Clothing. White fine linen fabric, trimmed at lower leg with a 2 cms wide cotton , brooierie insertion and a 12 cm wide frill of textured (?) fine linen or cotton lawn broiderie. The front waistband dips to a central 8 cm deep peak. Waistband at side seams, is 4.5 cm deep and back waistband is 10 cm deep at side seams, and the 11 cm deep at centre back. Two 1.4 cm covered buttons close the back waistband. The knickers have a gathered opening panel, called at the time a ''drop-seat'' or ''access hatch'' at the centre back. This panel has a 5 cm deep waistband, fastened at either side by a covered button, and a third button at the centre. These buttons are sewn to the back waistband, and the button holes are sewn, correspondingly on the gathered back. A drawstring tape is also threaded through the back waistband. A 6 cm wide gussett sewn from the crotch extends 23 cms long.Printed in fine black ink on back opening; D.S.R.F. No 11.costume, female underwear, victorian era knickers

All edges (except hemline) ie sleeves, and centre front, including neck edge, are finished in perle thread, buttonhole stitched two cm wide scallops. Satin stitch, and cut work embroidery, in a floral design, are on the lower edge of the short sleeves and on the front bodice.The waistline has a four cm wide band of ribbon, in an insertion design,- but there is no ribbon insertion evident. This would be the only form of closure, from the waistline a slightly gathered panel,22cm deep, gives a peplum effect. Hemline is faced with a 1.7cm wide cotton facing. The ribbon insertion panel has alternating 1.2cm wide floral embroidered ribbon and one cm wide plain ribbon. Magyer sleeves-extending from the side seam just above the waistline - bodice all one piece of fabric - no seams.Accompaning note - No date. The bloomers (11400.931), belonged to Antoinette Catling of Bendigo and were part of her trousseaux. They would be 80+ years old. The linen bed jacket would be about the same age.costume, female, white linen bed jacket

The City of Ballarat unanimously resolved to erect a Civic Hall in 1951. The architects, Gordon Murphy, of Melbourne, and H.L. and L.J. Colburn, of Ballarat, were commissioned in 1952. The Council constructed the foundations and footings for the building under the supervision of the former City engineer, Mr L.H. Finch, in 1953. These footings are of massed concrete. The design for the building took advantage of the cross fall of the land, providing for the Small Hall to be entered from the Doveton Street frontage through a foyer under the Main Stage, the structure is steel with brick panels, with accommodation for 1,592 persons in the Main Hall and 440 persons in the Lower Hall. Black and white photograph of a brick building known as Ballarat Civic Hall. It is located on the corner of Mair Street and Doveton Street North. The Shakespeare statue out the front of the building was unveiled on 17 November 1960. ballarat civic hall, civic hall, colburn, finch

The photograph offers significant information relating to late Victorian / Federation colour schemes and fencing.The block fronted villa has a corrugated iron roof and a flat projecting verandah, ornamented with a trellis design of timber. The front window features a timber shade, mounted on brackets. The treatment of the block-fronted panels shows that there is an attempt to highlight imitation quoining through use of a darker colour. The windows and door are also in this darker shade. The front fence and gate are made of wooden pickets. It is unlikely that the photograph was taken at the time of the villa's construction given the size of the shrub/tree in the front garden.Subdivision plans are historically important documents used as evidence of the growth of suburbs in Australia. They frequently provide information about when the land was sold on which a built structure was subsequently constructed as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.A real estate photograph, mounted on brown card, showing a double fronted weatherboard villa, located in Kew, Victoria. On the reverse of the photograph is a subdivision plan for the Altyre Estate.Stamped on mount: Top - "KEW. Close tram. Fine View. / W.B. Villa Containing 8 Rooms. / Up-to-date Conveniences. EL Etc." Below - "Land 40 x 165. 615 pounds. Sold"houses - kew, real estate photographs

Black and white print of ESCo 17, photographed at the depot entry with a driver, conductor, and another employee in uniform standing alongside. Has a destination sign of Sturt St on the front dash panel of the tram, showing the seating arrangements, uniforms, and step arrangements. Has extensive notes written in ink by Wal Jack on the rear, giving details of the tram, driver, and conductor, colour scheme. Dated 30-5-1906. Gives names of J Quirk, Fritz A Thies. See also Reg Item 5104, 4290, 3578 for other copies of this image and 9466 for a glass plate negative. Yields information about the ESCo tramcars and uniforms at the time of opening of the tramway in 1906. Has a strong association with the two people named in the photograph.Black and white print with extensive notes written on rear in ink. Print by Wal Jack, Number T177. Second copy with similar notes on rear.esco, tramways, trams, tram 17, uniforms, crews, j quirk, fritz a thies

Rose Series postcard No. P 10456 titled "Complete view of Flinders Street Railway Station, Melbourne", looking from St Paul's Cathedral steps. Two W2 class trams in Swanston Street, one fitted with a white dash panel under the driver's windows indicating a wartime black-out precautions era. There is an MMTB TS8c or TS11c bus eastbound in Flinders Street bound for "Kew" (Kew Junction). There are some cars waiting to complete their hook turns into Flinders Street. There is an advertisement on the station for the Women's Auxiliary Australian Air Force (WAAAF) this organisation was founded in 1941.Yields information about Flinders St station early 1940s.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.trams, tramways, w2 class, swanston st, flinders st station, flinders st, buses, mmtb buses, ts8c class, world war ii

Black and white postcard printed photograph of the front of a Melbourne Tramway and Omnibus Co. cable car with the photograph of Harold Waldmaiar Dihm in uniform against a black background merged into the front of the cable tram between the roof uprights and the decorative front apron. "M. T & O Coy" has been printed on the destination panel. At the base of the card is "Darge Photo copyright No. 1136". On the rear is a printed Postcard, /Correspondence/Address Only. On the side of the card vertically is "DARGE, Photographer, 175 Collins St. Melbourne Vic. and the name of the person - "Harold Waldmaiar Dihm 1869 - 1940" and "T Rose".Demonstrates an cable tram employee photograph by Darge Studios. Digital image of a photograph.cable trams, dummies, crews, gripmen, employees

The Koori Mural was designed by artist Megan Evans in consultation with a committee from the Aborigines Advancement League consisting of the late Lin Onus, the late Molly Dyer, the late Ron Johnson and the late Elizabeth Hoffman. It was painted by Evans and renowned Aboriginal artist Ray Thomas along with Ian Johnson, Millie Yarram, Les Griggs, Elaine Trott and a number of volunteers. The mural has considerable historical and cultural significance and refers to the experiences of the the Aboriginal and Torres Strait Islander communities, from early colonial history to the more recent struggle for social justice. In 2014 the mural was replicated onto a vinyl banner and installed at its current site. The Northcote Koori Mural was originally located on Council land in High Street, Northcote, opposite the Northcote Town Hall. A huge, free-standing wall was built specifically to accommodate the mural which was painted on site. The land on which the mural was housed was later sold, however, and the mural was relocated to the Aborigines Advancement League in St. Georges Road, Thornbury. Conservation work in 2014 and original panels decommissioned and vinyl banner hung in its place (with Total Outdoor Media). In 2015 solar lights were installed along with landscaping to the front of the mural and a plaque depicting the history on the mural.

Early cylinders were coloured as their maker saw fit, usually black, perhaps with a white top for oxygen. The Americans first achieved standardisation, but other countries do not follow American Standards. Australia follows the colour-scheme of the British Oxygen Corporation. The body is coloured individually for each gas, viz: compressed air, grey; carbon dioxide, brown; oxygen, black; nitrous oxygen, blue’ cyclopropane, primrose-yellow’ ethylene, mauve. Panels of other colours may appear on the body, but indicate technical points of cylinder-design and do not concern the anaesthetist. (Penn catalogue entry)Empty small pale green painted cylinder with rounded base and attached outflow valve with circular 'On-Off' knob.Handwritten in red paint across the main body of the cylinder: ST. VINCENTS 32510 Printed on manufacturer's label: 'KEEP CYLINDER COOL / CIG [logo] / MADE IN AUSTRALIA / MEDICAL AIR COMPRESSED / DO NOT ALLOW OIL OR GREASE ON VALVE / OPEN VALVE SLOWLY CLOSE AFTER USEcompressed air, cylinder, colour standardisation

Bradley and Hubbard Co. 1869 to 1940. Pat'd 1895 - 1898.Used by a Kiewa Valley residentNickel plate body with glass chimney and large white lamp shade. Both bowl and base are panelled and the base is scrolled on the edge. The bowl has a fill cap inscribed B & H and opposite there is a ratchet wheel lift. On top of the bowl is a decorated cylinder which lifts up to enable the lamp to be lit with a match. The glass chimney sits on top. There are 3 curved equally spaced rods coming up around this cylinder - to hold up the shade.Embossed on Fill Cap lid: "B & H" Embossed on top of bowl "Dec. 1885 / No. 4 Radiant / The/ B & H" and opposite "Pat'd Aug. 16 1888" Embossed on side under the 'grate': Pat'd Feb. 16 '97" Painted on glass chimney: "Griffen - Brand / dragon logo / Fire Proof / Madein Saxony / Rochester / No. 2lamp, lantern, bradley & hubbard, kerosene, oil light

Box Brownie cameras were first produced early in the 20th century by the Eastman Kodak company in U.S.A. They were bought by amateur photographers and were very popular because they were easy to use and affordable for the average householder. The Brownie Flash 11 camera was produced by the Australian Kodak company in Melbourne from 1958 to 1963. 500,000 of these cameras were made during that time. This camera and case are retained as they are good examples of a box Brownie camera made in Australia in the late 1950s and early 1960s..1 This is a box camera with a metal body and a synthetic leatherette covering. It has a horizontally-striped front panel and two glass finders. It also has metal pin and screw flash contacts and a built-in close-up lens. It has a leatherette strap. .2 This is a light brown leather/latex case which is rectangular-shaped with a curved top, a metal catch and a shoulder strap with a metal buckle. The case contains a small booklet with information on how to use the camera. .1 Kodak Kodet lens Brownie Flash 11 Camera Kodak Australasia Pty Ltd Melbourne Australia Close Up .2 Made for Kodak (A/asia) Pty Ltd by Frank Carew & Co, Northcote, Vic Reprocessed leather/latex vintage cameras, history of warrnambool

The Lost Diggers. (Photos from WWI). From acknowledgements: This book was conceived out of the extraordinary public response we had on the Seven TV Network's Sunday Night public affairs program to several stories presenting The Lost Diggers images. From preface: Swarthy Anzacs, village of Vignacourt, photographs taken by local photographers Louis & Antoinette Thuillier.Hard cardboard cover, buckram texture, with sepia coloured faded photo background. Cut out panel on front, see through to black & white 1/2 portrait photo of uniformed soldier. Dark brown print front & spine, some white on back. Brown ribbon page marker. Front & back end papers & flyleaf, black & white photos. 399 pages, cut glossy white. Illustrated black & white, colour & sepia photos.book, photographs, lost diggers

Long blue/pale green (or aqua) sleeveless gown with floating panels. Gloves are long and plain blue (or aqua). Bag has a chain and is made of the same material as the gown. Pale green embossed satin, short sleeves, long skirt. Fitted waist and bodice. Four gored skirt. Lined with taffeta. Scoop back with a chiffon tail. Matching satin long to the elbow gloves. Matching evening bag. Made of the same material and with a silver clasp.ball gown, reid family

This sideboard was from the home of Henry and Mary Jane Giles, who lived in Mailor's Flat, Wangoom, and Purnim West, Victoria, and is part of the many 19th century items of furniture, linen, and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles, and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student-teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat, and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation.Kauri Pine Mirror Backed Sideboard, two drawers and two doors to the base, the doors being carved in the traditional manner with a leaf design, brass swing handles are fitted to each of the drawers. The back has two shelves each supported on two turned columns, three mirrors are fitted into carved panels matching design as doors.The pediment is also carved in the same manner finishing with scrolled edges. Circa 1880. This item is part of the Giles Collection.Marked "Villa Rica" "Ambassadors" "Claro" "50" In pencilflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, sideboard, furniture, dresser, giles collection, henry giles, vera giles, tower hill, cooramook, mailor’s flat, wangoom, 19th century furniture, purnim west, 1880s furniture

Pink, self-stripe -2cm stripe with a woven floral motif, alternated with a 4cm triple stripe with 2cm spacing between each stripe. Boat shaped neckline, with a .5cm rouleau tie on left side. Sleeveless. Draped and ruched 7cm band at hip line. Two tier, knife pleated panels to the hemline. Dropped and bloused bodice. Handkerchief hem. Wedding dress worn at marriage of Barbara Johnson to her second husband John Johnson on 26.1.1985.Stitches Plus Gold Label 12 Care Instructions – Wash separately. Do not soak. Do not bleach. Do not wring. Warm hand wash. Warm rinse well. Dry in shade. Warm iron. Dry cleanable. Polyester.costume, female ceremonial, wedding dress

Ladies collar, with a deep 16 cm peaked front. A round neckline outlined with jet sequins. Outer edge of collar has three peaked sections each outlined with three rows of jet sequins. Outer edge of collar is scalloped. A floral design, on net is sequined and beaded. Another scalloped panel of three rows of jet sequins, separates a net section, scattered with sequins and also has six 3 cm diameter circles of sequins.costume, female, collar

Copper intrauterine devices (IUDs), first marketed in the early 1970s, represent an important contraceptive option for 150 million women worldwide. The method is safe, rapidly reversible, inexpensive, highly effective, long-acting (up to 20 years for some products [1]), and non-hormonal; these attributes make it unique and desirable for many users. However, increased bleeding and pain cause up to 15% of users to have the device removed within the first year [2]; still higher percentages tolerate some level of these side effects yet retain use of the method. In one study, 67% of women using the TCu380A complained about menstrual side effects within the first year of use [3]. (Hubacher et al, 'Side effects from the copper IUD: do they decrease over time?', 2009)This is one of a collection of items received from the practice of Dr Lachlan Hardy-Wilson, FRCOG, Launceston, Tasmania.Sealed Gravigard IUD in original box. IUD and inserter are sealed inside a sterile plastic pocket. The box is made of cardboard and has an orange top panel with white sides. Text printed on the front of the box reads '1 Sterile Pack/Gravigard*/contraceptive/copper/contraceptive/FRAGILE/Do not bend or crush/SEARLE'. Text printed on side of box reads 'Made in England Supplied by Searle Laboratories, Division of Searle Australia Pty. Ltd., Sydney, Australia'.intrauterine device

Newspaper cutting from The Courier, Ballarat, Tuesday 19/10/1993 from the Tuesday Column - heritage feature of the Courier, featuring a postcard of an ESCo tram and horse drawn Vehicle in Sturt St, just to the East of Lydiard St. Photo taken from the Post Office tower, soon after opening, as the destination board is on the dash panel. Caption notes it is a colour postcard that was written in 1908. Has a good illustration of telephone poles / telegraph wires.trams, tramways, sturt st., esco, telephone poles

Colour print of Bendigo SECV Bendigo tram 23 outside the Bendigo Post Office in Pall Mall. On Kodacolor paper with a Kodak red ink stamp on rear. Tram has dash canopy lights, but no large white strip under the drivers windows. Photo dated 23.11.62. Tram showing destination of "Depot". Tram has "Hutton's" ham or bacon ad on front dash panel, with to SEC roof ads "Electric Cooking" and "Switch to Electric Cooking".On rear top left hand corner "17 / 22.11.62" in very wavy handwriting, typical of an aged person.bendigo post office, bendigo, pall mall., tram 26

Black and white print of a donated negative. Print made 8/1998. Photo of SEC bogie tram 21 at Mount Pleasant Terminus. See also item No. 856 for photo from the other end of the tram. Tram has destination of "Gardens Via Drummond St. North". Has "Twin Lakes" advertisement panel. Photo taken during 1968 - see note on item No. 871. Negative rescanned 9-5-2020 and image updated.tramways, trams, mount pleasant terminus, 21, ballarat, tram 21

Agfa plastic mount (blue base, white cover) of a photograph of No. 20 southbound in Drummond St. South with destination of Sebastopol. Photo taken late 1960's. Has "Twin Lakes" advertisement on the front panel and the SEC roof advertisement, "Everything's under control in my all electric kitchen". Slide rescanned at 3200 dpi 25-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 38" in penciltramways, trams, drummond st. sth, tram 20

Colour photograph taken on No. 5 road of BTM depot of ESCo No. 12 - prior to the removal of the end dash panel, but after removal of the rotten side - can see through the tram side to the back wall of the depot - October 1993. Depot floor yet to receive hot mix layer. On Fujicolor paper. Hi Res of image added 15/7/2014. Close up of post on the front of the tram added 22-12-2018 - see i2.Nil.esco, reconstruction, btm, tram 12

Yields information about one of the first two maximum traction bogie trams in Ballarat in October 1945 after it had been repainted for use in Ballarat by the SEC and the Lake / depot area at the time.Black and white photograph of SEC (bogie No. 22), in Wendouree Parade passing depot junction, has destination of Victoria St. Tram later renumbered to 37 in 1951. (See Destination Eaglehawk, p7) Original of photograph, SEC held by Alan Bradley has been cropped. Had a canoe on the right hand side, which is referred to in the interpretation panel at the Gardens Loop 474.1 - shows the canoe. Additional copy of .1 added 21/3/20201,trams, tramways, ballarat, secv, bogie trams, depot junction. , tram 22, 37

Black & White photo of M&MTB tram No. 1033 at North Fitzroy tram depot, prior to going on an AETA tour on 7/4/1956. Tram showing destination of "SPECIAL", has auxiliary board of "AETA", an AETA tour board on front bumper and panel on front dash "SOLVE TRAFFIC CONGESTION, MOVE PEOPLE NOT VEHICLES". Trams 1027 and 1029 in depot fan and others with numbers obscured. See also Reg item 1620.2 for negative of this item.On rear in btm rh corner, "Geoff Grant, 7 Apr 1956 Victoria"trams, tramways, melbourne, north fitzroy depot, aeta, tours , tram 1033

Copy photograph of a small photograph contained within item Reg. No. 587. Photograph is of MMTB 111, being lifted onto a horse drawn jinker at Ballarat Railway Station, May or Jun 1930. Caption on 587, says "No. 111 lifted off by Station Crane" Below photograph is "Note Horse Transport!, and Cars were painted grey over old Melbourne coloured panels and ends." Hi Res scan added 25/3/2011trams, tramways, ballarat, new trams, m class, railway station , tram 111, tram 26

Yields information about the Lydiard St North terminus, tramcars at the time and a family boarding the tram.Black and white print on heavy matt photographic paper of a view at the Lydiard St Nth terminus of No. 26 with the cemetery buildings in the background and a family (two ladies and pram) boarding the tramcar. The tram has the destination of Grey St Sebastopol, and a Whitehorse Whiskey advertisements on the front dash panel. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "26 Lydiard St Nth 1963" 2nd copy has label "Reference 6/113/7 Photo by Ron Hann" and another label "Ballarat 01.63"tramways, trams, lydiard st nth, cemetery, tram 26

Black and White photograph, of Ballarat No. 19, late 1950's or early 1960 in the City Loop in Sturt St. Has the Ballaarat Gas Co building in the background along with other buildings on the south side of Sturt St. Tram has roof advertisements for Vic Wendt Motors, Peugeot 403, Briquettes SEC and a advertisement for Whitehorse Whisky on the front dash panel. Printed on Fuji-colour paper. 2nd copy added 6/1/15."TMSV Sales" stamp on rear.tramways, trams, sturt st, city loop, tram 19

Yields information about ESCo tram No. 10, uniforms, passengers and the tramcar equipment.Black and white photograph, digital print, of ESCo 10 with Motorman, Conductor and two passengers standing on a step. Tram has the destination of Lydiard St Nth, track backs, rolled up canvas blinds. On the pillar nearest to the camera is hanging a Section Staff. Photo shows the painting scheme on the side in detail and front dash panel lining and numbers. Also shows the sand pipe, hand brake type, lifeguard and some of the internal signage. Photo c1010trams, tramways, esco, lydiard st, motormen, conductors, safeworking, crews, tram 10