Showing 1942 items
matching decorations.
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Ararat Gallery TAMA
Decorative object, Decoration, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Decorative object, Decoration, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Decorative object, Decoration, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ballarat Diocesan Historical Commission
Altar Frontal with Applique'd decoration, Cloth of Gold altar frontal motif, Late 19th century
Altar frontal made in 1960s for St Thomas Aquinas church Clunes using 19th century motif was accessioned to the Ballarat Diocesan Historical Commission of the Catholic Diocese upon the closure of the church at Clunes in 2017.Altar frontal with appliqued orphery in cloth-of-gold. -
Ballarat Diocesan Historical Commission
Morse, Brass Morse
This clasp or morse shows the influence of the Art Nouveau style on liturgical decoration.Brass clasp, known as a morse for linking the front falls of a ecclesial cope.clasp, morse, art nouveau, decoration, brass. -
Hymettus Cottage & Garden
tea set
Remnant Staffordshire porcelain tea set consisting of milk jug, cup, saucers and plates from a tea set presented as a wedding present to Julia Berkery and Michael Taffe at Bungaree in 1893.Unmarked Staffordshire tea set typical of small wedding present for the working classes in the 1890s. This example although a remnant and damaged has a good provenance and remains in the family home with other family wedding presents.Gilder's mark on base of each piece.staffordshire, porcelain, wedding present, taffe, tea cup, saucer, plate, bungaree., jug, floral decoration, -
Woodend RSL
Candlestick
The base of of candlestick holder is in the shape of a swastika. The stem of the candlestick holder has a concave curve. The holder has a flat lip around the top. The base and the holder are screwed together. There are three lines engraved around the holder/cup. There is also a line engraved on top of the lip. candlestick, swastika, nazi, decoration, memorabilia -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Chris Wurr, Mar. 1969
Yields information about Ballarat's decorated trams, in particular this one for fund raising. The basic decoration was able to recycled for other events as well - Ballarat Base Hospital.Black and White photograph of No. 21 decorated for the March 1969 fund raising appeal for the Ballarat Base Hospital, dressed as the "Trambulance". Photographed at the depot? See Also Reg Items1885, 3750 and 3231 for more details of the tram.Stamped on rear in black ink "Donated to BTPS by and Photo By" / "Chris Wurr 12 Truscott Street, Ararat 3377 (053) 52 3403.tramways, trams, ballarat base hospital, decorated trams, appeals, tram 21 -
The Mrs Aeneas Gunn Memorial Library
Book, George Routledge, The two paths : being lectures on art and its application to decoration and manufacture, delivered in 1858-9, 19
The following addresses, though spoken at different times, are intentionally connected in subject; their aim being to set one or two main principles of art in simple light before the general student, and to indicate their practical bearing on modern design. The law which it has been my effort chiefly to illustrate is the dependence of all noble design, in any kind, on the sculpture or painting of Organic Form.Ill, p.232.non-fictionThe following addresses, though spoken at different times, are intentionally connected in subject; their aim being to set one or two main principles of art in simple light before the general student, and to indicate their practical bearing on modern design. The law which it has been my effort chiefly to illustrate is the dependence of all noble design, in any kind, on the sculpture or painting of Organic Form. art, design -
The Mrs Aeneas Gunn Memorial Library
Oxford University Press, Furnishing art and practice, 1950
A treatise on various items of home furnishings .Ill, p.360.non-fictionA treatise on various items of home furnishings .interior decoration, pottery, silverwork -
Mont De Lancey
Accessory - Military Uniform Buttons, 1939
Written by hand in blue ink on a small piece of paper - Ribbon is pure gold thread. The buttons and stars are rolled gold. They were all brought from Germany by Auntie Hilda - made in her cousin's factory who supplied these for the German Army, (1st World War).A set of 1st World War German Military Uniform badges (10 star pins) and buttons (5) with a shank on the back made of rolled gold and a piece of ribbon made of pure gold thread. 3 buttons are smaller than the other two and all have engraving and military insignia which is difficult to read on the front and the back of each. One star is bigger than the other 9 and all have 5 points and lines on each point. They have a pin on the back. The 5 buttons have an insignia on the front with a key and other markings. German writing is around the edges and back.war, military badges, world war 1, military buttons, military decorations, gold -
Ballarat Heritage Services
Ceramic - Ceramics, Ceramic Canister by NPCP
Photograph of a hand thrown glazed stoneware canister with 'Gum Leaf' design. ceramics, gumleaf decoration, studio pottery, australian studio pottery -
Kew Historical Society Inc
Slide - State Ballroom: Government House Victoria, John T Collins, 1979
Government House, Melbourne was constructed between 1972 and 1876 to a design of William Wardell. The interiors including the ballroom were created soon after the building's opening. The Victorian Heritage Register citation notes that the extravagant single storey State Ballroom occupies the entire south wing. The slide is significant as it represents the decoration and furnishings of the State Ball Room in 1979.One of six colour transparencies, purchased from John T Collins of interior and exterior views of Government House, Melbourne. This photograph (slide) is of the entrance to the State Ballroom."South Yarra Government House Ballroom J Collins 17-10-79"government house -- melbourne, victorian interiors, ballrooms -- melbourne (vic.), john t collins -
Kew Historical Society Inc
Slide - Coffered Ceiling of the State Ballroom: Government House Victoria, John T Collins, 1979
Government House, Melbourne was constructed between 1972 and 1876 to a design of William Wardell. The interiors including the ballroom were created soon after the building's opening. The Victorian Heritage Register citation notes that the extravagant single storey State Ballroom occupies the entire south wing. The slide is significant as it represents the decoration of the State Ball Room in 1979.One of six colour transparencies, purchased from John T Collins of interior and exterior views of Government House, Melbourne. This photograph (slide) is of the coffered ceiling of the State Ballroom."South Yarra Government House Ballroom J Collins 17-10-79"government house -- melbourne, victorian interiors, ballrooms -- melbourne (vic.), john t collins -
Kew Historical Society Inc
Slide - State Ballroom: Government House Victoria, John T Collins, 1979
Government House, Melbourne was constructed between 1972 and 1876 to a design of William Wardell. The interiors including the ballroom were created soon after the building's opening. The Victorian Heritage Register citation notes that the extravagant single storey State Ballroom occupies the entire south wing. The slide is significant as it represents the decoration of the State Ball Room in 1979.One of six colour transparencies, purchased from John T Collins of interior and exterior views of Government House, Melbourne. This photograph (slide) is of the State Ballroom."South Yarra Government House Ballroom J Collins 17-10-79"government house -- melbourne, victorian interiors, ballrooms -- melbourne (vic.), john t collins -
Kew Historical Society Inc
Slide - Ceiling of the State Drawing Room: Government House Victoria, John T Collins, 1979
Government House, Melbourne was constructed between 1972 and 1876 to a design of William Wardell. The State Drawing Room is part of the 'State Apartments' which also includes the State Hall, State Ballroom, State Dining Room and the Billiard Room.The slide is significant as it represents the ceiling decoration of the State Drawing Room in 1979.One of six colour transparencies, purchased from John T Collins of interior and exterior views of Government House, Melbourne. This photograph (slide) is of the ceiling of the Drawing Room."South Yarra Government House Ceiling Drawing Room J Collins 17-10-79"government house -- melbourne, victorian interiors, john t collins, state drawing room (melbourne) -
Kew Historical Society Inc
Slide - State Ballroom: Government House Victoria, John T Collins, 1979
Government House, Melbourne was constructed between 1972 and 1876 to a design of William Wardell. The State Ballroom is part of the 'State Apartments' which also includes the State Hall, State Drawing Room, State Dining Room and the Billiard Room.The slide is significant as it represents the ceiling decoration of the State Drawing Room in 1979.One of six colour transparencies, purchased from John T Collins of interior and exterior views of Government House, Melbourne. This photograph (slide) is of the throne in the State Ballroom."South Yarra Government House Throne J Collins 17-10-79"government house -- melbourne, victorian interiors, ballrooms -- melbourne (vic.), john t collins -
Kew Historical Society Inc
Slide - Tower: Government House Victoria, John T Collins, 1979
Government House, Melbourne was constructed between 1972 and 1876 to a design of William Wardell. The slide is significant as it represents the ceiling decoration of the State Drawing Room in 1979.One of six colour transparencies, purchased from John T Collins of interior and exterior views of Government House, Melbourne. This photograph (slide) is of the exterior of the tower."South Yarra Government House Tower J Collins 17-10-79"government house -- melbourne, john t collins -
Kew Historical Society Inc
Slide - Ballroom Mural: South Esk (formerly 'Ordsall'), 1980
One of a group of slides taken by members of the Society of built heritage in Kew in 1979-80. The selection of subject matter reflects the priorities of the period. The colour of some slides has degraded.The slides represent a snapshot in time of built architecture in Kew, much of which has changed in the forty-plus period since they were created. 35mm colour transparency (slide) taken from a photograph of a section of the ballroom ceiling of South Esk (Ordsall). The photo was developed in 1980. There is a high degree of colour distortion in the transparency.victorian architecture, victorian interior decoration, south esk -- cotham road -- kew (vic.), ordsall, murals -
Kew Historical Society Inc
Slide - Section of mural in the Drawing Room of South Esk (formerly 'Ordsall'), 1980
One of a group of slides taken by members of the Society of built heritage in Kew in 1979-80. The selection of subject matter reflects the priorities of the period. The colour of some slides has degraded.The slides represent a snapshot in time of built architecture in Kew, much of which has changed in the forty-plus period since they were created. 35mm colour transparency (slide) taken from a photograph of a section of the mural in the Drawing Room of South Esk (Ordsall). The photo was developed in 1980. There is a high degree of colour distortion in the transparency.victorian architecture, south esk -- cotham road -- kew (vic.), ordsall, murals, victorian interior decoration -
Kew Historical Society Inc
Slide - Section of Mural in the Ballroom of South Esk (formerly 'Ordsall'), 1980
One of a group of slides taken by members of the Society of built heritage in Kew in 1979-80. The selection of subject matter reflects the priorities of the period. The colour of some slides has degraded.The slides represent a snapshot in time of built architecture in Kew, much of which has changed in the forty-plus period since they were created. 35mm colour transparency (slide) taken from a photograph of a section of the mural in the ballroom of South Esk (Ordsall). The photo was developed in 1980. There is a high degree of colour distortion in the transparency.victorian architecture, south esk -- cotham road -- kew (vic.), ordsall, murals, victorian interior decoration -
Kew Historical Society Inc
Slide - Section of the mural in the Drawing Room of South Esk (formerly 'Ordsall'), 1980
One of a group of slides taken by members of the Society of built heritage in Kew. The selection of subject matter reflects the priorities of the period. The colour of some slides has degraded.The slides represent a snapshot in time of built architecture in Kew, much of which has changed in the forty-plus period since they were created. 35mm colour transparency (slide) taken from a photograph of a section of the drawing room ceiling of South Esk (Ordsall) [demolished 1970]. The photo was developed in 1980. There is a high degree of colour distortion in the transparency.victorian architecture, south esk -- cotham road -- kew (vic.), ordsall, interior decoration - nineteenth century -
Kew Historical Society Inc
Slide - Section of the mural in the Ballroom of South Esk (formerly 'Ordsall'), 1980
One of a group of slides taken by members of the Society of built heritage in Kew. The selection of subject matter reflects the priorities of the period. The colour of some slides has degraded.The slides represent a snapshot in time of built architecture in Kew, much of which has changed in the forty-plus period since they were created. 35mm colour transparency (slide) taken from a photograph of a section of the ballroom ceiling of South Esk (Ordsall) [demolished 1970]. The photo was developed in 1980. There is a high degree of colour distortion in the transparency.victorian architecture, south esk -- cotham road -- kew (vic.), ordsall, interior decoration - nineteenth century -
Kew Historical Society Inc
Slide - Section of the mural in the Ballroom of South Esk (formerly 'Ordsall'), 1980
One of a group of slides taken by members of the Society of built heritage in Kew. The selection of subject matter reflects the priorities of the period. The colour of some slides has degraded.The slides represent a snapshot in time of built architecture in Kew, much of which has changed in the forty-plus period since they were created. 35mm colour transparency (slide) taken from a photograph of a section of the ballroom ceiling of South Esk (Ordsall) [demolished 1970]. The photo was developed in 1980. There is a high degree of colour distortion in the transparency.victorian architecture, south esk -- cotham road -- kew (vic.), ordsall, interior decoration - nineteenth century -
Mont De Lancey
Military Shoulder Pips
Belonged to Colonel Otter.4 Military uniform shoulder Pips, with medals indicating Rank. Plus, miscellaneous Military uniform pocket Pips.Medals: some wiht a military Cross on them.military decorations -
Mont De Lancey
Ceremonial Military Sash
Belonged to Colonel Otter.Heavily decorated leather ceremonial Military sash, with pouch and brass whistle and chain. Pouch decorated with gold and burgundy braid, and metal leaf pattern on ends.Pouch: Crown Crest Sash: Pro Deo Et Patria. Cross with star and crown edging.military decorations, military uniforms, ceremonial clothing -
Wodonga & District Historical Society Inc
Accessory - Shell hair ornament, c1920s
This hair accessory is part of collection donated by Mrs. Jean Raper. It belonged to her great grandmother Mrs. Eliza Reardon.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A pronged hair ornament used to decorate a woman's bun and hold it securely in place.hair decorations, personal accessories -
Ballarat Heritage Services
Digital photographs, L.J. Gervasoni, Sturt Street Ballarat at Christmas, 2015
Colour photographs of night Christmas scenes at Ballarat.christmas, sturt street, night, christmas decorations, festive season, sturt street gardens, town hall, queen victoria, queen victoria square, ballarat -
Ballarat Heritage Services
Digital photographs, L.J. Gervasoni, Sturt Street gardens christmas fountain wrapped, 2015
christmas, sturt street, night, christmas decorations, festive season, sturt street gardens, fountain -
Ballarat Heritage Services
Digital photographs, L.J. Gervasoni, Sturt Street gardens christmas tree, 2015
christmas, sturt street, night, christmas decorations, festive season, sturt street gardens, christmas tree, myer lace, verandah