansford being established in 1888. It is the oldest surviving dairy company in Australia. This stool is of considerable interest as an example of the stools used when cows were hand milked and when many households in the towns and outer areas had a house cow to supply milk for the household. This is a hand-made wooden milking stool with a rectangular piece of wood for the seat and four rounded legs that taper slightly outwards. The legs have been inserted into four holes on the top seating part. The seat has a small circular hole in the middle. The stool is well-worn. dairying in western victoria

The family of Miss Carol Pedersen-Green migrated to Australia from Norway c1900 and probably brought this desk set with them. A desk set comprising a wooden base with 2 cut outs for 2 clear glass ink wells with silver hinged lids. A ledge on either side to hold pens. and 4 rubber stops under base to maintain stability 5 wooden pens with steel nibs writig equipment, pens, glass inkwells, pederson-green carole, cheltenham, moorabbin, bentleigh, early settlers

This butter mould/pat may have been manufactured post 1967(year post codes appeared in Australia) however the post code was only stamped on after it was machined. This type of butter mould was used by rural families to fashion home/farm made butter. This period was in most rural regions a time of self sufficiency where any domestic type implement which could be fashioned by the family would be crafted with skill. Shopping for goods required catalogues from stores located in major rural towns and cities and involved lengthy waiting times. Travelling to and from these specialised stores was not pleasant due to the relatively poor quality of the roads and the lengthy times taken. The small general stores in the Kiewa Valley could not cater for all the needs of the valley. The 1960's was a time when facilities especially goods and services started to improve drastically. The S.E.C. of Victoria with its Kiewa Hydro Electricity Scheme provided not only an improvement of facilities in the valley but also a increase in the population. This increase resulted in a greater demand for local produce. This item is one of many domestic food processing implements used by Kiewa Valley households in the mid 1900s, whether on the farm or in the small towns and hamlets. Self sufficiency was the key to survival during these early times. Where ever possible supplies from within the valley were preferred to that brought in by travelling salesmen or traders. This butter mould and butter pat was commonly used to fashion "home" made butter throughout the valley and in some cases supplied to "outside" regional towns. Although this method of production was phased out by better access to goods from nearby cities the revival of the good organic home grown produce in the 1980s saw a greater demand of this type of farm based produce.This well crafted circular wooden butter mould could also be used as a butter pat.The handle in the middle of the mould was not added after the crafting but has been fashioned from the initial block of wood when the bowl was crafted. The bowl structure has a rim around the edge.The top of the handle has an ink stamp "T. & W. Dav" on the top line and "Tawonga 3697" underneath.domestic food preparation, wooden butter pat, butter mould circular, dairy industry

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A 66 page black and white magazine with a colour front cover. The magazine contains a guide to London and regional musical events for May 1967 as well as articles on various musicians. The book was owned by Frank Wright. On page 9 a piece has been cut out of the page.music and musicians, hansom books ltd, frank wright

2 copies of a black and white photo of Konrad Hynes' Butcher Shop. Written under the photo is: Formerly Konrad Hynes' Butcher Shop cnr. Wells and Happy Valley Road. (Konrad Hynes Mayor of Bendigo approx 1900). House demolished approx. late 1980.bendigo, history, long gully history group, the long gully history group - konrad hynes' butcher shop

EIG School - Ralph Birrell Collection. - Construction of Latrobe Uni. C1967. Bendigo Institute of Technology, Engineering School, Applied Science. 1st Floor well underway. Photo taken from ground level looking over the rubble and off cuts, drum lid visable.Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection. - construction of latrobe uni. c1967. bendigo institute of technology, engineering school, applied science. 1st floor well underway. photo ground level rubble off cuts

Sepia Photo of Jean Abbott taken at a period ball arranged by the Nunawading Arts Council (date unknown). Jean was a well known local artist, a foundation member of the Nunawading Arts Society (now the Whitehorse Arts Society) and President of the Nunawading Arts Council for a number of years.abbott jean, nunawading arts council, whitehorse arts society, nunawading arts society

One of original religious artefacts used in the Loreto Chapel. Although no maker's mark, opals would indicated Australian made.Gold coloured monstrance. (Receptacle in which the Holy Eucharist was kept as well as placed for public adoration.) At the top is a large round structure, rayed like the sun - 'viril' and inside the viril is a glass section for holding the host - 'vidriera'. Highly decorated and surrounded by gem stones and opals.

Colour photograph taken on the deck of fishing boat Tarpeena at Co-op jetty, Bullock Island, shows deck hand Gerald Rice at work during unloading of catch from fish well. Cunninghame Arm and New Works cottages in image. Lakes Entrance Victoriaships and shipping, fishing industry, ocean

The congregation gathers outside the newly built church. All are well dressed, most wearing hats.There appears to be 14 women, 8 men (one the pastor) and 9 children.The elderly lady appears to be Mrs Eliza Hand, though no lace collar or hat. There is no window in the porch.eliza hand, fiveways, kalorama methodist church, methodist church

3 pages. First page has an image of a bouquet of flowers and the words 'in loving memory' , the second page depicts the crossed Australian and New Zealand flags C. F. Willcox's death date and his age, as well as a poem. The third page includes three quotes.IN LOVING MEMORY OF C. F. WILLCOX WHO GAVE HIS LIFE FOR THE EMPIRE IN FRANCE. JULY 28, 1916, AGED 21 YEARS He gave his life for his Country, For honor, faith and right: With us his memory ever lives, He fought a noble fight. 'Midst the roaring of the battle. And the rain of shot and shell, Fighting for Home and Country He like a hero fell. "To live in hearts we leave behind is not to die"

Yields information about the way trams were driven in relation to the use of the tram controller.Digital image of a Motorman or driver's hand on the controller of a single truck car, or WH T1F controller, with the air gauge in the view as well. Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "Motorman's Hand"trams, tramways, tramcars, drivers, motormen, controllers

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Colour photograph of Sergeant R. Wells of Technical Support Troop VMR Squadron 4/19 Prince of Wales Light Horse talking to Lieutenant ColoneL Alan Cunningham former Commanding Officer of 8/13 Victorian Mounted Rifles at Dinner 25 May 1991.dinner, wells, vmr, cunningham

The house was built in 1883, possibly to encourage development of housing on the first urban land subdivision in Surrey Hills, the Windsor Park Estate (in the Windsor Crescent area). This coincided with the opening of the Surrey Hills Railway station. The first occupant was John Brown Nicholson, police magistrate. In 1884 the foundation meeting of the Wyclif Congregational Church was held in the house.Colour photo of the front door and verandah of 101 Guildford Road taken from the street. The house is Victorian in style with ornate lacework along the verandah. It is painted white and has a slate roof. There is a well-maintained garden with flower beds and shrubs, which partially obscure the house.victorian style, wyclif church, houses, guildford road, john brown nicholson

Art CollectionImage depicts a black background featuring two white squares on top of one another. The white squares have rust-coloured lines and circles in them, as well as blue circles and lines. These blue lines are much thicker. The frame is wooden and has a white mount and glass.Front: 8/10 (lead pencil, lower left) Sentinel (lead pencil, centre) Stephen Spurrier 68 (lead pencil, lower right) Back: Stephen Spurrier "Sentinel" (1969) Silk Screen and Etching (printed on white strip, clear plastic cover)

Colour photocopy of the staff photograph of Hawthorn Tramways Trust crew (drivers, conductors, inspectors) photograph in front of the trams at Hawthorn Depot, c1916 - 49 men in uniform and one manager in a suit. Original framed print of this photograph held as well - see Reg Item 2978.trams, tramways, htt, crews, staff photo

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of one of the cooks in the kitchen at the 1st Australian Field Hospital, Vung Tau, South Vietnam, preparing some fish patties for deep frying. The kitchen staff had to provide a wide variety of meals for sick and wounded diggers, as well as for the unit members.photograph, 1st australian field hospital, vung tau, gibbons collection catalogue, cooks, photographer, vietnam war, denis gibbons, kitchen, diggers

Donated by Wilfred Dungan on behalf of the Dungan family Collection originally used on the property of the late Dr Rae Dungan in Falls Creek Rd Olinda, purchased in the late 1930s from Olinda pioneers Harry and Minnie Holden. Also on the property of late May Farndon of Farndon’s and Falls Rd Mt Dandenong – aunt of Dr Rae William Dungan and also an early pioneer. Family holidays and weekends involved use of these sorts of farm implements plus working with horses. Post-war, the Olinda hand tools and machinery moved to the Shady Creek, Nilma North area where bush, pasture and cows had replaced the Olinda property. Wilfred well remembers being on one end of the crosscut saws cutting fence posts, logs and timber under “the tireless and vocal instruction” of a red headed local Darnum Rd legend called Harry Collyer. “He drove an old Rugby car and nearly pulled me through the logs with every cut!” Curved blade, painted black. Wooden limb handle, varnished, some white paint spots. Nail into handle in blade holder sleeve. Slight bulge in handle near blade holderchurchill island, fern hook, olinda, mount dandenong, nilma north

Postcard photograph showing a tree fern gully. The title on the front is Gully "Hospice" Olinda. The Hospice was a guest house built in 1904 by Joseph Gutmann in the Main Street of Olinda. The Dorey Family ran The Hospice from 1908 - 1911. The Hospice burned down in 1924. The reverse of the postcard contains a small section of a letter that must be continued elsewhere. It is addressed to Miss Iris Dorey.Handwritten in black ink on reverse: Miss Iris Dorey "The Hospice" Olinda .....address as I wish to send him a photo of the group at the Gully. We had a lovely ride to the station on Monday. The hot weather is just coming on now &it is very trying at work. I think you were taken with the dog but your........the hospice, guest house, guesthouse, iris dorey, olinda, joseph gutmann, tree ferns, fern gully