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Brighton Historical Society
Bed jacket, circa 1955
This bed jacket was crocheted for Carmela Materia (1931-2018) by her mother, Giuseppa Auditore, around the time they emigrated from Italy to Melbourne. Both women were longtime Brighton locals, residing in the area from the 1950s until their deaths. Carmela Auditore was the first woman from her home village of Scaletta, Italy to emigrate to Australia. Setting sail alone in 1950 at the age of 19, she joined her brother John and uncle Frank in McCallum St, Brighton. Frank had arrived some years earlier and had spent the duration of the First World War in an internment camp. John worked at the Brighton Case Company, a box manufacturer on Nepean Highway, and paid for her passage. Carmela found a job sewing children's clothing at Drummonds, a small factory in Church St. Working eight hours a day, five days per week, netted her a weekly wage of three pounds. To earn a little extra, she washed dishes at a St Kilda Road restaurant for ten shillings a shift. Her parents, Salvatore and Giuseppa Auditore, joined her in Brighton in 1952. They rented a house behind an antique shop in Bay Street. Salvatore had been a fisherman in Scaletta, but quickly adapted to the job he found helping around the Garage at Brighton Motors in Male Street. On 14 February 1953, Carmela married her sweetheart, Salvatore Materia, at St James Catholic Church in Gardenvale. Salvatore had been living with his aunt in Well Street and worked on the wharves. Both Carmela and Salvatore were hard workers. They owned a fruit shop in Church Street where Woolworths now stands, and years later Carmela recalled the familiar 6am tap on her window each morning when her husband returned from the market. On dark winter mornings, she felt as if her hands would freeze as she helped Salvatore unload cold cabbages and cauliflowers from his truck. They later owned a shop in Ludstone Street in Hampton. After Salvatore died suddenly at the age of 48, Carmela returned to sewing, working at the Willow Fashions knitting mill in Gardenvale. She later went into partnership with her sister and brother-in-law, this time in the delicatessen business. Her parents, Giuseppa and Salvatore, spent the rest of their days with Brighton. Carmela recalled her father cheerfully walking the streets, greeting people by name. He knew everybody. He loved being in Australia and enjoyed life to the last, insisting on having bread and wine on the table at every meal.Cream crocheted wool bed jacket. Loose around bust with wide sleeves and open sides. Fastens at collar with thin braided ties, and at waist with two pearlescent plastic buttons.bed jacket, migration, 1950s, carmela auditore, carmela materia, giuseppa auditore -
Hume City Civic Collection
Petticoat, inmates
Worn by patients at Sunbury AsylumPetticoat - grey narrow striped wool skirt sewn to white cotton sheeting bodice. Bodice is sleeveless, fastens at back with four metal buttons, and has four darts at the waist.costume, sunbury asylum, george evans collection -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Education kit - Sairey Gamp Miniature Doll - Nursing through the Ages
Mrs Sairey Gamp - English Monasteries declined in 1405 the Chruch was said to have one third of English's wealth. Henry VIII dissolved the Monasteries despite their record of charitable and medical work and took over most of their property. This left large numbers of helpless sick and poor to die. For the next 300 years there was no nursing class "hospitals" were overcrowded (sometimes 6 people to a bed) and were dirty. Nursing was carried out by women of low character and morals. Charles Dickens satirized nursing conditions with the character of Sairey Gamp. Nursing had sunk to the lowest level.30cm Miniature Doll -Checked Apron over stripped skirt. Purple spotted top with orange and white scarf. Wool type cardigan and hat. Holding mop or duster in hand.Name Tagnursing history, nursing uniforms, nursing education equipment, northern district school of nursing -
National Wool Museum
Wool Bale
Wool bale from the last of the wool stockpile. The wool stockpile accumulated when the price of wool fell - growers were protected by a reserve price scheme (first established in 1974) which meant that the former Australian Wool Corporation purchased wool that did not meet the reserve price. The wool was kept until the prices rose. Unfortunately the stockpiled wool accumulated until the reserve price scheme collapsed in 1991. At its peak the wool stock pile reached 4.7 million bales. This particular bale is one of the last from the stockpile which has gradually diminished since 1991. This bale was part of a nine-bale lot from the clip of Richard Froomes (Seaspray, Gippsland) and was purchased by the Australian Wool Corporation from Brian Rodwell and Co. Pty Ltd's (stock and station agents) November 1989 catalogue. It is marked as bale no. 2 and carries Richard Froomes' 'Kullingral' brand, and is classed at AAAFM (best wool) and is 21.1 microns (see AWTA certificate in supp. file). The 'Kullingral' branded bales were from a 3500 head fine wool flock, based on Merryville and The Fringe bloodlines. Richard Froomes moved out of wool production in 1996.TA PACK / BATCH NO T-291 M8754 KULLINGRAL / AAAFM / 2 KULLINGRAL / PI / BI / 651390 / AAAFM / 2 / BR / WIwool sales - reserve price plan wool stockpile textile mills textile mills, wool sales - reserve price plan, wool stockpile, textile mills -
National Wool Museum
Stencil
For wool bale branding. Found in the Dennys Lascelles wool store.MOSSEL BAYwool - transportation wool sales export - wool, wool - transportation, wool sales, export - wool -
National Wool Museum
Stencil
For wool bale branding. Found in the Dennys Lascelles wool store.Wwool transportation, wool sales, export wool, wool - transportation, export - wool -
Bendigo Military Museum
Uniform - SERVICE DRESS, WINTER, RAAF, c1942
John William HARKIN. No. 170317, Enlisted 27.06.44, Age 18. Discharged 6.12.48. Rank of LAC in 381 (B)SQD.1. Dress coat - navy blue colour wool fabric, black colour, cotton lining with beige colour cotton lining to sleeves. Buttons - black colour bakelite with metal shank, emblazoned with the King's Crown and a Wedgetailed eagle in flight WW2. On sleeves - Australia shoulder patch with wings and a propeller patch. Right sleeve - gold, blue and red colour "British Commonwealth Forces" patch. Makers label back below collar. 2, Trousers - navy blue colour wool fabric, owners label inside back, 5 button fly. 3. Trousers - navy blue colour wool fabric, makers size label inside back, 4 button fly.1. Maker's label - red embroidery on cotton fabric "M TX/ Size 18". Handwritten black ink "HARKIN'. 2. Owner's label - black ink on cotton "HARKIN/JW/ R.A.A.F." 3. Maker's label - blue ink print on cotton "N384/1942/ SIZE 24". Maker's label on back of trousers - dark blue print on paper - "AIRMEN'S/ TROUSERS'/ 18oz/ Size 24/ Waist 37../ Height 5'9"to 5'10". Black ink stamp "I/ E.C."uniforms, raaf, ww2 -
National Wool Museum
Book, I.C.S Reference Library No. 106
"I.C.S Reference Library no. 106: arithmetic, logarithms, mensuration, woollen and worsted yarn calculations, mechanical definitions, mechanical calculations, reading textile drawings, wool, wool washing, wool drying, burring and carbonising, wool oils and oiling" International Correspondence Schools Ltd, 1923.textile production wool processing, international correspondence schools ltd, cloth - woollen, cloth - worsted, carbonising, burring, textile production, wool processing -
National Wool Museum
Book, Michell: 125 years
"Michell: 125 years; wool and leather for the world" 1997. Overview of the history of G.H. Michell and Sons (Aust.) Pty Ltd, the Australian woolbrokers, wool processors and wool exporters.wool processing wool brokering, g.h. michell and sons (aust.) pty ltd, wool processing, wool brokering -
National Wool Museum
Consignment Form
Card for detailing consignments of wool from Exeter to Yennora Wool Sidings.wool - transportation -
Brighton Historical Society
Clothing - Dress, c. 1974
This dress was worn by Brighton's first female mayor, Councillor Di Lopez, to a Mayoral Ball held at Brighton Technical School in 1977. Diane Margaret Lewis completed a law degree at the University of Melbourne, later marrying one of her classmates, criminal lawyer Ramon (Ray) Lopez. When she decided to run for the Brighton City Council in 1975, she was seen as an outside chance. Undeterred, she rallied a small group of friends and supporters and set out on an extensive door-knocking campaign that won voters to her side and successfully unseated former mayor Keith Devenport. She went on to serve two terms on council from 1975 to 1981. Di initiated many local projects, including the creation of a bike path along Nepean Highway and the first Brighton Festival, while balancing family life and a demanding ‘day job’ as personal assistant to Victorian Minister for Youth, Sport and Recreation Brian Dixon. She was a member of the Women’s Electoral Lobby and a champion for women’s representation, encouraging both Sally Allmand and Kate Harman to run for council (both were successfully elected). She advocated forcefully for an open, transparent local government in which ratepayers had the chance to participate and be heard. In 1976 Di became the first woman to hold the title of Mayor of Brighton, and she made it clear from the outset that she was going to do it her way. For the annual mayoral ball in 1977, ordinarily a staid traditional function, she chose a discotheque theme based on the Rod Stewart album Night on the Town, with a broad dress code of ‘black tie or jeans’: ‘You’ve got to get with the times,’ she said. ‘We want people to wear whatever they feel comfortable in.’ Di herself chose to attend in this knee-length chamois dress embellished with strings, ribbons, beads and feathers. It was both a fashion statement, exemplifying her colourful, flamboyant and forthright style, and a political one: a declaration of her intention to lead a progressive council, embracing the new and refusing to be hemmed in by dated traditions. In 2020 she was awarded an Order of Australia Medal for her service to local government and to the community of Brighton.This dress has local historical significance for its association with Brighton's first female mayor, Councillor Di Lopez, who wore it to a Mayoral Ball in 1976. The dress exemplifies her flamboyant reputation, modern outlook and willingness to break norms. At the time, the dress was a radical choice for a Mayoral Ball, where women typically wore formal evening gowns. With her choice of dress, Cr Lopez was making a public statement, breaking away from dated traditions and announcing her intention to bring the Mayor's office into the 1970s. In this way, the dress also points to the wider social and political changes taking place both in Brighton and across Australia during the mid-1970s.Three quarter length chamois dress circa 1974. Machine stitched with a v-neck and full length sleeves and an uneven raw hem, the dress is decorated with narrow thongs of chamois embellished with red beads and blue feathers. The open-fronted bodice is laced with red ribbon and the skirt is decorated with a large blue wool cross stitch and a combination of blue wool and purple ribbon cross stitch. Made in the style of an Indian 'Wild West Dress'.di lopez, chamois, brighton, brighton council, brighton technical school, mayoral ball, 1970s, feminism -
National Wool Museum
Book, Sale by Description: a progress report on implementation
"Sale by Description: a progress report on implementation; report prepared by the advisory committee on objective measurement, Australian Wool Corporation, Dec. 1987." Relates to standardised descriptions of wool and wool measurements.woolclassing, australian wool corporation -
Montmorency/Eltham RSL Sub Branch
Beret, Black, R.A.Signals
Black wool felt beret with black nylon trim and tie tape. Royal Australian Corps of Signals cap badge. Black cloth lining with manufacturer's label and name / number label. Label "Beret Mnfrs Pty Ltd. Victoria. Australia. Size 6 3/4 " Name Tag "3162456 Dibben" hand writtenheadgear, beret -
Ballarat Clarendon College
Blazer pocket
Pocket was worn by Alan McDonald in 1947 and bears the colours for cricket, athletics, rowing, football and tennis. Alan was member of Elliott House, Prefect and member of the top 5 sports teams in 1947. He went on to study at Duntroon and spent 38 years in the Army. Black wool blazer pocket with embroidered braid across top, Minerva Head embroidered in yellow and surrounded with red embroidered belt; crossed tennis rackets embroidered at bottom right corner. Embroidered on ribbon: XI. ATHS.(crossed oars). XVIII. IValan-mcdonald, sports, blazer-pocket, ballarat-college -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Sewing Kit
Soldier issue itemSewing kit contained in green cotton roll tied with 2 cotton tapes. Contents - black, green, white and brown cotton, buttons, safety pins, darning needles, darning wool.PAGE QLD 82 8315-66-13-9185 -
Tennis Australia
Ball, Circa 1750
A court tennis ball, probably stuffed with densely wound woollen strips, and contained within a cover comprising of two pieces of stitched, red dyed cloth. Materials: Wool, String, Clothtennis -
National Wool Museum
Journal, Dennys, Lascelles Limited Annual Review August, 1968
"Dennys, Lascelles Limited Annual Review August, 1968"Two copies. Green paperback stapled booklet entitled "Dennys, Lascelles Limited Annual Review August, 1968" including advice and information for wool growers. 24 p., includes calendar.Dennys, Lascelles Limited Annual Review August, 1968wool brokering, wool growing, dennys, lascelles limited -
Brighton Historical Society
Dress, Wedding dress, 1968
This wedding dress belonged to Barbara Stewart, nee Bellamy, who married Alexander Stewart at St Andrews Church in Brighton on 15 June 1968. The dress was made by 'Madam', a dress shop in Church Street. At the time of donation, Barbara had been a Brighton resident for 80 years.Cream mini-dress of net and wool lace with textured floral pattern. High round neck and long sleeves, with small frill at collar, cuffs and hem. Satin lined, with a zip at the back.barbara bellamy, barbara stewart, alexander stewart, st andrew's church brighton, 1960s, wedding dress -
National Wool Museum
Certificate
Certificate awarded to Mr. Charles Wilson Peel from the Royal Agricultural Society of Victoria, 1969. The certificate is for Third Prize. Mr Peel owned a superfine merino stud at Gnawarre named Callenondah. Cream coloured stiff paper certificate with dull gold/green borders, black text and grey typed personalised text to C.W. Peel for Merino lambs wool. Heading at top of certificate. -
Kew Historical Society Inc
Clothing - Hand-Woven Jacket, Grace James, 1971-1988
Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Hand-woven woollen jacket with white bands interspersed with diamond patterned bands in shades of green and pink. The kneck and a band down the front uses the dark pink wool. There is a matching belt.grace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), woven jumpers -
Kew Historical Society Inc
Work on paper, Joy Stewart, 3. East Kew State School, 1988
Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.3. East Kew State School. A Handcoloured cartoon created by the artist Joy Stewart as a template for the third of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "EAST KEW STATE SCHOOL. Typical country school attended by children from surrounding farms and market gardens". Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart -
Kew Historical Society Inc
Work on paper, Joy Stewart, 4. Boroondara Cemetery, established 1859, 1988
Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.4. Boroondara Cemetery, established 1859. A Handcoloured cartoon created by the artist Joy Stewart as a template for the fourth of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "BOROONDARA CEMETERY, Established 1859. Horse drawn trams from Victoria Bridge terminated at gates bringing visitors to graves of relatives and friends; and sightseers to view the impressive pioneer memorials". Signed by the artist "(c) JStewart, 1988". bicentennial project (kew), boroondara general (kew) cemetery -
Kew Historical Society Inc
Work on paper, Joy Stewart, 6. War Memorial: Unveiled 1925, 1988
Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.6. War Memorial: Unveiled 1925. A Handcoloured cartoon created by the artist Joy Stewart as a template for the sixth of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "WAR MEMORIAL: Unveiled 1925. Post Office, Court House and Police Station erected 1888. ... The Junction of High Street and Cotham Road became the commercial heart of Kew." Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart, wwi, kew war memorial -
Kew Historical Society Inc
Work on paper, Joy Stewart, 8. Kew: City of Parks and Gardens, 1988
Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.8. Kew. City of Parks and Gardens. A handcoloured cartoon created by the artist Joy Stewart as a template for the seventh of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "Proclaimed a Municipality - 18th December 1860 / Created a Borough - 1st October 1863 / Gazetted a Town - 14th December 1910 / Declared a City - 9th March 1921". Signed by the artist "(c) JStewart, 1988"joy stewart, bicentennial project (kew) -
Heidelberg Repatriation Hospital
Uniform - Vietnam War Uniform, Circa 1960
Army Uniform from the Vietnam War era.Representative of the era. Massed produced by the Australian Government.Uniform comprises Jacket (.1) Pants (.2) and Tie (.3) . Khaki wool. Button up trousers. Jacket has Royal Australian Engineers badge on shoulder, gold buttons on epaulettes.Label reads: Buckleys & Nunn Ptd Ltd / Melbourne. Handwritten: Chappelluniform, army, vietnam -
Bendigo Military Museum
Uniform - NAVY - JACKET, TIE & CAP, ADA - Australian Defence Apparel, 1996/98
Items belonging to; DAVID DIXON RAN R112262. Refer Cat No 5215.5 for his service history.1. JACKET, BOMBER - WOOL/POLYESTER, BLACK. 2. TIE - POLYESTER, BLACK. 3. CAP or 'LID' - PLASTIC, WHITE, BLACK TALLY BAND, GOLD EMBROIDERY, BLACK CHIN STRAP. 3. HMAS KUTTABUL.uniform, navy, ran -
Port Melbourne Historical & Preservation Society
Clothing - Jacket, Port Melbourne Fooball Club 3rd XVIII, Undefeated Premiers, 1945
Port Melbourne Football Club 3rd XVIII 1950s blazer; embroidered pocket includes "Undefeated Premiers" 1946 to 1952, blue wool with red ribbon trim, owned by Ted McCARTHY.PM on sewn in labelsport - australian rules football, ted mccarthy, port melbourne football club, pmfc -
Mont De Lancey
Textile - Rug, Unknown
A wool rug with a hessian backing. It has a red and white striped pattern in the middle, with brown triangular shapes at the sides. There are brown and white stripes yellow flowers and green leaves around the edges.rugs, floor rugs, textiles, household textiles -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - panoramic view of Portland, n.d
Black and white photo. Fishermans wharf in background. Long pier. Ocean pier. Baths. Cypress trees in foreground of Bentinck Street. Electric light poles. Ute carying wool bales.Front: Portland Victoria. (Length of Ocean Pier 2880ft).portland, photography, fishermens wharf -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - loading wool, n.d
Port of Portland Authority Archivesport of portland archives, wool bales, marine industry