Photo taken on the day of the Wattle's removal from the River Yarra by two mobile cranes, the vessel is suspended above the river. A very significant moment in the life of the Wattle as this was the first day of the major restoration project that continues from 2009 through 2012 aiming to finish in mid 2013. Prior to this restoration project there was a long lead up to find funding and resources to restore the Wattle and ensure that Wattle was not scrapped. The majority of this preparation and restoration work was and continues to be completed by volunteers.Colour photograph in a gilded wooden frame. S.T. Wattle being lifted by two cranes from the Yarra River onto 24 South Wharf. A number of crew can been seen wearing safety attire assisting with the manouvering of the vessel.photograph, wattle, river yarra, mobile crane, crane, steam tug, volunteers, bay steamers maritime museum, 2009

Four Glasses in Two boxesRotary Club of Brimbank Central

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Ink sketch of two magpiesSigned lower left "Neville M. Bunning"art, artwork, neville bunning, unframed, magpie

The Ballarat Junior Technical School was established in 1913, and was a division of the Ballarat School of Mines. According to 'The Australasian' of 31 July 1915 sixty students of the Ballarat Junior Technical School made all the items depicted in the photograph.Black and white photograph mounted onto a brown card showing the interior of the Ballarat School of Mines Carpentry Building. It shows the war efforts of Sloyd students at the Ballarat Junior Technical School. Numerous foot stools, foot warmers, tables and seats were made by student to send to the front during World War One. Teacher Albert Steane stands on the left (2nd to the left of the Red Cross sign). From the second timber support beam V. Maddison stands 4th to the right and F.N. Ling 6th to the right of the beam. ballarat school of mines, ballarat junior technical school, world war one, world war 1, world war, red cross, albert steane, v. maddison, fn king, war effort, home front, trade, steane, sloyd

DVD in caseThe War File - Vietnam The Chopper Warevietnam

One phase of the Papuan campaign as seen by the camera of George Silk a department of Information photographer, 194240 Page Pamphlet with black and white photograph on front cover of Cpl. F.R.Smith of Queensland, with his tommy gun near Gona Front line.Official War Photographs of the Battle for Australia

black & white photograph, unmounted good conditionBoer War Memorial, close-up

This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities, are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to a lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up a home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Official History of Australia in the War of 1914-1918 Vol 11 Author: Ernest Scott Publisher: Angus & Robertson Ltd Date: 1943 Further Information: Australia During The WarThe label on the spine cover with typed text H 940.40994 OFF Paste down front end paper has a sticker from Corangamite Regional Library Service.flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, official history of australia in the war of 1914-1918 vol 11, ernest scott

Coloured photograph of Mitcham War Memorial, in Halliday Park, Mitcham Road, Mitcham. Shows details of names. Part of descriptions of Blackburn & Mitcham War Memorials prepared by Ted Arrowsmith for inclusion in War Memorials of Australia database. See Reference ND4383.war memorials, halliday park, mitcham, arrowsmith, ted, war memorials in australia database, anderson.a.a., walker.h.i., bethell.r., blake.charles william gilbert., bromley.r.p., byrne.j., davey.j., dowton.h.w., featherstone.g., geal.a., geal.g., gilbert.l.r.t, hall.c.s, hornyby.l.l., hogan.h.a., hughes.r.e., jones.r.s., jones.g.e., piggot.j., ward.f.d., white.f.i., wollox.s.l., crawford.g.d, morris.w., fenton.w.r.b., mcarthur.g.n., furneaux.c.r, mcdonald.a.j., haynes.a.b, peake.r., jones.j.b., rhodes.j.f., loftus.c.s., rolf.a.j., mackie.a.d., till.alwyn, morcom.r.e., walker.g.m., anderson.f.m, anderson.d.e., amadee.e., adams.a.a., ashby.w.h., allen.g.f., allan.w.f., bailey.w., blake.a.e., bedson.a.p., bruce.r., bruce.j.w., bowman.a.j., boyle.a., bower.j., gilchrist.p., bowen.w.j., brown.w.t., byrne.j.t., burton.j., carter.f.a., course.e., christie.w., chalmers.a., chafer.j.a., cook.w., cooksley.w.f., collins.a.m., cribbes.a., davey.w., dawe.p.a. (navy), dawson.j.t, daniels.r., dwyer.w.h., dibben.j.h., erikson.c., essing.c.w., fishwick.j., fishwick.d.j., fankhauser.c., gayleard.t.j.c., graves.f.b., gee.s.r.e, graham.j.j., hand.g.j., mathews.j., harbour.f.s., hall.w.h., hall.g.a., harris.p., headford.m. (navy), holberg.w., holbery.r., hogan.l, hirst.a.w., husband.c.t.m, jay.w.a., kotzebue.n., logan.w., lloyd.d., livermore.s.d, livermore.c.r., marsh.d.m.w. (m.m.), mau.l.j., matheson.charles, mathews.h., mathews.chas., mathews.clem, morris.p.h., morgan.j., mock.t., mcghee.s.c.s, mcmurray.l., mcwhinney.r.c., oliver.p.c., pellow.r., phillips.h., plumridge.h.e., pye.w., robinson.a., robinson.a.w, reilly.j.v., wheeler.e.j., savage.g., scammell.c.h., sherlock.a.w., smith.h., skinner.l.h., steens.l.h., steel.h., tayler.c.l., uren.l., voight.a., wallace.c., ward.g., waugh.w., wemyss.g.h, young.t., young.j.l., lamont.w.e.c., husband.l.d., mau.dêarcy, petterson.a.g.

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.World War I-era pressed metal fundraising badge, advertising ANZAC Remembrance Day"ANZAC Remembrance Day"patriotic buttons, remembrance day, badges

non-fictionroses, bouvardias, chrysanthemums, carnations, sweet peas, dahlias

The biography of a Victorian Koori woman who traced her family lineage back to the first contact between Indigenous Victorians and the founder of Melbourne. Daughter of Two Worlds by Dawn Lee begins with a tragic affair between Eliza Batman, the wife of Melbourne pioneer John Batman, and William Willoughby, Batman's right-hand man and a pillar of Melbourne's early Wesleyan church. The book also unearths the remarkable truth behind a family legend that Dawn Lee's great grandfather was a mysterious white English lord who met her great grandmother, Susannah, a full tribal Gunditjmara woman.maps, b&w photographsgunditjmara, dawn a lee, aboriginal victorians, victorian history

The stories in 'Victory Roll' tell of some of the deeds performed in the final and victorious year of WWII. They add to a long tradition of gallant service and sacrifice and will serve as an eternal inspiration in the task of building a new world in which the spirit of the Four Freedoms must predominate. In making final victory possible, we lost many comrades, to w home this book, together with those which preceded it, becomes a permanent memorial.Green hardcover and spine with black text - 'Victory Roll The RAAF at war' on front cover and spine. The inside front and back covers have silhouette, green sepia pictures of a variety of aeroplane. Illustrations, photographs and cartoonsMessage from the Chief of Air Staff.... Air Vice Marshal, Chief of Ai Staff C.Joneswwii, raaf, end of conflict, test pilot, wewak, the sisters fly on, battle of borneo, the biscuit bombers, anzacs on bougainville, raaf pacific, return to timor, pacific landing, long range from darwin, air victory over burma, lifeline to china, photo recce, first over malaya, jungle dawn, the victory in europe, story of a prison camp, night flight over hamburg, youth's prayer at a war memorial, victory at the alps, waaf's good service

Items from the collection of the Australian War Memorial, including works of official war artists and others relating to World War 1Paperback, 80 p. text, black and white and col. illustrationsworld war 1, war art, australian war memorial

A copy of the speech Legatee Bill Rogers gave in 2018 on the 100th anniversary of the end of World War 1. The event could be as a speaker at a Legatee luncheon. He focuses on the work of doctors and nurses in the field. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008) or as a legatee.A record of speech about doctors and nurses and their work in the battlefield.One A4 page of the speech Legatee Bill Rogers gave on the 100th anniversary of the Armistice of World War 1.bill rogers, armistice

Four examples of saw mills placed in station yards were seen on the Beech Forest line of which one was the War Service Homes Commission weatherboard planning mill at Gellibrand. It operated between 1920 until 1923 for both inwards and outwards cartage of timber. As an alternative to Colac Reginald Driver, the WSHC operator, chose Gellibrand in September, 1920 as the site for a mill fitted with the latest double-bladed planning machine. The rough cut boards were sent by train from Driver's mills at Ferguson, Wyelangta and Macknott, off loaded at Gellibrand, and later reloaded for the trip to Colac.B/W. War Service Homes Commission Saw Mill at Gellibrand station in 1920. Six men loading palings onto a NQR wagon.gellibrand; war service homes commission; planing mill; railways;, gellibrand; war service homes commission; planing mill; railways;

Painter, printmaker and installation artist John Wolseley was born in Somerset, England. He lived and worked throughout Europe before relocating to Australia in 1976. His work explores how people dwell and move within landscape. Wolseley see's himself as a hybrid mix of artist and scientist; one who tries to relate the minutiae of the natural world - leaf, feather and beetle wing - to the abstract dimensions of the earth's dynamic systems. Using techniques of watercolour, collage, frottage, nature printing and other methods of direct physical or kinetic contact Wolseley finds ways of collaborating with the actual plants, birds, trees, rocks and earth of a particular place. George Baldessin was one of the first artists John Wolseley met when he arrived in Australia in 1976. Both immigrated to Australia and connected through this shared experience. They were both at 'Realities Gallery' with Marianne Baillieu in the 1970s and 80s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'Life world of the Longicorn beetle' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Communion and collaboration with nature are central to Wolseley's practice. He assembles different drawing methods to represent a kind of inventory or document about the state of the earth. His interest is to paint the processes and energy field of the living systems of this land. 'Life world of the Longicorn beetle' is his continued exploration of Australia's natural eco-systems. The beetle attacks the eucalypt and in the process of tunnelling into the wood of the tree leaves scribbly patterns. The work celebrates the cycle of life, and the wisdom and delicacy of these creatures. This three dimensional work consisting of three layers of paper is a varied edition, offering just the slightest difference between each print, reflective of variation in nature. The found log used as a woodcut acknowledges the interconnectedness of nature and living beings; the log is not apart from the art and the beetle has become an active artistic collaborator. An intimate and layered print of a tree log with line trails from the Longicorn beetle. Patches of pink, yellow and orange watercolour placed randomly. Woodcut from found log and etching on chine-colle with water colour on Gampi (top layer), Mulberry (middle layer) and Arches (bottom layer) paper. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Life world of the Longicorn beetle' (title); right 'John Wolseley' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)woodcut, etching, chine-colle, landscape, environment, longicorn beetle, print, baldessin, ekphrasis2018, eco, mixed media