Also one black and white copy of the same image.Black and white photograph showing two steamers at New Works wharf, Cunninghame Arm,Cottages on dune behind steamers. Top of sail visible behind steamer. Sand showing between vegetation on dunes. Lakes Entrance Victoria.ships and shipping, waterways, jetties, islands

Black and white photograph showing entrance view from western pier towards eastern pier and works buildings, includes flagstaff rocket shed, township in distance, tramline along western pier in foreground, at Lakes Entrance, Victoria.waterways, jetties, ocean

Also black and white copy 9 x 14 cmSepia photograph showing lake, Cunningham Arm, in front of three houses on dunes at New Works. House on left is harbour masters, centre is harbour engineer's house and on right is house of contractor John Carpenter. Lakes Entrance Victoriajetties, fishing industry, boats and boating, waterfront

Also postcard 7 x 10.5, similar image,Black and white photograph of the entrance, taken from lookout on Jemmys Point, shows signal light adjacent to lookout, people on slope in front of signal, New Works cottages on hummocks, ocean horizon in distance. Lakes Entrance VictoriaThe Entrance from Jemmy's Pointwaterways, dredging, ocean

Also one other photograph, similar viewColour photograph of the first road bridge from Lakes Entrance to Bullock island, which was built for Public Works Dept. groyne building and sand build up to enlarge the island. Built early 1953. Lakes Entrance Victoriawaterways, topography, transport, room display

Letter to the Editor of The Courier, Ballarat 14/1/1997 R. Grange, York St. Ballarat questioning the priorities at looking at the return of trams to Ballarat Street, against other works. Project would be mainly for the benefit of Sovereign Hill."Ballarat Courier 14/1/97" in blue ink on bottom of cutting and stamped - "Frank Puls, 164 Humffray St. Nth, Ballarat 3350, Victoria, Australia, 13 Jan. 1997" in green and blue ink.feasibility study, ballarat city tramway, ballarat revival, letter to the editor

This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 7. Quarry plant (New South Wales) being erected, September 1921. Murray Flats (in foreground) and Mitta Mitta Flats (beyond) flooded.hume reservoir australia, river murray waters scheme, quarry plant hume

35mm Kodak white cardboard colour slide by Keith Kings of per way works car No. 15 being used to transport brake shoes (blocks) around the depot. Being loaded at Preston Workshops. 16/4/1968Keith Kings stamp and number "21-36", with details of exposure. in ink "MMTB No. 15 (ex Q 198) being used to transport brake shoes around the depot. Being loaded at Preston Workshops.trams, tramways, work trams, brake blocks, tram 15

Licence for use of 11 acres of unused roads in the Shire of Grenville for 3 years at a charge of one pound eighteen shillings and six pence.White oblong paper headed "Unused Roads and Water Frontages Act 1903". Licence number 1767, dated 1st January 1905, issued by Department of Public Works to Armstrong Kerr of Linton. Document is printed on both sides.On back: "2743. A. Kerr".armstrong kerr, agricultural activity, roadside grazing permit

Also another black and white photograph of cleared site of Pecks factory 01611.1Black and white photograph of Bullock Island. It shows the site of Pecks fishing processing factory being cleared, Kalimna Heights in background taken from New Works area of southern shore of Cunninghame Arm. Lakes Entrance Victoriaislands, historic site

Peter GEORGAKIS Peter Georgakis completed his secondary education in Colac. He completed a Bachelor of Fine Arts at University of Ballarat (now Federation University). The following year he successfully completed an Honours, Creative Fine Arts. He was the recipient of the 2012 Martha Pinkerton Award. This artwork was purchased at the University of Ballarat End of Year Exhibition for the collection by Vice Chancellor David Battersby. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract ArtPeter GEORGAKIS Peter Georgakis focuses on exploring the concept of cognitive distortions and their relationship towards the physical and figurative. By utilising and relating a variety of figurative and physical imagery, he depicts the fragmentation and explosion of an interior visual landscape within distorted thought processes. This work portrays a wide array of distorted cognitive responses in a very visceral and disordering application. His works convey and visualise this response by using a variety of different software, including medical imaging, sound to image and experimental visualisation techniques. With such software applications, he has been able to digitally manipulate figurative and physical imagery in an unorthodox manner. Through this lens of a variety of software applications, he has been able to experiment and explore a vast range of cognitive distortions and their relationship towards the physical image. art, artwork, printmaking, peter georgakis

Antoinetta COVINO-BEEHRE born Avellino, Italy arrived Australia 1968 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. lls '2/36' lc 'Shadow of the Night' lrs ''Antoinetta Covino-Beehre'artist, artwork, antoinetta cravino-beehre, printmaking, parallel prints

Bendigo Advertiser "The way we were" from 1999. United iron works: taken in 1900. Abraham Roberts first established himself as a blacksmith in Wills Street, Sandhurst. Later his sons Abraham junior and William joined the business and it traded as the United Iron Works. With hard work the foundry grew until it covered three acres bound by Wills , King and Mitchell Streets. The firm established itself throughout the colony for excellence in their work. Much of their work can still be seen around Bendigo including the overhead bridge at the railway station.newspaper, bendigo advertiser, the way we were

Yields information about depot activities of the BTPS in building the depot fan and access track.Set of 9 AGFA blue and white plastic mount 27mm sq slides of various works at the BTPS depot during 1973 / 1974. .1 - Campbell Duncan operating a rail hole drill. .2 - Track construction - installation of No. 1 roadway commenced. .3 - ditto with overhead works - Warren Doubleday, Bill Kingsley, Clyde Croft and Noel Gipps .4 - ditto .5 - ditto .6 - overhead work .7 - laying a drainage pipe at the rear of the depot .8 - ditto - Loddington .9 - forming the cut off walls at the front of the depot.Various notations by John as to the slide number and the trams in pencil and ink.tramways, trams, btps, depot, track construction

Negative folder - made by SAGA Japan, containing 6 no. 120 film negatives 60mm x 90mm of the works on the extension to East Burwood, Burwood Highway, near Blackburn Road, 29-12-1977. Folder stamped 396 .1 - Burwood highway - out of focus - showing end of slab. .2 - ditto - looking west? - shows cross section of slab. .3 - Blackburn road with poles positioned - with BP service station in background. .4 - ditto .5 - sign showing tramway works in progress .6 - from the kerbside showing the track.trams, tramways, burwood highway, tramway construction, construction, east burwood

Although the Kiewa Hydro-Electric Scheme was first proposed in 1911, construction did not commence until 1938. As part of the push to cut electricity costs and diversify supply, the Victorian Government (circa 1930) initiated the conversion from primarily brown coal supply to hydro – electricity. Field investigations during the 1940’s resulted in a new proposal for a scheme that had more than double the capacity of the 1938 scheme. The Kiewa Hydroelectric Scheme became the largest scheme of its kind in the State Of Victoria and the second largest scheme in Australia. The number of personnel involved in the planning and construction of the scheme increased dramatically. During the late 1940’s, most activity centred around the construction of the West Kiewa Power Station, Rocky Valley Reservoir, McKay Creek Power Station and the Bogong Creek Aqueduct.A common thread across all the larger hydro scheme constructions was the need for workers, both qualified and unqualified who came from around the world seeking a new life for themselves and their families. New accommodation and facilities were required for the army of workers engaged in construction in often remote and wild areas. The SEC had a high demand for timber, and set up the first of a number of sawmills at Bogong Creek in 1939 and set up the first hardwood logging in the headwaters of the Kiewa River. These new ‘towns’ such as Mt Beauty and Bogong, survived, serving the needs of operational personnel and their families, and expanding with growth of new industries. Mount Beauty, and to a lesser extent Bogong, are among these places. PHYSICAL: Large A3 size spiral bound display folder containing 21 pages of photocopied black and white photographs of various aspects of the early days of the Kiewa Valley Hydro-electric scheme including equipment, various work sites and photographs of workers and their families. 1-Bridge across Tailrace Channel 1946 2-New Mess building, Mt Beauty 3-Homan’s Gap Saw Mill 4- Diamond Drilling Plant – Big Hill 5-Rocky Valley Camp-Mess Building 6-Parlimentary Party at Rocky Valley 7-No.4 Headrace Tunnel 8- Allis-Chalmers Tractor School 9- SECV Heavy Machinery lined up by road 10- No. 5 Raceline – Balasting Track with improvised truck 1-1946 – Bridge across tailrace channel Page number 9 2-New mess building, Mt Beauty 6.4.46 Page number 10 3- STATE ELECTRICITY COMMISSION OF VICTORIA Date: 10.1.47 Time: 11.40am No K2271 Kiewa Hydro Electric Works Homan’s Gap Saw Mill – Rip Saw Page number 11 4- STATE ELECTRICITY COMMISSION OF VICTORIA Date: 5.10.47 Time: 11am No K4111 Kiewa Hydro Electric Works Diamond Drilling Plant – Big Hill Page number 12 5- STATE ELECTRICITY COMMISSION OF VICTORIA Date: 11.2.48 Time: 3pm No K4277 Kiewa Hydro Electric Works Rocky Valley Camp-Mess Building Page number 13 6- STATE ELECTRICITY COMMISSION OF VICTORIA Date: 15.4.48 Time: 4.30pm No K4397 Kiewa Hydro Electric Works Parlimentary Party at Rocky Valley Page number 14 7- STATE ELECTRICITY COMMISSION OF VICTORIA Date: 22.8.48 Time: 9am No K4668 Kiewa Hydro Electric Works General view of No.4 Headrace Tunnel Page number 15 8-STATE ELECTRICITY COMMISSION OF VICTORIA Date: 5.9.49 Time: 10am No K5180 Kiewa Hydro Electric Works Allis-Chalmers Tractor School – HD 19, Mr I Crossthwaite at Controls Page number 16 9- No markings Page number 17 10- STATE ELECTRICITY COMMISSION OF VICTORIA Date: 7,12.49 Time: 4pm No K5423 Kiewa Hydro Electric Works No. 5 Raceline – Balasting Track with improvised truck. Page number 18 secv; kiewa hydro electric scheme; mt beauty; bogong; construction area

Used at the brick works of Fritsch, Holzer & company of Hawthorn and was used to transport bricks and materials around the works.Historic - Industrial Narrow Gauge Railway - Fritsch, Holzer & Company Brickworks , Hawthorn, Victoria, AustraliaBrick Skip - Iron & Wrought Iron frame, Rubber tyers puffing billy, industrial narrow gauge railway, brick skip

E557 N24. Part of a 51-photo record of the development of the "Kubis" Estate, Ringwood North, including road works to Debbie Place, Kubis Drive, Werac Drive, Iluka Place and Glenvale Road. From the Jack Lundy Clarke collection.

Four colour photographs; two showing site works at the corner of Brougham Street and Main Road, one showing Michael Wilson Jeweller at 725 Main Road and one showing Victorian Artists Supplies at 715 Main Road, Elthameltham, brougham street, main road, michael wislon jeweler, victorian artists supplies

Four colour photographs; two showing site works at the corner of Brougham Street and Main Road, one showing Michael Wilson Jeweller at 725 Main Road and one showing Victorian Artists Supplies at 715 Main Road, Elthameltham, brougham street, main road, michael wislon jeweler, victorian artists supplies

Four colour photographs; two showing site works at the corner of Brougham Street and Main Road, one showing Michael Wilson Jeweller at 725 Main Road and one showing Victorian Artists Supplies at 715 Main Road, Elthameltham, brougham street, main road, michael wislon jeweler, victorian artists supplies

Four colour photographs; two showing site works at the corner of Brougham Street and Main Road, one showing Michael Wilson Jeweller at 725 Main Road and one showing Victorian Artists Supplies at 715 Main Road, Elthameltham, brougham street, main road, michael wislon jeweler, victorian artists supplies

Diggers and miners. Diggers and Miners. Central Nell Gwynne Mine, Bendigo. The miner is employed by a mining company - and works for wages; . . . Photo shows the Central Nell Gwynne Mine, Bendigo. Markings: 8 994.5 WAL. Used as a teaching aid.hanimounteducation, tertiary, goldfields