A concave wooden racquet with red, black, and gold whipping and stem wraps, and short, leather handle grip. Inscription across base of head on obverse: AEROFLIGHT. Company monogram 'B' situated below on throat. Inscription across base of head on reverse: "BENTLEY"/NIAGARA/FALLS. Decal of company coat-of-arms below on throat. Inscription along right side of stem: MADE IN CANADA, followed by patent details. On left side of stem: SPRING DRIVE SHAFT. Materials: Wood, Nylon, String, Metal, Ink, Glue, Lacquer, Leather, Cloth tape, Adhesive tapetennis

A wooden racquet with solid, convex throat, cloth tape shoulder reinforcements, and deep grooved handle. Features early use of laminated wood strips, nailed to side of stem, and up along throat and lower head. Inscription across throat on obverse: TUNMER/"SPECIAL". Inscription across butt cover, in French: A.A. TUNMER/& CO.//PARIS/A GARDER SOUS PRESSE. On the throat on reverse, is inscription in French and Latin: MARQUE DE FABRIQUE/DEPOSEE/ATA/IN HOC SIGNO VINCES. Materials: Wood, Gut, Cloth tape, Ink, Glue, Lacquer, Leather, Metal, Painttennis

325-07 Inscription on back of photograph. "Violet Clarke, sister of Jimmy and Jack Clarke all born at San Remo 1880's - 90's. Violet married a Mr Sinclair and was the mother of Laurie. Jimmy & Jack Clarke's nephew, Laurie, like his uncles, never married." 325-08 Inscription on back of photograph. "Violet was the sister of twins Jimmy & Jack Clarke" 325-07 & 08. Hand coloured sepia portraits of Violet Clarke. 325-09. Sepia photograph of Violet Clarke's wedding.325-09. "25 years ago". Violet Clarke's marriage to ? Sinclair. Best man is probably Jack Clarke, brother Jimmy was most likely at sea.violet clarke, jack clarke, arthur woodley

This photograph shows the inscription in a book owned by the Partington family. It reads " Ann Temperley Partington, her book 12 April 1826".Digital copy of colour photographpartington family

At top of first page an inscription "St Luke's Sunday School" Alberton. Hector Irvine 3rd prize, Sister Winifred SuptA child's rhyme book with pictures to colour in. Ten pages printed on both sides with a card cover. Very poor condition, edges of pages dog eared and mended with sticky tape. The back cover has been replaced by card from a 1959 Bennett's store Wandiligong calendar. The spine has been reinforced with brown paper. Most pictures have been coloured in. Contains about 50 rhymes.Bottom of first page "With pictures to colour" No 10 An Australian Production, Copyright by Gunn and Taylor pty Ltd

This is one of two photographs of the same view in the collection. The other purports to be taken in 1925 whereas this photo has an inscription dating it to 1927. East Kew was the last section of Kew to be developed following subdivision of the large estates and former farmland in the first half of the twentieth century. The centre of the photograph would appear to show the trees of the Boroondara cemetery.Inscribed verso: "East Kew 1927" kew east (vic.), panoramic photos -- kew (vic.)

The photograph was taken in 1955 or 1956 at a fire brigades demonstration or competition. The inscription on the back of the photograph says the team "won both times".Black and white copy of original photograph showing members of the Willowvale Fire Brigade.On back: "1955 or 1956 / won both times".willowvale fire brigade, mannibadar

1 x enlargement 18 x 25. Donated by Stratford Historical Society with inscription Gippsland Lakes near Kalimna HotelBlack and white post card showing SS Wyrallah steaming west below Jemmy's Point, Kalimna. Rigby Island on left, looking towards Metung, tall trees on cliff in front. Lakes Entrance VictoriaGippsland Lakes from Jemmy's Pointships and shipping, waterways

This photograph was taken in about 1924 as it approached Newcastle, New South Wales before the sailing ship Monkbarns was converted for use as a hulk. The steel-hulled, 3-masted fully rigged ship was built in 1895 by Archibald McMillan & Son at Dumbarton in Scotland. It was 267 feet long, 40.1 feet wide and 23.5 feet deep. In 1914 John Stewart & Co. owned ten sailing vessels, one of which was the Monkbarns, but by the end of the first World War, the fleet had only four vessels survived the war, including the Monkbarns. The Monkbarns traded across the world. Some of the destinations included Port Adelaide, Table Bay in South Africa, Liverpool, Sydney, London and New York. Her last commercial voyage was in 1926. Overall, the ship traded for 32 years before it was converted in Spain in 1927 for use as a hulk for carrying coal. There were several owners of the ship over its lifetime. They were - 1895, first owner, Charles Webster Corsar, Liverpool - 1902, the owner was D. Corsar & Son, Liverpool - 1909, owned by John Hardie & Sons, Glasgow - 1911, John Stewart & Co., Liverpool - by1915, James A. Young, London - 1926, L.H. Wilson, Liverpool - 1927, Ballener Espando (Brunn & van Lippe, Tonsberg).Photograph, black and white, of the ship "Monkbarns" , a steel hulled sailing ship under sail, bow facing viewer. Rectangular wooden frame has an inner gilt frame around a wide, natural bark matte. The lover edge of the matte has a decorative rectangular cut-out surrounding an inscription with the ship's name. On the back is a handwritten inscription about the ship and the presentation of the photograph..Front: "MONKBARNS" Reverse handwritten in pen: "PRESENTED TO A.F. WATSON / FOR S.S.V. BY / CAPT. F.K. BAXTER / 74 VERDON ST/ WILLIAMSTOWN " Reverse: "STEEL SHIP MONKBARNS / 1771 TONS REGISTER / 267 x 40' X 27'2" Draft / Build 1895 by McMillan, Dumbarton, Scotland / Converted to a hulk in /Spain 1927. / Photo taken in - Converted from NEWCASTLE N.S.W. about 1924"flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, monkbarns, sailing ship, newccastle, new south wales, hulk

Famous French artist Jean Baptiste Camille Corot, 1796-1875, was trained in the classical landscape style. His inspiration came from his travels around France and Italy. He developed a soft poetic or romantic style of work which became very popular. He had the skills to bring'light' into his paintings. The original oil on canvas painting by Corot is held at The National Gallery in the United Kingdom. It is titled 'Souvenir of a Journey to Coubron' and is one of twenty-seven of his works at the Gallery. Corot visited Coubon, east of Paris, many times. In 1873 during his stay there he sketched the scene that became the basis of this painting. This reproduction print was made by The Medici Society Ltd., founded in England 1908. The Society's aim was to make artwork affordable and available to the general public. The name Medici was chosen to honour the support and encouragement given to artists in the 15th century by Lorenzo de' Medici (1449 - 1492), known as Lorenzo the Magnificent, and his family. His profile is on the company's trademark. The Medici Society still produces Fine Art reproduction prints as well as selling original works. The print was framed by Westminster Art Gallery in Camperdown, London. The handwritten text on the back of the artwork adds some background to the artist: Corot was apprenticed to a Draper but changed to his profession at the age of 22 years. When he went from a poor artist to achieving wealth and fame he generously supported his less fortunate fellow artists. Corot found that the light and shade in a natural scene meant more to a landscape painter that what could be learned by following the principles of the academies. Corot was 51 years old before he sold his first picture. He though that he was the only artist that could really paint 'light'. The National Gallery, Victoria, has an original oil on canvas by Corot "the bent tree", created 1856-1860. It is in a similar style to this print "Souvenir of a Journey to Coubron", which was likely to have been painted around the same time.This high quality reproduction print was produced in the early-to-mid 1900;'s. This advancement in technology allowed everyday people to own and enjoy the fine art that was previously only accessible to the wealthy. The print is significant for its association with the famous 19th century artist Jean Baptiste Camille Corot.Print of a painting by Jean Baptiste Camille Corot, depicting a landscape with two buildings amongst trees and a boatman in the marshy foreground. The print is famed in carved timber with a cream matt, behind glass. there is an inscription on bottom right of print and further stamped and handwritten inscriptions of the reverse paper. The is a genuine Medici Society Fine Art reproduction print and was framed by Westminster Art Gallery.Original artwork painted and signed by artist "COROT" White sticker with"32" Reproduction print by the Medici Society, London Stamp "Westminster Art Gallery / 91 CAMBERWELL RD. / CAMBERWELL E.6." Text on Corot's history Underlined statement "GENUINE MEDICI PRINT "flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, jean-baptiste-camille corot, french artist, jean corot, camille corot, print, souvenir of a journey to coubron, coubron, 19th century artist, medici society, reproduction print, westminster art gallery, fine art

Consists of an envelope with inscription (see below) and folded paper inside envelope with six dark-red rose petals. Inscription (on various parts of front of envelope) as follows: 9th January 1860 Rose leaves from Melbourne sent by my Dear (& well??) Beloved Husband ? Buick. To his wife Eliza. Written on paper surrounding petals: 'Rose leafs' (sic).person, family, buick family collection

Black and white photgraphs x two. 947A - South Deborah Mine - poppet head, boiler and buildings. Inscriptions: 'South Deb, South of Deb'. On back - RHSV, Bendigo Branch stamp, 255, 1960. 947B - South Deborah Mine, poppet head, mine building and boiler. Inscriptions: 'South Deb, South of Deb', RHSV, Bendigo Branch stamp 260, 1960.topic, mining, south deborah

A wooden racquet, with a split open throat. Inscription across the base of the head of obverse: "RANGER". Inscription across the base of the head of reverse: HARRY C. LEE & CO. Company logo 'LEE' is stamped upon orange leather butt cap. Manufacturing details feature on left side of stem. Materials: Wood, Glue, Lacquer, Ink, Leather, Metal, Gut, Stringtennis

A wooden racquet, with a split open throat. Inscription across the base of the head of obverse: "RANGER". Inscription across the base of the head of reverse: HARRY C. LEE & CO. Company logo 'LEE' is stamped upon orange leather butt cap. Manufacturing details feature on left side of stem. Materials: Wood, Glue, Lacquer, Ink, Leather, Metal, Gut, Stringtennis

A wooden racquet with black leather handle grip. Inscription, starting across base of head of obverse, and down the stem, reads: NARRAGANSETT/EIGHTY/NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/.../PAWTUCKET, R.I. Inscription across base of head on reverse: GOLD COAST. Company symbol features below on stem. Materials: Wood, Glue, Lacquer, Ink, Leather, String, Guttennis

A wooden racquet with a dipped, concave throat, red whipping with parchment supports, and deep-grooved handle. No inscriptions feature on main body of racquet, however design is similar to the 'Demon Driver' model. Inscription, impressed in gold, on brown leather butt cap: WHEN NOT IN USE/GGB/KEEP IN PRESS. Materials: Wood, Gut, Metal, Glue, Lacquer, String, Parchment, Leathertennis

A wooden racquet with concave throat, plastic whipping, and leather handle grip. Decal across throat on obverse features the inscription: J.C. HIGGINS/WHIZ. Incorporated into the logo a speeding tennis ball design. Around the crown on the obverse is a decal with a partially legible inscription, possibly reading as PLY-FLEX. Materials: Wood, Gut, Glue, Lacquer, Metal, Leather, Plastic, Inktennis

A wooden racquet painted from shoulders to handle, with black leather handle grip, and red butt cover. Decal inscription across base of head on obverse: SLAZENGER. Below on throat is a decal head and neck image of a demon wearing a red cap, with the inscription: THE/DEMON. Materials: Wood, Paint, Leather, Ink, Adhesive tape, Gut, Ribbon, Metal, Glue, Lacquertennis

A wooden racquet, featuring a decal of a heraldic shield, on both sides of throat. Inscription, from head to stem, on both sides: THE SLAZENGER/SLAZENGER. Inscription along right side of stem: A SLAZENGER RACKET HAS WON/SEVEN OF THE LAST ELEVEN/U.S. MENS SINGLES CHAMPIONSHIPS. Materials: Wood, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Plastic, Paint, Stringtennis

A wooden racquet, featuring a decal of the Slazenger coat-of-arms, on both sides of throat. Inscription, from head to stem, on obverse: VIKING/SLAZENGER/... Inscription along left side of stem: A SLAZENGER RACKET HAS WON/SEVEN OF THE LAST TEN/U.S. MENS SINGLES CHAMPIONSHIPS. Materials: Wood, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Plastic, Stringtennis

A wooden racquet with white, red, and blue paint work, featuring the Slazenger panther emblem on the throat, on both sides. Inscription from head to handle, on both sides: SLAZENGER/3/JUNIOR CLUB. Inscription along right side of stem: SLAZENGER JUNIOR CLUB 3. Materials: Wood, Nylon, Metal, Glue, Lacquer, Synthetic material, Ink, Ribbon, Paint, Plastictennis

An unstrung Wright and Ditson 'Ace' tennis racquet, with: plastic tape around shoulders; and, fine-grooved, short, octagonal handle. Decal inscription along throat on obverse: ACE. Wright & Ditson Championship logo with tennis player on ball trademark feature on throat on reverse. Handwritten inscription above: GREATA. Materials: Wood, Lacquer, Glue, Metal, Ink, Leather, Plastictennis

A Spalding 'Mercer Beasley' training tennis racquet, with whipping around shoulders, streamlined shaft and fine-grooved handle. Model name across base of head on obverse; manufacturer's name across reverse. Inscription along throat on obverse: BACKHAND. Inscription alon throat on reverse: FOREHAND. Materials: Wood, Glue, Metal, Lacquer, Gut, String, Leather, Ink, Painttennis

The owner of this textbook, Cornelius Cooke Reed, was an early settler. He was born in England and lived and died at Portland, Victoria (ca. 1880 - 23 June 1876). The book was used with gauging tools to calculate the quantity of liquid in a cask or barrel. The calculation could then be used to charge a fee or tax. The book would have been used in the 18th or 19th centuries, when Customs and Tariffs were calculated manually.This book is important for its use in the centuries before modern technology. It was used to calculate the quantity of liquid in a container such as a cask or barrel. It would have been used to work out alcohol taxes or charges for freight and cartage. It represents an early mathematical reference, which was later replaced by slide rules, calculators and computers. It is significant as a rare example of an early textbook used for ullaging.Book Title: Explanation and Use of The Tables for Measurement of Casks Brown, hardcover book with dark tape on front cover beside the spine. The front inside endpaper has handwritten inscriptions. It is taped along its inside edge to the next page. Inscriptions are throughout the book. The book was once owned by Cornelius Cooke Reed, Portland. It is well-worn and has been repaired.Handwritten signatures: "Cornelius Cooke Reed"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, maritime-museum, shipwreck-coast, explanation and use of the tables for measurement of casks, book, casks, measurement of casks, text book, reference book, tables of measurement, cargo, customs tax, flagstaff hill maritime museum and village, cornelius cook reed, ullage, cornelius cooke reed'

This marking gauge has a round head. It is a hand-powered tool and is used to measure and mark a scribed line onto the surface of the wood for the purpose of cutting or aligning. It would have been used by a tradesperson such as a cabinet maker, wood worker or carpenter. The hand tool shows signs of much use. It appears to be appreciated as a tool due to the initials carved into the side of the block. The marking gauge is an example of a hand powered woodworking tool used over the past few centuriesMarking gauge: wooden staff with half-round block secured by a wedge. there is a metal marker on one end. Inscription "WS" crudely engraved in end of block.Carved "W.S."flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, hand tool, woodwork, marking gauge, w.s., measuring tool

Photo is; Robert John Milligan No 1877 enlisted 3.3.1916 age 34 in 2nd reinforcements 38th Bn, embarked for England 16.8.1916, due to getting into trouble he does not embark for France until 3.1.1918, WIA 30.8.1918 GSW to Arm and Thigh, discharged from the AIF 20.3.19120Postcard photo sepia tone showing a soldier standing hands behind back, has Sergeants stripes on one arm, studio background, inscription on front.On front in black, “Yrs sincerely R.J.Milligan”, On rear in pencil, “R.J. Milligan C/- J. Milligan Maiden Gully”photographs, 38th bn,

Perpetual Cup awarded to the winning school in the U-17 Lap of the Lake competition 1957 - 1977 and 1980. Ballarat Clarendon College won the trophy 1980 only. Large double-handle plain silver cup with lid on melamine base; inscribed silver plaque around base; inscriptions on front and verso of cup bowl;Face of bowl: THOMAS / JEWELLERS / CUP Verso of bowl: SCHOOLBOYS / LAP OF LAKE / U-17 Plaque on base: WINNERS / 1957 - 1980

Souvenir from ANZAC Cove featuring a Turkish badge with a white crescent & star. Attached is a replica copper bullet stamped with a soldier holding a rifle & inscription,Stamped “Canakkale / Gecilmez & 18 Mart 1915” on bullet point.personal effects - keyrings, military history - souvenirs, turkish

This formal photograph shows the crew of the HMAS Warrnambool standing in rows on the deck of the ship while it is in port. The HMAS Warrnambool J202 was commissioned by the Royal Australian Navy for use as a minesweeper during World War II. The Bathurst Class Corvette, fitted out with a range of armaments, was launched in Sydney 1941. The ship began service in Bass Strait in 1941. At the end of the year it called into its namesake city, Warrnambool, where the crew paraded for the public marching eastwards along Timor Street. A gift of books for the ship’s personnel and a plaque bearing the City of Warrnambool’s Coat of Arms were presented to the ship. The ship was involved in evacuating a family of nine from the Dutch East Indies that was later successful in its challenge of Australia’s Immigration Restriction Act (White Australia Polity). The ship had many other appointments around Australia. On 13th September 1947 HMAS Warrnambool was leading a flotilla of minesweepers in northern Queensland’s coastal waters, clearing mines previously laid to defend Australia. The ship hit a mine, which exploded and very quickly sunk the ship. Boats from the nearby ships rescued most of the seamen although one was killed at the time. The survivors were taken by the HMAS Swan II to Darwin, and they went from there to hospitals in Brisbane and Sydney. Three of these men later died from their injuries. A number of items were recovered by Navy divers in 1948 including the ship’s bell and a plaque with Warrnambool’s Coat of Arms. In 1972-75 the wreck was sold and other items were salvaged. In 1995 a memorial plaque was erected in Warrnambool near the RSL. NOTE: The RAN built a second HMAS Warrnambool FCPB204, launched in 1981 and decommissioned in 2005. There was also a steam ship SS Warrnambool built in London 1892 and broken up in 1926. [A more detailed history can be found in our Collection Record 3477.] This photograph is significant for its association with the lifesaving rescue of the crew and the sinking Royal Australian Navy vessel, HMAS Warrnambool (J202). The HMAS Warrnambool played a nationally significant role in overturning Australia’s Immigration Restriction Act 1901 (colloquially known as the White Australia policy). The ship rescued, and brought to Australia, Samuel and Annie Jacob and their family after they evacuated Dutch East India. The family was threatened with deportation and made the first successful appeal to High Court regarding that Act. The HMAS Warrnambool has - Local significance for being the namesake of the City of Warrnambool - Local significance, having docked in Warrnambool Harbour - Local significance, the crew having paraded in Timor Street, Warrnambool - State significance for its first patrol being in Bass Strait. - National significance, being present in Timor at the Japanese surrender - National significance, shown by the significance of the ship’s bell being curated as Military Heritage and Technology at the Australian War Memorial. - National significance as part of Australia’s defence force history, being one of only four Bathurst class corvettes lost while in Australian service, the only Bathurst class corvette lost after World War II, the only RAN vessel to be sunk by a mine, and associated with the last four Navy deaths of WWII Photograph of the crew of HMAS Warrnambool (I). This black and white image shows the crew formally standing in rows on the bow of the ship, which is docked. Inscription on back. (PRIVATE details, see Notes)flagstaff hill, maritime village, maritime museum, warrnambool, shipwreck coast, mort's dock & engineering co ltd, h.m.a.s. warrnambool, hmas warrnambool, hmas warrnambool i, hmas warrnambool j202, j202, world war ii, bathurst class corvette, royal australian navy, ran, sydney built ship, bass strait patrol, sea mine patrol, mine sweeper, mine clearance, navy divers, great barrier reef, cockburn reef, southern cross diving and salvage, warrnambool city council, seal, coat of arms, dedicatory plaque, hmas warrnambool 1941, shipwreck by sea mine 1947, minesweeper