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The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Award - Trophy, EPNS S&S, 58-32 Battalion HQ COY Command Trophy
Essendon shooting cupHistoricalSilver trophy shaped as a standard trophy with two handles and the main area has been engraved with a flower like pattern58 - 32. BN. H.Q. COY COMD. Trophy 1953 LT F.W. Hill Sig Pl 1954 SGT D.W Gray Tpt Pl 1955 L.TRBLANGDON Tpt Pl5/6 rvr, 5/6 rvr pipes and drums, command trophy -
Mont De Lancey
Functional object - Glass Bowl, Unknown
A small round cut glass decorative bowl with a green circular pattern and gold trim around the top scalloped edge.bowls, containers, objects, decorative objects -
Mont De Lancey
Tray cloth
White linen, rectangular tray cloth with crocheted, scallopped edge and 4 embroidered flower patterns, one on each sidehousehold textiles, table linen., tray cloths -
Wodonga & District Historical Society Inc
Decorative object - Silver toned Tassel Clip on Earring from the Sarah Coventry Jewellery Range c.1970s-1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the earring has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A single silver toned clip on earring with dangly tassels emerging from inside a floral shape engraved with a feathered pattern."SARAH COV" on back of earring clip sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, earring, earrings, clip on earrings -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Wren, Captain P. C. (Percival Christopher Wren), The wages of virtue, 1920 [First published 1916]
301 p. : green cover embossed with pattern of leaves. Cloth on spine missing, title hand written along spine.fictionfiction, captain p. c. wren (percival christopher wren) -
Buninyong Visitor Information Centre
Container - Ceramic Jar, Old Library Pottery, Ceramic Jar with stopper and handle, Unknown
Made in the old Buninyong Library building which leased rooms to the potter. Small clay jar with brown glaze and bat-like red coloured figure patterning. Small stopper and handle at the top. Old Library Pottery, G.S.C., Buninyongceramics, pottery, old library pottery -
Churchill Island Heritage Farm
Clothing - Lace Collar
Although well-worn and somewhat damaged, this elegant lace collar is handmade and is a combination of some different styles. Bedfordshire lace, or simply Beds lace, and also known as Bedfordshire Maltese lace, was based on local lace forms traditionally produced in the English Midlands and on the Maltese lace that was developed in the early nineteenth century and on show at the Great Exhibition in London in 1851. Maltese lace, and Bedfordshire lace, are forms of guipure, bobbin lace. The Maltese lace in particular gave the Bedfordshire lace its rounded leaf patterns and in this case its delicate brides and edging. The motifs appear to have been added and are most likely to be examples of Cluny lace which is of French origin and is a heavy plaited bobbin lace which is geometric in design often with radiating wheat ears. The motifs in this lace collar bear a very strong resemblance to Carrickmacross lace which is Irish in origin and is crafted by placing first the pattern, then fine muslin through which the pattern can be seen and then stitching around the pattern and finally cutting the excess muslin away. The pattern is decorated further with needle run stitches.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Maltese bobbin (NGV) Bedfordshire Cluny style hand made plaited lace janet amess lace collection, lace, churchill island, amess, collar, garment, clothing, maltese, bobbin, handmade, plaited, bedfordshire cluny -
National Wool Museum
Mixed media - Book, Knitting, Patons Knitting Book no. 426
One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Patons and Baldwins and contains patterns for women's garments knitted in Patons 'Fuzzy Wuzzy Angora' knitting wool (a wool-angora mix).No. 426 / Patons / KNITTING / BOOK / No. 426 / PATONS / FUZZY WUZZY / ANGORA / P&B / WOOLS / 1'6handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
Montmorency/Eltham RSL Sub Branch
Boots, Leather, Ammo, 1987
Australian manufactured black leather ammo boots to the British pattern used by the Australian armed forces.Used by Australain armed forcesAnkle high, black stiched leather ammo boots with nylon laces on 12 eyelets, internal leather tongue and moulded synthetic soles. Size 10G.Made in Australia 10*G 1987boots, footwear -
Clunes Museum
Book - REFERENCE BOOK, MADAME WEIGEL PTY. LTD, GIFT - NOVELTIES, CIRCA 1920
FEATURING INSTRUCTIONS FOR GIFTS, PRAM COVER, JUG COVER, DOYLEY, SLIPPERS, SHOPPING BAG & SLIPPERS.MAGAZINE FEATURING INSTRUCTIONS FOR GIFTS, PRAM COVER, JUG COVER, DOYLEY, SLIPPERS, SHOPPING BAG & SLIPPERS.non-fictionFEATURING INSTRUCTIONS FOR GIFTS, PRAM COVER, JUG COVER, DOYLEY, SLIPPERS, SHOPPING BAG & SLIPPERS.book, reference, books - reference, paper pattern, handicraft instruction -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 262
This book was produced by Patons and Baldwins and contains knitting patterns for womens garments in fair isle knitting.Patons / KNITTING BOOK / NO. 262 / "DUNKELD" - See page 5 / P&B / WOOLS / FAIR ISLES / 1'-handicrafts - history knitting - fair isle, patons and baldwins (australia) ltd, handicrafts - history, knitting - fair isle -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 551
This book was produced by Patons and Baldwins and contains knitting patterns for adults and young childrens knitted garments.Featuring PATONS NYLETTE CREPE YARN No. 551 / Patons / KNITTING BOOK / No. 551 / 2'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 552
This book was produced by Patons and Baldwins and contains knitting patterns for adults and young childrens knitted garments.Featuring PATONS 100% TURBO ORLON* No. 552 / Patons / KNITTING BOOK / No. 552 / 2'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, True-Lovers' Knots Jumper presented with English Woman's Weekly
This knitting leaflet was part of the magazine "English Woman's Weekly" and contains a knitting pattern for a womans jumper.TRUE-LOVERS' KNOTS JUMPER / LONG OR SHORT SLEEVES / MEDIUM SIZE (3-ply) / Presented with / English / WOMANS' / WEEKLYhandicrafts - history knitting, english woman's weekly, handicrafts - history, knitting -
Melbourne Tram Museum
Functional object - Conductors (Signal) Bell - TB Pattern, Tramway Board
Bell used by the conductor or passengers to signal to the driver - stop, proceed or an emergency stop. TB PatternDemonstrates a conductors communication or signal bell made for use on tramcars.Brass Conductor Communication Bell, or signal bell, consisting of cast frame, bell, striker, bell pull part, one nut to secure the bell to the frame and two rivets securing for the bell pull part. Has at both ends, multiple screw holes that were used to secure the bell to the roof. Has at one end the initials "TB" cast in - "Tramway Board". trams, tramways, conductors, bells, mmtb -
Flagstaff Hill Maritime Museum and Village
Domestic object - Chair, Early 20th Century
The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair wooden varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned wood. Back rest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry -
Bendigo Military Museum
Photograph - GROUP PORTRAIT OF SOLDIERS, PHOTOGRAPHIC, C Fitch & Son, c1940
See Cat 5192Black and white portrait of Australian soldiers and officers. There are five rows of men. Only one man has a peaked cap, the other officers and men have slouch hats. There are two different patterns of soldier's uniforms. There are different patterns of puggarees. In the background is a galvanised iron hut. Photo is mounted on a cardboard "frame". On a board in front of the unit is written in chalk - "MMG COY 38 BN 1940 MT MARTHA" . On rear is a photographers stamp.ww2, 38th battalion, photo -
Bendigo Military Museum
Uniform - PANTS & HAT, CAMOUFLAGED, 1) ADA Victoria et al, 1) 2010; .2) 11.2008
DALE HANNAFORD 8435318 Served Afghanistan 2011 Refer Cat No’s 2508, 2510.3.1) Pants, long legged, cotton polyester, camouflaged desert pattern. Each leg has a pocket with zips, normal side pockets & one rear, legs have adjustable elastic cords. .2) Hat, floppy, cotton polyester, camouflaged desert pattern. Has adjustable cotton chin strap.uniforms - army, costume - male, desert pattern -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Document. Greeting Cards. Small white card with pattern cut edges. Left and bottom edges are white with gold crazed pattern and purple flowers. Edges are gold. Top edge is cut along the edges of the flower. Yellow & orange daisies on a green/yellow shaded background. 'A Happy Christmas' printed in gold.person, greeting cards, malone collection, malone collection, greeting cards -
Bendigo Historical Society Inc.
Clothing - TRIANGULAR COLLAR /YOKE
Clothing. Cream coloured unfinished collar or yoke. Triangular shaped piece with fabric borders and filled with strips of fabric (1cm wide). Stitched into a diagonal lattice pattern. The spaces between the lattice are filled with pink embroidered web patterns. The two short edges are trimmed with 3 cm lace with scalloped edge.costume, male, triangular collar/yoke -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: NORTH VIRGINIA GMC N L - WAGES BOOKS (2), 1941-1948 1948-1949
Document. 2 hard bound wages books. One has a black wavy pattern cover with maroon binding and dates 19 August 1941 to 14 July 1948. The second has black ripple pattern cover with dark red binding and dates 11 August 1948 to 27 July 1949.McColl, Rankinorganization, business, north virginia gmc n l, mccoll, rankin & stanistreet, north virginia gmc n l, gold mining, wages books -
National Wool Museum
Journal, Madame Weigel's Journal of Fashion, Nov. 2, 1936
This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book is one of five issues of "Madame Weigel's Journal of Fashion" owned by Mrs Boyle's family.Fashion and craft magazine, paper cover printed in green and black with four drawings of jumpers/jackets and gloves being modelled. Contents include patterns for sewn, knitted and crocheted clothes, articles re: cooking, gardening, fashion and general interest, and a loose pattern in four pieces made from tissue paper.Registered at the General Post Office Melbourne, for transmission by post as a Newspaper. / 4D / Published / Monthly. / MADAME / WEIGEL'S / JOURNAL OF FASHION / A Delightful Home Journal / Vol. LVII, No. 681. / NOV. 2, 1936. / TINY JACKET, IN KNITTING. /knitting handicrafts - history crochet fashion, madame weigel pty ltd, knitting, handicrafts - history, crochet, fashion -
Whitehorse Historical Society Inc.
Functional object - Photo Case
Daguerreotype of man in hinged tooled leather case. Photo on right hand side of case . Padded velvet on let hand side with a cutaway pattern in the centre Scotch thistle, rose of England, Irish leaves. The photo surrounded by a gilt oval and edged by gilt raised pattern. Horseshoe clips fasten the case.347 in inkphotography, photographs / slides / film -
Bendigo Historical Society Inc.
Document - HANRO COLLECTION: ALF THOMPSON RECOLLECTION
Four page document and a photocopy of a photo. The first three pages are the recollection of Alf Thompson recorded by Carol Holsworth on the 23 January, 2015. Alf worked at Hanro from August 1948 to the mid 1960's when Hanro was taken over. A plan of the dye house is also included. The photo is of Alf Thompson working at the dyeing rollers.bendigo, business, hanro -
Frankston RSL Sub Branch
Uniform - WW1 Canvas Utility Pouch, WW1 Utility Pouch
1909 pattern canvas webbing worn by WW1 Army personnel to carry ammunition and other sundry items.WW1 Army canvas webbing utility pouchInked arrow in circle inside top. Inked manufacturer's name and date "Z.L.& T. Ltd. 1912" inside rear -
Bendigo Military Museum
Uniform - CAP, PEAKED
Police uniform peaked cap circa 1939-45. officer Pattern worn during WW2 period.Green police Hat. Top is green felt with bright green lines. Second level black felt around circumference of hat about 5 cm wide. Front peak Dark Green, plastic. Silver Rope Braid - two strands going from one ear around front to other ear. Nazi emblem on front with Swaztika and Eagle. On top small silver button with one dot in the middle. Inside lining is orange material with brown band around middle of rim.Size "55 1/2" Brand "Braunschweig" and some other indecipherable writing. uniform, german police, peaked cap, ww2 -
Slovenian Association Melbourne
section of the flat sheet decoration, Marcela Bole - section of the white flat sheet decoration with initials, 1930s
There were no double beds than and the girls always made a pair - a set of cotton sheets with identical patterns.Flat white cotton sheet with the lace insert, special bordering and the initials Lace insert in the top part of the single white cotton sheet, special zig-zag border (žur) and the initials MG - for Marcela Gec, married Marcela Boleinitials mg, white cotton single sheet, lace inserted, žur -
National Wool Museum
Folder, sample
Weaving sample folder: "H.A. WILKINSON" contains "FANCY WORSTED" pattern sheet and 3 cloth samples.FANCY WORSTED (ink) H.A. WILKINSON (pencil)textile production weaving, textile production, weaving -
Parks Victoria - Andersons Mill
Machine - Auger, wood
Augers were used in processing the grain, however this wooden auger is possibly a pattern for a cast metal auger.A long piece of hexagonal wood with a descending spiral of square wooden blades. On the top it has a circular piece of wood -
Bendigo Historical Society Inc.
Textile - Satin and machine lace bedspread
A pink satin and cream machine lace bedspread made from alternative 13 to 14cm wide strips in a rectangular pattern with central rectangle set at 45 degrees. Three sides are edged with silk chenille bobbles in pink and cream. The central rectangle and the four corners surrounding the central rectangle have a floral cut work pattern in the silk overlaying the lace which has couched cornelli work.. The third satin rectangle from the outside has a looped and wave pattern in couched cornelli work, missing on one corner.favaloro, bedspread, satin, chenile bobble trim