BHS CollectionSoftcover book with gold coloured cover. Describes the legacy for the environment on gold-mining in the nineteenth century. 307 pages containing chapters, diagrams and photographs. Published by La Trobe University Press.Susan Lawrence and Peter Daviesgoldfields

BHS CollectionWooden Honour Board for German Heritage Society Bendigo Life Members 1998 Ken Wust, Dorothy Strauch, Frank Cusack 2002 Allan Strauch 2005 I. Kurt Walder, Robert Schulz 2008 Joan Pederson 2009 Judith Monti, A. Joyce Tamblyn, Charles Tamblynbendigo, clubs, german heritage society, german heritage society collection

Remembers the famous cavalry charge of the 4th and 12th Light Horse Regiments who galloped across open ground (they were in fact Mounted Infantry, not Cavalry and normally fought dismounted) to capture Gaza, the Turkish stronghold that marked the southern end of the Turkish defensive line on 31 October 1917. Cold cast bronze figurine of an Australian Light horseman charging on his "Waler" horse brandishing a bayonet. Mounted on a wooden base with a brass engraved nameplate.THE CHARGE AT BEERSHEBA AUSTRALIAN LIGHT HORSE

Orchard Grove Primary School is in need of an urgent revamp encompassing toilets, sick bay and staff facilities.Orchard Grove Primary School. orchard grove primary school no. 5285, education department

The Open Women's Championship is open to players from other clubs as well as Peterborough players. The honourboard and original trophy tray was presented by Dawn Irvine. When there was no room for more names, a second tray was presented by Pam Bradshaw, for her mother Dawn Irvine. Open women's championship 1995 V. Beer, 1996 E Willox, 1997 S Beer, 1998 V. Beer, 1999 L Bourke, 2000 R Whitehead, 2001 F Rundle, 2002 SBA 2003 S. Beer, 2004 S Beer, 2005 S. Beer, 2006, D Robinson, 2007 S. Beer, 2008 F Rundle, 2009 T Carter, 2010 D Robinson, 2011 J Barrett, 2012 M Ryan, 2013 F Mead, 2014 R Whitehead, 2015 K. Matheson, 2016 K Matheson 2017 S Bernhard,t 2018 M Ryan, 2019 J Walsh, 2020 COVID-19, 2021 F Philip.This is significant as it records the winners of this event over the years. It is also a record of the year the event startedSquare shaped honour board with gold printing. Two round silver plated trays, with names engravedNames of winners printed on board - listed belowpeterborough, golf, women's golf, sporting honour boards, golf championships

Records the Best 36 hole net score for the women's championship Winners are: 1996 Elaine Spiel 124 nett 1997 D Smith 113 nett 1998 - 1999 J Howe 126 nett 2000 E Willox 126 nett 2001 M O'Connor 122 nett 2002 T Smith, 2003 Jenny Stevens, 2004 Marg Smith, 2005 Vera Convey, 2006 Marg Hesketh 119 nett 2007 Glenda Edney 129 nett 2008 M Hesketh 119 nett 2009 Fay Rundle 119 nett 2010 Beryl Drake 124 nett 2011 Heather Finlayson 117 nett 2012 Karen Matheson 120 nett 2013 Loretta Roberts 112 nett 2014 K Burl 124 nett 2015 Maureen Clements 118 nett 2017 Katheryn Robertson 127 nett 2018 Andrea Thompson 117 nett 2019 Deb Ferrari 122 nettmall single handle tankard on a square plinth with plaques around the base for engraving the winners namesInscribed W.G.P Championship Best 36 Hole Nett. Then winners names and scores are listed.peterborough golf club, peterborough, women's golf, golf championships

This light woollen evening dress is made from Peppinella, a new fabric Norma Tullo introduced into her range in 1973. The fabric was used exclusively by Tullo, and came from the wool of Peppin Merino (first introduced into Australia in 1858 by the Peppin brothers). According to the papers of the day Tullo’s 1973 winter collection featured ‘St. Trinian’s styles to garments dripping lace, in bold plain colours to floral prints.” Shirley Lyle designed the floral fabric. Norma Tullo (1935-2019) was one of the leading fashion designers of her time, establishing her label in 1956. After establishing a business the Old Metropole Arcade in Melbourne in 1956, with three sewing machines, Tullo's ready to wear fashions for young women became sought after, and her business flourished. In 1966 the Japanese department store chain Isetan Co Ltd began to mass-produce her garments for their stores across Japan. Tullo closed her label in 1977, and later worked for Fletcher Jones. Ann Carew, 2020The dress is historically significant as a dress designed by Norma Tullo, a leading fashion designer of the 1960s and 1970s. During this period the Australian Wool Industry strove to promote wool, and to develop light woollen fabrics to compete with new synthetic fibres such as rayon. The garment is historically significant for the use of a merino wool showcasing its versatility for dress fabrics. Full length woman's dress with full skirt and long sleeves, collared with open neck and pleat work on bodice. Material is predominately red with a repeated pattern featuring posie of blue and mauve flowers.Inscribed, black label on back neck left of zip, 'TULLO/IN/PEPPINELLA/AUSTRALIA MERINO WOOL'; Inscribed, white satin label on back neck right of zip, 'DRY CLEAN ONLY'; Inscribed, white satin label underneath above label, 'SIZE 12/To Fit Bust 34"/To Fit Waistwool, rmit design archives, rmit university, woman's dress, textile design, australian fashion

Article titled "Lighting Effects in the Victoria Gardens, Bendigo", "High = Lighting in Bendigo", "An Echo from the Past". The article has photos of celebratory flood lighting in Bendigo, Victoria Gardens during 1937, for the Bendigo Carnival and Coronation Celebrations. Festivities were held in Victoria Gardens. Notes the Coronation tram car, illuminated and decorated. Has a photo of No. 21 outside the depot. Reprint of an extract from the Geelong Advertiser in 1912, 25 years ago of the opening of the Geelong tramways, passenger numbers and celebrations of the event. Record revised 3/4/2019 to add digital images with those from Andrew Cook CD. See item 9099 for the image of tram 21. Page 35 - records the relocation of Mr. A N Mercer who was involved in the reconstruction of Ballarat and Bendigo Tramways has transferred to the Flinders St Drawing Office. Each item had a thin strip of paper attached by staple to the top left hand corner, giving the Vol. No. details.Yields information about tram 21 as the Bendigo Coronation tram in Photocopy of an article in the State Electricity Commission of Victoria Magazine, Contact, Vol 2, No. 2, Aug. 1937. One A3 sheet.trams, tramways, sec, geelong, decorated trams, bendigo, opening, coronation

Gloria PETYARRE (c.1942 - 2021) Born: Mosquito Bore, Utopia, Northern Territory Language Group: Anmatyerre Community: Utopia, Northern Territory Gloria Petyarre's depiction of the Kurrajong bush medicine leaves with her layered, swirling brushstrokes is her iconic motif. In 1999 Gloria Petyarre became the first Indigenous Australian artist to win the 'Wynne Prize for Landscape' at the New South Wales Gallery. She is credited with being the creator of this popular style, which was adopted and adapted by several generations of her family members over Gloria's retirement in 2019. The artistic tradition in Utopia started in the Utopia Women's Silk Batik Group introduced in 1977. Gloria Petyarre and her aunt Emily Karne Kngwarrye were found members of this group. Gloria Petyarre started painting on canvas in 1988 with her brushstrokes and layered paint having foundations in the batik tradition. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Utopian Art Movement‘Bush Medicine Dreaming’ depicts the leaves of a special plant that is used to aid in the healing process. The leaves are collected and then boiled to extract the resin. Following this, the resin is mixed with kangaroo fat collected from the kangaroo’s stomach. This creates a paste that can be stored for up to six months in bush conditions. This medicine is used to heal cuts, wounds, bites, rashes and as an insect repellent. The Dreaming that is the basis for Petyarre’s paintings comes from the important ceremonies and traditions held by the people of Atnwengerrp. art, artwork, gloria petyarre, aboriginal, utopia

The 3 membership cards belonged to Peter Ball. The Servicemen's Club was a Co Operative Society of the 3 Bendigo RSL Sub Branche's, Bendigo, Kangaroo Flat & Eaglehawk. In the year 2000 the Club became Bendigo District RSL Sub Branch Inc. Peter was a Bendigo RSL delegate on the Co Operative Society for the years 1998 - 2000. He was a Committee Member Bendigo RSL & Bendigo District RSL from 1996 - 2010, 2012 - 2015, Jnr Vice President 1998 - 2002, Snr Vice 2003 - 2008. From 1997 - current has been involved with the RSL Museum at SMI as a guide, Museum Curator 1998 to 2015, Chairman Museum Sub Committee 2003 to 2015, Sub Committee member 1997 to 2015, 2019 to current, other involvement since 1996 in Commemorative events, Appeals and Welfare to current, SMI Revitalization program Sub Committee 2011 to 2015, Memorial Walls Sub Committee 2010 to 2015. Refer also Cat No 4704.Three Membership cards all different to the Bendigo & District Servicemen's Club. .1) Orange card laminated one sided for the year 1994 No 421. .2) Blue card unlaminated one sided for the year 1995 No 0276. .3) Green card laminated double sided for the year 1996 No 421, has image of the club on the front, rear has details re Club address, some rules and place for Members signature."Bendigo & District Servicemen's Club 73 - 75 Havilah Rd Bendigo 3550".brsl, smirsl, bdsc, membership

Invitations to Royal Visit Functions. Mounted on board. Frame removed by Art Gallery staff and remounted for Art Gallery exhibition in 2019. 1. Invitation to the Mayor of Sandhurst, from Reception Committee, to attend a luncheon held at Sandhurst Town Hall on 18th Dec 1867, in honour of the visit of HRH. The Duke of Edinburgh. Printed on cream coloured card with sepia coloured print. Issued Nov 25th 1867. 2. Ticket to admit Mrs Sraut to the levee at the Town Hall on 18th December 1867. Signed by John McIntyre. Mayor, printed on pink card with sepia coloured ink. 3. Invitation to Miss.A.Abel to attend a ball held in celebration of the visit of HRH. Duke of Edinburgh at the Town Hall. Sandhurst. Dec 1867 at 9pm. Coat of Arms of the Duke of Edinburgh at top centre, printed on white card in sepia coloured ink. Initialled bottom right by, G.A.F. 4. Invitation to a function aboard the S.S.Aldinga, issued to the Mayor of Sandhurst, signed by William.B.Gilbert, secretary. Printed on green card by Sands & McDougall. Scdocument, invitations, official celebrations

Yields information about the tram timetables applicable to Melbourne's trams, including cable and electric and demonstrates the spread of Melbourne's public transport system in the early 1920's.Forty Eight page printed book contained with oversize green heavy paper covers centre stapled with a coloured map glued into the rear cover of the book titled "OSBA Tram Time Tables with Railway and Tramway Map, of Melbourne and Suburbs". Published c1920 - shows Footscray system, Victoria St Flemington link, does not show Puckle St. Timetables details Fares, first and last cars for cable and electric lines, sections and other details of the various lines. Note page 44 and 45 cannot be accessed, paper not cut correctly during the printing process - leave as is. Map prepared by Gawler and Drummond Architects, shows in colour the cable routes, electric tramways, authorised tramways and railway lines. Municipalities shown in different colours. Map folded into 12 sections. Published by Osboldstone & Co Pty Ltd, Printers and Publishers, Temple Court Place, Melbourne. Price 6d. Full scan of document added as a pdf file 5/6/2019. map, timetables, melbourne, cable trams

.1 - Set of 9 Tramway Union badges and other badges pinned to a piece of heavy blue cloth with sewn edges comprising 5 Public Transport Union (PTU) badges, three Australian Tramway and Motor Omnibus Employees Association (ATMOEA) badges, three The Met number lapel badges (Nos. 1121, 2416 and 3817), one RSL tie clip and one tie clip with a wheel inside a black background, with a "LEGA" .2 - AMTOEA badge in a plastic bag as would have been received by the member - brass back with pin clip on rear with blue surround and red around the state name. .3 - PTU badge in a plastic bag, brass, with clip missing, black surround, with red vehicles, green map of Australia and yellow around the map. Has a staple in the plastic bag. http://www.rtbu.org.au/a_short_history accessed 2/12/2019, notes that the PTU formed in 1993 and renamed RTBU in 1998 to reflect the impact of privatisation.trams, tramways, badges, unions, ptu, atmoea, rtbu

Black and white photograph of a very crowded cable tram set inbound in Bridge Road, c1925, lettered M&MTB" with the destination of Spencer St with many men crowding onto the tram. Alongside the tram is the front of a motor vehicle. Cable tram 81? In the background is a number of shops - L. Johnson Saddler, S. Christie and J Hogan (?) Trotting Sulky Manufacturers and A. Vickery & Son Manufacturing Engineers, Photo from the Collection of the Department of Infrastructure now with the Public Records Office - image number H212. Note: this photo is now out of copyright and was not an original VR photograph, but one copied from another source and collected as their Heritage series. Note from Rod Atkins 29/7/2019: The tram is full because the crowd as discharged from the racecourse so most likely taken on a Saturday. A few of buildings are still there today on the north side. Date 1920’s 2nd copy from Keith Kings added 6/8/2020 - see images i2 and i3.Has Department of Infrastructure copy right stamp on rear and number "H 212" in ink on rear and "1-10"trams, tramways, bridge rd, spencer st, cable trams, tram 81

M. J. (Merv) Murnane was a resident of Peterborough and committed member of the golf club. The C Grade trophy honours his memory. Names listed on the plaque:1988 Paul Bourke, 1989 Daniel Whitehead, 1990 K. Parsons, 1991 L. Depeler, 1992 B. King, 1993 S. Dumesny, 1994 R. Holbeach, 1995 B. King, 1996 C.O. Moore, 1997 F. O’Connor, 1998 L. Beer, 1999H. Gretton-Watson, 2000 T. Ludeman, 2001 F. O’Connor, 2002 G. Osborn, 2003 J. Brown, 2004 R.Cunnington, 2005 P. Rintoule, 2006 G. Togni, 2007 A. Gunn, 2008 P. Deppeler, 2009 B. Flanders, 2010 J. Affleck, 2011 D. Manderson, 2012 J. McKenzie, 2013 B. Stewart, 2014 Dr. G. Irvine, 2015 M.Foley, 2016 G. Densley, 2017 B. Hesketh, 2018 B. Hesketh, 2019 D. Coloretti, 2020 Covid, 2021 D.Delaney, 2022 D. BradshawSignificant as it records the C Grade championship winners over the years.Rectangular wooden plaque with individually engraved names and dates from 1992, featuring a small, attached trophy .Peterborough Golf Club M. J. Murnane Shield, C Grade Championshippeterborough, golf, sporting honour boards, golf tournament, c grade golf championship

Lorraine Loader was a resident of Peterborough and a keen golfer who's home in Schomberg Road overlooked the fourth fairway and was a valued member of the club. Upon her death the 4 Ball Better Ball event was created and her family donated funds for prizes and this honour board. Names listed : 2007 Cath Bell, Jill Wilson 14 up. 2008 Melissa Hammond, Helen Meade 15 up. 2009 Marion Venn, Bett Atkins 7 up. 2010 Marion Venn, Bett Atkins 14 up. 2011 Kathryn Robertson, Lisa Gardner 13 up. 2012 Kathryn Robertson, Joanne Hammond 10 up. 2013 Erica Elliott, Karen Matheson 13 up. 2014 Faye Mead, Karen Matheson 17 up. 2015 Maureen Clements, Judy Walsh 12 up. 2016 Melissa Hammond, Joanne Hammond 13 up. 2017 Helen Keogh, Robyn McLeod (no score here). 2018 Kathryn Robertson, Katrina Hammond 16 up. 2019 Lynette Coxon Elaine Hrabar 12 upSignificant because the tournament continues in her memory today. Irregular shaped varnished milled piece of timber with individual nameplates engraved with the names of the winners each year.Main plaque: Women's Golf Peterborough Lorraine Loader Memorial 4BBBsporting honour boards, lorraine loader, 4bbb tournament

Red Rock, Alvie, near Colac, is a complex of approximately 30 volcanic eruption points and is the Southern most of a chain of three volcanoes, the others being Warrion Hill and Alvie Hill. It is arguably the youngest eruption point in Victoria at around 8000 years, especially since the age of Mt Napier has been progressively pushed back. The highest point (on the Northern side) has many interesting features, including some awesome spatter ramparts. Driving around the rim to the south, you can also see layered tuff. There are some good views out to Lake Corangamite and the lava flows (probably from Warrion Hill) can be seen where they have entered the lake. Most of Red Rock is in private land, with two lookout points with some interpretive information. The water depicted in this photograph is not evident in 2019. Type: Volcanic Complex Location: South of Alvie, Victoria Last Eruption: 8000 years ago Access: Mostly private land, but there is an access road and some interpretive signage Visited: Visited Colour photograph of sisters Clare Gervasoni (left), Ann Gervasoni (centre) and Lisa Gervasoni and Red Rock, Alvie clare gervasoni, lisa gervasoni, ann gervasoni, red rock alvie

Gouache on paper illustration of a woman from Pátzcuaro region, Michoacán, Mexico, by Mexican fashion illustrator Alfredo González Bouret (1926-2018). Likely created in 1953, prior to being exhibited in Mexico and Paris in 1954. From the Patzcuaro region of Michoacán state, Mexico, this woman wears a wide-brimmed 'sombrero' on top of her 'rebozo' - a long rectangular shawl made of wool or cotton with an intricate hand-knotted pattern, popular throughout Mexico. Her hair is held away from her face, likely in long plaits down her back in the traditional style of the region. Her ears and neck are decorated with long earrings and strings of beads, while her plain white blouse is tucked in to a bright red 'refajo' skirt, gathered at the waist by a textile belt with geometric designs. In her hands she holds long-stemmed lilies. While resembling other illustrations of fashion from the Patzcuaro region, this costume stands out for the bright colour of the skirt, and the lack of embroidered decoration on the blouse. Rebecca Lloyd, 2019.Mounted painting of a woman in traditional regional dress from the Patzcuaro region of Michoacán, Mexico. Gouache on paper, c.1953.Signed in green paint, bottom right, 'AG Bouret'.mexico, 1953, fashion design, painting, illustration, mexican, fashion illustration, dress

A programme of an art exhibition of 77 pieces of artwork by Lieutenant Daryl Lindsay in 1919. The Introduction was written by the war correspondent CEW Bean. Mr Lindsay's connection with Legacy is not known. A legatee Ray W___ donated this copy of the exhibition programme and the original of the cover print and a watercolour 'The road to Poperinghe' to Legacy in October 1984. At one stage they were in the Comradeship Room. As at December 2019 the original of the cover print is on loan to the Shrine of Remembrance and on display. The caption at the Shrine reads," 'Soldier'1918 by Daryl Lindsay (1889-1976). Daryl Lindsay was appointed an official war artist in 1917. He had worked as a batman for his brother-in-law Will Dyson, also an official war artist, from the end of 1916. Lindsay's sketches documented the facial injuries of soldiers, in order to assist then plastic surgeons undertaking facial reconstruction at Queen Mary's Hospital in Sidcup, Kent. His artistic skills led to his appointment as an official medical artist at the hospital in 1918." The notation H34 in red pen shows that it was part of an early archive project that was trying to capture the history of Legacy. A soldier put together artwork about World War One and exhibited it in Melbourne in 1919. Later two of his artworks were donated to Legacy.Dark brown cover with cream insert of a sketch of a solider. Coffee coloured pages x 6 with navy text held in place by a bronze colour thread.Handwritten H34 in red pen. Handwritten inside front cover a note added in 1984 about the donation of a original artwork to Legacy. "Presented to Melbourne Legacy by Legatee Ray W___ on Founders Day 25 Sept 1984 with the original of the cover print and water colour "The Road to Poperinghe", both hung in Comradeship Room October 1984."history, world war one, daryl lindsay

2019, heidelberg theatre company inc, directed by karen wakeham, 432, artspace artist fred colla, artspace curator - teresa schipano, angus played by john cheshire, morgan played by andrew mcaliece, miles played by sam barson, production coordinator bruce akers, stage manager melanie belcher, lightening designer deryk hartwick, set designer lisa mcvilly, sound design john rowe, costume designer catherine christensen, composer david cheshire, props gaye billings & karen wakeham & melanie belcher, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, furniture warren lane, set painter mal cother, sound & lighting operators john rowe & chloe connolly, rehearsal prompt bobby parish, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by beth klein

Milton Moon (1926-2019) Born Melbourne, Victoria Milton Moon attended the Central Technical College, Brisbane where he studied painting and drawing. In 1950 he undertook study in Ceramics with Harry Menmott and Mervyn Feeney at the Sandison Pottery, Brisbane. He lectured in Ceramics at Central Technical College, Brisbane, and he was awarded a Churchill a Fellowship in 1966. In 1974 he travelled and worked in Japan for a year, and established a workshop at Summertown in the Adelaide Hills. In 1984 Milton Moon was awarded the Order of Australia Medal for his services to ceramics. Milton Moon died in 2019. At the time of his death his website included the following:- "In this, my 'ninety second year,' over sixty of which I have been a potter, I remain concerned, if a little obsessed, with the challenge of making pots, which although belonging to a ceramic tradition of some eight thousand years or more, are undeniably and uniquely Australian. With all my changes of expression this has remained constant. The initial creative inspirations were drawn from the beauty of the coastal areas of Eastern Australia and from the mountain areas of the Great Dividing Range which stretch from North Queensland to the extreme South of Victoria. But the most lasting inspiration has come from the inland of Australia, more particularly from the Gammon and Flinders Ranges and from the Olary Uplands of South Australia, and more recently the Pilbara and Kimberley areas of Western Australia, where rock engravings place them as being amongst the oldest marks left by human-kind anywhere in the world. All parts of Australia are full of an ancient history stretching back through time and which today, despite white settlement, somehow still survives in legend and ritual. If it is the case that these legends do now only exist, in some muted half-life there is still the sense that they remain as a very powerful 'spirit-presence.' It is impossible to ignore the feeling that this country remains inhabited by the past. For me it is also impossible not to creatively respond to the echoes of the past, even if only through the somewhat vague process of inspiration and distillation. To understand this spirit, even a little, is a privilege but to try an express it is a compelling endeavour. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Large ceramic platter, framed for display on wall.art, artwork, milton moon, ceramics

Demonstrates aspects of the SEC governance system in issuing By-laws for the travelling public, as part of their Act. Yields information about fares charged for tram services in Ballarat, Bendigo and Geelong. Issued to crews.Small book with 32 pages, 27 printed on, with green cloth hard covers, sewn into cover. On front cover, printed in white ink is SECV name, logo, words, "Provincial Tramways", "Instructions for Tramway Traffic Inspectors", "Issued 1951", and a note that the book remains the property of the SEC. Inside cover as above with location for name and date to whom book was issued to. Indexed. Contents gives rules for behaviour, ticket checking procedures, reports, traffic supervision, safety and accidents. Copies 2 and 3 on display in cabinet in 39 since 1992 until 10/04. Copies 4, 5 and 6 - each have BTPS Catalogue Number written in on title page. (revised 12/8/05) Copy 7 - added 17/1/2007 - issued to Dave Kellett. Copy 9 - added 6/12/15 - issued to Tramway Superintendent - Les Denmead - 25/7/1952. Full pdf scan added 28/5/2019. See Reg Item 7887 for a typed sheet that formed part of the book.Copies 4, 5 and 6, on title page, each have "Ballarat Tramway Preservation Society Catalogue No. 304" written in black ink on the top of the page. Copy 7 has "D.C. Kellett, 11-7-66" in ink on the first page.trams, tramways, rules, instructions, tramways, operations, management

Yields information about a social welfare or friendly society part of the Ballarat Tramways - group who looked after their fellow workers through contributions. Gives the rules of the 'The Ballarat Tramways and SEC Benefit Fund'Sixteen page with light brown light weight card covers, centre stapled book titled "The Objects, Rules and Regulations of 'The Ballarat Tramways and SEC Benefit Fund." Details the committee, that it was approved by the Department of Social Services, name, objects, constitution, trustees, executive, collectors, meeting of members, members qualifications, benefits (in pounds), claims, unfinancial members, payment of claims, the Secretary, alteration to constitution and Order of business. Note the membership allowed for any SEC employee in the district. President J. Tucker Secretary and Treasurer - W. Cross Vice President L.Hoare and H. Gilbert Committee - R. Parrot, P.Egan, V.McCartin, B. Browne, S. Stevenson, T. Tonkin, J.Megee. Later version of Reg Item 3658, benefits similar, but contribution 1/6 - instead of 1/- per week. Noted on page 1 as being revised on 29/6/1963. Additional copy added 6/8/2016 from donation of T. Jeffreys. See also Reg Item 7134 for another version. Full scan of document added as a pdf file 5/6/2019.On front cover in ink "H.Knight", copy 2 - On top right hand corner of cover "A. Jeffreys" in blue ink.trams, tramways, social welfare, sickness, sec, ballarat

Ticket - set of four paste board or cardboard - Zone 1 and 2, Travel cards for use from Watsonia and Greensborough Railway Stations. Have been dated stamped for periods during Oct. 1981 and Feb. 1983. Travelcard Note the ticket numbers - two from the Railway Printer and two from the Government printer. From http://www.robx1.net/victkt/zone123/html/tc.htm - accessed 2-2-2019 "Travelcard was the flagship of the new zonal system. It allowed unlimited, all day travel on trains, trams and buses - both Government and Private. It may be suggested that this was the beginning of much greater subsidies to the private bus operators to include them under the umbrella of Travelcard. As there was no longer a day return rail ticket, Travelcard was a de facto replacement, but the price structure did not disadvantage customers. Quite simply, Travelcard was a bonus no matter how it was used and it soon proved very popular; so much so that the term "Travelcard" was retained when the zones were replaced by the "Neighbourhood" system in 1983. " Ticket Nos: 1882, 4664, 32350, 56029trams, tramways, tickets, travel cards, the met, railways, public transport

Postcard - full colour, Divided back type of MMTB Bus 583 AEC Mk111 no 583 Reg : AT083 entered service 1953 body by Martin and King - two man crew, 41 seats. Notes from Rod Atkins 24/5/2019: Bound for : "Fisherman's Bend via Williamtown Road" on Spencer Street Bridge heading south. When: It's what is missing in the photo gives us a the clue. It after 1968 as the new Stock Exchange building at 357 Collins Street is completed. but before 1973 when the new MLC building was open at 303 Collins Street on corner of Elizabeth Street. But the "2" between the destination and route number boxes on bus tells us its after November 1970. Therefore I would date the post card photograph to around 1971-1972 and prior to the start of the third viaduct between Flinders St and Spencer St. Published by National View by Murfett Publishers Australia. Has the details on the rear with place for stamp, address etc and logo.trams, tramways, king st, bridges, railways, buses, fisherman's bend